Download or read book The neo classic theory of tragedy in England during the eighteenth century written by Clarence Corleon Green and published by . This book was released on 1964 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Neo Classic Theory of Tragedy in England During the Eighteenth Century written by Clarence C. Green and published by . This book was released on 1934 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Neo Classic Theory of Tragedy in England During the 18th Century written by Clarence C. Green and published by . This book was released on 1972-08 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Neoclassic Theory of Tragedy in England during the 18th Century written by C. C. Green and published by . This book was released on 1966 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Eighteenth Century English Literature and Its Cultural Background written by James Edward Tobin and published by Biblo & Tannen Publishers. This book was released on 1967 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Formation of English Neo Classical Thought written by James William Johnson and published by Princeton University Press. This book was released on 2015-12-08 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reexamines some of the prevalent critical assumptions about English Neo-Classical thought and literature and tests them by viewing Neo-Classicism within its intellectual tradition and its self-defined limits. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Neoclassical Tragedy in Elizabethan England written by Howard B. Norland and published by Associated University Presse. This book was released on 2009 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the development of neoclassical tragedy during the reign of Elizabeth I (1558-1603), this work investigates the varied manifestations of tragedy modelled upon the classical heritage of ancient Greek drama as adapted by Seneca.
Download or read book History of English Drama 1660 1900 written by Nicoll and published by Cambridge University Press. This book was released on 2009-06-25 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Download or read book Tragedy and Theory written by Michelle Zerba and published by Princeton University Press. This book was released on 2014-07-14 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michelle Zerba engages current debates about the relationship between literature and theory by analyzing responses of theorists in the Western tradition to tragic conflict. Isolating the centrality of conflict in twentieth-century definitions of tragedy, Professor Zerba discusses the efforts of modern critics to locate in Aristotle's Poetics the origins of this focus on agon. Through a study of ethical and political ideas formative of the Poetics, she demonstrates why Aristotle and his Renaissance and Neoclassical beneficiaries exclude conflict from their accounts of tragedy. The agonistic element, the book argues, first emerges in dramatic criticism in nineteenth-century Romantic theories of the sublime and, more influentially, in Hegel's lectures on drama and history. This turning point in the history of speculation about tragedy is examined with attention to a dynamic between the systematic aims of theory and the subversive conflicts of tragic plays. In readings of various Classical and Renaissance dramatists, Professor Zerba reveals that strife in tragedy undermines expectations of coherence, closure, and moral stability, on which theory bases its principles of dramatic order. From Aristotle to Hegel, the philosophical interest in securing these principles determines attitudes toward conflict. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Bibliography of Eighteenth Century English Literature written by and published by Ardent Media. This book was released on with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Samuel Richardson and the Dramatic Novel written by Ira Konigsberg and published by University Press of Kentucky. This book was released on 2014-07-15 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: Samuel Richardson, the founder of the modern English novel, gave shape to a previously unformed literary genre. Instrumental in the development of this new art form, Ira Konigsberg contends, is the influence of the drama. Although scholars have long suspected the influence of drama on Richardson's writing, this is the first study to examine it in detail. In such matters as material, technique, and structure, Konigsberg seeks to show that Richardson found his precedents in Restoration and early eighteenth-century drama and that it was his integration of these dramatic elements with fiction which caused the mutation in genre that is responsible for the subsequent course of the English novel.
Download or read book A History of English Drama 1660 1900 written by Allardyce Nicoll and published by Cambridge University Press. This book was released on 2009-06-25 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Download or read book British Dramatists from Dryden to Sheridan written by George Winchester Stone and published by SIU Press. This book was released on 1975 with total page 980 pages. Available in PDF, EPUB and Kindle. Book excerpt: Representative selections from Restoration and eighteenth-century drama, comedy, satire, tragedy, and farce are prefaced by descriptions of the theaters, acting styles, methods of play production, and audiences.
Download or read book Shakespeare in the Eighteenth Century written by Fiona Ritchie and published by Cambridge University Press. This book was released on 2012-04-19 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
Download or read book Dramatic Character in the English Romantic Age written by Joseph W. Donohue Jr. and published by Princeton University Press. This book was released on 2015-03-08 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: This was the age of the star. For the first time in the history of the theater, the playwright took second place to the actor; the interpretation of the role assumed primary importance in a assessing a performance. It was Mr. Kean's Hamlet first, and Mr. Shakespeare's second. What effects did this highly subjective, interpretive emphasis have on the drama? Where did it originate and how did it evolve? These questions are considered at length in the author's analysis of the nature of Romanticism itself as revealed in essays, novels, criticism, and by the actors themselves. The Jacobean origins of this revolutionary period are reviewed, followed by a close scrutiny of the critical writing of such contemporary thinkers as Hazlitt, Coleridge, Shelley, and Keats. This entirely new concept provides an important link between the practical theater and the contemporary philosophical thought of the time. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Character s Theater written by Lisa A. Freeman and published by University of Pennsylvania Press. This book was released on 2013-05-07 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: If the whole world acted the player, how did the player act the world? In Character's Theater, Lisa A. Freeman uses this question to test recent critical discussion of eighteenth-century literature and culture. Much current work, she observes, focuses on the concept of theatricality as both the governing metaphor of social life and a primary filter of psychic perception. Hume's "theater of the mind," Adam Smith's "impartial spectator," and Diderot's "tableaux" are all invoked by theorists to describe a process whereby the private individual comes to internalize theatrical logic and apprehend the self as other. To them theatricality is a critical mechanism of modern subjectivity but one that needs to be concealed if the subject's stability is to be maintained. Finding that much of this discussion about the "Age of the Spectator" has been conducted without reference to the play texts or actual theatrical practice, Freeman turns to drama and discovers a dynamic model of identity based on eighteenth-century conceptualizations of character. In contrast to the novel, which cultivated psychological tensions between private interiority and public show, dramatic characters in the eighteenth century experienced no private thoughts. The theater of the eighteenth century was not a theater of absorption but rather a theater of interaction, where what was monitored was not the depth of character, as in the novel, but the arc of a genre over the course of a series of discontinuous acts. In a genre-by-genre analysis of plays about plays, tragedy, comedies of manners, humours, and intrigue, and sentimental comedy, Freeman offers an interpretive account of eighteenth-century drama and its cultural work and demonstrates that by deploying an alternative model of identity, theater marked a site of resistance to the rise of the subject and to the ideological conformity enforced through that identity formation.
Download or read book Restoration and Eighteenth Century Theatre Research written by Carl Joseph Stratman and published by Carbondale : Southern Illinois University Press. This book was released on 1971 with total page 840 pages. Available in PDF, EPUB and Kindle. Book excerpt: This first comprehensive compilation of twentieth-century scholarship in Restoration and Eighteenth-Century drama provides a basis for future research and is an invaluable reference work. Items are arranged alphabetically under general headings--e.g., acting, criticism, periodicals, music, theology--as well as alphabetically by surname of actor, actress, dramatist, musician, etc. Copiously indexed.
