Download or read book The Medieval Repertory of Polyphonic Untroped Benedicamus Domino Settings written by Barbara M. Barclay and published by . This book was released on 2002 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Medieval Repertory of Polyphonic Untroped Benedicamus Domino Settings written by Barbara Barclay and published by . This book was released on 1979 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Medieval Repertory Pf Polyphonic Untroped Benedicamus Domino Settings written by Barbara Marian Barclay and published by . This book was released on 1977 with total page 671 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Medieval Repertory of Polyphonic Untroped Benedicimus Domino Settings written by Barbara M. Barclay and published by . This book was released on 1977 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Medieval Repertory of Polyphonic Untroped Benedicamus Domino Settings written by Barbara Marian Barclay and published by . This book was released on 1977 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Medieval Repertory of Polyphonic Untroped Benedicamus Domino Settings written by Barbara M. Barclay and published by . This book was released on 1977 with total page 1412 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Early Medieval music 400 1300 C Early Polyphony to 1200 28 Benedicamus Domino written by and published by . This book was released on 1950 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Discovering Medieval Song written by Mark Everist and published by Cambridge University Press. This book was released on 2018-05-31 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Conductus repertory is the body of monophonic and polyphonic non-liturgical Latin song that dominated European culture from the middle of the twelfth century to the beginning of the fourteenth. In this book, Mark Everist demonstrates how the poetry and music interact, explores how musical structures are created, and discusses the geographical and temporal reach of the genre, including its significance for performance today. The volume studies what medieval society thought of the Conductus, its function in medieval society - whether paraliturgical or in other contexts - and how it fitted into patristic and secular Latin cultures. The Conductus emerges as a genre of great poetic and musical sophistication that brought the skills of poets and musicians into alignment. This book provides an all-encompassing view of an important but unexplored repertory of medieval music, engaging with both poetry and music even-handedly to present new and up-to-date perspectives on the genre.
Download or read book Embellishing the Liturgy written by Alejandro Enrique Planchart and published by Routledge. This book was released on 2017-07-05 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.
Download or read book Music and Ceremony at Notre Dame of Paris 500 1550 written by Craig Wright and published by Cambridge University Press. This book was released on 2008-10-30 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a history of the early musical life of the Parisian cathedral of Notre Dame. All aspects of the musical establishment of Notre Dame are covered, from Merovingian times to the period of the wars of religion in France. Nine discrete essays discuss the history of Parisian chant and liturgy and the pattern and structure of the cathedral services in the late Middle Ages; Notre Dame polyphony and the composers most closely associated with the cathedral, among them Leoninus, Perotinus and Philippe de Vitry; the organ and its repertoire; the choir, the musical education and performing traditions; and the relationship of the cathedral to the court.
Download or read book Dissertation Abstracts International written by and published by . This book was released on 1978 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Journal of the American Musicological Society written by American Musicological Society and published by . This book was released on 1992 with total page 682 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Medieval Music written by John Caldwell and published by Routledge. This book was released on 2019-06-26 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1978, Medieval Music explores the fascinating development of medieval western music from its often obscure origins in the Jewish synagogue and early Church, to the mid-fifteenth century. The book is intended as a straightforward survey of medieval music and emphases the technical aspects such as form, style and notation. It is illustrated by nearly one hundred musical examples, the majority of which have been transcribed from original sources and many of which contains chapters on Latin chant and other forms of sacred monophony, secular song, early polyphony, the ars antiqua, French and Italian fourteenth-century music, English music, and fifteenth-century music. Each chapter is followed by a classified bibliography divided into musical sources, literary sources and modern studies; in addition to a comprehensive bibliography.
Download or read book National Union Catalog written by and published by . This book was released on 1981 with total page 1032 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes entries for maps and atlases.
Download or read book The new Grove dictionary of music and musicians in twenty nine volumes 3 Baxter to Borosini written by Stanley Sadie and published by . This book was released on 2001 with total page 966 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New Grove Dictionary of Music and Musicians Baxter to Borosini written by Stanley Sadie and published by . This book was released on 2001 with total page 968 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Current Thought in Musicology written by John W. Grubbs and published by University of Texas Press. This book was released on 2014-11-06 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nine lectures from the 1971 symposium at the University of Texas at Austin, on music history, theory and composition, education, and performance. Ranging from the Middle Ages to the present and touching on all the major disciplines of musicology, the nine papers collected in this volume constitute a broad overview of the direction of music scholarship in the 1970s. In “Tractatus Esthetico-Semioticus: Model of the Systems of Human Communication,” Charles Seeger presents a model of the situations in which the study of humanistic art may best be conducted. Charles Hamm writes in “The Ecstatic and the Didactic: A Pattern in American Music” of the pattern of conflicting points of view in music history and theory. American composer Elliott Carter, in his chapter titled “Music and the Time Screen,” presents a lucid explanation of his compositional process, including his concept of musical time. In “Instruments and Voices in the Fifteenth-Century Chanson,” Howard Mayer Brown suggests the nature of fifteenth-century performance, drawn from iconography and various musical sources. “Nottebohm Revisited,” by Lewis Lockwood, reexamines Beethoven’s sketchbooks, showing the extent to which performing editions of his work must be updated. Daniel Heartz’s article, “The Chanson in the Humanist Era,” is multidisciplinary and will interest a variety of scholars, including French historians and French literary historians. Gilbert Chase applies structuralism to musicological studies in his chapter, “Musicology, History, and Anthropology: Current Thoughts.” The concluding essays, “The Prospects for Research in Medieval Music in the 1970s,” by Gilbert Reaney, and “The Library of the Mind: Observations on the Relationship between Musical Scholarship and Bibliography,” by Vincent Duckles, provide a unique view of the opportunities for further work in these areas. Also included is an introduction by the editor, notes on the contributors, and an index.
