Download or read book The New Radical Theatre Notebook written by Arthur Sainer and published by Hal Leonard Corporation. This book was released on 1997 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Applause Books). This book traces three tumultuous decades of avant-garde theatre in the U.S. It begins with the Living Theatre, and explores diverse ensembles such as The Open Theatre, The Performance Group, and Bread and Puppet Theatre. It also looks at the women's theatre movement, and examines the work of Robert Wilson, Meredith Monk, Richard Foreman and more. There are sections devoted to ritual concepts, theatre in the streets, radical participation of the spectator, workshops in prisons, spectacles such as the Greenwich Village Halloween Parade, and much more. This giant colloquium involves the people who changed the face of theatre from the '60s onward. Filled with photos, drawings, private notes and fliers, it is part ongoing history, part document, part journal, part complaint and part blessing.
Download or read book The radical theatre notebook written by Arthur Sainer and published by . This book was released on 1972 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Radical Theatre Notebook written by Arthur Sainer and published by . This book was released on 1975 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Radical in Performance written by Baz Kershaw and published by Routledge. This book was released on 2013-10-18 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Radical in Performance investigates the crisis in contemporary theatre, and celebrates the subversive in performance. It is the first full-length study to explore the link between a western theatre which, says Kershaw, is largely outdated and the blossoming of postmodern performance, much of which has a genuinely radical edge. In staying focused on the period between Brecht and Baudrillard, modernity and postmodernism, Baz Kershaw identifies crucial resources for the revitalisation of the radical across a wide spectrum of cultural practices. This is a timely, necessary and rigorous book. It will be a compelling read for anyone searching for a critical catalyst for new ways of viewing and practising cultural politics.
Download or read book Restaging the Sixties written by James Martin Harding and published by University of Michigan Press. This book was released on 2006 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: A dynamic exploration of eight radical theater collectives from the 1960s and 70s, and their influence on contemporary performance
Download or read book Modern American Drama Playwriting in the 1960s written by Mike Sell and published by Bloomsbury Publishing. This book was released on 2019-11-14 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Edward Albee: The American Dream (1960), Who's Afraid of Virginia Woolf? (1962), A Delicate Balance (1966) and Tiny Alice (1964 ); * Amiri Baraka: Dutchman (1964), The Slave (1964) and Slaveship (1967); * Adrienne Kennedy: Funnyhouse of a Negro (1964), Cities in Bezique (The Owl Answers and A Beast's Story, 1969), and A Rat's Mass (1967); * Jean-Claude van Itallie: American Hurrah (1966), The Serpent (1968) and War (1963).
Download or read book Fearless Femininity by Women in American Theatre 1910s to 2010s written by Lynne Greeley and published by Cambria Press. This book was released on 2015-08-06 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights and artists in American theatre both embodied and disrupted the feminine of their times. Through approaches as wide ranging as performing their own recipes, energizing silences, raging against war and rape, and inviting the public to inscribe their naked bodies, theatre artists have used performance as a site to insert themselves between the physicality of their female presence and the liminality of their disrupting the role of the feminine. Capturing that place of liminality, a neither-here-nor-there place that is often unsafe, where the established order is overturned by acts as banal as raising a plant, women have written and performed and disrupted their way through one hundred years of theatre history, even within the constraints of a variably rigid and usually unsympathetic social order. Creating a feminist femininity, they have reinscribed their place in the culture and provided models for their audiences to do the same. This comprehensive tome, part of the Cambria Contemporary Global Performing Arts headed by John Clum (Duke University) is an essential addition for theater studies and women's studies.
Download or read book American Theatre Ensembles Volume 1 written by Mike Vanden Heuvel and published by Bloomsbury Publishing. This book was released on 2020-11-12 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Across two volumes, Mike Vanden Heuvel and a strong roster of contributors present the history, processes, and achievements of American theatre companies renowned for their use of collective and/or ensemble-based techniques to generate new work. This first study considers theatre companies that were working between 1970 and 1995: it traces the rise and eventual diversification of activist-based companies that emerged to serve particular constituencies from the countercultural politics of the 1960s, and examines the shift in the 1980s that gave rise to the next generation of company-based work, rooted in a new interest in form and the more mediated and dispersed forms of politics. Ensembles examined are Mabou Mines, Theatre X, Goat Island, Lookingglass, Elevator Repair Service, and SITI Company. Preliminary chapters provide a sweeping overview of ensemble-based creation within the general historical and cultural contexts of the period, followed by a detailed study of the evolution of ensemble-based work. The case studies consider factors such as influence, funding, production, and legacies, as well as the forms of collective devising and creation, while surveying the continuing work of significant long-running companies. Contributors provide detailed case studies of the 6 companies from the period and cover: * A chronicle of development and methods * Key productions and projects * Critical reception and legacy * A chronological overview of significant productions From the long history of collective theatre creation, with its sources in social crises, urgent aesthetic experimentation and utopian dreaming, American ensemble-based theatre has emerged at several key points in history to challenge the primacy of author-based and director-produced theatre. As the volume demonstrates, US ensemble companies have collectively revolutionized the form and content of contemporary performance, influencing experimental, as well as mainstream practice.
Download or read book W odzimierz Staniewski and the Phenomenon of Gardzienice written by S. E. Gontarski and published by Routledge. This book was released on 2021-12-30 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a broad, comprehensive overview of the contemporary state of the Gardzienice theatrical company and its evolution. Their most recent production, The Wedding, is taken as a focal point for a retrospective discussion on the company’s development. Premiered at the festival celebrating the 40th anniversary of the company, The Wedding echoes most of the major achievements of Staniewski’s stage language and his capacity of exploring and developing the performative potential of liveness. This study consists of essays by prominent practitioners and theoreticians of theatre, director’s notes, conversations with Staniewski and other company members, selected archival materials and substantial visual coverage. It promises to be of great interest to students and scholars across the fields of theatre and performance studies.
Download or read book La MaMa Experimental Theatre A Lasting Bridge Between Cultures written by Monica Cristini and published by Taylor & Francis. This book was released on 2023-11-10 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the role of La MaMa Experimental Theatre within Avant-garde theater during the 1960s and 1970s. This study investigates the involvement of the Off-Off Broadway circuit in the Avant-garde experimentations both in the United States (New York specifically) and in Europe. This exploration shows the two-way influence – between Europe and the United States – testified by documents gathered in years of archival research. In this relevant artistic exchange, La MaMa (and Ellen Stewart as its founder and artistic director) emerges as a key element. La MaMa’s companies brought to Europe the American culture and the New York underground culture, while their members learnt European training techniques by attending workshops or taking part in the research of Eugenio Barba, Jerzy Grotowski, and Peter Brook, and brought their principles back to the United States. This book goes through a chronological path that presents some key cases of collaboration between the above-mentioned European masters and some La MaMa’s artists and companies: Tom O ’Horgan and La MaMa Repertory Troupe, the Open Theatre, Andrei Serban and The Great Jones Repertory Company, La MaMa Plexus. This book will be of great interest to students and scholars in theater and performance studies.
Download or read book Making a Performance written by Emma Govan and published by Routledge. This book was released on 2007-05-14 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Making a Performance traces innovations in devised performance from early theatrical experiments in the twentieth-century to the radical performances of the twenty-first century. This introduction to the theory, history and practice of devised performance explores how performance-makers have built on the experimental aesthetic traditions of the past. It looks to companies as diverse as Australia's Legs on the Wall, Britain's Forced Entertainment and the USA-based Goat Island to show how contemporary practitioners challenge orthodoxies to develop new theatrical languages. Designed to be accessible to both scholars and practitioners, this study offers clear, practical examples of concepts and ideas that have shaped some of the most vibrant and experimental practices in contemporary performance.
Download or read book Theatre of the Real written by C. Martin and published by Springer. This book was released on 2012-10-23 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book proposes a new way to consider theatre and performance that claims a special relationship to reality, truth and authenticity. It documents innovations in devising and staging theatre and performance that takes reality as its subject, cultural shifts that have generated theatre of the real, some of its problems and some possibilities.
Download or read book Community Performance An Introduction written by Petra Kuppers and published by Routledge. This book was released on 2007-03-12 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Community Performance: An Introduction is a comprehensive and accessible practice-based primer for students and practitioners of community arts, dance and theatre. It is both a classroom-friendly textbook and a handbook for the practitioner, perfectly answering the needs of a field where teaching is orientated around practice. Offering a toolkit for students interested in running community arts groups, this book includes: international case-studies and first person stories by practitioners and participants sample exercises, both practical and reflective study questions excerpts of illustrative material from theorists and practitioners. This book can be used as a standalone text or together with its companion volume, The Community Performance Reader, to provide an excellent introduction to the field of community arts practice. Petra Kuppers has drawn on her vast personal experience and a wealth of inspiring case studies to create a book that will engage and help to develop the reflective community arts practitioner.
Download or read book The Cambridge History of American Theatre written by Don B. Wilmeth and published by Cambridge University Press. This book was released on 1998 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume three of a unique three-volume history covering all aspects of American theatre.
Download or read book New Theatre Quarterly 51 Volume 13 Part 3 written by Clive Barker and published by Cambridge University Press. This book was released on 1997-11-06 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Download or read book The Sixties Center Stage written by James M. Harding and published by University of Michigan Press. This book was released on 2017-04-06 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenges the notion that the theater of the 1960s falls neatly into two categories, mainstream or experimental
Download or read book A Concise Companion to Postwar American Literature and Culture written by Josephine Hendin and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Concise Companion is a guide to the creative output of the United States in the postwar period, in its diverse energies, shapes and forms. Embraces diversity, covering Vietnam literature, gay and lesbian literature, American Jewish fiction, Italian American literature, Irish American writing, emergent ethnic literatures, African American writing, jazz, film, drama and more. Shows how different genres and approaches opened up creative possibilities and interacted in the postwar period. Portrays the postwar United States split by differences of wealth and position, by ethnicity and race, and by agendas of left and right, but united in the intensity of its creative drive.
