Download or read book The genres of Renaissance tragedy written by Daniel Cadman and published by Manchester University Press. This book was released on 2019-02-25 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: These twelve new essays show the variety and versatility of Renaissance tragedy and highlight the issues it explores. Each chapter defines a particular kind of Renaissance tragedy and offers new research on a particularly striking example. Collectively the essays offer a critical overview of Renaissance tragedy as a genre.
Download or read book The Cambridge Companion to English Renaissance Tragedy written by Emma Josephine Smith and published by Cambridge University Press. This book was released on 2010-08-12 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introducing the reader to important topics in English Renaissance tragedy, this Companion presents fresh readings of key texts.
Download or read book English Renaissance Tragedy written by Peter Holbrook and published by Bloomsbury Publishing. This book was released on 2015-09-24 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book's underlying claim is that English Renaissance tragedy addresses live issues in the experience of readers and spectators today: it is not a genre to be studied only for aesthetic or “heritage” reasons. The book considers the way in which tragedy in general, and English Renaissance tragedy in particular, addresses ideas of freedom, understood both from an individual and a sociopolitical perspective. Tragedy since the Greeks has addressed the constraints and necessities to which human life is subject (Fate, the gods, chance, the conflict between state and individual) as well as the human desire for autonomy and self-direction. In short, English Renaissance Tragedy: Ideas of Freedom shows how the tragic drama of Shakespeare's age addresses problems of freedom, slavery, and tyranny in ways that speak to us now.
Download or read book English Renaissance Tragedy written by Peter Holbrook and published by . This book was released on with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title's underlying claim is that English Renaissance tragedy addresses live issues in the experience of readers and spectators today: it is not a genre to be studied only for aesthetic or 'heritage' reasons. Peter Holbrook considers the way in which tragedy in general, and English Renaissance tragedy in particular, addresses ideas of freedom, understood both from an individual and a sociopolitical perspective.
Download or read book The Italian Tragedy in the Renaissance written by Salvatore Di Maria and published by Bucknell University Press. This book was released on 2002 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is about the Renaissance revitalization of classical drama. Using a cultural and theatrical approach, it shows how Italian playwrights made ancient tragedy relevant to their audiences. The book challenges the traditional critical approach to the Italian Renaissance tragedy as a mere literary work, and calls attention to the complementary function of the theatrical text, which is 'reconstructed' from the stage directions embedded in the discourse of the characters.
Download or read book Renaissance Revivals written by Wendy Griswold and published by University of Chicago Press. This book was released on 1986-10 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance Revivals examines patterns in the London revivals of two English Renaissance theatre genres over the past four centuries. Griswold's focus on revenge tragedies and city comedies illuminates the ongoing interaction between society and its cultural products. No cultural object is ever created anew, she argues, but is instead constructed from existing cultural genres and conventions, the visions and professional needs of the artist, and the interests of an audience. Thus, every "new play" is in part a renaissance and every "revival" is in part an entirely new cultural object.
Download or read book In Words and Deeds written by Zenón Luis-Martínez and published by BRILL. This book was released on 2021-11-15 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Departing from earlier studies which regarded incest as a literary topos or dramatic metaphor foregrounding political, social, or legal issues, Words and Deeds: The Spectacle of Incest in English Renaissance Tragedy argues that the presence of incest on the Renaissance stage is a strategy for the enactment of the spectator’s tragic experience. Incest is explored neither as a sin nor as a crime, but as an “unspeakable” experience filtered through dramatic words and deeds. The incitement of desire, visual pleasure, and unconscious fantasy, as well as traumatic rejection, pain, and horror, are all aspects of this paradoxical and uncanny experience. Aristotelian theory of tragedy, Freudian and Lacanian psychoanalysis, and Michel Foucault’s notions of the deployment of sexuality and alliance, concur in the analysis of plays where incest is a central or a secondary motif – Ford’s ’Tis Pity She’s a Whore, Beaumont and Fletcher’s Cupid’s Revenge, Webster’s The Duchess of Malfi – and others where incest is an effect of language and mise-en-scène – Sackville and Norton’s Gorboduc, Shakespeare’s King Lear. The variety of topics and the combination of critical perspectives makes In Words and Deeds an attractive book for students and teachers of Renaissance drama, as well as for those with a special interest in psychoanalytic and other new theoretical approaches to the literary text.
Download or read book Tragedies of the English Renaissance written by Goran V. Stanivukovic and published by Renaissance Dramas and Dramatists. This book was released on 2018 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book covers the development of tragedy as a dramatic genre from its earliest examples in the 1560's until the closure of the theatres in 1642. It traces the astonishingly diverse range of tragedies as they were influenced by the growth of public and private theatre venues in London. Tragedy was the most popular and the most diverse of theatrical genres during the English Renaissance; it was also the most disruptive and subversive. For Shakespeare and his contemporaries, tragedy reaches kings and queens and everyday person alike. Tragedy has rules, but these were rules that playwrights were ready to trouble and transform to meet changes in society and politics, in theatre venue, and in audience demand.
Download or read book The Expense of Spirit written by Mary Beth Rose and published by Cornell University Press. This book was released on 2018-03-15 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: A public and highly popular literary form, English Renaissance drama affords a uniquely valuable index of the process of cultural transformation. The Expense of Spirit integrates feminist and historicist critical approaches to explore the dynamics of cultural conflict and change during a crucial period in the formation of modern sexual values. Comparing Elizabethan and Jacobean dramatic representations of love and sexuality with those in contemporary moral tracts and religious writings on women, love, and marriage, Mary Beth Rose argues that such literature not only interpreted sexual sensibilities but also contributed to creating and transforming them.
Download or read book New Historicism and Renaissance Drama written by Richard Wilson and published by Routledge. This book was released on 2016-07-01 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Historicism has been one of the major developments in literary theory over the last decade, both in the USA and Europe. In this book, Wilson and Dutton examine the theories behind New Historicism and its celebrated impact in practice on Renaissance Drama, providing an important collection both for students of the genre and of literary theory.
Download or read book The Cambridge Companion to English Renaissance Tragedy written by Emma Smith and published by Cambridge University Press. This book was released on 2010-08-12 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Featuring essays by major international scholars, this Companion combines analysis of themes crucial to Renaissance tragedy with the interpretation of canonical and frequently taught texts. Part I introduces key topics, such as religion, revenge, and the family, and discusses modern performance traditions on stage and screen. Bridging this section with Part II is a chapter which engages with Shakespeare. It tackles Shakespeare's generic distinctiveness and how our familiarity with Shakespearean tragedy affects our appreciation of the tragedies of his contemporaries. Individual essays in Part II introduce and contribute to important critical conversations about specific tragedies. Topics include The Revenger's Tragedy and the theatrics of original sin, Arden of Faversham and the preternatural, and The Duchess of Malfi and the erotics of literary form. Providing fresh readings of key texts, the Companion is an essential guide for all students of Renaissance tragedy.
Download or read book English Renaissance Tragedy written by T McAlindon and published by Springer. This book was released on 1988-09-29 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an introductory perspective on its subject together with detailed studies of the major non-Shakespearean tragedies. It assumes that the central and most disturbing insights of the plays were expressed in terms of the thought patterns of the time.
Download or read book The motif of romantic love in Renaissance Revenge Tragedies written by Natalia Gubergritz and published by GRIN Verlag. This book was released on 2018-02-19 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,3, Ernst Moritz Arndt University of Greifswald, language: English, abstract: The concerns of civilized human society from the beginning on until our days have not changed much. The basic problems of mankind and therefore the basic topics literature was written about are religion, love, family and war. English Renaissance drama is no exception to that. One of the most fascinating genres of Shakespeare’s contemporaries is the Revenge Tragedy. It combines revenge plots with love matters and confronts all this with the structure and beliefs of society. One of the motifs the Revenge Tragedy depends on in order to remain absorbing for the audience is the motif of romantic love. Hence this will be the topic of the paper at hand. Further on I will discuss the different aspects of romantic love and analyse their status in Renaissance society and also the representations of this aspects in three of the most important Revenge Tragedies of that time. At first I will look on how love was seen in Renaissance society, and in which way matters of marriage were settled. This topic will be regarded deeper in the second chapter, where the approach to love and marriage will be exemplified on the tragedies. The problem of marriage, particularly unequal and secret marriage will be analysed in John Webster’s The Duchess of Malfi. Afterwards I am going to compare the play to Thomas Kyd’s The Spanish Tragedy and see how Kyd handled the Problem of unequal relationships. In chapter 3.3 one of the most important plays in literary history will be analysed on the love relationships of its main characters. In Shakespeare’s Hamlet the romance between the Prince of Denmark and the fair Ophelia is of highest interest to the literary critic. Well, naturally the motif of romantic love does not only include marriage and interpersonal relationships, but also the question of sexuality is quite important. In this paper, I will discuss the dealing with all these topics in the Renaissance tragedies by working closely with the plays in question. As will be found out in the course of the discussion, romantic love, with its different aspects is a crucial motif to every successful Revenge Tragedy.
Download or read book The Routledge Anthology of Renaissance Drama written by Simon Barker and published by Psychology Press. This book was released on 2003 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically."--BOOK JACKET.
Download or read book English Renaissance Tragedy written by T. McAlindon and published by . This book was released on 2000 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book THE SCENECAN TRADITION IN RENAISSANCE TRAGEDY A Re issue of an Essay published in 1921 written by Henry Buckley Charlton and published by Manchester University Press. This book was released on 1946 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Early Modern Tragicomedy written by Subha Mukherji and published by DS Brewer. This book was released on 2007 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fresh explorations of the tragicomic drama, setting the familiar plays of Shakespeare and his contemporaries alongside Irish and European drama. Tragicomedy is one of the most important dramatic genres in Renaissance literature, and the essays collected here offer stimulating new perspectives and insights, as well as providing broad introductions to arguably lesser-known European texts. Alongside the chapters on Classical, Italian, Spanish, and French material, there are striking and fresh approaches to Shakespeare and his contemporaries -- to the origins of mixed genre in English, to the development of Shakespearean and Fletcherian drama, to periodization in Shakespeare's career, to the language of tragicomedy, and to the theological structure of genre. The collection concludes with two essays on Irish theatre and its interactions with the London stage, further evidence of the persistent and changing energy of tragicomedy in the period. Contributors: SARAH DEWAR-WATSON, MATTHEW TREHERNE, ROBERT HENKE, GERAINT EVANS, NICHOLAS HAMMOND, ROSKING, SUZANNE GOSSETT, GORDAN MCMULLAN, MICHAEL WINMORE, JONATHAN HOPE, MICHAEL NEILL, LUCY MUNRO, DEANA RANKIN
