Download or read book The History and Social Significance of Motion Pictures in South Africa 1895 1940 written by Thelma Gutsche and published by Cape Town : H. Timmins. This book was released on 1972 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The History and Social Significance of Motion Pictures in South Africa 1895 1940 written by Thelma Gutsche and published by Cape Town : H. Timmins. This book was released on 1972 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cinema and Society in the British Empire 1895 1940 written by James Burns and published by Springer. This book was released on 2013-07-26 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: By 1940 going to the movies was the most popular form of public leisure in Britain's empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.
Download or read book History from South Africa written by Joshua Brown and published by Temple University Press. This book was released on 1991 with total page 486 pages. Available in PDF, EPUB and Kindle. Book excerpt: More starkly than any other contemporary social conflict, the crisis in South Africa highlights the complexities and conflicts in race, gender, class, and nation. These original articles, most of which were written by South African authors, are from a special issue of the Radical History Review, published in Spring 1990, that mapped the development of interpretations of the South African past that depart radically from the official history. The articles range from the politics of black movements in the nineteenth and twentieth centuries to studies of film, television, and theater as reflections of modern social conflict. History from South Africa is presented in two main sections: discussions of the historiography of South Africa from the viewpoint of those rewriting it with a radical outlook; and investigations into popular history and popular culture—the production and reception of history in the public realm. In addition, two photo essays dramatize this history visually; maps and a chronology complete the presentation. The book provides a fresh look at major issues in South African social and labor history and popular culture, and focuses on the role of historians in creating and interacting with a popular movement of resistance and social change.
Download or read book Empire and Film written by Lee Grieveson and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'This important new volume reconstructs the forms of production, distribution and exhibition of films made in and about the colonies. It then ties them to wider theoretical issues about film and liberalism, spectacle and political economy, representation and rule. The result is one of the first volumes to examine how imperial rule is intimately tied to the emergence of documentary as a form and, indeed, how the history of cinema is at the same time the history of Empire.' BRIAN LARKIN, Barnard College 'This superb collection of new scholarship shows how cinema both communicated and aided the imperialist agenda throughout the twentieth century. In doing so, it shows film can be understood as one of the tools of empire, as much as the technology of weaponry or modes of administration: a means of education and indoctrination in the colonies and at home.' TOM GUNNING, University of Chicago At its height in 1919, the British Empire claimed 58 countries, 400 million subjects, and 14 million square miles of ground. Empire and Film brings together leading international scholars to examine the integral role cinema played in the control, organisation, and governance of this diverse geopolitical space. The essays reveal the complex interplay between the political and economic control essential to imperialism and the emergence and development of cinema in the late nineteenth and first half of the twentieth century. Contributors address how the production, distribution and exhibition of film were utilised by state and industrial and philanthropic institutions to shape the subject positions of coloniser and colonised; to demarcate between 'civilised' and 'primitive' and codify difference; and to foster a political economy of imperialism that was predicated on distinctions between core and periphery. The generic forms of colonial cinema were, consequently, varied: travelogues mapped colonial spaces; actuality films re-presented spectacles of royal authority and imperial conquest and conflict; home movies rendered colonial self-representation; state-financed newsreels and documentaries fostered political and economic control and the 'education' of British and colonial subjects; philanthropic and industrial organisations sponsored films to expand Western models of capitalism; British and American film companies made films of imperial adventure. These films circulated widely in Britain and the empire, and were sustained through the establishment of imperial networks of distribution and exhibition, including in particular innovative mobile exhibition circuits and non-theatrical spaces like schools, museums and civic centres. Empire and Film is a significant revision to the historical and conceptual frameworks of British cinema history, and is a major contribution to the history of cinema as a global form that emerged amid, and in dialogue with, the global flows of imperialism. The book is produced in conjunction with a major website housing freely available digitised archival films and materials relating to British colonial cinema, www.colonialfilm.org.uk, and a companion volume entitled Film and the End of Empire.
Download or read book The Oxford Handbook of Modern African History written by John Parker and published by OUP Oxford. This book was released on 2013-10-10 with total page 693 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Modern African History represents an invaluable tool for historians and others in the field of African studies. This collection of essays, produced by some of the finest scholars currently working in the field, provides the latest insights into, and interpretations of, the history of Africa - a continent with a rich and complex past. An understanding of this past is essential to gain perspective on Africa's current challenges, and this accessible and comprehensive volume will allow readers to explore various aspects - political, economic, social, and cultural - of the continent's history over the last two hundred years. Since African history first emerged as a serious academic endeavour in the 1950s and 1960s, it has undergone numerous shifts in terms of emphasis and approach, changes brought about by political and economic exigencies and by ideological debates. This multi-faceted Handbook is essential reading for anyone with an interest in those debates, and in Africa and its peoples. While the focus is determinedly historical, anthropology, geography, literary criticism, political science and sociology are all employed in this ground-breaking study of Africa's past.
Download or read book Black Cultural Life in South Africa written by Lily Saint and published by University of Michigan Press. This book was released on 2018-09-01 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Under apartheid, black South Africans experienced severe material and social disadvantages occasioned by the government’s policies, and they had limited time for entertainment. Still, they closely engaged with an array of textual and visual cultures in ways that shaped their responses to this period of ethical crisis. Marshaling forms of historical evidence that include passbooks, memoirs, American “B” movies, literary and genre fiction, magazines, and photocomics, Black Cultural Life in South Africa considers the importance of popular genres and audiences in the relationship between ethical consciousness and aesthetic engagement. This study provocatively posits that states of oppression, including colonial and postcolonial rule, can elicit ethical responses to imaginative identification through encounters with popular culture, and it asks whether and how they carry over into ethical action. Its consideration of how globalized popular culture “travels” not just in material form, but also through the circuits of the imaginary, opens a new window for exploring the ethical and liberatory stakes of popular culture. Each chapter focuses on a separate genre, yet the overall interdisciplinary approach to the study of genre and argument for an expansion of ethical theory that draws on texts beyond the Western canon speak to growing concerns about studying genres and disciplines in isolation. Freed from oversimplified treatments of popular forms—common to cultural studies and ethical theory alike—this book demonstrates that people can do things with mass culture that reinvigorate ethical life. Lily Saint’s new volume will interest Africanists across the humanities and the social sciences, and scholars of Anglophone literary, globalization, and cultural studies; race; ethical theories and philosophies; film studies; book history and material cultures; and the burgeoning field of comics and graphic novels.
Download or read book South Africa s Renegade Reels written by L. Modisane and published by Springer. This book was released on 2012-12-28 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite incredible political upheavals and a minimal national history of film production, movies such as Come Back, Africa (1959), uDeliwe (1975), and Fools (1998) have taken on an iconic status within South African culture. In this much-needed study, author Litheko Modisane delves into the public critical engagements around old 'renegade' films and newer ones, revealing instructive details both in the production and the public lives of South African movies oriented around black social experiences. This illuminates the complex nature of cinema in modern public life, enriching established methodologies by expanding the cultural and conceptual boundaries of film as a phenomenon of textual circulation.
Download or read book The Cambridge History of Africa written by J. D. Fage and published by Cambridge University Press. This book was released on 1975 with total page 1094 pages. Available in PDF, EPUB and Kindle. Book excerpt: This seventh volume in The Cambridge History of Africa examines the period 1905-40 in African history.
Download or read book The Emergence of the South African Metropolis written by Vivian Bickford-Smith and published by Cambridge University Press. This book was released on 2016-05-16 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneering account of how South Africa's three leading cities were fashioned, experienced, promoted and perceived.
Download or read book The Man Who Made Movies written by Paul Spehr and published by Indiana University Press. This book was released on 2008-11-17 with total page 713 pages. Available in PDF, EPUB and Kindle. Book excerpt: The story of W.K.L. Dickson—assistant to Edison, inventor, and key figure in early cinematography: “Valuable and comprehensive.” —Communication Booknotes Quarterly W.K.L. Dickson was Thomas Edison’s assistant in charge of the experimentation that led to the Kinetoscope and Kinetograph—the first commercially successful moving image machines. In 1891–1892, he established what we know today as the 35mm format. Dickson also designed the Black Maria film studio and facilities to develop and print film, and supervised production of more than one hundred films for Edison. After leaving Edison, he became a founding member of the American Mutoscope Company, which later became the American Mutoscope & Biograph, then Biograph. In 1897, he went to England to set up the European branch of the company. Over the course of his career, Dickson made between five hundred and seven hundred films, which are studied today by scholars of the early cinema. This well-illustrated book offers a window onto early film history from the perspective of Dickson’s own oeuvre.
Download or read book Media Studies Content audiences and production written by Pieter Jacobus Fourie and published by Juta and Company Ltd. This book was released on 2001 with total page 620 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book includes theoretical approaches as well as a production section that focuses on basic techniques and introductory applications of media studies.
Download or read book Worlds of social dancing written by James Nott and published by Manchester University Press. This book was released on 2022-03-22 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: By the 1920s, much of the world was ‘dance mad,’ as dancers from Buenos Aires to Tokyo, from Manchester to Johannesburg and from Chelyabinsk to Auckland, engaged in the Charleston, the foxtrot and a whole host of other fashionable dances. Worlds of social dancing examines how these dance cultures spread around the globe at this time and how they were altered to suit local tastes. As it looks at dance as a ‘social world’, the book explores the social and personal relationships established in encounters on dance floors on all continents. It also acknowledges the impact of radio and (sound) film as well as the contribution of dance teachers, musicians and other entertainment professionals to the making of the new dance culture.
Download or read book The International Movie Industry written by Gorham Anders Kindem and published by SIU Press. This book was released on 2000 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive history of the international movie industry during the 20th century. Essays examine the film industries of 19 countries focusing on individual national movie industries' economic, social, aesthetic, technological and political/ideological development within an international context.
Download or read book The Sounds of the Silents in Britain written by Julie Brown and published by Oxford University Press. This book was released on 2013 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early cinemas were noisy places with pianos, organs, ensembles of all varieties and sometimes full orchestras accompanied films. Britain, a key cultural player in the entertainment world both at the time and now, has a different history than the US of musical cultures and film production.
Download or read book Reframing Africa written by Cynthia Kros and published by African Books Collective. This book was released on 2022-01-13 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book takes readers on a series of stimulating intellectual journeys from the late nineteenth century to the contemporary era to explore notions of modernity in the production and reception of the African moving image and of African archival practices. Ideas are presented from multiple historical and contemporary perspectives, while inviting new voices to participate in discussions about the future of the African moving image. Reframing Africa? makes a plea for the recognition, preservation and repatriation of the African moving image archive, advancing ideas about how it speaks to contemporary Africans, possessed of the power to elucidate their lived experiences and to reorientate perceptions of the past, present and future. On the basis of this wide-ranging appreciation of the archive, the book charts a way forward for African-inflected film studies as well as other programmes in the humanities and social sciences. Reframing Africa? will appeal to scholars, academics and practitioners across the continent and beyond
Download or read book Images Out of Africa written by Virginia Garner and published by University Press of America. This book was released on 2011-05-19 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Missionaries played a fundamental role in introducing cinema into the developing world in the early twentieth century. These representatives of the Christian community diligently produced films about far-flung cultures to bolster fundraising for mission efforts around the globe. By the interwar period, a few husband-and-wife teams in Africa were making an array of films about vanishing cultures and the struggle to bring Christianity to indigenous populations. Images Out of Africa brings to light the remarkable expedition of one such team of filmmakers. In 1938, Virginia and Ray Garner, working for the Africa Motion Picture Project, ambitiously began making films in the Belgian Congo and French Cameroons, introducing film into villages for the first time. This book features Virginia Garner's recently rediscovered diaries, which highlight the challenges of making films in Africa in the 1930s and include rich descriptions of cross-cultural interactions and micro-negotiations with chiefs, headmen, and villagers.
