Download or read book The golden viol Baroque ornamentation in 2 v written by Grace Feldman and published by . This book was released on 2002 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The golden viol Renaissance ornamentation in 2 v written by Grace Feldman and published by . This book was released on 2000 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Ornamentation of Baroque Music written by Manfredo Zimmermann and published by BoD – Books on Demand. This book was released on 2021-07-05 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt: Everything you want to know about embellishing Music of the Baroque Era is taught systematically and well-founded here: from the different "essential ornaments" such as trill, mordent, appoggiatura, slide, etc. up to the free melodic ornaments, cadenzas and improvised grounds. In addition, you will find valuable information, tips, constructive exercises, historical examples and much more. Exclusively you get a live recorded harpsichord-basso continuo accompaniment for all exercises, which supports you harmonically and rhythmically. For pupils, students, amateurs and professional musicians
Download or read book The Golden Viol written by Grace Feldman and published by . This book was released on 2000 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ornamentation in Baroque and Post baroque Music written by Frederick Neumann and published by Princeton University Press. This book was released on 1983-12-21 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.
Download or read book Baroque Music written by Peter Walls and published by Routledge. This book was released on 2017-07-05 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
Download or read book Tapestry in the Baroque written by Thomas P. Campbell and published by Metropolitan Museum of Art. This book was released on 2007 with total page 575 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Golden Viol written by Grace Feldman and published by . This book was released on 2002 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Golden Viol written by Grace Feldman and published by . This book was released on 2002 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Golden Viol Half position Shifting written by Grace Feldman and published by . This book was released on 1995 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The golden viol Continuo playing written by Grace Feldman and published by . This book was released on 2004 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Golden Viol Alto tenor clefs written by Grace Feldman and published by . This book was released on 1996 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Golden Viol written by Grace Feldman and published by . This book was released on 2000 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New Schwann written by and published by . This book was released on 1985-03 with total page 694 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Schwann 1 Record Tape Guide written by and published by . This book was released on 1984 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Ornamentation written by Edward Dannreuther and published by Createspace Independent Publishing Platform. This book was released on 2015-02-18 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: A DEBT of gratitude is due to the author from pianists and musicians generally for this complete and careful collection of facts respecting musical ornamentation. It is true that of the "graces," to use the quaint old English term, many are already obsolete, while others are gradually disappearing. But, if only for the fact that Sebastian Bach makes extensive use of so many, they cannot be ignored. For the sake alone of that great musician, some of them must be understood : for it is only through clear comprehension of the letter that we can arrive at the spirit of that master, whose works, in spite of some antiquated embellishments, seem to defy the ravages of time. It is strange that though several books contain explanations concerning the execution of "graces," yet, as Mr. Dannreuther shows, in the practical application of the same, many puzzling questions arise. The history of the rise and progress of ornaments commences with Diruta's "Dialogo" and the Italian composers, Andrea and Giovanni Gabrieli and Merulo; and then a chapter is devoted to the famous "Parthenia, or the Maidenhead of the first Musicko that ever was printed for the Virginals." It is apparently among the early English masters that are to be found the earliest instances of a species of stenography to indicate ornaments in music for keyed instruments. Mr. Dannreuther has made an elaborate study of the "Parthenia" music, and his severe strictures on modern transcribers lead one to hope that he will one day bring out an ungarbled version of it. While ornaments constitute his special theme, he introduces many a pleasant aside: as, for instance, in the chapter on Dieupart's "Suittes de Clavecin," in which he demonstrates how Bach "transfigured and glorified" some of his predecessor's music. From Spitta we know how Bach admired Dieupart's "Suittes," but Mr. Dannreuther shows us what a practical form that admiration took. It would occupy many a column were we to attempt even to notice the points of special interest in this volume, but we must hasten on to the last chapter on Joh. Sebastian Bach, which occupies close on a quarter of the book. Mr. Dannreuther deals with a difficult matter in an astonishingly simple way, and students of Bach will find it a wonderful help in interpreting his clavier music. The few general precepts with which it opens seem at once to make many a rough place plain. The very first, respecting the diatonic character of Bach's ornaments, is of the utmost importance : we could mention the name of an illustrious pianist who, by non-observance of this simple precept, has robbed one of Bach's Fugues of much of its quaint dignity. With regard to shakes starting ex abrupto... -The Academy and Literature, Volume 43 [1893]
Download or read book Schwann written by and published by . This book was released on 1987 with total page 566 pages. Available in PDF, EPUB and Kindle. Book excerpt:
