Download or read book The Image of the Black in Western Art V 4 Black models and white myths written by Hugh Honour and published by . This book was released on 1989 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Image of the Black in Western Art V 4 Slaves and liberators written by Hugh Honour and published by . This book was released on 1989 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Image of the Black in Western Art From the Age of Discovery to the Age of Abolition artists of the Renaissance and Baroque written by David Bindman and published by Belknap Press. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a collection of art that showcases visual tropes of masters with their adoring slaves and Africans as victims and individuals.
Download or read book The Image of the Black in Western Art written by David Bindman and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Image of the Black in Western Art written by David Bindman and published by Harvard University Press. This book was released on 2010 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: "New editions of the coveted five original books and the anticipated new volumes, which shall complete the series. The completed set will include ten sumptuous books in five volumes with up-to-date introductions and more full-color illustrations, printed on high-quality art stock for books that will last a lifetime. This monumental publication offers expert commentary and a lavishly illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch, Rembrandt, Rubens, and Hogarth to stunning new creations by contemporary black artists. Featuring thousands of beautiful, moving, and often little-known images of black people, including queens and slaves, saints and soldiers, children and gods, The Image of the Black in Western Art provides a treasury of masterpieces from four millennia--a testament to the black experience in the West and a tribute to art's enduring power to shape our common humanity"--Book Jacket.
Download or read book Work and the Image written by Valerie Mainz and published by Routledge. This book was released on 2019-01-15 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title was first published in 2000. "Work and the Image", published in two volumes, addresses a critical theme in contemporary social and cultural debates whose place in visual representation has been neglected. Ranging from Greek pottery to contemporary performance, and exploring a breadth of geo-national perspectives including those of France, Britain, Hungary, Soviet Russia, the Ukraine, Siberia and Germany, the essays provide a challenging reconsideration of the image of work, the meaning of the work process, and the complex issues around artistic activity as itself a form of work even as it offers a representation of labour. Volume I includes interdisciplinary case studies which plot the changing definitions of work as labour, craft, social relations and a source of historical identity, while analyzing the role of visual representation in their formation and transformation. The diverse essays cover such topics as anti-slavery movements and enunciation of workers' rights, revolutionary politics, relations of class and gender, industrial masculinities and women's rural sociality, unemployment and subjectivity, Stalinist aesthetics and nationalist identities.
Download or read book The Invention of the Model written by Susan Waller and published by Routledge. This book was released on 2017-07-05 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although mastery of the representation of the human figure was central to art making as early as the fifteenth century in Europe, in the nineteenth-century French imagination the artist's model became identified as a distinct social type and cultural trope. This study of the artist's model in Paris between 1830 and 1870 incorporates three histories: a social history of professional models, a cultural history of models as social types, and an art history of representations of the model in elite and popular visual culture. It takes as its starting point the artist-model transaction: demonstrating that stereotypes of 'the model' that figured in the public imagination were framed both by gender and ethnicity, the book develops a nuanced typology of different types of models. Interwoven with the analysis of the constructed identities of models are accounts of the lives of particular models and the histories of the urban population groups from which they emerged. The Invention of the Model: Artists and Models in Paris, 1830-1870 is an adept exploration of a major issue in nineteenth-century art which will be of interest not only to art historians, but also to social and French cultural historians.
Download or read book Blacks and Blackness in European Art of the Long Nineteenth Century written by AdrienneL. Childs and published by Routledge. This book was released on 2017-07-05 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Compelling and troubling, colorful and dark, black figures served as the quintessential image of difference in nineteenth-century European art; the essays in this volume further the investigation of constructions of blackness during this period. This collection marks a phase in the scholarship on images of blacks that moves beyond undifferentiated binaries like ?negative? and ?positive? that fail to reveal complexities, contradictions, and ambiguities. Essays that cover the late eighteenth through the early twentieth century explore the visuality of blackness in anti-slavery imagery, black women in Orientalist art, race and beauty in fin-de-si?e photography, the French brand of blackface minstrelsy, and a set of little-known images of an African model by Edvard Munch. In spite of the difficulty of resurrecting black lives in nineteenth-century Europe, one essay chronicles the rare instance of an American artist of color in mid-nineteenth-century Europe. With analyses of works ranging from G?cault's Raft of the Medusa, to portraits of the American actor Ira Aldridge, this volume provides new interpretations of nineteenth-century representations of blacks.
Download or read book African American Visual Artists written by Daniel J. Frye and published by Scarecrow Press. This book was released on 2001 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: A guide to resources for use with K-12 students, this selective volume lists substantial, easily accessible resources on African-American visual artists. In total, 639 resources, referencing 1,174 individual artists are annotated and include works about the artists as well as the contexts in which the artist is situated. The publications are generally contemporary sources (after 1981), but earlier materials do exist, providing a baseline for the study of African-American art and its historical development. An introductory essay documents the successes and struggles of African-Americans in the art world followed by detailed annotations, which are arranged in five sections: General, Survey, Children's Books, Artists, and Artist Groups and Movements. The General, Survey, and Children's Books annotations provide important information including the author name, publication date, title, publisher, and an overview of contents. The Artists and Artist Groups and Movements sections function as indexes to the previous three sections. A final section lists addresses of institutions that hold important African- American art collections.
Download or read book Henry Box Brown written by Kathleen Chater and published by McFarland. This book was released on 2020-08-14 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Henry Box Brown is well known in America for escaping slavery by being packed in a box and mailed from Virginia to Philadelphia. The passing of the Fugitive Slave Act in 1850 made it unsafe for Brown to remain in America. He relocated to England where he had a very successful career, initially as a speaker on abolitionism before he began speaking on other subjects and then branched out into other forms of entertainment, including magic. He married Jane Floyd, who, with their children, appeared in his acts. This book concentrates on the relatively unknown period of his life in Britain, detailing both how he was received and how he developed as a performer. It is the biography of a brave, intelligent individualist who was always willing to learn and to take chances, becoming the first black man to achieve landmarks in British law and entertainment.
Download or read book The Essence of Liberty written by Wilma King and published by University of Missouri Press. This book was released on 2006 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Before 1865, slavery and freedom coexisted tenuously in America in an environment that made it possible not only for enslaved women to become free but also for emancipated women to suddenly lose their independence. Wilma King now examines a wide-ranging body of literature to show that, even in the face of economic deprivation and draconian legislation, many free black women were able to maintain some form of autonomy and lead meaningful lives. The Essence of Liberty blends social, political, and economic history to analyze black women's experience in both the North and the South, from the colonial period through emancipation. Focusing on class and familial relationships, King examines the myriad sources of freedom for black women to show the many factors that, along with time spent in slavery before emancipation, shaped the meaning of freedom. Her book also raises questions about whether free women were bound to or liberated from gender conventions of their day. Drawing on a wealth of untapped primary sources--not only legal documents and newspapers but also the diaries, letters, and autobiographical writings of free women--King opens a new window on the world of black women. She examines how they became free, educated themselves, found jobs, maintained self-esteem, and developed social consciousness--even participating in the abolitionist movement. She considers the stance of southern free women toward their enslaved contemporaries and the interactions between previously free and newly freed women after slavery ended. She also looks closely at women's spirituality, disclosing the dilemma some women faced when they took a stand against men--even black men--in order to follow their spiritual callings. Throughout this engaging history, King underscores the pernicious constraints that racism placed on the lives of free blacks in spite of the fact that they were not enslaved. The Essence of Liberty shows the importance of studying these women on their own terms, revealing that the essence of freedom is more complex than the mere absence of shackles.
Download or read book Origins of Impressionism written by Gary Tinterow and published by Metropolitan Museum of Art. This book was released on 1994 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book She Is Everywhere Volume 3 written by Mary Saracino and published by iUniverse. This book was released on 2012 with total page 461 pages. Available in PDF, EPUB and Kindle. Book excerpt: She Is Everywhere! Volume 3 presents a bold, brave, and beautiful compilation of womanist/feminist essays, poems, and artwork showcasing work from an international community of women and men who honor the Sacred Female. The fifty contributors in this anthology-scholars, creative writers, and visual artists-share their vision for a world that reclaims the inviolability of the Divine Female in all Her many and varied manifestations. She Is Everywhere! Volume 3 is the latest edition of a leading-edge series which, like its predecessors, offers an invaluable contribution to women's spirituality, religion, philosophy, and women's studies. The contemporary voices contained within its pages echo an ancient clarion call to embrace the values of justice with compassion, equality for all people, and transformation. "We have a calling in this world-namely, to prevent the destruction from continuing." -Claudia von Werlhof "I am in the presence of a divine Mother, and She is fulfilling a deep longing inside of me." -Nicole Margiasso-Tran "She was, I am, my daughter is because we are all Her." -Etoyle McKee Just as dark matter (mother) in space shapes galaxies and holds them together, we are shaped and held by the African Dark Mother who has given us Her life force, and resides in the very depths of our being, where the macrocosm is literally reflected in the microcosm." -Leslene della-Madre Front cover: Black Madonna Cradles the Earth (c) 2010 Yvonne M. Lucia Back cover: Contemplate Creation (c) 2006 Sheila Marie Hennessy
Download or read book Visualizing Equality written by Aston Gonzalez and published by UNC Press Books. This book was released on 2020-07-20 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned. Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these activist artists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.
Download or read book Portraits of a People written by Gwendolyn DuBois Shaw and published by University of Washington Press. This book was released on 2006 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recently, a number of cutting edge African American artists have investigated issues of race and American identity in their work, relying on the use of historical source material and the subversion of archaic media. This scrutiny of little known, yet uncannily familiar, racialized imagery by contemporary artists has created a renewed interest in the politics of nineteenth-century American art and the role of race in the visual discourse. Portraits of a People looks critically at images made of and by African Americans, extending back to the late 1700s when a portrait of African-born poet Phillis Wheatley was drawn by her friend, the slave Scipio Moorhead. From the American Revolution until the Civil War and on into the Gilded Age, American artists created dynamic images of black sitters. In their effort to create enduring symbols of self-possessed identity, many of these portraits provide a window into cultural stereotypes and practices. For example, while some of these pictures were undoubtedly of distinct, named individuals, many are now known by titles that reference only generalized types, such as Joshua Johnston's painting Portrait of a Man, c. 1805–10, or the silhouette inscribed "Mr. Shaw's blackman," cut around 1802 by the manumitted slave Moses Williams. By the middle of the nineteenth century, photography began to offer black sitters an affordable and accessible way to fashion an individual identity and sometimes obtain financial support, as in the case of the numerous cartes-de-visites produced during the 1860s and '70s that bear the image of the feminist activist Sojourner Truth above the text, "I Sell the Shadow to Support the Substance." Portraits of a People features colour reproductions of over 100 important portraits in various media, ranging from paintings, photographs, and silhouettes to book frontispieces and popular prints. Essays by Gwendolyn DuBois Shaw consider silhouettes and African American identity in the early republic, photography and the black presence in the public sphere after the Civil War, and portrait painting and social fluidity among middle-class African American artists and sitters. This landmark publication will change the way that we view the images of blacks in the nineteenth century.
Download or read book Fictions of Emancipation Carpeaux s Why Born Enslaved Reconsidered written by Elyse Nelson and published by Metropolitan Museum of Art. This book was released on 2022-03-07 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: A critical reexamination of Jean-Baptiste Carpeaux's bust Why Born Enslaved!, this book unpacks the sculpture's engagement with—and defiance of—an antislavery discourse. In this clear-eyed look at the Black figure in nineteenth-century sculpture, noted art historians and writers discuss how emerging categories of racial difference propagated by the scientific field of ethnography grew in popularity alongside a crescendo in cultural production in France during the Second Empire. By comparing Carpeaux's bust Why Born Enslaved! to works by his contemporaries on both sides of the Atlantic, as well as to objects by twenty‑first‑century artists Kara Walker and Kehinde Wiley, the authors touch on such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux's sculpture to legacies of empire in the postcolonial present. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.
Download or read book The Arts of Africa written by and published by . This book was released on 1993 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt:
