Download or read book The Illustrated Beatus The 11th and 12th centuries written by John Williams and published by . This book was released on 2002 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Illustrated Beatus The 11th and 12th centuries written by John Williams and published by . This book was released on 1994 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Illustrated Beatus The 10th and 11th centuries written by John Williams and published by . This book was released on 1994 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Illustrated Beatus The 12th and 13th centuries written by John Williams and published by . This book was released on 1994 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Illustrated Beatus The 9th and 10th centuries written by John Williams and published by Harvey Miller. This book was released on 1994 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.
Download or read book The Illustrated Beatus The ninth and tenth centuries written by John Williams and published by . This book was released on 1994 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Illustrated Beatus written by John Williams and published by . This book was released on 1994 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.
Download or read book The Illustrated Beatus Introduction written by John Williams and published by Harvey Miller. This book was released on 1994 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.
Download or read book The Miniatures and Meters of the Old English Genesis MS Junius 11 written by Seiichi Suzuki and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-05-22 with total page 726 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Old English Genesis is the sole illustrated Anglo-Saxon poem. In full appreciation of this unique concurrent execution of visualization and versification in a single manuscript, this multidisciplinary work explores the pictorial (Vol. 1) and the metrical (Vol. 2) organization from both synchronic–structural and diachronic–comparative perspectives. Among the most significant findings of each volume are: The first twenty-two images in the Old English Genesis originated on the whole from the Touronian Bibles; and the underlying classical Old English and Old Saxon meters were interactively reshaped through mutual adaptation and recomposition aimed at their firm integration into a synthesized Old English Genesis. While each part is solidly embedded in the respective scholarly tradition and pursues its own disciplinary concerns and problematics, vigorous formal and cognitive reasoning and theorizing run commonly through both. By way of mutual corroboration and integration, the twin volumes eventually converge on the hypothesis that the earliest portion of the extant Old English Genesis (lines 1–966) derived from the corresponding episodes of an illustrated Touronian Old Saxon Genesis in both pictorial and metrical terms.
Download or read book Cartography in Antiquity and the Middle Ages written by and published by BRILL. This book was released on 2008-08-31 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: In scope, this book matches The History of Cartography, vol. 1 (1987) edited by Brian Harley and David Woodward. Now, twenty years after the appearance of that seminal work, classicists and medievalists from Europe and North America highlight, distill and reflect on the remarkably productive progress made since in many different areas of the study of maps. The interaction between experts on antiquity and on the Middle Ages evident in the thirteen contributions offers a guide to the future and illustrates close relationships in the evolving practice of cartography over the first millennium and a half of the Christian era. Contributors are Emily Albu, Raymond Clemens, Lucy Donkin, Evelyn Edson, Tom Elliott, Patrick Gauthier Dalché, Benjamin Kedar, Maja Kominko, Natalia Lozovsky, Yossef Rapoport, Emilie Savage-Smith, Camille Serchuk, Richard Talbert, and Jennifer Trimble.
Download or read book The Visual Culture of al Andalus in the Christian Kingdoms of Iberia written by Inés Monteira and published by Taylor & Francis. This book was released on 2024-10-11 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context. This study includes figurative and iconographic motifs, architectural forms, and even the spolia from constructions and Arabic inscriptions that were embedded in Christian buildings. The Islamic visual culture of al-Andalus was often transformed as it was recreated by Christian hands, bringing to the fore various nuances in the relationship between the two religious communities. Artistic transfer was conditioned by social coexistence between Christians and Muslims—both in the caliphate al-Andalus and in the northern realms—and military conflict. To approach the different ways in which Andalusi visual culture was received in the northern kingdoms, while embracing the vast diversity of case studies available, this book is divided into three thematic sections: Reinterpretation, Appropriation, and Artistic Transfers. This book will be of interest to scholars working in art history, visual culture, and medieval studies.
Download or read book The Use of Models in Medieval Book Painting written by Monika E. Müller and published by Cambridge Scholars Publishing. This book was released on 2014-06-02 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
Download or read book The Cloisters written by Peter Barnet and published by Yale University Press. This book was released on 2012-11-27 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Home to an extraordinary collection of treasured masterworks, including the famed Unicorn Tapestries, The Cloisters is devoted to the art and architecture of medieval Europe. This splendid new guide, published to celebrate The Cloisters' seventy-fifth anniversary, richly illustrates and describes the most important highlights of its collection, from paintings, illuminated manuscripts, and exquisitely carved ivories to its monumental architecture evocative of the grand religious spaces and domestic interiors of the Middle Ages. The Cloisters remains a testament to design innovation—a New York City landmark with sweeping views of the Hudson River—featuring original elements of Romanesque and Gothic architecture dating from the 12th through the 15th century. Three of the structures enclose beautiful gardens cultivated with species known from tapestries, medieval herbals, and other historic sources. These exotic spaces, the art masterpieces, and the fragrant plants offer visitors an oasis of serenity and inspiration. This book both encapsulates and enhances that experience.
Download or read book The Foundations of Christian Art written by Titus Burckhardt and published by World Wisdom, Inc. This book was released on 2006 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Titus Burckhardt was a renowned expert on the art of traditional worlds. This book takes the reader through the history of Christian art, focusing especially upon architecture, iconography, and illumination.
Download or read book Mirror of the Medieval World written by Barbara Drake Boehm and published by Metropolitan Museum of Art. This book was released on 1999 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: The publication of this comprehensive catalogue celebrates the distinguished career of William D. Wixom at the Metropolitan. Highlighted in these pages are more than three hundred purchases and gifts, the great majority of which have been on view but many of which have remained unpublished until now. -- Metropolitan Museum of Art website.
Download or read book Church State Vellum and Stone written by Therese Martin and published by BRILL. This book was released on 2005-12-01 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this volume, written in honor of retired scholar John Williams, treat a variety of topics pertaining to Medieval Spain; providing an interdisciplinary, international, and intergenerational view of current work in the field.
Download or read book The Regional and Transregional in Romanesque Europe written by John McNeill and published by Routledge. This book was released on 2021-11-29 with total page 654 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Regional and Transregional in Romanesque Europe considers the historiography and usefulness of regional categories and in so doing explores the strength, durability, mutability, and geographical scope of regional and transregional phenomena in the Romanesque period. This book addresses the complex question of the significance of regions in the creation of Romanesque, particularly in relation to transregional and pan-European artistic styles and approaches. The categorization of Romanesque by region was a cornerstone of 19th- and 20th-century scholarship, albeit one vulnerable to the application of anachronistic concepts of regional identity. Individual chapters explore the generation and reception of forms, the conditions that give rise to the development of transregional styles and the agencies that cut across territorial boundaries. There are studies of regional styles in Aquitaine, Castile, Sicily, Hungary, and Scandinavia; workshops in Worms and the Welsh Marches; the transregional nature of liturgical furnishings; the cultural geography of the new monastic orders; metalworking in Hildesheim and the valley of the Meuse; and the links which connect Piemonte with Conques. The Regional and Transregional in Romanesque Europe offers a new vision of regions in the creation of Romanesque relevant to archaeologists, art historians, and historians alike.
