Download or read book George F Root Civil War Songwriter written by P.H. Carder and published by McFarland. This book was released on 2014-11-21 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: When the Civil War broke out in 1861, "The Battle Cry of Freedom" became perhaps the most common patriotic song echoing throughout the North. The author of that famous tune was George F. Root, and his many other patriotic songs established him as "the musician of the people." This biography follows Root's dual career as a nationally-known traveling teacher and a composer of popular songs. His wartime songs expressed the emotions of the soldiers and of the people at home. His later songs document such events as the assassination of President Lincoln, the settling of the West, the literature and humor of his day, and the many reform movements that defined the values of that era. His biography reveals how he became the musician of the people and how his critics responded.

Download or read book William Mason 1829 1908 written by Kenneth Graber and published by Pendragon Press. This book was released on 1989 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book American Music Periodicals 1853 1899 written by Mary Veronica Davison and published by . This book was released on 1973 with total page 714 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Manual of Dates written by George Henry Townsend and published by . This book was released on 1867 with total page 1132 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Symphony no 2 in D Minor op 24 Jullien written by George Frederick Bristow and published by A-R Editions, Inc.. This book was released on 2011-01-01 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: URL: https://www.areditions.com/rr/rra/a072.html George Frederick Bristow (1825¿98), American composer, conductor, teacher, and performer, was a pillar of the New York musical community for the second half of the nineteenth century. His participation in an important mid-century battle-of-words (between William Henry Fry and the journalist Richard Storrs Willis and concerning a lack of support for American composers by the Philharmonic Society) has unfortunately overshadowed his accomplishments as a composer, which were significant. Bristow is remembered today primarily for his opera Rip van Winkle (1855) and oratorio Daniel (1866), but he was also a skillful and productive composer of orchestral music¿one of only a handful of American orchestral composers active at mid-century.Bristow wrote his Symphony no. 2 (Jullien) in 1853. It is a substantial work in four movements, scored for the standard orchestra of the early nineteenth century, and strongly influenced by the personal styles of Beethoven and Mendelssohn (whose works were performed regularly by the Philharmonic Society). The symphony is skillfully crafted, melodious, and an intrinsically worthy work of musical artistry. It was named to honor the French conductor Louis Jullien, who visited the United States in 1853¿54 with an unparalleled orchestra. While in the United States Jullien both commissioned and performed American works (including this symphony); his support served as the catalyst for the Fry/Willis battle. The introductory essay to this symphony examines Bristow¿s career, the composition of orchestral music in America at mid-century, and Jullien¿s role in the musical battle; the edition makes available for the first time an important work that has been undeservedly forgotten for over 150 years.

Download or read book Wilmington North Carolina to 1861 written by Alan D. Watson and published by McFarland. This book was released on 2016-04-05 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Of America's thirteen original colonies, North Carolina was one of the most rural, its urban population miniscule and its maritime commerce severely limited--except in the town of Wilmington. Prior to the Civil War, the coastal town was North Carolina's largest urban area and principal seaport, with shipping as the mainstay of the local economy. Wilmington indeed was a singular place in colonial and antebellum North Carolina. This book presents the history of Wilmington from its founding and development to the eve of the Civil War. Part I traces Wilmington's history from the incorporation of the town in 1739-40 to 1789, when North Carolina joined the newly formed United States of America. This section focuses on the confused and disputed origins of Wilmington, life in a colonial urban setting, the growing importance of the port, and town governance. Part II expands upon the preceding topics for the years 1789 to 1861. It also examines the economic development of the port, the wide variety of social activities, the growth of the African American population, and Wilmington's role in state and national politics.

Download or read book The Manual of Dates a Dictionary of Reference to All the Most Important Events in the History of Mankind to be Found in Authentic Records by George H Townsend written by George H. Townsend and published by . This book was released on 1867 with total page 1132 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Astor Library continuation written by Astor Library and published by . This book was released on 1887 with total page 1104 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Manual of Dates written by George Henry Townsend and published by . This book was released on 1867 with total page 566 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Manual of Musical Copyright Law written by Edward Cutler and published by . This book was released on 1905 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Ottoman Empire and European Theatre Vol I written by Michael Hüttler and published by Hollitzer Wissenschaftsverlag. This book was released on 2013-06-15 with total page 1093 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first volume of the book series Ottoman Empire and European Theatre focuses on the period between 1756 and 1808, the era of W. A. Mozart (1756-1791) and Sultan Selim III (1761-1808). These historical personalities, whose life-spans overlap, were towering figures of their time: Mozart as an extraordinary composer and Selim III as both a politician and a composer. Inspired by the structure of opera, the forty-four contributions of Volume I are arranged in eight sections, entitled Ouverture, Prologue, Acts I-V and Epilogue. The Ouverture includes the opening speeches of diplomats, politicians, and scholars as well as a memorial text for the "Genius of Opera", Turkish prima donna Leyla Gencer (1928-2008). The Prologue, "The Stage of Politics", features texts by distinguished historians who give an historical overview of the Ottoman Empire and Europe in the late eighteenth century, from both Turkish and Austrian points of view. Act I features texts concerning "Diplomacy and Theatre", and Act II takes the reader to "Europe South, West and North". Act III has contributions concerning theatre in "Central Europe", while Act IV deals with "Mozart" and the world of the seraglio. Act V turns our attention to the Ottoman "Sultan Selim III", and the Epilogue considers literary and theatrical adventures of "The Hero in the Sultan's Harem". Contributions by Metin And, Emre Araci, Tülay Artan, Esin Akalin, Thomas Betzwieser, Annemarie Bönsch, Emil Brix, Christian Brunmayr, Bertrand Michael Buchmann, Aysin Candan, Helga Dostal, Erich Duda, Wolfgang Greisenegger, Heidemaria Gürer, Matthew Head, Caroline Herfert, Bent Holm, Frank Huss, Michael Hüttler, Nadja Kayali, Hans-Peter Kellner, Alexandre Lhâa, Isabelle Moindrot, Ilber Ortayli, Zeynep Oral, Cemal Öztas, William F. Parmentier, Matthias J. Pernerstorfer, Gabriele C. Pfeiffer, Walter Puchner, Günsel Renda, Mustafa Fatih Salgar, Ulrike Schneider, Selin Ipek, Käthe Springer-Dissmann, Suna Suner, Marianne Travén, B. Babür Turna, Derek Weber, Mehmet Alaaddin Yalçinkaya, Selim Yenel.

Download or read book The Law Journal for the Year 1832 1949 written by and published by . This book was released on 1857 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Manual of Dates a Dictionary of Reference to the Most Important Events in the History of Mankind written by George Henry Townsend and published by . This book was released on 1874 with total page 1142 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music Trade Review written by and published by . This book was released on 1879 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Musical Quarterly written by and published by . This book was released on 1956 with total page 726 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Gazetteer of the State of New York written by John Homer French and published by . This book was released on 1860 with total page 820 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Genealogies of Music and Memory written by Mark Everist and published by Oxford University Press. This book was released on 2021-01-29 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. Genealogies of Music and Memory asks how the stage works of Christoph Willibald Gluck (1714-87) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments. Received opinion has Hector Berlioz as the sole guardian of the Gluckian flame from the 1820s onwards, and responsible -- together with the soprano Pauline Viardot -- for the 'revival' of the composer's Orfeo in 1859. The picture is much clarified by looking at the concert performances of Gluck during the first two thirds of the nineteenth century, and the ways in which they were received and the literary discourses they engendered. Coupled to questions of music publication, pedagogy, and the institutional status of the composer, such a study reveals a wide range of individual agents active in the promotion of Gluck's music for the Parisian stage. The 'revival' of Orfeo is contextualised among other attempts at reviving Gluck's works in the 1860s, and the role of Berlioz, Viardot and a host of others re-examined.