Download or read book The New Grove Dictionary of Opera Vol 3 written by Stanley Sadie and published by . This book was released on 1992 with total page 1371 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New Grove Dictionary of Opera written by Stanley Sadie and published by Grove. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New Grove Dictionary of Opera written by Stanley Sadie and published by . This book was released on 1992 with total page 1400 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New Grove Dictionary of Opera Vol 1 written by Stanley Sadie and published by . This book was released on 1992 with total page 1296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New Grove Dictionary of Opera A D Vol 2 E Lom Vol 3 Lon Rod Vol 4 Roe Z appendices written by Stanley Sadie and published by . This book was released on 1998 with total page 5324 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New Grove Dictionary of Opera E Lom written by Stanley Sadie and published by . This book was released on 1992 with total page 1354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alfabetisk ordnet opslagsværk over operaer, operasangere, librettoforfattere, dirigenter, operahuse, og steder
Download or read book The Politics of Opera written by Mitchell Cohen and published by Princeton University Press. This book was released on 2020-12-08 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and music by such greats as Monteverdi, Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics—through story lines, symbols, harmonies, and musical motifs—has played an operatic role both robust and sotto voce. This is an engrossing book that will interest all who love opera and are intrigued by politics.
Download or read book The Legacy of Opera written by Dominic Symonds and published by Rodopi. This book was released on 2013 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Legacy of Opera: Reading Music Theatre as Experience and Performance is the first volume in a series of books compiled by the Music Theatre Working Group of the International Federation for Theatre Research. The series explores the widening of the meaning of the term “music theatre” to reflect new ways of thinking about this creative practice beyond the genres circumscribed by discourses of theatre studies and musicology. Specifically it interrogates the experience of music theatre and its performance energies for contemporary audiences who engage with the emergence of new expressive idioms, new performative paradigms, new technologies and new ways of thinking. The Legacy of Opera considers some of the ways in which opera’s influence has informed our understanding of and approach to the musical stage, from the multiple perspectives of the ideological, historical, corporeal and artistic. With contributions from international scholars in music theatre, its chapters explore both canonic and experimental examples of music theatre, spanning a period from the seventeenth century to the present day.
Download or read book Imagining Native America in Music written by Michael V Pisani and published by Yale University Press. This book was released on 2008-10-01 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a comprehensive look at musical representations of native America from the pre colonial past through the American West and up to the present. The discussion covers a wide range of topics, from the ballets of Lully in the court of Louis XIV to popular ballads of the nineteenth century; from eighteenth-century British-American theater to the musical theater of Irving Berlin; from chamber music by Dvoˆrák to film music for Apaches in Hollywood Westerns. Michael Pisani demonstrates how European colonists and their descendants were fascinated by the idea of race and ethnicity in music, and he examines how music contributed to the complex process of cultural mediation. Pisani reveals how certain themes and metaphors changed over the centuries and shows how much of this “Indian music,” which was and continues to be largely imagined, alternately idealized and vilified the peoples of native America.
Download or read book In the Public Eye written by Markian Prokopovych and published by Böhlau Verlag Wien. This book was released on 2014-08-19 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 1884 inauguration of the Royal Hungarian Opera House in Budapest, political elites staged a gala concert in the auditorium while the angry crowd, excluded from this ceremony, demonstrated on the street. In 1917, the crowds queuing to a Béla Bartók premiere needed to be forcibly held back. The book follows the history of the contested institution through a series of scandals, public protests, repertoire controversies and their representation in the urban press of the time. Such conflicts often led to larger issues that concerned the Opera House as a music institution, the birth of the modern public sphere and the modern audience. Thereby, the book calls for a critical rethinking of the cultural history of Budapest and Hungary in the late Habsburg Monarchy.
Download or read book Opera in Context written by Mark A. Radice and published by Hal Leonard Corporation. This book was released on 1998 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: These essays by respected scholars examine representative operatic productions from diverse national schools and periods, together forming a comprehensive history of the staging techniques of opera over the centuries.
Download or read book Great Operas written by Michael Steen and published by Icon Books. This book was released on 2012-11-01 with total page 904 pages. Available in PDF, EPUB and Kindle. Book excerpt: With four famous operas each from Mozart, Verdi and Puccini, and two each from Rossini and Donizetti, there is a feast of information. Here are short guides to The Marriage of Figaro and Don Giovanni; to the splendour of Aïda, the heart-breaking La Traviata; the drama of Tosca. The range is very broad. There is Wagner's great love story Tristan und Isolde; there is Johann Strauss's light comedy Die Fledermaus. On the way you can be briefed about such favourites as Handel's Giulio Cesare, Bizet's Carmen, Gounod's Faust, Tchaikovsky's Eugene Onegin and Britten's Peter Grimes. With plot summaries, composer biographies, observations on musical points of interest and background on the historical and cultural context of each opera, every one of these guides will enhance your appreciation and enjoyment and help you discuss the work and the performance with your fellow opera-goers. Steen shares his expert knowledge with a lightness of touch that makes each guide a pleasure to read. Witty, informative and beautifully presented, Great Operas is an indispensable reference guide for both seasoned opera-goers and those enjoying opera for the first time.
Download or read book Encyclopedia of the Romantic Era 1760 1850 written by Christopher John Murray and published by Routledge. This book was released on 2013-05-13 with total page 1304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
Download or read book Voicing Gender written by Naomi André and published by Indiana University Press. This book was released on 2006-02-13 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Documents the changes in approaches to gender in opera in the early 19th century.
Download or read book Opera on Screen written by Marcia J. Citron and published by Yale University Press. This book was released on 2000-01-01 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The author draws on ideas from diverse fields, including media studies and gender studies, to examine issues ranging from the relationship between sound and image to the place of the viewer in relation to the spectacle. As she raises questions about divisions between high art and popular art and about the tensions between live and reproduced art forms, Citron reveals how screen treatments reinforce opera's vitality in a media-intensive age."--BOOK JACKET.
Download or read book The Assoluta Voice in Opera 1797 1847 written by Geoffrey S. Riggs and published by McFarland. This book was released on 2003 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is unusual for styles in opera to carry over from one era into another. It would be even more unusual for one era's characteristics to linger two generations into the next. Yet this is precisely what happened during the first half of the nineteenth century, when the intricacies of the fleet bel canto style were combined with the Romantic era's heroic declamation and formidable orchestral emphasis resulting in the creation of the assoluta voice. This work traces the emergence of the impressive vocal writing that resulted from the marriage of the bel canto and Romantic eras. It also covers the uniquely versatile divas who were given the opportunities to make their mark on opera from the time of Cherubini to that of a young Verdi. Here, both the wide-ranging vocalism in the scores themselves and the artists capable of performing this style are referred to as assoluta. Chapters consider Luigi Cherubini's Medee, Gioacchino Rossini's Armida, Carl Maria von Weber's Oberon, Gaetano Donizetti's Anna Bolena, Vincenzo Bellini's Norma, Donizetti's Gemma di Vergy and Roberto Devereux, the time of transition in the late 1800s and early 1900s, and Giuseppe Verdi's Nabucco and Macbeth.
Download or read book Meyerbeer s Robert le Diable written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2014-03-17 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert le Diable by Giacomo Meyerbeer is regarded as a musical milestone, a definitive statement in the 19th-century development of French grand opéra from the tragédie lyrique of Lully, Rameau, Gluck and Spontini. The libretto by Eugène Scribe and Germain Delavigne was derived from the medieval legend of “Robert the Devil”. First performed on 21 November 1831 at the Paris Opéra, the work brought Meyerbeer international celebrity. Robert le Diable remains a legend in the annals of opera. The fascinating story reveals a complex imagery and symbolism that touches on the deepest intuitions of human experience and personal development, and exercises an archetypal unconscious appeal akin to the nature of fairy tales. The musical language, richly melodic and theatrically powerful, looks back to Rossini and the traditions of bel canto, and yet forges a new formal pliancy and dramatic urgency. The harmony and orchestration, the melodramatic plot, and overwhelming stage effects (especially the famous act 3 Ballet of the Nuns, a touchstone of dark Romanticism) confirmed Meyerbeer as the leading opera composer of his age. His style fuses German counterpoint, Italian melody, French grandeur, and unprecedented orchestral riches in a unique and overwhelming artistic blend. Robert became one of the greatest successes in the history of opera. In the first two years of its history it was given in 69 different theatres, and was performed 754 times at the Paris Opéra until 1893. This huge success was reflected in more than 160 transcriptions, arrangements, paraphrases and fantasias for the orchestra, military band, dance band, piano and other solo instruments written between 1832 and 1955. After many years of neglect, there is a resurgence of interest in this work with its fascinating appeal. This book is devoted to the story of this exceptional opera. It traces the origins, the première, the performance history, and also considers the special characteristics of both the libretto and the music. One of the most intriguing aspects of Robert le Diable was the nature of the iconography generated by its most famous scenes. Artists and illustrators responded in many different ways to the Gambling Scene, the Scene at the Cross, the Cloister Scene for the legendary Ballet of the Nuns, and the great trio in act 5. All of these are examined in terms of the the many different pictorial and plastic responses they inspired over some 60 years.
