Download or read book The Influence of Classical Dramatists Particularly Plautus and Terence on English Comedy from 1520 1556 written by A. R. B. Etherton and published by . This book was released on 1956 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Early English Drama Everyman to 1580 written by Donald Jerry White and published by Hall Reference Books. This book was released on 1986 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shakespeare and Classical Comedy written by Robert S. Miola and published by . This book was released on 1994 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: A survey of Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. The book analyzes these sources and places the comedies in their Renaissance context, as well as in the larger context of European theatre.
Download or read book Dissertations in English and American Literature written by Laurence F. McNamee and published by . This book was released on 1968 with total page 1148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shakespeare and Classical Comedy written by Robert S. Miola and published by OUP Oxford. This book was released on 1994 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Robert S. Miola analyses these sources, and places the comedies in their Renaissance context, as well as in the larger context of European theatre. Discovering new indebtedness, and discerning new patterns in previously attested borrowings, Shakespeare and Classical Comedy presents an integrated and comprehensive assessment of the complex interactions of the Classical, Shakespearean, and other Renaissance theatres. Robert S. Miola re-evaluates Plautus and Terence in the light of their Greek antecedents, and gives special attention to Renaissance translations and commentaries, Italian theorists, and playwrights, as well as contemporary dramatists such as Middleton, Jonson, Heywood, and Chapman. Four broad categories organize the discussion - New Comedic errors, intrigue, alazoneia (pretension), and romance - and each is illustrated by illuminating readings of individual Shakespearean plays. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and traditions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing the presence of New Comedy in tragedy, in Hamlet and King Lear. Robert S. Miola's thoroughly researched book ranges over a vast amount of European drama, from Aristophanes to Beckett and Ionesco. It makes an important contribution to our understanding not only of Shakespeare and his foremost antecedents, but also of Renaissance theatre, and its complex adaptations of ancient texts and traditions.
Download or read book The Theatrical Notation of Roman and Pre Shakespearean Comedy written by Georg Rudolf and published by . This book was released on 1981 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cooper Monographs on English and American Language and Literature written by and published by . This book was released on 1981 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theses and Dissertations Accepted for Higher Degrees written by University of London and published by . This book was released on 1956 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Life of Comedy after the Death of Plautus and Terence written by Mathias Hanses and published by University of Michigan Press. This book was released on 2020-12-10 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Life of Comedy after the Death of Plautus and Terence documents the ongoing popularity of Roman comedies, and shows that they continued to be performed in the late Republic and early Imperial periods of Rome. Playwrights Plautus and Terence impressed audiences with stock characters as the young-man-in-love, the trickster slave, the greedy pimp, the prostitute, and many others. A wide range of spectators visited Roman theaters, including even the most privileged members of Roman society: orators like Cicero, satirists like Horace and Juvenal, and love poets like Catullus and Ovid. They all put comedy’s varied characters to new and creative uses in their own works, as they tried to make sense of their own lives and those of the people around them by suggesting comparisons to the standard personality types of Roman comedy. Scholars have commonly believed that the plays fell out of favor with theatrical audiences by the end of the first century BCE, but The Life of Comedy demonstrates that performances of these comedies continued at least until the turn of the second century CE. Mathias Hanses traces the plays’ reception in Latin literature from the late first century BCE to the early second century CE, and shines a bright light on the relationships between comic texts and the works of contemporary and later Latin writers.
Download or read book Subjects of Dissertations Theses and Published Works Presented by Successful Candidates at Examinations for Higher Degrees written by University of London and published by . This book was released on 1937 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Index to Theses Accepted for Higher Degrees in the Universities of Great Britain and Ireland written by and published by . This book was released on 1958 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Influence of Plautus and Terence in English Comedy Etc written by H. J. R. Lane and published by . This book was released on 1929 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Companion to Pietro Aretino written by Marco Faini and published by BRILL. This book was released on 2021-08-16 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt: An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.
Download or read book The Classical Tradition written by Anthony Grafton and published by Harvard University Press. This book was released on 2010-10-25 with total page 1188 pages. Available in PDF, EPUB and Kindle. Book excerpt: The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.
Download or read book A Concise Encyclopedia of the Theatre written by Robin May and published by Osprey Publishing (UK). This book was released on 1974 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Literature Criticism from 1400 to 1800 written by and published by . This book was released on 2003 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Renaissance Fun written by Philip Steadman and published by UCL Press. This book was released on 2021-04-13 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? All these questions are answered. At the end of the book we visit the lost ‘garden of marvels’ at Pratolino with its many grottoes, automata and water jokes; and we attend the performance of Mercury and Mars in Parma in 1628, with its spectacular stage effects and its music by Claudio Monteverdi – one of the places where opera was born. Renaissance Fun is offered as an entertainment in itself. But behind the show is a more serious scholarly argument, centred on the enormous influence of two ancient writers on these subjects, Vitruvius and Hero. Vitruvius’s Ten Books on Architecture were widely studied by Renaissance theatre designers. Hero of Alexandria wrote the Pneumatics, a collection of designs for surprising and entertaining devices that were the models for sixteenth and seventeenth century automata. A second book by Hero On Automata-Making – much less well known, then and now – describes two miniature theatres that presented plays without human intervention. One of these, it is argued, provided the model for the type of proscenium theatre introduced from the mid-sixteenth century, the generic design which is still built today. As the influence of Vitruvius waned, the influence of Hero grew.
