Download or read book The Garland of Scotia a Musical Wreath of Scottish Song with descriptive and historical notes adapted for the Voice Flute Violin c Edited by J Turnbull and P Buchan written by John Turnbull and published by . This book was released on 1841 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Garland of Scotia written by John Turnbull and published by . This book was released on 1841 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Garland of Scotia written by John Turnbull and published by Palala Press. This book was released on 2016-05-24 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book A List of Works Relating to Scotland written by New York Public Library and published by . This book was released on 1916 with total page 1258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bulletin of the New York Public Library written by New York Public Library and published by . This book was released on 1914 with total page 1716 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes its Report, 1896-1945.
Download or read book The Garland of Scotia written by John Turnbull and published by Forgotten Books. This book was released on 2017-12-24 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The Garland of Scotia: A Musical Wreath of Scottish Song, With Descriptive and Historical Notes, Adapted for the Voice, Flute, Violin, &C It is a common tradition, that before the Reformation, in ridicule of the Cathedral ser vice, many of their most beautiful hymns were parodied, and sung as profane ballads. Of these the well-known airs, J ohn Anderson, my J o, Kind Robin loes me, and J ohn, come kiss me now, are cited as examples. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book A Catalogue of Music and Books on Music written by Kenneth Mummery (Firm) and published by . This book was released on 1954 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliographical Inventory to the Early Music in the Newberry Library Chicago Illinois written by Newberry Library and published by Boston : G. K. Hall. This book was released on 1977 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The National Union Catalog Pre 1956 Imprints written by Library of Congress and published by . This book was released on 1968 with total page 754 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nineteenth Century Short title Catalogue phase 1 1816 1870 written by and published by . This book was released on 1984 with total page 796 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dictionary Catalog of the Music Collection written by New York Public Library. Reference Department and published by . This book was released on 1964 with total page 792 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of English Song Books Forming a Portion of the Library of Sir John Stainer written by John Stainer and published by . This book was released on 1891 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Caledonian Musical Repository written by Anonymous and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Caledonian Musical Repository is a compendium of beloved Scottish folk songs, arranged for the voice, violin, and German flute. First published in 1806, it provides a glimpse into the rich musical tradition of Scotland, and the enduring appeal of its songs throughout the English-speaking world. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book Aberdeen Journal Notes and Queries written by and published by . This book was released on 1908 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Segregating Sound written by Karl Hagstrom Miller and published by Duke University Press. This book was released on 2010-02-11 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
Download or read book African Banjo Echoes in Appalachia written by Cecelia Conway and published by Univ. of Tennessee Press. This book was released on 1995 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the Upland South, the banjo has become an emblem of white mountain folk, who are generally credited with creating the short-thumb-string banjo, developing its downstroking playing styles and repertory, and spreading its influence to the national consciousness. In this groundbreaking study, however, Cecelia Conway demonstrates that these European Americans borrowed the banjo from African Americans and adapted it to their own musical culture. Like many aspects of the African-American tradition, the influence of black banjo music has been largely unrecorded and nearly forgotten--until now. Drawing in part on interviews with elderly African-American banjo players from the Piedmont--among the last American representatives of an African banjo-playing tradition that spans several centuries--Conway reaches beyond the written records to reveal the similarity of pre-blues black banjo lyric patterns, improvisational playing styles, and the accompanying singing and dance movements to traditional West African music performances. The author then shows how Africans had, by the mid-eighteenth century, transformed the lyrical music of the gourd banjo as they dealt with the experience of slavery in America. By the mid-nineteenth century, white southern musicians were learning the banjo playing styles of their African-American mentors and had soon created or popularized a five-string, wooden-rim banjo. Some of these white banjo players remained in the mountain hollows, but others dispersed banjo music to distant musicians and the American public through popular minstrel shows. By the turn of the century, traditional black and white musicians still shared banjo playing, and Conway shows that this exchange gave rise to a distinct and complex new genre--the banjo song. Soon, however, black banjo players put down their banjos, set their songs with increasingly assertive commentary to the guitar, and left the banjo and its story to white musicians. But the banjo still echoed at the crossroads between the West African griots, the traveling country guitar bluesmen, the banjo players of the old-time southern string bands, and eventually the bluegrass bands. The Author: Cecelia Conway is associate professor of English at Appalachian State University. She is a folklorist who teaches twentieth-century literature, including cultural perspectives, southern literature, and film.
