Download or read book The Letters of Claudio Monteverdi written by Claudio Monteverdi and published by Cambridge University Press. This book was released on 1980-10-31 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive edition of Monteverdi's letters which span the years 1601-43 and give an unrivalled picture of the composer's life in Mantua, Venice and Parma, his thoughts on the aesthetics of opera, his colleagues, and his own works. Extensive commentaries introduce each letter.
Download or read book The Cambridge Companion to Monteverdi written by John Whenham and published by Cambridge University Press. This book was released on 2007-12-13 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claudio Monteverdi is one of the most important figures of 'early' music, a composer whose music speaks powerfully and directly to modern audiences. This book, first published in 2007, provides an authoritative treatment of Monteverdi and his music, complementing Paolo Fabbri's standard biography of the composer. Written by leading specialists in the field, it is aimed at students, performers and music-lovers in general and adds significantly to our understanding of Monteverdi's music, his life, and the contexts in which he worked. Chapters offering overviews of his output of sacred, secular and dramatic music are complemented by 'intermedi', in which contributors examine individual works, or sections of works in detail. The book draws extensively on Monteverdi's letters and includes a select discography/videography and a complete list of Monteverdi's works together with an index of first lines and titles.
Download or read book Claudio Monteverdi written by Susan Lewis and published by Routledge. This book was released on 2018-01-12 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi’s music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.
Download or read book The Letters of Claudio Monteverdi written by Claudio Monteverdi and published by . This book was released on 1980-01-01 with total page 443 pages. Available in PDF, EPUB and Kindle. Book excerpt: This, the fullest edition of Monteverdi's letters, makes every known letter available in English translation.
Download or read book Opera s First Master written by Mark Ringer and published by Hal Leonard Corporation. This book was released on 2006 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Includes full-length Harmonia Mundi CD"--Cover, p. 1.
Download or read book Claudio Monteverdi Orfeo written by John Whenham and published by Cambridge University Press. This book was released on 1986-02-27 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance.
Download or read book Monteverdi s Musical Theatre written by Lecturer in Music Royal Holloway and Bedford New College Tim Carter and published by Yale University Press. This book was released on 2002-01-01 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claudio Monteverdi (1567-1643) is well known as the composer of the earliest operas still performed today. His Orfeo, Il Ritorno d'Ulisse in Patria, and L'incoronazione di Poppea are internationally popular nearly four centuries after their creation. These seminal works represent only a part of Monteverdi's music for the stage, however. He also wrote numerous works that, while not operas, are no less theatrical in their fusion of music, drama and dance. This is a survey of Monteverdi's entire output of music for the theatre - his surviving operas, other dramatic musical compositions, and lost works.
Download or read book Monteverdi written by Paolo Fabbri and published by Cambridge University Press. This book was released on 1994-06-23 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paolo Fabbri's Monteverdi, first published in Italian, is the leading study of the greatest composer of late Renaissance and early Baroque Italy, rightly called the "father of modern music." A large number of contemporary documents, including some 130 of his own letters, offer rich insights into the composer and his times, also illuminating the many and varied contexts for music-making in the most important musical centers in Italy. This newly revised translation brings an indispensable text to a much broader readership.
Download or read book The Monteverdi Companion written by Denis Arnold and published by . This book was released on 1972 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is not meant to be a comprehensive account of Monteverdi's life and works. What it sets out to do is to study certain aspects of his music and environment which have been insufficiently stressed in most of the existing books about him and to offer fresh views about some of his more familiar works. In "The Man as seen through his Letters," Denis Arnold and Nigel Fortune provide translations of some forty letters, linked by interpretive commentary, in which the composer's ideas, methods, and approach to composition and other musical matters are clearly revealed. Two chapters on "The Musical Environment" discuss Monteverdi in relation to his teachers, colleagues, and pupils. Monteverdi as thinker and musician is discussed in chapters on the Artusi-Monteverdi controversy, the prima prattica and the seconda prattica, and the madrigal guerrieri, et amorosi. Two further chapters treat Monteverdi as operatic composer, dealing with his first opera and the opera orchestra of his time. The book has a comprehensive bibliography, including a guide to the available editions of the music.
Download or read book Ancient Music Adapted to Modern Practice written by Nicola Vicentino and published by Yale University Press. This book was released on 1996-01-01 with total page 562 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in Rome in 1555, Nicola Vicentino's treatise was one of the most influential music theory texts of the sixteenth century. This translation by Maria Rika Maniates is the first English-language edition of Vicentino's important work. Unlike most early theorists, Vicentino did not simply summarize the practice of his time. His aim was to change how composers wrote and how musicians thought about music. His best-known contribution is the adaptation of the ancient Greek chromatic and enharmonic genera to modern polyphonic practice. But he also expressed the avant-garde's position on the relation between music and the subject matter and feelings of a secular or sacred text. He challenged the view that part writing always had to conform to the rules of counterpoint, asserting that license was permissible in order to express the feelings of a verbal text. In this he anticipated the manifestos of Vincenzo Galilei and Claudio Monteverdi. Maniates' introduction discusses Vicentino's life and work, the sources of his ideas in earlier theoretical literature, and the contemporary humanists from whom he may have learned.
Download or read book Understanding Italian Opera written by Tim Carter and published by Oxford University Press. This book was released on 2015-09-16 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is often regarded as the pinnacle of high art. A "Western" genre with global reach, it is where music and drama come together in unique ways, supported by stellar singers and spectacular scenic effects. Yet it is also patently absurd -- why should anyone break into song on the dramatic stage? -- and shrouded in mystique. In this engaging and entertaining guide, renowned music scholar Tim Carter unravels its many layers to offer a thorough introduction to Italian opera from the seventeenth to the early twentieth centuries. Eschewing the technical musical detail that all too often dominates writing on opera, Carter begins instead where the composers themselves did: with the text. Walking readers through the relationship between music and poetry that lies at the heart of any opera, Carter then offers explorations of five of the most enduring and emblematic Italian operas: Monteverdi's The Coronation of Poppea; Handel's Julius Caesar in Egypt; Mozart's The Marriage of Figaro; Verdi's Rigoletto; and Puccini's La Bohème. Shedding light on the creative collusions and collisions involved in bringing opera to the stage, the various, and varying, demands of the text and music, and the nature of its musical drama, Carter also shows how Italian opera has developed over the course of music history. Complete with synopses, cast lists, and suggested further reading for each work discussed, Understanding Italian Opera is a must-read for anyone with an interest in and love for this glorious art.
Download or read book Tirsi E Clori written by Claudio Monteverdi and published by . This book was released on 1967 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Monteverdi s Last Operas A Venetian Trilogy written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-12-03 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works—Il ritorno d'Ulisse (1640) and L'incoronazione di Poppea (1642)—from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, Le nozze d'Enea (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. Le nozze d'Enea also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
Download or read book Opera in Seventeenth Century Venice written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-10-09 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
Download or read book The Madrigal written by Susan Lewis Hammond and published by Routledge. This book was released on 2012-08-06 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.
Download or read book Studies in Music Words and Imagery in Early Modern Europe written by Barbara Russano Hanning and published by Taylor & Francis. This book was released on 2024-08-20 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Characterized by an interdisciplinary approach, these essays highlight the relationship between music and poetry in Italian secular works of the late sixteenth and early seventeenth centuries, examine the role of images in shedding light on the cultural context in which these and other works came into being (music iconography), and explore the binaries and similarities of the arts in this period. Insights about early opera are complemented by discussions of accompanied solo song, or monody, both genres new to Italian music at the turn of the seventeenth century. Many chapters focus on specific images, ranging from the figure of Apollo and his significance as the earliest operatic protagonist, to an early eighteenth-century representation of a salon concert and its “ensemblisation” of events that likely occurred serially. Others include discussions and analyses of musical poetics, from Tasso’s influence on the Italian madrigal to Rinuccini’s authorship of the earliest opera libretti. Another focuses on history while narrating the circumstances under which opera came into being in late Renaissance Florence. Addressed in large measure to teachers and students, Studies in Music, Words, and Imagery in Early Modern Europe presents a range of subjects that broaden our perspective on the era. Certain essays take a specifically pedagogical approach, while others are more apt to interest music historians or those familiar with Italian versification. All are presented with a view toward making more accessible essays that do not fit neatly into one subject area but cross boundary lines between music, words, and images.
Download or read book Giacomo Puccini and His World written by Arman Schwartz and published by Princeton University Press. This book was released on 2016-08-09 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giacomo Puccini (1858–1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini’s operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond clichés of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity. This collection’s essays explore Puccini’s engagement with spoken theater and operetta, and with new technologies like photography and cinema. Other essays consider the philosophical problems raised by "realist" opera, discuss the composer’s place in a variety of cosmopolitan formations, and reevaluate Puccini’s orientalism and his complex interactions with the Italian fascist state. A rich array of primary source material, including previously unpublished letters and documents, provides vital information on Puccini’s interactions with singers, conductors, and stage directors, and on the early reception of the verismo movement. Excerpts from Fausto Torrefranca’s notorious Giacomo Puccini and International Opera, perhaps the most vicious diatribe ever directed against the composer, appear here in English for the first time. The contributors are Micaela Baranello, Leon Botstein, Alessandra Campana, Delia Casadei, Ben Earle, Elaine Fitz Gibbon, Walter Frisch, Michele Girardi, Arthur Groos, Steven Huebner, Ellen Lockhart, Christopher Morris, Arman Schwartz, Emanuele Senici, and Alexandra Wilson.
