Download or read book A History of Restoration Drama 1660 1700 written by Allardyce Nicoll and published by CUP Archive. This book was released on 1928 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Restoration Drama 1660 1700 written by Allardyce Nicoll and published by . This book was released on 1928 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The First English Actresses written by Elizabeth Howe and published by Cambridge University Press. This book was released on 1992-06-04 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book describes how and why women were permitted to act on the public stage after 1660 in England.
Download or read book The Business of English Restoration Theatre 1660 1700 written by Deborah C. Payne and published by Cambridge University Press. This book was released on 2024-05-31 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Deborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.
Download or read book The Ladies written by David Roberts and published by Oxford University Press, USA. This book was released on 1989 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first in-depth study of a female audience that shows how and why women went to the theater in Restoration England. Robert challenges the assumption that a "ladies' faction" played an important part in encouraging the playhouses to present a more moral, less bawdy or "satirical" style of comedy, thus changing the course of English drama. He shows that there is no evidence of this faction, and that "sentimental" comedies really did cater to the interest of their female audience by incorporating the fashionable concern for women's rights. Drawing on many sources, including the life of Elizabeth Pepys, the book investigates just who these "ladies" were, what determined their theater-going, how often they went, what they liked and did in the theater, and the role of patronage at the court of three Restoration queens.
Download or read book European Theatre Performance Practice 1750 1900 written by Jim Davis and published by Routledge. This book was released on 2016-12-05 with total page 567 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contains key articles and chapters which represent both seminal and innovative scholarship on European theatre performance practice from 1750 to 1900. The selected topics focus on acting and performance, staging (including set design and lighting), and audiences, and are approached with a broad perspective as well as with in-depth, focussed analysis. The volume captures the rich, dynamic and variegated nature of European theatre throughout the late-eighteenth and nineteenth centuries and provides a carefully selected body of significant texts on this important period of theatre history.
Download or read book Theatre and Culture in Early Modern England 1650 1737 written by Catie Gill and published by Routledge. This book was released on 2017-03-02 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: Framed by the publication of Leviathan and the 1713 Licensing Act, this collection provides analysis of both canonical and non-canonical texts within the scope of an eighty-year period of theatre history, allowing for definition and assessment that uncouples Restoration drama from eighteenth-century drama. Individual essays demonstrate the significant contrasts between the theatre of different decades and the context of performance, paying special attention to the literary innovation and socio-political changes that contributed to the evolution of drama. Exploring the developments in both tragedy and comedy, and in literary production, specific topics include the playwright's relationship to the monarch, women writers' connection to the audience, the changing market for plays, and the rise of the bourgeoisie. This collection also examines aspects of gender and class through the exploration of women's impact on performance and production, masculinity and libertinism, master/servant relationships, and dramatic representations of the coffee house. Accompanied by a list of Spanish-English plays and a chronology of monarch's reigns and significant changes in theatre history, From Leviathan to Licensing Act is a valuable tool for scholars of Restoration and eighteenth-century performance, providing groundwork for future research and investigation.
Download or read book Three Seventeenth Century Plays on Women and Performance written by Hero Chalmers and published by Manchester University Press. This book was released on 2006-09-19 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a ground-breaking edition of three seventeenth-century plays that all engage in diverse and exciting ways with questions of gender and performance. The collection, edited by three pioneering scholars of elite female culture and early modern drama, makes the texts of three much-discussed plays - John Fletcher's The Wild-Goose Chase, James Shirley's The Bird in a Cage and Margaret Cavendish's The Convent of Pleasure - available together in a full scholarly edition for the first time.The Wild Goose Chase (1621) and The Bird in a Cage (1633) were both performed in the commercial London theatres in the Jacobean and Caroline periods respectively. The Convent of Pleasure (1668) is a so-called 'closet' drama, designed primarily for reading but drawing on a tradition of aristocratic theatricals. In a wide-ranging co-authored introduction to the volume, the editors explore the concerns of these playtexts in relation to contemporary debates surrounding popular festivity and anti-theatricalism, as well as the agency of elite female culture in the Stuart period and the emergence of the professional female actor in the Restoration.The volume will be an invaluable teaching and research tool for students and scholars of early modern drama, women's writing and performance studies more generally, as well as providing a rich sourcebook for the reader interested in seventeenth-century theatrical culture.
Download or read book Empire on the English Stage 1660 1714 written by Bridget Orr and published by Cambridge University Press. This book was released on 2001-08-23 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Empire on the English Stage 1660-1714 analyzes Restoration and early eighteenth-century drama in terms of empire.
Download or read book The comical revenge or Love in a tub a comedy by sir G Etherege written by George Etherege and published by . This book was released on 1669 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Prologues and Epilogues of Restoration Theater written by Diana Solomon and published by Rutgers University Press. This book was released on 2013-04-11 with total page 163 pages. Available in PDF, EPUB and Kindle. Book excerpt: Often perceived as merely formulaic or historical documents, dramatic prologues and epilogues – players’ comic, poetic bids for the audience’s good opinion – became essential parts of Restoration theater, appearing in over 90 percent of performed and printed plays between 1660 and 1714. Their popularity coincided with the rise of the English actress, and Prologues and Epilogues of Restoration Theater unites these elements in the first book-length study on the subject. It finds that these paratexts provided the first sanctioned space for actresses in Britain to voice ideas in public, communicate directly with other women, and perform comedy – arguably the most powerful type of speech, and one that enabled interrogation of misogynist social practices. This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Download or read book Later Stuart Queens 1660 1735 written by Eilish Gregory and published by Springer Nature. This book was released on 2024-01-04 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gathers contributions on the later Stuart queens and queen consorts. It seeks to re-insert Henrietta Maria, Catherine of Braganza, Mary of Modena, Mary II, Anne, and Maria Clementina Sobieska into the mainstream of Stuart and early Georgian studies, concentrating on the later Stuart queens from the restoration of King Charles II (who married Catherine of Braganza in 1662) until the death of Maria Clementina Sobieska in 1735, who was married to James Francis Edward Stuart, the titular King James III, otherwise known as the Old Pretender. It showcases these women’s roles as queen consorts and as ruling queens in Britain and Europe, and reveals how their positions allowed them to act as power-brokers, diplomats, patrons, and religious trendsetters during their lifetimes. It also explores their impact in early modern Britain and Europe by assessing their influence in religion, political culture, and the promotion of patronage.
Download or read book Types of Social Comedy written by Robert Metcalf Smith and published by . This book was released on 1928 with total page 778 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Public s Open to Us All written by Laura Engel and published by Cambridge Scholars Publishing. This book was released on 2020-10-27 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The Public’s Open to Us All”: Essays on Women and Performance in Eighteenth-Century England considers the relationship between British women and various modes of performance in the long eighteenth century. From the moment Charles II was restored to the English throne in 1660, the question of women’s status in the public world became the focus of cultural attention both on and off the stage. In addition to the appearance of the first actresses during this period female playwrights, novelists, poets, essayists, journalists, theatrical managers and entrepreneurs emerged as skillful and often demanding professionals. In this variety of new roles, eighteenth-century women redefined shifting notions of femininity by challenging traditional representations of female subjectivity and contributing to the shaping of eighteenth-century society’s attitudes, tastes, and cultural imagination. Recent scholarship in eighteenth-century studies reflects a heightened interest in fame, the rise of celebrity culture, and new ways of understanding women’s participation as both private individuals and public professionals. What is unique to the body of essays presented here is the authors’ focus on performance as a means of thinking about the ways in which women occupied, negotiated, re-imagined, and challenged the world outside of the traditional domestic realm. The authors employ a range of historical, literary, and theoretical approaches to the connections among women and performance, and in doing so make significant contributions to the fields of eighteenth-century literary and cultural studies, theatre history, gender studies, and performance studies.
Download or read book Treading the Bawds written by Gilli Bush-Bailey and published by Manchester University Press. This book was released on 2006-10-31 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: "[This book] challenges the traditional boundaries that have separated the histories of the first actresses and the early female playwright. It brings the approaches of new histories and historiography to bear on old stories to make alternative connections between women working in the business of theatre. Drawing from feminist cultural materialist theories and historiographies, Bush-Bailey analyses the collaboration between the actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn Mary Pix, tracing a line of influence from the time of the first Theatres Royal to the rebellion that resulted in the creation of a players' co-operative. This is a story about public and private identity fuelling profit at the box office and gossip on the streets and investigating how women's on- and off-stage personae feed each other in the emerging commercial world of the business of theatre."--Jacket.
Download or read book The Cambridge Companion to English Restoration Theatre written by Deborah Payne Fisk and published by Cambridge University Press. This book was released on 2000-05-11 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
Download or read book Women and Literature in Britain 1500 1700 written by Helen Wilcox and published by Cambridge University Press. This book was released on 1996-11-13 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: First comprehensive introduction to women's role in, and access to, literary culture in early modern Britain.
