Download or read book The Historicity of Romantic Discourse written by Clifford Siskin and published by Oxford University Press, USA. This book was released on 1988 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: By relating the "creative" production and "critical" reproduction of Romantic knowledge to the workings of social, professional, and economic power, this political critique of the ongoing power of Romanticism will alter our understanding of that period's writers and their 20th-century critics.
Download or read book Romanticism written by Larry Peer and published by Routledge. This book was released on 2016-04-14 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2006. Exploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. This title aims to expand the readers understand of Romantic modes of argumentation, and will be of interest to students of literature.
Download or read book Dialogue and Literature written by Michael Macovski and published by Oxford University Press. This book was released on 1994-05-12 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Extending and reframing the works of Bakhtin, Gadamer, Ong, and Foucault--with particular emphasis on Bakhtin's late essays --Macovski constructs a theoretical model of literary dialogue and applies it to a range of Romantic texts. In reconsidering specific works within the context of cultural heuristics, rhetorical theory, and literary history, Macovski redefines Romantic discourse as both extratextual and agonistic. He thereby re-evaluates such Romantic topics as the history of the autotelic self, the proliferation of lyric orality, and the nineteenth-century critique of rhetoric. He examines poetry by Wordsworth and Coleridge, as well as such nineteenth-century prose works as Frankenstein, Wuthering Heights, and Heart of Darkness.
Download or read book Beyond Romanticism written by Stephen Copley and published by Routledge. This book was released on 2016-04-14 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1992. Beyond Romanticism represents a substantial challenge to traditional views of the Romantic period and provides a sustained critique of ‘Romantic ideology’. The debates with which it engages had previously been under-represented in the study of Romanticism, where the claims of history had never had quite the same status as they have had in other periods, and where confidence in poetic literary value remains high. Individual essays examine the philosophical underpinnings of Romantic discourse; they survey analogous and competing discourses of the period such as mesmerism, Hellenism, orientalism and nationalism; and analyse both the manifestations of Romanticism in particular historical and textual moments, and the texts and modes of writing which have been historically marginalized or silenced by ‘the Romantic’. This title will be of interest to students of literature.
Download or read book The History of Missed Opportunities written by William Galperin and published by Stanford University Press. This book was released on 2017-05-23 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through close engagement with the work of Wordsworth, Austen, and Byron, The History of Missed Opportunities posits that the everyday first emerged as a distinct category of experience, or first became thinkable, in the Romantic period. Conceived here as something overlooked and only noticed in retrospect, the everyday not only becomes subject matter for Romanticism, it also structures Romantic poetry, prose, and writing habits. Because the everyday is not noticed the first time around, it comes to be thought of as a missed opportunity, a possible world that was not experienced or taken advantage of and of whose history—or lack thereof—writers become acutely conscious. Consciousness of the everyday also entails a new relationship to time, as the Romantics turn to the history of what might have been. In recounting Romanticism's interest in making things recurrently present, in recovering a past of what was close at hand yet underappreciated, William H. Galperin positions the Romantics as precursors to twentieth-century thinkers of the everyday, including Heidegger, Benjamin, Lefebvre, and Cavell. He attends to Romantic discourse that works at cross purposes with standard accounts of both Romanticism and Romantic subjectivity. Instead of individualizing or turning inward, the Romantics' own discourse depersonalizes or exhibits a confrontation with thing-ness and the material world.
Download or read book Loving Literature written by Deidre Shauna Lynch and published by University of Chicago Press. This book was released on 2014-12-22 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
Download or read book Romanticism written by Diane Long Hoeveler and published by Routledge. This book was released on 2017-11-28 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron, and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. Each section features individual essays providing critical re-readings of nine Romantic texts and four Romantic topoi. Whether writing on Charlotte Smith's The Old Manor House or Anne Brontë's Agnes Grey, on rescue operas or criminal drama, the contributors, who include Marjean Purinton, Kari Lokke, Rodney Farnsworth, and Jeffrey Cass, expand our understanding of Romantic modes of argumentation.
Download or read book Romantic Geographies written by Amanda Gilroy and published by Manchester University Press. This book was released on 2000 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: This first book-length study explores the history of postwar England during the end of empire through a reading of novels which appeared at the time, moving from George Orwell and William Golding to Penelope Lively, Alan Hollinghurst and Ian McEwan. Particular genres are also discussed, including the family saga, travel writing, detective fiction and popular romances.All included reflect on the predicament of an England which no longer lies at the centre of imperial power, arriving at a fascinating diversity of conclusions about the meaning and consequences of the end of empire and the priveleged location of the novel for discussing what decolonization meant for the domestic English population of the metropole. The book is written in an easy style, unburdened by large sections of abstract reflection. It endeavours to bring alive in a new way the traditions of the English novel.
Download or read book Romantic Discourse and Political Modernity written by Richard Bourke and published by . This book was released on 1993 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: This provocative book explores the difficulties surrounding the attempt to understand the relationship between literary and political discourse. It examines the initial formulation of these difficulties in Georgian Britain, and traces them through the cultural debates of the Victorian men of letters to the critical ideologies of the twentieth-century literary academy. Richard Bourke offers an incisive critique of the way in which the idea of Culture has been used as a means of resolving the failure to establish an adequate theory of politics in the wake of the French Revolution.
Download or read book Keats s Odes written by Anahid Nersessian and published by University of Chicago Press. This book was released on 2021-02-10 with total page 149 pages. Available in PDF, EPUB and Kindle. Book excerpt: “When I say this book is a love story, I mean it is about things that cannot be gotten over—like this world, and some of the people in it.” In 1819, the poet John Keats wrote six poems that would become known as the Great Odes. Some of them—“Ode to a Nightingale,” “To Autumn”—are among the most celebrated poems in the English language. Anahid Nersessian here collects and elucidates each of the odes and offers a meditative, personal essay in response to each, revealing why these poems still have so much to say to us, especially in a time of ongoing political crisis. Her Keats is an unflinching antagonist of modern life—of capitalism, of the British Empire, of the destruction of the planet—as well as a passionate idealist for whom every poem is a love poem. The book emerges from Nersessian’s lifelong attachment to Keats’s poetry; but more, it “is a love story: between me and Keats, and not just Keats.” Drawing on experiences from her own life, Nersessian celebrates Keats even as she grieves him and counts her own losses—and Nersessian, like Keats, has a passionate awareness of the reality of human suffering, but also a willingness to explore the possibility that the world, at least, could still be saved. Intimate and speculative, this brilliant mix of the poetic and the personal will find its home among the numerous fans of Keats’s enduring work.
Download or read book Mesmerism Medusa and the Muse written by Anne DeLong and published by Lexington Books. This book was released on 2012-04-26 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mesmerism, Medusa, and the Muse: The Romantic Discourse of Spontaneous Creativity explores the connections among the Romantic discourse of spontaneous literary creativity, the nineteenth-century cultural practice of mesmerism, and the mythical Medusa as an icon of the gendered gaze. An analysis of Medusan mesmerism in the poetry of Mary Robinson, Samuel Taylor Coleridge, Percy Bysshe Shelley and Letitia Elizabeth Landon (L.E.L.) and the prose of Mary Shelley reveals that these Romantic-era writers equate the enraptured state that produces spontaneous literary creation with the mesmeric trance. These writers employ Medusan imagery to portray both the mesmerist and the mesmerized subject, a conflation of subject/object positions that complicates issues of agency, subjectivity, and gender. Images of Medusan mesmerism ultimately work to deconstruct Romantic ideological dichotomies of self/other, female/male, muse/artist, and sublime/beautiful. In contrast to a traditional, masculinized Romantic discourse that emphasizes self-possession, this study uncovers a feminized, improvisational, Romantic discourse, characterized “Other-possession,” an assumption of the mesmerized subject position that enhances subjective fluidity. This study interrogates the Romantic discourse of spontaneous literary creativity through an examination of Romantic poetry, prose, and theory that utilizes mesmeric and Medusan metaphors to suggest creative inspiration.Building on recent scholarship about improvisational poetics, the subversive potential of mesmerism, and Medusa as a feminist icon, this work suggests that the mesmeric Medusan muse not only enables creativity for women writers but also provides a mirror in which they view (and through which they give voice to) their own societal oppression. The mesmeric Medusan muse in Romantic-era literature—from the Ancient Mariner and the Frankenstein monster to the tragic, abandoned Sapphic poetess—often represents the face of oppression, an unwelcome and monstrous truth in nineteenth-century British society. For women writers in particular, braving the stare of the Medusan muse enhances empathy, and therefore inspiration and literary productivity.
Download or read book Romanticism and the Object written by L. Peer and published by Springer. This book was released on 2009-12-07 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why are material objects so prominent in European Romantic literature, both as symbol and organizing device? This collection of essays maintains that European Romantic culture and its aesthetic artifacts were fundamentally shaped by "object aesthetics," an artistic idiom of acknowledging, through a profound and often disruptive use of objects, the movement of Western aesthetic practice into Romantic self-projection and imagination. Of course Romanticism, in all its dissonance and anxiety, is marked by a number of new artistic practices, all of which make up a new aesthetics, accounting for the dialectical and symbolistic view of literature that began in the late eighteenth century. Romanticism and the Object adds to our understanding of that aesthetics by reexamining a wide range of texts in order to discover how the use of objects works in the literature of the time.
Download or read book Upstart Talents written by James Mulvihill and published by University of Delaware Press. This book was released on 2004 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: An inference of these rhetorical assimilations of empirical psychology is the reduction of truth to an impression. Such latitude as sensationalist thought introduced into rhetorical practice made a very flexible instrument of rhetoric indeed. It rendered hopes expressed by moralists/critics like Samuel Taylor Coleridge - who in his reflections on modern rhetoric speaks of "securing a purity in the principle without mischief from the practice"--All the more quixotic."
Download or read book Romantic Poetry written by Angela Esterhammer and published by John Benjamins Publishing. This book was released on 2002-01-01 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: Romantic Poetry encompasses twenty-seven new essays by prominent scholars on the influences and interrelations among Romantic movements throughout Europe and the Americas. It provides an expansive overview of eighteenth- and nineteenth-century poetry in the European languages. The essays take account of interrelated currents in American, Argentinian, Brazilian, Bulgarian, Canadian, Caribbean, Chilean, Colombian, Croatian, Czech, Danish, English, Estonian, Finnish, French, German, Greek, Hungarian, Irish, Italian, Mexican, Norwegian, Peruvian, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, and Uruguayan literature. Contributors adopt different models for comparative study: tracing a theme or motif through several literatures; developing innovative models of transnational influence; studying the role of Romantic poetry in socio-political developments; or focusing on an issue that appears most prominently in one national literature yet is illuminated by the international context. This collaborative volume provides an invaluable resource for students of comparative literature and Romanticism.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Download or read book Urbanization and English Romantic Poetry written by Stephen Tedeschi and published by Cambridge University Press. This book was released on 2018 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book re-orientates the relationship between urbanization and English Romantic poetry by focusing on urban aspects of Romantic poems.
Download or read book The Romantic Revolution written by Tim Blanning and published by Modern Library. This book was released on 2011-08-02 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A splendidly pithy and provocative introduction to the culture of Romanticism.”—The Sunday Times “[Tim Blanning is] in a particularly good position to speak of the arrival of Romanticism on the Euorpean scene, and he does so with a verve, a breadth, and an authority that exceed every expectation.”—National Review From the preeminent historian of Europe in the eighteenth and nineteenth centuries comes a superb, concise account of a cultural upheaval that still shapes sensibilities today. A rebellion against the rationality of the Enlightenment, Romanticism was a profound shift in expression that altered the arts and ushered in modernity, even as it championed a return to the intuitive and the primitive. Tim Blanning describes its beginnings in Rousseau’s novel La Nouvelle Héloïse, which placed the artistic creator at the center of aesthetic activity, and reveals how Goethe, Goya, Berlioz, and others began experimenting with themes of artistic madness, the role of sex as a psychological force, and the use of dreamlike imagery. Whether unearthing the origins of “sex appeal” or the celebration of accessible storytelling, The Romantic Revolution is a bold and brilliant introduction to an essential time whose influence would far outlast its age. “Anyone with an interest in cultural history will revel in the book’s range and insights. Specialists will savor the anecdotes, casual readers will enjoy the introduction to rich and exciting material. Brilliant artistic output during a time of transformative upheaval never gets old, and this book shows us why.”—The Washington Times “It’s a pleasure to read a relatively concise piece of scholarship of so high a caliber, especially expressed as well as in this fine book.”—Library Journal
Download or read book Romanticism Lyricism and History written by Sarah M. Zimmerman and published by State University of New York Press. This book was released on 1999-05-06 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized and employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences—not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poets' careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace.
