Download or read book Chinese Music written by Jie Jin and published by Cambridge University Press. This book was released on 2011-03-03 with total page 157 pages. Available in PDF, EPUB and Kindle. Book excerpt: This accessible, illustrated introduction explores the history of Chinese music, an ancient, diverse and fascinating part of China's cultural heritage.
Download or read book Chinese Music and Musical Instruments written by Xi Qiang and published by Shanghai Press. This book was released on 2011-04-10 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt: With dozens of color photographs and insightful text, Chinese Music and Musical Instruments describes in detail the musical instruments with which a Chinese folk orchestra is equipped and their working and sounding principles. There are as many as a thousand different kinds of musical instruments in China. Only a tiny portion of them are used in an orchestra. The selection of musical instruments for an orchestra depends on how well they complement one another. A Chinese folk orchestra is composed of four sections: wind, plucked, percussion and bowed. This book is also devoted to the description of the development of classical Chinese music and the introduction of some music-related tales of profound significance. Chinese music is a big family composed of various distinctive types of music: Chinese folk music played at weddings, funerals or in festivals an fairs. The religious music played in religious services conducted in Buddhist and Taoist temples. Court music, which reached its zenith during the Tang Dynasty. The scholars' music based on Confucian thinking was the embodiment of the musical life of academia and refined music of this kind is still prevalent in today's society.
Download or read book A HISTORY OF ANCIENT CHINESE MUSIC AND DANCE written by Wang Ningning and published by American Academic Press. This book was released on 2019-11-04 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Ancient Chinese Music and Dance describes the history of music and dance in ancient China in the past five thousand years in the forms of poems, music and dance. It includes court music and dance, music and dance in drama and folk music and dance. It covers historical and professional knowledge such as music, dance, poetry and drama. The book consists of eleven chapters, from ancient times to the Ming Dynasty and the Qing Dynasty. In each chapter, there are historical background, music and dance works, people, events, and related poetry and images. The Yellow Emperor created tonality for wind instruments. Emperor Yao and Emperor Shun invented musical instruments qin and se. Duke of Zhou made system of rites and music. Apart from these, music, dance and acrobatics in the Qin Dynasty and the Han Dynasty, grand compositions in the Tang Dynasty and the Song Dynasty and music and dance in drama in the Ming Dynasty and the Qing Dynasty can all lead us to the long developing process of ancient music and dance. The book was the Project of 2003 National Tenth Five-Year Plan for Art Science in China. It was co-funded by the National Publishing Fund and “China Classics International” of the General Administration of Press and Publication.
Download or read book A Critical History of New Music in China written by Jingzhi Liu and published by Chinese University Press. This book was released on 2010 with total page 962 pages. Available in PDF, EPUB and Kindle. Book excerpt: By the end of the nineteenth century, Chinese culture had fallen into a stasis, and intellectuals began to go abroad for new ideas. What emerged was an exciting musical genre that C. C. Liu terms "new music." With no direct ties to traditional Chinese music, "new music" reflects the compositional techniques and musical idioms of eighteenth- and nineteenth-century European styles. Liu traces the genesis and development of "new music" throughout the twentieth century, deftly examining the social and political forces that shaped "new music" and its uses by political activists and the government.
Download or read book The History of Chinese Music written by Zhi Dao and published by DeepLogic. This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The book provides highlights on the key concepts and trends of evolution in the History of Chinese Music, as one of the series of books of “China Classified Histories”.
Download or read book China and the West written by Michael Saffle and published by University of Michigan Press. This book was released on 2017-03-01 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.
Download or read book Origins of Chinese Music 2007 Edition EPUB written by Lim SK and published by Asiapac Books Pte Ltd. This book was released on 2018-09-21 with total page 157 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the early days, musical instruments in China were made from everyday items: hunting tools, trees, bamboo and even bones. During the Zhou dynasty, there were about 70 instruments. Today, there are hundreds. But have you ever wondered how these musical instruments in China came about? Well, in this book, the evolution of Chinese music over the centuries is examined, from prehistoric times, through the Qin, Han, Sui and Tang dynasties, all the way to our modern times. In addition, the origins and characteristics of specific musical instruments are explored, giving insight in one's understanding of these instruments. Legendary accounts related to historical personalities are also featured, including: * How two phoenixes helped Fuxi, the earliest ancestor of the Chinese, add music to the lives of the people. * How the musical talents of some individuals were so high they could sense evil elements in a piece of music. * How Wangzi Qiao became an immortal from playing the sheng. Indeed, this book holds a treasury of fascinating information and stories pertaining to Chinese musical instruments. This is definitely something any music lover should have in his collection.
Download or read book A Way of Music Education written by C. Victor Fung and published by Oxford University Press. This book was released on 2018 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Moving back through Dewey, Heidegger, Nietzsche, and Rousseau, the lineage of Western music education finds its origins in Plato and Pythagoras. Yet theories not rooted in the ancient Greek tradition are all but absent. A Way of Music Education provides a much-needed intervention, integrating ancient Chinese thought into the canon of music education in a structured, systematized, and philosophical way. The book's three central sources - the Yijing (The Book of Changes), Confucianism, and Daoism - inform author C. Victor Fung's argument: that the human being exists as an entity at the center of an organismic world in which all things and events, including music and music education, are connected. Fung ultimately proposes a new educational philosophy based on three key ideas in Chinese thought: change, balance, and liberation. A unique work, A Way of Music Education offers a universal approach engrained in a specific and ancient cultural tradition.
Download or read book Tradition and Change in the Performance of Chinese Music written by Tsao Penyeh and published by Routledge. This book was released on 2013-12-19 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1998. As a cultural entity of over five thousand years of history, Chinese music is a multi-faced phenomenon consisting of diverse regional and transregional traditions. Two large categories of Chinese music can be distinguished: music(s) of the Han nationality and music(s) of the ethnic nationalities. The present volume brings together ten articles written largely by native scholars, with the general aim of presenting a dialogue about Chinese music from 'insider's' view-points.
Download or read book Suspended Music written by Lothar von Falkenhausen and published by Univ of California Press. This book was released on 1994-03-16 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Chinese made the world's first bronze chime-bells, which they used to perform ritual music, particularly during the Shang and Zhou dynasties (ca. 1700-221 B.C.). Lothar von Falkenhausen's rich and detailed study reconstructs how the music of these bells—the only Bronze Age instruments that can still be played—may have sounded and how it was conceptualized in theoretical terms. His analysis and discussion of the ritual, political, and technical aspects of this music provide a unique window into ancient Chinese culture. This is the first interdisciplinary perspective on recent archaeological finds that have transformed our understanding of ancient Chinese music. Of great significance to the understanding of Chinese culture in its crucial formative stage, it provides a fresh point of departure for exploring later Asian musical history and offers great possibilities for comparisons with music worldwide.
Download or read book Yellow Music written by Andrew F. Jones and published by Duke University Press. This book was released on 2001-06-19 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVThe distribution of the gramophone and the birth of popular music, including jazz, as a part of nation-building and modernity in China./div
Download or read book Spring and Autumn Annals written by Confucius, and published by DigiCat. This book was released on 2023-11-27 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Spring and Autumn Annals or Chunqiu is an ancient Chinese chronicle that has been one of the core Chinese classics since ancient times. The Annals is the official chronicle of the State of Lu, and covers a 241-year period from 722 to 481 BC. It is the earliest surviving Chinese historical text to be arranged in annals form.
Download or read book The Cambridge History of World Music written by Philip V. Bohlman and published by Cambridge University Press. This book was released on 2013-12-12 with total page 943 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
Download or read book Circuit Listening written by Andrew F. Jones and published by U of Minnesota Press. This book was released on 2020-03-17 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: How the Chinese pop of the 1960s participated in a global musical revolution What did Mao’s China have to do with the music of youth revolt in the 1960s? And how did the mambo, the Beatles, and Bob Dylan sound on the front lines of the Cold War in Asia? In Circuit Listening, Andrew F. Jones listens in on the 1960s beyond the West, and suggests how transistor technology, decolonization, and the Green Revolution transformed the sound of music around the globe. Focusing on the introduction of the transistor in revolutionary China and its Cold War counterpart in Taiwan, Circuit Listening reveals the hidden parallels between music as seemingly disparate as rock and roll and Maoist anthems. It offers groundbreaking studies of Mandarin diva Grace Chang and the Taiwanese folk troubadour Chen Da, examines how revolutionary aphorisms from the Little Red Book parallel the Beatles’ “Revolution,” uncovers how U.S. military installations came to serve as a conduit for the dissemination of Anglophone pop music into East Asia, and shows how consumer electronics helped the pop idol Teresa Teng bring the Maoist era to a close, remaking the contemporary Chinese soundscape forever. Circuit Listening provides a multifaceted history of Chinese-language popular music and media at midcentury. It profiles a number of the most famous and best loved Chinese singers and cinematic icons, and places those figures in a larger geopolitical and technological context. Circuit Listening’s original research and far-reaching ideas make for an unprecedented look at the role Chinese music played in the ’60s pop musical revolution.
Download or read book Rhapsody in Red written by Sheila Melvin and published by Algora Publishing. This book was released on 2004 with total page 746 pages. Available in PDF, EPUB and Kindle. Book excerpt: Western classical music has become as Chinese as Peking Opera, and it has woven its way into the hearts and lives of ordinary Chinese people. This lucidly written account traces the biographies of the bold visionaries who carried out this musical merger. Rhapsody in Red is a history of classical music in China that revolves around a common theme: how Western classical music entered China, and how it became Chinese. Chinas oldest orchestra was founded in 1879, two years before the Boston Symphony. Since then, classical music has woven its way into the lives of ordinary Chinese people. Millions of Chinese children take piano and violin lessons every week. Yet, despite the importance of classical music in China -- and of Chinese classical musicians and composers to the world -- next to nothing has been written on this fascinating subject. The authors capture the events with the voice of an insider and the perspective of a Westerner, presenting new information, original research and insights into a topic that has barely been broached elsewhere. The only other significant books touching on this field are Pianos and Politics: Middle Class Ambitions and The Struggle Over Western Music by Richard Kurt Kraus (1989), and Barbara Mittler's Dangerous Tunes - The Politics of Chinese Music. Both target the academic market. Pianos focuses narrowly on the political aspects of the Cultural Revolution and subsequent re-opening. Rhapsody in Red is a far better read and benefits from considerably more research with primary source material in China over the past decade; and it covers classical music in general over all the history of East-West interaction. This book will appeal to a general readership interested in China -- the same readers who made "Wild Swans" a bestseller. It will also appeal to all who are interested in the future of classical music. It could easily be used for college courses on modern China, cultural history and ethnomusicology.
Download or read book Music of the Billion written by David Mingyue Liang and published by Conran Octopus. This book was released on 1985 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in Chinese culture is not an isolated phenomenon, but is rather a contextual phenomenon broadly related to all aspects of life. In historical China, music was integrally related to banquets, archery events, dances, etc. The word for "music" in Chinese is yue. In its inclusive meaning, yue refers to the "arts" and to music, and, together with morals, law, and politics, was traditionally considered to be one of the four fundamental societal functions. Primarily because of this emphasis, every feudal state, dynasty and republic throughout history had established an official music organization or bureau of music indicating the import of music within the society. The book is organized into two parts: one, a diachronic orientation of major musical events throughout history, and two, a synchronic focus on musical content and context. In the historical section, the patterns and themes are emphasized, so that a sense of continuation, interrelationships and changes can be observed. In part two, six topical subjects have been selected, based on what the author believes represent a sense of balance of major subjects and styles in Chinese music, that is topics on aesthetics, notation-transmission, instrumental music (high art and regional styles), theatrical music, and major musical instruments. -- Back cover.
Download or read book Chinese Music written by J a Van Aalst and published by . This book was released on 2019-12-05 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a very interesting popular account of the theory of Chinese music, with numerous wood-cuts illustrating the principal instruments and the mode of musical notation used by Chinese musicians. The author states his aim to have been 'to point out the contrasts or similarity between Western and Chinese music, to present abstruse theories in the least tiresome way, to add details never before published and to give a. short yet concise account of Chinese music.' After an introductory chapter on ancient music in general or rather on the history of European music, which our author believes to have 'gradually risen and progressed with Christianity, ' follows a chapter entitled, 'on Chinese music.' Here we are told that of the ancient music of China nothing remains now but a few abstruse theories, and that, at the rise of the Han dynasty the great music master Chi, whose ancestors had for generations held the same dignity, scarcely remembered anything about (ancient) music but the noise of tickling bells and dancers' drums.' We venture to say, that the author Would have modified his opinions regarding ancient Chinese music very considerably, if he had read Faber's essays on the subject. In the same chapter it is asserted, that ever since the Han dynasty nothing has been done of any value in the sphere of music, either practically or theoretically, that the attempt of Kanghi and Kienlung to revive the study of music in China failed, and that the Chinese people, erroneously supposed to be quite unchangeable in their predilections, have so radically changed in the course of ages, that the musical art, which anciently always occupied the place of honour, is now deemed the lowest calling a man can profess. Serious music, according to Mr. Van Aalst, has been totally abandoned, and the kind of music in which the populace of China. now-a-days delights in, consisting of the deafening noise of gong or drum accompanied by the shrieking tones of the clarinet, requires no scientific study. But as Mr. van Aalst informs his readers at the same time, that ' Chinese music must be divided into two different kinds, ritual 0r sacred music, which is passably sweet and generally of a minor character, and the theatrical or popular music, ' and as he subsequently describes the ritual music now used at Court and at religious ceremonies in the temples of Confucius and elsewhere, we are constrained to assume, either that ritual music is not serious because it is passably sweet, or that his previous allegation, that ' serious music is totally abandoned in China, ' goes for nothing. The next chapter treats the twelve Lii of ancient Chinese music, and we are told that they form ' a kind of semi-diatomic scale of 12 degrees, nearly identical with our chromatic gamut, the only difference being that our scale is tempered, while that of the Chinese is untouched.' Then follow five brief sentences on the pitch of Chinese music, and we learn that 'the present pitch approaches our D (601.5 vibrations per second) as nearly as possible.' Next we have a chapter on the Chinese system of notation, illustrated by diagrams, a few words on the stave, the value of notes, the rests, the time, the signs of alteration of notes, the diatonic gamut, etc
