Download or read book The Morphology of African American English in African American rap lyrics written by Yasemin Genc and published by GRIN Verlag. This book was released on 2009-11-06 with total page 19 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2009 in the subject English Language and Literature Studies - Linguistics, grade: 1,7, University of Cologne (Englisches Seminar), course: B-Seminar: Morphology , language: English, abstract: This term paper will mainly focus on the morphological studies of Lisa J. Green who is a Professor in the Department of Linguistics at the University of Texas and who published a linguistic introduction to African American English which focuses on the phonological, morphological, syntactical and semantic properties of this variety of American English. In this paper we will firstly have a closer look at the well researched areas of African American English like origins and (social)history. Subsequently, certain morphological features like verbal –s, past morphology, genetive marking and copula absence will be illustrated. To bring evidence for the linguistic theses concerning morphology that will have been made in the first part, rap texts by two well-known African American rap artists will be taken into account. This is due to the fact that authentic texts with sufficient morphological features of African American English are not easy to find. However, rap lyrics offer a wide range of morphological features that can provide evidence for many linguistic theses illustrated in this paper. On account of this, this paper will analyze 60 rap texts by the African American artists Kanye West and Talib Kweli. The aim hereby is to see whether African American English consequently pursues a morphological pattern or if the features occur optionally. Is the widespread prejudice among many non-linguists true? Namley that African American English is a non-rule-based variety of English?

Download or read book Features of African American Vernacular English in Snoop Dogg s Rap Lyrics written by Seda Evirgen and published by GRIN Verlag. This book was released on 2016-05-10 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2016 in the subject English Language and Literature Studies - Linguistics, grade: 1,0, , course: Varieties of English: New Englishes, language: English, abstract: First of all, this term paper will give some general information about the variety African American Vernacular English itself, its origins and who the speakers of AAVE are. Furthermore, it will give an overview of some features of AAVE and finally the analysis of two of the features on different rap songs from the famous rapper Snoop Dogg. The first feature that I will be looking at is zero copula and the second feature is the omission of the third-person singular –s in the present tense. In this term paper I will investigate the occurrence of these two features in Snoop Dogg’s lyrics from his first album “Doggystyle” and his latest album “Bush” and if they decreased or increased with time. Since music plays such a huge part in African American culture it should be possible to see these features of AAVE in the lyrics. The analysis will contain 16 rap songs from Snoop Dogg’s first album Doggystyle from 1993 and 10 rap songs from his latest album Bush from 2015. English is a language with many varieties and also one of the most spoken languages in the world. The varieties of English are results of colonial expansion and may differ from each other in terms of pronunciation, vocabulary and grammar. African American Vernacular English (AAVE) is the variety that people associate with as the language used by the black community. The additional term vernacular refers to the speech style in everyday communication and differentiates black African American Vernacular English speakers from black speakers of Standard English. Especially in rap and hip-hop music the number of black performers is very high since it was introduced as a new music genre. The style of language that is used in hip-hop lyrics is highly influenced by the African Americans. AAVE is a variant of English that you can hear every day on the radio or television for example and that also makes it so interesting to analyze its use, features and origin.

Download or read book Features of African American Vernacular English in Snoop Dogg s Rap Lyrics written by Seda Evirgen and published by . This book was released on 2016-05-20 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2016 in the subject English Language and Literature Studies - Linguistics, grade: 1,0, course: Varieties of English: New Englishes, language: English, abstract: First of all, this term paper will give some general information about the variety African American Vernacular English itself, its origins and who the speakers of AAVE are. Furthermore, it will give an overview of some features of AAVE and finally the analysis of two of the features on different rap songs from the famous rapper Snoop Dogg. The first feature that I will be looking at is zero copula and the second feature is the omission of the third-person singular -s in the present tense. In this term paper I will investigate the occurrence of these two features in Snoop Dogg's lyrics from his first album "Doggystyle" and his latest album "Bush" and if they decreased or increased with time. Since music plays such a huge part in African American culture it should be possible to see these features of AAVE in the lyrics. The analysis will contain 16 rap songs from Snoop Dogg's first album Doggystyle from 1993 and 10 rap songs from his latest album Bush from 2015. English is a language with many varieties and also one of the most spoken languages in the world. The varieties of English are results of colonial expansion and may differ from each other in terms of pronunciation, vocabulary and grammar. African American Vernacular English (AAVE) is the variety that people associate with as the language used by the black community. The additional term vernacular refers to the speech style in everyday communication and differentiates black African American Vernacular English speakers from black speakers of Standard English. Especially in rap and hip-hop music the number of black performers is very high since it was introduced as a new music genre. The style of language that is used in hip-hop lyrics is highly influenced by the African Americans. AAVE is a variant of English that you can

Download or read book African American Vernacular English within American Gangsta Rap written by Jan Skordos and published by GRIN Verlag. This book was released on 2011-02-23 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2009 in the subject American Studies - Linguistics, grade: 2,7, University of Münster (Anglistik/Amerikanistik), course: Proseminar American English, language: English, abstract: This abstract shall give another piece of the puzzle to what is considered to be African-American Vernacular English. With scientific aid of well-known concepts by linguists such as Green in particular but also Wolfram, Schilling-Estes, Mufwene and Poplack we want to focus on specific grammatical features of AAVE and to what extend these can be recovered in the Hip-Hop subgenre of American West Coast Gangsta Rap. A small but significant text corpus of four representative songs (added to the appendix in the shape of lyrics) cover the source for a quantitative and qualitative evaluation. The given text shall give a short overview about the origin and different theories on AAVE first and will further on primarily adapt the characteristic linguistic features L. Green and Wolfram & Schilling-Estes worked out and apply them to our little song text corpus.

Download or read book Features of African American English in the Context of Language Varieties written by Janine Lacombe and published by GRIN Verlag. This book was released on 2014-01-08 with total page 31 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2012 in the subject English Language and Literature Studies - Linguistics, grade: 1,3, University of Koblenz-Landau (Anglistik), course: Varieties of English, language: English, abstract: African American English in general is used to describe a wide range of language varieties spoken mostly by the black population in the United States. During the past decades however multiple names and definitions have been established including Black English (BE), Ebonics, Black Vernacular English (BVE), and African American Vernacular English (AAVE). The term “Negro Non-standard English” used until the late 1960s has been abolished by now due to the fact that it insinuates the presence of a superior “White Standard English” In the preface of her book African American English: A Linguistic Introduction Lisa GREEN points out that there has been a substantial amount of linguistic research on AAE, oftentimes however neglecting a closer look at the structural patterns and features. This is where the focus of the paper presented shall be on. After some developmental and socio-historical background information concerning AAE, phonological, morphological, and grammatical attributes will be examined and subsequently illustrated by an exemplary analysis of three different rap songs. The focal point here lies in the lyrical/ textual presentation of AAE in rap music and not in the actual vocal performance. The aim of this paper and the entailed analyses is to ascertain whether AAE consequently aims for persistent, stable patterns on some or even all linguistic levels or if certain features occur in a more elective, non-obligatory way. The rap songs chosen for the analyses offer a creditable alternative to hard to find authentic text material and display sufficient characteristic of AAE. A complete version of each rap text is attached in the appendix of this work. The textual extend of this paper is substantiated in the amount of examples given to illustrate features of AAE.

Download or read book African American Vernacular English Within American Gangsta Rap written by Jan Skordos and published by GRIN Verlag. This book was released on 2011-02 with total page 61 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2009 in the subject American Studies - Linguistics, grade: 2,7, University of Münster (Anglistik/Amerikanistik), course: Proseminar American English, language: English, abstract: This abstract shall give another piece of the puzzle to what is considered to be African-American Vernacular English. With scientific aid of well-known concepts by linguists such as Green in particular but also Wolfram, Schilling-Estes, Mufwene and Poplack we want to focus on specific grammatical features of AAVE and to what extend these can be recovered in the Hip-Hop subgenre of American West Coast Gangsta Rap. A small but significant text corpus of four representative songs (added to the appendix in the shape of lyrics) cover the source for a quantitative and qualitative evaluation. The given text shall give a short overview about the origin and different theories on AAVE first and will further on primarily adapt the characteristic linguistic features L. Green and Wolfram & Schilling-Estes worked out and apply them to our little song text corpus.

Download or read book The Uniqueness of African American Vernacular English written by Lea Lorena Jerns and published by GRIN Verlag. This book was released on 2014-06-13 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2014 in the subject English Language and Literature Studies - Linguistics, Humboldt-University of Berlin, language: English, abstract: "The language, only the language...it is the thing that black people love so much – the saying of words, holding them on the tongue, experimenting with them, playing with them. It’s a love, a passion. Its function is like a preacher’s: to make you stand up out of your seat, make you lose yourself and ear yourself. The worst of all possible things that could happen is to lose that language. There are certain things I cannot say with-out recourse to my language." With these words Toni Morrison, an American professor and novelist, probably expressed exactly what many African American people felt and still feel. In her statement she refers to the so-called “African American Vernacular English”, abbreviated AAVE, which is “a variant of English spoken mostly by black people in the United States.” (Jokinen 2008: 1) It is also known as “African American English”, “Black English Vernacular”, “Black Vernacular Eng-lish”, “Black Vernacular”, “Black English” or “Ebonics”. It is important to point out that not all African Americans inevitably speak this ethnolect and that there are also people with a non-African American background who nonetheless may speak it. (cf. Patrick 2007: 1) Fur-thermore, it is hard to define who actually speaks AAVE as some speakers may only use some features, e.g. vocabulary or grammatical aspects, of this variant. (cf. Jokinen 2008: 1) AAVE is a variant of English that you can see and hear every day – it is present in the Internet and in many songs and that makes it so interesting to find out more about it and to get a better understanding of AAVE. In this paper, I will focus on different aspects. I will start dealing with the question “Where does AAVE come from?” under point two and will continue with a brief overview of some basic grammatical features of AAVE in point three. Under point four, I will present and discuss a concrete example of a text, in which AAVE plays an important role, namely in the short story The Gilded Six-Bits of Zora Neale Hurston, written in 1933. Afterwards, under point five, I am going to talk about AAVE in Rap and HipHop songs as there can be found a considerable number of this kind of music all around the world and, under point 6, I will deal with the controversial question whether AAVE should be taught in schools or not. Finally, in the conclusion of my paper, I would like to let the uniqueness of AAVE and the importance of recognizing...

Download or read book African American Vernacular English in Contemporary Music written by A. Glatz and published by GRIN Verlag. This book was released on 2012-02 with total page 81 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thesis investigates the use of African American Vernacular English in contemporary music. AAVE is an ethnic variety spoken by many, though not all, African Americans living in the United States. This dialect does not have one name only, but is also called "Negro dialect," "Nonstandard Negro English," "Black English," "Black Street Speech," "Black Vernacular English," "Black Vernacular English," or "African American English."

Download or read book African American Vernacular English in Lyrical Discourse written by Yoshi Denis and published by . This book was released on 2011 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Grammatical Features of African American Vernacular English in Hip Hop Lyrics from 1995 to 2005 written by Stefan Gamma and published by . This book was released on 2007 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Sociolinguistic Study of Hip Hop AAVE Features in Songs by Tupac Shakur and Eminem written by Enver Kazic and published by . This book was released on 2016-08-25 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2016 in the subject American Studies - Linguistics, grade: A, course: Teaching studies, language: English, abstract: Sociolinguistics of Hip Hop music is a relatively new field in sociolinguistics and deals with both social and linguistic aspects of AAVE. Many studies were conducted to analyse Hip Hop lyrics, with both Tupac and Eminem as the target artists; Tupac being the explicitly angry rebel against racial segregation and Eminem being the sarcastic and incredibly eloquent young man who had managed to enter the Hip Hop safe zone of African-Americans and strike them dumb. However, a detailed comparison study of AAVE features and variations between the two was not yet conducted, or at least published. This small-scale research study aims to analyse five of the most popular songs by each artist, to quantify, compare and contrast AAVE features in some of the most popular lyrics globally and to provide an option for the social background of each song, analysing their purpose, message and language. This paper will answer two of the most obvious questions in Hip Hop sociolinguistics, i.e. whether there is any difference in use of AAVE features between a black rapper and a white rapper, where both are considered masters of their profession. Another question is whether any of them is linguistically "better" than the other, i.e. leaning towards SE. A common string of features was analysed and quantified for the purpose of comparison and the results were somewhat surprising. However, the songs which were selected have a serious background to them, possibly affecting both artists' use of language.

Download or read book The Variety in the Lexicon of Rap and Gospel written by Kim Vahnenbruck and published by GRIN Verlag. This book was released on 2011-01-27 with total page 19 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2010 in the subject English Language and Literature Studies - Linguistics, grade: 1,0, University of Wuppertal, course: Varieties of English, language: English, abstract: At first sight, Rap and Gospel music do not seem to have much in common. That is why I attempt to analyze whether there are any similarities or just discrepancies. The topic deals with The Variety in the Lexicon of Rap and Gospel and therefore, the aim of this paper is the linguistic description of the special lexicon. The foundation of this paper is provided by the presentation held on the 13th of July 2010 in the seminar "Varieties of English". I have chosen this topic, because the two styles of music have a similar history, but developed into opposite directions and they are, furthermore, both mostly sung by people of African American descent. Another reason for my choice is that I want to know if the images of Rap and Gospel I have in mind are really true or just prejudices: Are Rap lyrics full of swear words? Is Gospel by some means or other related to Rap? One of the images I have in mind, are the lexicons of Rap and Gospel, because when you listen to two typical song you will clearly hear the differences in speaking and in the choice of words. For my analysis I chose two representative songs: Only God Can Judge Me by the ’gangster rapper’ Tupac Shakur (1971-1996) and Judge Me Not by the baptist preacher Timothy Wright (1947-2009). I will start with a general overview of Rap and Gospel, give a short history of their development, so that the same roots of the styles of music become more obvious. In the following, I will present the results of the analyzed domains of register, commencing with the use of swear words and the application to the five types of linguistic forms of swearwords. Then I will go on with the use of slang, and especially the phonological representation of the features of African American Vernacular English, due to the descent of the two singers. Finally, I will summarize my results in a conclusion at the end of this paper.

Download or read book Y all Niggas be Scramblin Gamblin written by and published by . This book was released on 2003 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Word from the Mother written by Geneva Smitherman and published by Routledge. This book was released on 2021-11-26 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic text by Geneva Smitherman, pioneering scholar of Black Talk, is a definitive statement on African American Language (AAL). Enriched by her inimitable writing style, the book outlines past debates on the speech of African Americans and provides a vision for the future. As global manifestations of AAL increase, she argues that we must broaden our conception of the language and its speakers, and further examine the implications of gender, age and class on AAL. Perhaps most of all we must appreciate the "artistic and linguistic genius" of AAL, from Hip Hop lyrics to the rhyme and rhetoric of the broader Black speech community. Smitherman explores AAL's contribution to American English, includes a summary of expressions as a suggested linguistic core of AAL, and features cartoons that educate readers on the broader relationship between language, race, and racism. This classic edition features a new foreword by H. Samy Alim, celebrating Smitherman's continuing impact on Black Language scholarship and her influence on the future of the field. Word from the Mother is an essential read for students of African American speech, language, culture and sociolinguistics, as well as the general reader interested in the worldwide "crossover" of Black popular culture.

Download or read book Meaning and Intension of Slang Terms in American Rap Music written by Melanie W. and published by GRIN Verlag. This book was released on 2014-10-29 with total page 34 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studienarbeit aus dem Jahr 2012 im Fachbereich Anglistik - Linguistik, Note: 1,7, Ernst-Moritz-Arndt-Universität Greifswald, Sprache: Deutsch, Abstract: In this term paper, a part of a song by the African American rapper 50 Cent will be analyzed with regard to the use of slang words. Importance will receive the questions what these slang words mean, where they come from and why they are used. It is to find out to whom the rapper speaks and why he does it in this way. Slang is a crucial part of every language. It is used by different groups to send a social signal, to indicate informality, irreverence or defiance, to add humor or to mark someone’s inclusion in, admiration for or identification with a social group which is often non-mainstream. A slang word cannot be identified by its pronunciation or construction due to the fact that a word is often just differently used to create a new sense through metaphor, metonymy, irony etc. or part of existing words are differently mixed together. Slang is mostly used by the youth so that it is also an important part in the music scene especially in the genre of Hip Hop and Rap Music. The language used in Rap Music in the United States of America is highly influenced by the African American culture so that a lot of slang words came from the African American language.

Download or read book Regionality in African American Hip Hop Communities A Case Study of Philadelphia and New York written by Patrick Husfeldt and published by GRIN Verlag. This book was released on 2020-06-17 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt: Master's Thesis from the year 2018 in the subject English Language and Literature Studies - Linguistics, grade: 1,0, Christian-Albrechts-University of Kiel, language: English, abstract: This thesis will address whether regional variation across members of the hip-hop community is measurable in terms of regionally distinct phonological and syntactical properties. As a starting point, New York City has been selected as it marks the origin of hip-hop. Philadelphia, as part of Labov’s Mid-Atlantic region and Jones’ self-coined "Northeast region", which itself is said to be characterized by “nonhomogeneity” (Jones 2015: 428), serves as a point of reference for the comparison of distinct regional features. Labov (2001: 121) also refers to the “Philadelphia dialect area”, which is clearly separated from New York in the North. The data for the analysis will be retrieved from randomly chosen songs performed by selected African-American hip-hop artists who are representative of their respective city and who can be considered authentic members of the local hip-hop community. Further information on the selection will be provided later on. First, the theoretical background to the study of this thesis will be provided, mainly refer-ring to the role of regionality in AAVE (as African American Vernacular English) by giving an overview of earlier and current research. Second, after narrowing down the selection of artists and their songs, the relevant phonological and syntactical features will be listed and explained before they are analysed for both Philadelphia and New York City. Finally, the results will be interpreted and discussed with respect to the guiding question of this thesis.

Download or read book The Syntax of Earlier and Contemporary African American English written by Munise Özevran and published by GRIN Verlag. This book was released on 2023-03-02 with total page 21 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2018 in the subject American Studies - Linguistics, grade: 2,0, University of Duisburg-Essen (Anglistik), language: English, abstract: This term paper focuses on the grammar of early and today’s African-American English, as well as its origin, its history, its development and the areas in which it is commonly spoken today. More precisely the paper will outline the construction of African-American English and will further provide a comparison of early and contemporary AAE by discussing the lyrics of a slave song in contrast to two songs by Nicki Minaj and 50 Cent in regards to syntax. Even though AAE consists of more than just grammatical distinctions such as the phonological, morphological and semantical, the focus here will solely lie on the syntax.