Download or read book The Latin Compositions in Fascicules VII and VIII of the Notre Dame Manuscript Wolfenb ttel Helmstadt 1099 1206 written by Gordon Athol Anderson and published by . This book was released on 1968 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Latin Compositions in Fascicules VII seven and VIII eight of the Notre Dame Manuscript Wolfenb ttel Helmstadt 1099 1206 written by Gordon Athol Anderson and published by . This book was released on 1960 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Latin Compositions in Fascicules VII and VIII of the Notre Dame Manuscript Wolfenb ttel Helmstadt 1099 1206 written by Gordon Athol Anderson and published by . This book was released on 1971 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Latin Compositions in Fascicules VII and VIII of the Notre Dame Manuscript Wolfenb ttel Helmstadt 1099 1206 written by and published by . This book was released on 1968 with total page 682 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Allegorical Play in the Old French Motet written by Sylvia Huot and published by Stanford University Press. This book was released on 1997 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the literary artistry of the texts of Old French and bilingual motets, notably the special feature of motets that distinguished them from other medieval lyric forms: the phenomenon of polytextuality.
Download or read book Anticlaudianus written by Alanus (de Insulis) and published by PIMS. This book was released on 1973 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Motets in the Thirteenth Century written by Mark Everist and published by Cambridge University Press. This book was released on 2004-11-11 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.
Download or read book Songs of the Troubadours and Trouveres written by Samuel N. Rosenberg and published by Routledge. This book was released on 2013-09-05 with total page 566 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Discarding Images written by Christopher Page and published by Clarendon Paperbacks. This book was released on 1997 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: For many centuries, the Western imagination has picture the medieval period as a kind of odyssey: a journey that took Mankind to a strange country and ended in the Renaissance with his homecoming and the restoration of his inheritance. In this stimulating and provocative book, Christopher Pageexplores the kinds of generalization that we habitually make about `the Middle Ages' and which, whether we know it or not, sustain the false image of medieval odyssey. In chapters that proceed chronologically from the thirteenth century to the fifteenth, he examines what we suppose to be theserenity of medieval reflection on such matters as the `numerical' explanation of musical beauty, and he questions the modern tendency to regard Ars antiqua motets as music for `an intellectual elite'. Turning to the Ars nova and beyond, he discusses the relation between fourteenth-centuryinnovations and contemporary science. A final chapter explores the powerful influence on Joan Juizinga's classic The Waning of the Middle Ages, upon musicology. Page's lively prose if full of ideas, is based upon first-hand learning, and is enriched by an uncommonly deep experience of medievalmusic.
Download or read book Medieval Music Making and the Roman de Fauvel written by Emma Dillon and published by Cambridge University Press. This book was released on 2002-10-07 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Download or read book Fundamentals of Music written by Boethius and published by . This book was released on 1989 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Flower of Paradise written by David J. Rothenberg and published by Oxford University Press. This book was released on 2011-09-14 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: There is a striking similarity between Marian devotional songs and secular love songs of the late Middle Ages and Renaissance. Two disparate genres--one sacred, the other secular; one Latin, the other vernacular--both praise an idealized, impossibly virtuous woman. Each does so through highly stylized derivations of traditional medieval song forms--Marian prayer derived from earlier Gregorian chant, and love songs and lyrics from medieval courtly song. Yet despite their obvious similarities, the two musical and poetic traditions have rarely been studied together. Author David J. Rothenberg takes on this task with remarkable success, producing a useful and broad introduction to Marian music and liturgy, and then coupling that with an incisive comparative analysis of these devotional forms and the words and music of secular love songs of the period. The Flower of Paradise examines the interplay of Marian devotional and secular poetics within polyphonic music from ca. 1200 to ca. 1500. Through case studies of works that demonstrate a specific symbolic resonance between Marian devotion and secular song, the book illustrates the distinctive ethos of this period in European culture. Rothenberg makes use of an impressive command of liturgical and religious studies, literature and poetry, and art history to craft a study with wide application across disciplinary boundaries. With its broad scope and unique, incisive analysis, this book will open up new ways of thinking about the history and development of secular and sacred music and the Marian tradition for scholars, students, and anyone with an interest in medieval and Renaissance religious culture.
Download or read book Chancon Legiere a Chanter written by Samuel N. Rosenberg and published by Summa Publications, Inc.. This book was released on 2007 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book From Song to Book written by Sylvia Huot and published by Cornell University Press. This book was released on 2019-05-15 with total page 598 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics. Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
Download or read book Hearing the Motet written by Dolores Pesce and published by Oxford University Press. This book was released on 1998-12-10 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds. How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing as well a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture--a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort. Fresh, broad-ranging, and unique, Hearing the Motet makes vital reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods. Contributors include Rebecca A. Baltzer, Margaret Bent, M. Jennifer Bloxam, David Crook, James Haar, Paula Higgins, Joseph Kerman, Patrick Macey, Craig Monson, Robert Nosow, Jessie Ann Owens, Dolores Pesce, Joshua Rifkin, Anne Walters Robertson, Richard Sherr, and Rob C. Wegman.
Download or read book The Montpellier Codex written by Catherine A. Bradley and published by Studies in Medieval and Renais. This book was released on 2018-02-16 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: The final section of the Montpellier Codex analysed in full for the first time, with major implications for late-medieval music.
Download or read book The Plaint of Nature written by Alanus (de Insulis) and published by PIMS. This book was released on 1980 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt:
