Download or read book The Musical Quarterly 1985 written by and published by . This book was released on 1985 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Musical Quarterly written by Oscar George Sonneck and published by . This book was released on 1915 with total page 724 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Musical Quarterly written by and published by . This book was released on 1956 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Musical Quarterly written by Oscar George Sonneck and published by . This book was released on 1995 with total page 782 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Musical Quarterly written by and published by . This book was released on 1928 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Musical Quarterly written by Oscar George Theodore Sonneck and published by . This book was released on 1915 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Musical Quarterly LVI 4 Oct 1970 written by Paul Henry Lang and published by . This book was released on 1969 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Musical Quarterly 1986 written by and published by . This book was released on 1986 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Musical Quarterly written by Oxford University Press and published by Oxford University Press, USA. This book was released on 1996-02-29 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of virtually every important musicologist of this century including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. In 1993, Leon Botstein assumed editorship of The Musical Quarterly. Botstein, who is music director and principal conductor of the American Symphony Orchestra, has guest-conducted orchestras around the world and recorded new works by the American composers Meyer Kupferman, Richard Wilson, and Robert Starer. President of Bard College since 1975, he has published extensively in The New York Times, Harper's, and The New Republic, as well as The Musical Quarterly. Under his direction, MQ focuses on the merging areas in scholarship where much of the challenging new work in the study of music is being produced. Regular sections include "American Musics," "Music and Culture," "The Twentieth Century," and an "Institutions, Industries, Technologies" section which examines music and the ways it is created and consumed. In addition, a fifth section entitled "Primary Sources" features discussions on issues of biography, texts, and manuscripts; reflections on leading figures; personal statements by noted performers and composers; and essays on performances and recordings. And along with discussions of important new books, MQ publishes review essays on a wide variety of significant new music performances and recordings"

Download or read book The Musical Quarterly written by Oxford University Press and published by Oxford University Press, USA. This book was released on 1996-11-30 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Musical Quarterly majalah written by and published by . This book was released on 1975 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Music of Charles Ives written by Philip Lambert and published by Yale University Press. This book was released on 1997-01-01 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: With this innovative analysis of the music of Charles Ives, Philip Lambert fills a significant gap in the literature on one of America's most important composers. Lambert offers the first large-scale theoretical study of Ives's repertoire, encompassing major works in all genres. He argues that systematic techniques governed Ives's compositional language and thinking about music, even in his unconventional and apparently unstructured pieces. He portrays Ives as a composer of great diversity and complexity who nevertheless held to a single artistic vision. Using modes of analysis for post-tonal music and approaches devised specifically for the study of Ives as well, the author explains the origin, evolution, and culmination of Ives's systematic methods. He discusses important aspects of the composer's early training, the relation between Ives's experimental and his concert music, Ives's fugal and canonic techniques as the basis for his systematic music, his paradigms of procedure and transformation, and pitch relations in Ives's music, particularly the unfinished Universe Symphony. Lambert refutes the popular image of Ives as a highly eccentric composer haphazardly casting about for arbitrarily regulated ways of generating musical material and instead portrays him as a keenly determined and resourceful artist who gradually discovered ever more powerful tools for creating remarkably original music.

Download or read book The Musical Quarterly written by Oxford University Press and published by . This book was released on 1996-05-31 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Bleeding of Mozart written by Lucien Karhausen and published by Xlibris Corporation. This book was released on 2011 with total page 789 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Baroque Music written by Peter Walls and published by Routledge. This book was released on 2017-07-05 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.

Download or read book Roger Sessions written by Andrea Olmstead and published by Routledge. This book was released on 2012-08-06 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recognized as the primary American symphonist of the 20th century, Roger Sessions (1896-1985) is one of the leading representatives of high modernism. His stature among American composers rivals Charles Ives, Aaron Copland, and Elliott Carter. Sessions was awarded two Pulitzer prizes, election to the American Academy of Arts and Letters, winning the Brandeis Creative Arts Award, the Gold Medal of the American Academy, and a MacDowell Medal, in addition to 14 honorary doctorates. Roger Sessions: A Biography brings together considerable previously unpublished archival material, such as letters, lectures, interviews, and articles, to shed light on the life and music of this major American composer. Andrea Olmstead, a teaching colleague of Sessions at Juilliard and the leading scholar on his music, has written a complete biography charting five touchstone areas through Sessions’s eighty-eight years: music, religion, politics, money, and sexuality.

Download or read book Musical Biography written by JolantaT. Pekacz and published by Routledge. This book was released on 2017-07-05 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical biography has rarely been an object of theoretical and methodological reflection. Our present-day perception of the lives of prominent composers and performers of the past has been largely formed by cultural and political assumptions of nineteenth-century biographers and their twentieth-century followers. While older biographies are being scrutinized for veracity and 'updated' with new evidence, their historiographical premisses and narrative techniques remain largely unchallenged. The epistemological upheavals in the humanities since the 1960s have generated a body of theoretical thought that has undermined many of the assumptions of traditional biography. Consequently, many of these assumptions have lost their hold as viable underpinnings for present-day scholarly biography. For example, the accumulation of facts is no longer believed to bring us closer to an understanding of the subject; nor are the traditional views of the unified self and the self as a foundational idea taken for granted. This volume brings together musicologists and historians who explore, through individual case studies, the rich potential of these new theories for writing musical lives. The authors of this volume examine how the insights provided by these theories illuminate our critical reassessment of older biographies - and the interpretations of musical works these biographies were used to construe - and help forge new approaches to musical biography. The authors also explore the functions musical biographies served in different historical contexts, the relevance of biography for musical criticism, the reliability of archival evidence, the ethics of biography, the demands placed on biography by feminist and gender history, and the new possibilities offered by cinema. The contributors to this volume challenge the view that biography has little importance for music history, analysis, and criticism. Collectively, they reassert biography's centrality and relevance, and dem