Download or read book The History of Keyboard Music to 1700 written by Willi Apel and published by Indiana University Press. This book was released on 1997 with total page 900 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic work is a meticulous chronological survey of music for the keyboard from the earliest extant manuscripts of the 14th century to the end of the 17th. Apel traces the evolution of keyboard instruments, genres, national schools and styles (from Poland to Portugal), and the oeuvre of many composers. A monument of scholarship, this indispensable reference work is also remarkably user-friendly and engagingly written throughout.
Download or read book The Keyboard in Baroque Europe written by Christopher Hogwood and published by Cambridge University Press. This book was released on 2003-06-12 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents
Download or read book A Short History of Keyboard Music written by F. E. Kirby and published by Simon & Schuster Books For Young Readers. This book was released on 1966 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: [This book] attempts to deal with the whole repertory of solo keyboard music from the historical point of view, with musical examples. The larger proportion of works covered are those after 1750. -- cf. Preface.
Download or read book Keyboard Music Before 1700 written by Alexander Silbiger and published by Routledge. This book was released on 2004-08-02 with total page 421 pages. Available in PDF, EPUB and Kindle. Book excerpt: Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.
Download or read book Five Centuries of Keyboard Music written by John Gillespie and published by Courier Corporation. This book was released on 2013-04-09 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gillespie discusses 350 composers and their works for harpsichord and piano, including Bach, Handel, Mozart, Beethoven, and Debussy. Includes 116 musical examples, illustrations, and a glossary of musical terms.
Download or read book A History of Keyboard Literature written by Stewart Gordon and published by Schirmer. This book was released on 1996 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: Intended for the Music Literature course for music majors.
Download or read book The Evolution of Organ Music in the 17th Century written by John R. Shannon and published by McFarland. This book was released on 2014-01-10 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 17th century was the century of the organ in much the same way the 19th century was the century of the piano. Almost without exception, the major composers of the century wrote for the instrument, and most of them were practicing organists themselves. This historical book surveys, analyzes, and discusses the major national styles of 17th century European organ music. Due to the extraordinarily extensive body of literature produced during this 100-year period, this text includes 350 musical examples to illustrate the various styles. The book also includes brief discussions of the various national styles of organ building, an appendix about the various notational methods used in the 17th century, and a chapter on Spain and Portugal written by Andre Lash, an expert on the subject.
Download or read book Interpreting Historical Keyboard Music written by Andrew Woolley and published by Routledge. This book was released on 2016-05-23 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Download or read book Interpreting Historical Keyboard Music written by Dr Andrew Woolley and published by Ashgate Publishing, Ltd.. This book was released on 2013-12-28 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ‘workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Download or read book Aspects of Early English Keyboard Music before c 1630 written by David J. Smith and published by Routledge. This book was released on 2019-04-24 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: English keyboard music reached an unsurpassed level of sophistication in the late sixteenth and early seventeenth centuries as organists such as William Byrd and his students took a genre associated with domestic, amateur performance and treated it as seriously as vocal music. This book draws together important research on the music, its sources and the instruments on which it was played. There are two chapters on instruments: John Koster on the use of harpsichord during the period, and Dominic Gwynn on the construction of Tudor-style organs based on the surviving evidence we have for them. This leads to a section devoted to organ performance practice in a liturgical context, in which John Harper discusses what the use of organs pitched in F may imply about their use in alternation with vocal polyphony, and Magnus Williamson explores improvisational practice in the Tudor period. The next section is on sources and repertoire, beginning with Frauke Jürgensen and Rachelle Taylor’s chapter on Clarifica me Pater settings, which grows naturally out of the consideration of improvisation in the previous chapter. The next two contributions focus on two of the most important individual manuscript sources: Tihomir Popović challenges assumptions about My Ladye Nevells Booke by reflecting on what the manuscript can tell us about aristocratic culture, and David J. Smith provides a detailed study of the famous Fitzwilliam Virginal Book. The discussion then broadens out into Pieter Dirksen’s consideration of a wider selection of sources relating to John Bull, which in turn connects closely to David Leadbetter’s work on Gibbons, lute sources and questions of style.
Download or read book Music History During the Renaissance Period 1520 1550 written by Blanche M. Gangwere and published by Bloomsbury Publishing USA. This book was released on 2004-10-30 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.
Download or read book The Stylus Phantasticus and Free Keyboard Music of the North German Baroque written by Paul Collins and published by Routledge. This book was released on 2017-07-05 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of stylus phantasticus (orfantastic style ) as it was expressed in free keyboard music of the north German Baroque forms the focus of this book. Exploring both the theoretical background to the style and its application by composers and performers, Paul Collins surveys the development of Athanasius Kircher‘s original concept and its influence on music theorists such as Brossard, Janovka, Mattheson, and Walther. Turning specifically to fantasist composers of keyboard works, the book examines the keyboard toccatas of Merulo, Fresobaldi, Rossi and Froberger and their influence on north German organists Tunder, Weckmann, Reincken, Buxtehude, Bruhns, Lubeck, Bohm, and Leyding. The free keyboard music of this distinguished group highlights the intriguing relationship at this time between composition and performance, the concept of fantasy, and the understanding of originality and individuality in seventeenth-century culture.
Download or read book Reader s Guide to Music written by Murray Steib and published by Routledge. This book was released on 2013-12-02 with total page 928 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Download or read book Changing Keys written by John Watson and published by Scarecrow Press. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through the instruments that comprise the historical keyboard collection of the Colonial Williamsburg Foundation including six harpsichords, six spinets, three organs, and twenty three pianos Changing Keys: Keyboard Instruments for America, 1700-1830 explores the keyboard culture of America in the colonial and Federal eras. Curator and historian John R. Watson illustrates new ways to learn from historic instruments, treating these cultural artifacts as primary documents, through which readers learn about their construction, their period of early use, and their passage through time. The 38 featured instruments are illustrated with color photographs, including many top view and detail photos as well as drawn diagrams. Each instrument serves as a springboard for discussion on the evolution of musical resources, construction technologies, and case decoration. Watson draws on the physical evidence of their manufacture, maintenance, and preservation to illustrate how this breed of instrument altered over time. Other topics include the lives and contributions of individual keyboard makers, including their technological innovations, and patents. The book s visually engaging format and approachable style will appeal to casual as well as academic readers. Technical specifications and pictorial glossary are included in the back. This work is published in conjunction with the Colonial Williamsburg Foundation."
Download or read book The Cambridge History of Seventeenth Century Music written by Tim Carter and published by Cambridge University Press. This book was released on 2005-12-22 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2005, this title provides extensive knowledge on seventeenth-century music.
Download or read book Perspectives on Early Keyboard Music and Revival in the Twentieth Century written by Rachelle Taylor and published by Routledge. This book was released on 2017-12-15 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival’s leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.
Download or read book Early Music History Volume 17 written by Iain Fenlon and published by Cambridge University Press. This book was released on 1999-03-04 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.
