Download or read book The Magic Flute Unveiled written by Jacques Chailley and published by Inner Traditions. This book was released on 1992-01-01 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chailley, a professor of music history at the Sorbonne, reveals the coherence of the opera and the hidden significance of its characters and situations. The author relates each of these elements to the esoteric tradition from which they emanate and to Mozart's own involvement with the Masonic brotherhood.
Download or read book Music and Ideology written by Mark Carroll and published by Routledge. This book was released on 2017-07-05 with total page 638 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume gathers together a cross-section of essays and book chapters dealing with the ways in which musicians and their music have been pressed into the service of political, nationalist and racial ideologies. Arranged chronologically according to their subject matter, the selections cover Western and non-Western musics, as well as art and popular musics, from the eighteenth century to the present day. The introduction features detailed commentaries on sources beyond those included in the volume, and as such provides an invaluable and comprehensive reading list for researchers and educators alike. The volume brings together for the first time seminal articles written by leading scholars, and presents them in such a way as to contribute significantly to our understanding of the use and abuse of music for ideological ends.
Download or read book Receptions of Simon Magus as an Archetype of the Heretic written by Alberto Ferreiro and published by Springer Nature. This book was released on 2023-10-14 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book about receptions of Simon Magus uncovers further facets of one who was held to be the evil archetype of heretics. Ephraim Nissan and Alberto Ferreiro explore how Simon Magus has been represented in text, visual art, and music. Special attention is devoted to the late medieval Catalan painter Lluís Borrassà and the Italian librettist and musician Arrigo Boito. The tradition of Simon Magus’ demonic flight, ending in his crashing down, first appears in the patristic literature. The book situates that flight typologically across cultures. Fascinating observations emerge, as the discussion spans flight of the wicked in rabbinic texts, flight and death of King Lear’s father and a Soviet-era Buryat Buddhist monk, flight and doom of the fool in an early modern German broadsheet, and more. The book explains and moves beyond extant scholarly wisdom on how the polemic against Mani (the founder of Manichaeism) was tinged with hues of Simon Magus. The novelty of this book is that it shows that Simon Magus’ receptions teach us a great deal about the contexts in which this archetype was deployed.
Download or read book Tracing Invisible Lines written by David Prescott-Steed and published by Parlor Press LLC. This book was released on 2019-02-28 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt: TRACING INVISIBLE LINES is a critical autoethnographic text built around Gregory Ulmer’s concept of the “Mystory.” Dedicated to the enhancement of imagination and innovation in a digital-media saturated society, Ulmer’s Mystory is a creative research method that draws narratives from three domains of discourse (personal, professional, popular). Analysing these domains means generating fresh insight into the deep-seated emblems that drive the creative disposition, or “invariant principle,” of the practice-led researcher. Here, the mystoriographical approach has mobilized an exploration of the interrelations between self and society, between memory and imagination, as well as between industry-driven design-arts education and experimental sound-art practice (prioritizing the sonic, the perambulatory, careering). As a result, the Mystory fosters critical awareness of the socio-cultural instruments of creative inspiration and perspiration. Reflexive in intent and experimental in approach, David Prescott-Steed’s hybrid writing style moves freely between art historical, biographical and autobiographical, academic and speculative moods. This book’s emphasis on an electronic, investigative sound-based practice finds it treading new ground between the sonic arts and the field of electracy; through its addition of sound and music to the genre, this book extends the scope of studies into Ulmer’s work beyond English literature and the ocularcentric arts, offering a new handbook for sonic conceptual art practice.
Download or read book Understanding the Women of Mozart s Operas written by Kristi Brown-Montesano and published by Univ of California Press. This book was released on 2021-11-09 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations. Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.
Download or read book Rosicrucian Digest written by and published by . This book was released on 1994 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Wolfgang Amadeus Mozart written by and published by PediaPress. This book was released on with total page 511 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre and Voice written by Konstantinos Thomaidis and published by Bloomsbury Publishing. This book was released on 2017-09-16 with total page 89 pages. Available in PDF, EPUB and Kindle. Book excerpt: How can we rethink the importance of voice in performance? How can we understand voice simultaneously as music and text, as sound and body, or as both personal and political? This book explores voice across genres, media and cultures, inviting the reader to reassess established ways of analysing, enjoying and listening to voice. Using a wide range of case studies integrated with critical and philosophical frameworks, it makes audible the multiple ways in which voice contributes to how we perform identities. From opera and musical theatre to live art and immersive audio walks, Konstantinos Thomaidis presents voice as plural, elusive and ripe for reinvention.
Download or read book Mozart the Freemason written by Jacques Henry and published by Inner Traditions. This book was released on 2006-08-28 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of Mozart’s strong ties to Freemasonry and how its principles profoundly shaped his musical work • Reveals how Mozart structured his music on Masonic ritual and ceremony to provide a musical lexicon of Masonic symbols • Shows that Freemasonry plays the same role in Mozart’s work as Lutheran Christianity plays in that of Bach Thanks to recently discovered documents, we now have a fuller picture of the esoteric influences on the life and work of Wolfgang Amadeus Mozart. Musicologist Jacques Henry shows that the Masonic influence on Mozart goes beyond those pieces, such as The Magic Flute, that fulfilled a ritual purpose for the composer. His works actually provide a complete musical lexicon of Masonic symbols inspired by the principles of the craft and the spirit of the Masonic quest. Mozart constructed his Masonic compositions by creating auditory correspondences to the symbols present in the rituals, choosing keys and tempos that transpose their content into harmony. His understanding of the use of symbol allowed him to create music that would lead the listener into a harmony that transcended earthly existence. A number of musicologists believe that the place of the Masonic spiritual vision in Mozart’s work is comparable to that held by Lutheran Christianity in the work of Johann Sebastian Bach. Mozart wed his deep understanding of music to the esoteric wisdom he gained as a Freemason. He shows that when we lose ourselves in the expression of pure harmony, it is the same as the symbol being lost in what it symbolizes. Jacques Henry provides a rigorous and original analysis of Mozart’s works that reveals their inner meaning as shaped by the composer’s profound embrace of the spiritual principles of Freemasonry.
Download or read book Curating Opera written by Stephen Mould and published by Routledge. This book was released on 2021-02-09 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Curation as a concept and a catchword in modern parlance has, over recent decades, become deeply ingrained in modern culture. The purpose of this study is to explore the curatorial forces at work within the modern opera house and to examine the functionaries and processes that guide them. In turn, comparisons are made with the workings of the traditional art museum, where artworks are studied, preserved, restored, displayed and contextualised – processes which are also present in the opera house. Curatorial roles in each institution are identified and described, and the role of the celebrity art curator is compared with that of the modern stage director, who has acquired previously undreamt-of licence to interrogate operatic works, overlaying them with new concepts and levels of meaning in order to reinvent and redefine the operatic repertoire for contemporary needs. A point of coalescence between the opera house and the art museum is identified, with the transformation, towards the end of the nineteenth century, of the opera house into the operatic museum. Curatorial practices in the opera house are examined, and further communalities and synergies in the way that ‘works’ are defined in each institution are explored. This study also considers the so-called ‘birth’ of opera around the start of the seventeenth century, with reference to the near-contemporary rise of the modern art museum, outlining operatic practice and performance history over the last 400 years in order to identify the curatorial practices that have historically been employed in the maintenance and development of the repertoire. This examination of the forces of curation within the modern opera house will highlight aspects of authenticity, authorial intent, preservation, restoration and historically informed performance practice.
Download or read book Isaac Newton s Freemasonry written by Alain Bauer and published by Simon and Schuster. This book was released on 2007-03-22 with total page 89 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of how modern Freemasonry enabled Isaac Newton and his like-minded contemporaries to flourish • Shows that Freemasonry, as a mystical order, was conceived as something new--an amalgam of alchemy and science that had little to do with operative Freemasonry • Reveals how Newton and his friends crafted this “speculative,” symbolic Freemasonry as a model for the future of England • Connects Rosslyn Chapel, Henry Sinclair, and the Invisible College to Newton and his role in 17th-century Freemasonry Freemasonry, as a fraternal order of scientists and philosophers, emerged in the 17th century and represented something new--an amalgam of alchemy and science that allowed the creative genius of Isaac Newton and his contemporaries to flourish. In Isaac Newton’s Freemasonry, Alain Bauer presents the swirl of historical, sociological, and religious influences that sparked the spiritual ferment and transformation of that time. His research shows that Freemasonry represented a crossroads between science and spirituality and became the vehicle for promoting spiritual and intellectual egalitarianism. Isaac Newton was seminal in the “invention” of this new form of Freemasonry, which allowed Newton and other like-minded associates to free themselves of the church’s monopoly on the intellectual milieu of the time. This form of Freemasonry created an ideological blueprint that sought to move England beyond the civil wars generated by its religious conflicts to a society with scientific progress as its foundation and standard. The “science” of these men was rooted in the Hermetic tradition and included alchemy and even elements of magic. Yet, in contrast to the endless reinterpretations of church doctrine that fueled the conflicts ravaging England, this new society of Accepted Freemasons provided an intellectual haven and creative crucible for scientific and political progress. This book reveals the connections of Rosslyn Chapel, Henry Sinclair, and the Invisible College to Newton’s role in 17th-century Freemasonry and opens unexplored trails into the history of Freemasonry in Europe.
Download or read book Opera written by Guy A. Marco and published by Routledge. This book was released on 2002-05-03 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Download or read book Mozart s Music of Friends written by Edward Klorman and published by Cambridge University Press. This book was released on 2016-04-21 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Download or read book Why Catholics Cannot Be Masons written by John Salza and published by TAN Books. This book was released on 2009 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many good Catholic men have been deceived into becoming Masons. In this powerful little book, a Catholic attorney and former 32nd degree Mason, John Salza, clearly shows why joining Masonry (including the Shriners) means embracing a false religion. Explains Masonic doctrines, history, rituals, oaths and curses, showing that Masonry is totally incompatible with Christianity and the Catholic Faith. Who is the god of Freemasonry? How does Freemasonry view the Holy Bible? What are the self-curses of Freemasonry? Why does Freemasonry appear to be compatible with the Christian Faith? What have the Popes said about Freemasonry? Are "Catholic Masons" excommunicated? How does a Catholic exit Freemasonry? Packed with facts and very well documented, Why Catholics Cannot Be Masons is a brief but potent revelation by a man who has been there - and then returned to the One True Faith.
Download or read book The New Grove Dictionary of Music and Musicians written by Stanley Sadie and published by . This book was released on 2001 with total page 994 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Magic Flute Jun Kaneko 2nd Edition written by Jun Kaneko and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edition is the same as the first edition but with many additional photos from the San Francisco Opera's production as well as additional essays.
Download or read book Fire in the Minds of Men written by James H. Billington and published by Transaction Publishers. This book was released on 1999 with total page 694 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the origins of a faith--perhaps the faith of the century. Modern revolutionaries are believers, no less committed and intense than were Christians or Muslims of an earlier era. What is new is the belief that a perfect secular order will emerge from forcible overthrow of traditional authority. This inherently implausible idea energized Europe in the nineteenth century, and became the most pronounced ideological export of the West to the rest of the world in the twentieth century. Billington is interested in revolutionaries--the innovative creators of a new tradition. His historical frame extends from the waning of the French Revolution in the late eighteenth century to the beginnings of the Russian Revolution in the early twentieth century. The theater was Europe of the industrial era; the main stage was the journalistic offices within great cities such as Paris, Berlin, London, and St. Petersburg. Billington claims with considerable evidence that revolutionary ideologies were shaped as much by the occultism and proto-romanticism of Germany as the critical rationalism of the French Enlightenment. The conversion of social theory to political practice was essentially the work of three Russian revolutions: in 1905, March 1917, and November 1917. Events in the outer rim of the European world brought discussions about revolution out of the school rooms and press rooms of Paris and Berlin into the halls of power. Despite his hard realism about the adverse practical consequences of revolutionary dogma, Billington appreciates the identity of its best sponsors, people who preached social justice transcending traditional national, ethnic, and gender boundaries. When this book originally appeared The New Republic hailed it as "remarkable, learned and lively," while The New Yorker noted that Billington "pays great attention to the lives and emotions of individuals and this makes his book absorbing." It is an invaluable work of history and contribution to our understanding of political life.
