Download or read book The Italian Drawings of the XV and XVI Centuries in the Collection of His Majesty the King at Windsor Castle written by Arthur Ewart Popham and published by . This book was released on 1949 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: With critical essays about the collection by A.E. Popham and about the Michelangelo section by Johannes Wilde. The selections for the catalogue were culled from the royal collection's twelve hundred plus Italian drawings from this period. Includes indices of places, collections and subjects; with a concordance.

Download or read book The Italian Drawings of the XV and XVI Centuries in the Collection of His Majesty the King at Windsor Castle written by Arthur E. Popham and published by . This book was released on 1984 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Italian Drawings of the XV and XVI Centuries in the Collection of Her Majesty the Queen at Windsor Castle written by Arthur Ewart Popham and published by . This book was released on 1949 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Italian Drawings of the Xv and Xvi Centuries in the Collection of Her Majesty the Queen at Windsor Castle written by and published by . This book was released on 1984 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Copyright in the Renaissance written by Christopher L. C. E. Witcombe and published by BRILL. This book was released on 2004-01-01 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly documented study of copyright in sixteenth-century Venice and Rome provides valuable new information about the "privilegio" and the printers, engravers, painters, mapmakers, and others who used it to protect their commercial interests in various types of printed images.

Download or read book Sixteenth century Italian Drawings in New York Collections written by William Griswold and published by Metropolitan Museum of Art. This book was released on 1994 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR

Download or read book Venice and the Islamic World 828 1797 written by Institut du Monde Arabe (Paris) and published by Yale University Press. This book was released on 2007-01-01 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.

Download or read book Michelangelo Drawings written by Hugo Chapman and published by Yale University Press. This book was released on 2005-01-01 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a catalog to accompany an exhibition of drawings by Michelangelo.

Download or read book Italian Renaissance Drawings from the Mus e Du Louvre Paris Roman Tuscan and Emilian Schools 1500 1575 written by Roseline Bacou and published by Metropolitan Museum of Art. This book was released on 1974 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Tapestry in the Baroque written by Thomas P. Campbell and published by Metropolitan Museum of Art. This book was released on 2007 with total page 575 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Roman Sketchbook of Girolamo Da Carpi written by Canedy and published by BRILL. This book was released on 1976-06 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Italian Renaissance Imagery of Inspiration written by Maria Ruvoldt and published by Cambridge University Press. This book was released on 2004-03-29 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description

Download or read book Peter Paul Rubens written by Anne-Marie S. Logan and published by Metropolitan Museum of Art. This book was released on 2005 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalogue of an exhibition held at the Metropolitan Museum of Art, New York, Jan. 15-Apr. 3, 2005.

Download or read book Tapestry in the Renaissance written by Thomas P. Campbell and published by Metropolitan Museum of Art. This book was released on 2002 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.

Download or read book Italian Drawings written by Victoria and Albert Museum. Dept. of Prints and Drawings and published by . This book was released on 1979 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Engravings of Giorgio Ghisi written by Giorgio Ghisi and published by Metropolitan Museum of Art. This book was released on 1985 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalogue raisonné.

Download or read book Sofonisba s Lesson written by Michael W. Cole and published by Princeton University Press. This book was released on 2020-02-11 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have painted the first group portrait featuring only women. Cole examines Sofonisba's paintings as expressions of her relationships and networks, looking at why Sofonisba was able to become a great woman artist: at her father, who decided to allow her to be educated as a painter; at her teacher, Bernardino Campi; and at her relationships with her students, sisters, and patrons, who included the Queen of Spain. Cole demonstrates that Sofonisba made teaching and education a central theme of her painting. The book also provides the first complete catalogue of all of Sofonisba's known works"--