Download or read book The Interpretation of Early Music written by Robert Donington and published by . This book was released on 1974 with total page 786 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since it was first published in 1963, Robert Donington's classic text has become the standard of reference for all would-be performers, students, and amateurs of baroque music.
Download or read book The Interpretation of Early Music written by Robert Donington and published by W. W. Norton. This book was released on 1992 with total page 766 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since it was first published in 1963, Robert Donington's classic text has become the standard of reference for all would-be performers, students, and amateurs of baroque music.
Download or read book The Interpretation of Early Music by Robert Donington written by Robert Donington and published by . This book was released on 1977 with total page 766 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Opera and Its Symbols written by Robert Donington and published by Yale University Press. This book was released on 1990-01-01 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explains the use of symbolism in opera, interprets scenes from Monteverdi, Mozart, Verdi, Wagner, Stravinsky, and Britten, and stresses the importance of staging an opera in accord with the composer's intended use of symbols
Download or read book Baroque Music written by Robert Donington and published by W. W. Norton & Company. This book was released on 1982 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fruit of a lifetime's research into baroque performing practice.
Download or read book Ornamentation in Baroque and Post baroque Music written by Frederick Neumann and published by Princeton University Press. This book was released on 1983-12-21 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.
Download or read book A Performer s Guide to Baroque Music written by Robert Donington and published by . This book was released on 1975 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Rise of Opera written by Robert Donington and published by Gale Cengage. This book was released on 1981 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book String Playing in Baroque Music written by Robert Donington and published by Gale Cengage. This book was released on 1977 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a practical demonstration of the style and technique of string playing which we believe makes for the best effect, under ordinary modern conditions of performance, in baroque music.
Download or read book The Early Violin and Viola written by Robin Stowell and published by Cambridge University Press. This book was released on 2001-07-26 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: An invaluable guide to the available historical source material on playing the violin and viola.
Download or read book Performing Baroque Music written by Mary Cyr and published by Routledge. This book was released on 2017-07-05 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: Listeners, performers, students and teachers will find here the analytical tools they need to understand and interpret musical evidence from the baroque era. Scores for eleven works, many reproduced in facsimile to illustrate the conventions of 17th and 18th century notation, are included for close study. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music. The book is also a concise guide to reference materials in the field of baroque performance practice with extensive annotated bibliographies of modern and baroque sources that guide the reader toward further study. First published by Ashgate (at that time known as Scolar Press) in 1992 and having been out of print for some years, this title is now available as a print on demand title.
Download or read book The Image in French Philosophy written by Temenuga Trifonova and published by Rodopi. This book was released on 2007 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Image in French Philosophy challenges dominant interpretations of Bergson, Sartre, Lyotard, Baudrillard and Deleuze by arguing that their philosophy was not a critique but a revival of metaphysics as a thinking pertaining to impersonal forces and distinguished by an aversion to subjectivity and an aversion of the philosophical gaze away from the discourse of vision, and thus away from the image. Insofar as the image was part of the discourse of subjectivity/representation, getting rid of the subject involved smuggling the concept of the image out of the discourse of subjectivity/representation into a newly revived and ethically flavored metaphysical discourse--a metaphysics of immanence, which was more interested in consciousness rather than subjectivity, in the inhuman rather than the human, in the virtual rather than the real, in Time rather than temporalization, in Memory rather than memory-images, in Imagination rather than images, in sum, in impersonal forces, de-personalizing experiences, states of dis-embodiment characterized by the breaking down of sensory-motor schemata (Bergson's pure memory, Sartre's image-consciousness, Deleuze's time-image) or, more generally, in that which remains beyond representation i.e. beyond subjectivity (Lyotard's sublime, Baudrillard's fatal object). The book would be of interest to scholars and students of philosophy, aesthetics, and film theory.
Download or read book Understanding the Leitmotif written by Matthew Bribitzer-Stull and published by Cambridge University Press. This book was released on 2015-05-14 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.
Download or read book The Interpretation of Early Music written by Robert Donington and published by . This book was released on 1974 with total page 766 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book English Theatre Music in the Eighteenth Century written by Roger Fiske and published by Oxford University Press, USA. This book was released on 1986 with total page 726 pages. Available in PDF, EPUB and Kindle. Book excerpt: On the first edition: "Written with style and wit; it is consistently entertaining, as such monumental surveys rarely manage to be."--Musical Quarterly. "First class."--Times Literary Supplement. From pantomime to opera, this revised edition discusses all the dramatic genres of the 18th-century English theater.
Download or read book Wagner s Ring and Its Symbols written by Robert Donington and published by . This book was released on 1969 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Performance Practices in Classic Piano Music written by Sandra P. Rosenblum and published by Indiana University Press. This book was released on 1988-11-22 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. " . . . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." —American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." —Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." —Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." —The Musical Times "Its importance to thoughtful musicians cannot be overstated." —Choice " . . . thoroughly musicological." —Performance Practice Review " . . . indispensable . . . " —New York Times
