Download or read book The Fred Harvey Company Collects Indian Art written by Byron Harvey and published by . This book was released on 1981 with total page 15 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Inventing the Southwest written by Kathleen L. Howard and published by Northland Publishing. This book was released on 1996 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: A heavily illustrated history & appreciation of the contribution of the Fred Harvey Company to the preservation and promotion of Indian art. Serves as the catalog of an exhibit--through April 1997-- at the Heard Museum in Phoenix. c. Book News Inc.
Download or read book The Great Southwest of the Fred Harvey Company and the Santa Fe Railway written by Heard Museum and published by . This book was released on 1996 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The papers in this volume were prepared for a February 1996 symposium held in conjunction with the exhibit "Inventing the Southwest: The Fred Harvey Company and Native American Art," organized at the Heard Museum in Phoenix, Arizona. The essays describe the Harvey/Santa Fe partnership, detailing the effects of the collaboration on tourism in the American Southwest, and showing how the lives of Native American artists and their communities were transformed by the massive scale on which the Fred Harvey Company bought, sold, and popularized American Indian art. Illustrated with small b & w historical photos.
Download or read book A New Deal for Native Art written by Jennifer McLerran and published by University of Arizona Press. This book was released on 2012-10-06 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Available for the first time in paperback!
Download or read book Mary Colter written by Arnold Berke and published by Princeton Architectural Press. This book was released on 2002 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Mary Elizabeth Jane Colter ... was an architect and interior designer who spent virtually her entire career working simultaneously for the Fred Harvey Company and the Santa Fe Railway."--p. 9.
Download or read book A New Deal for Navajo Weaving written by Jennifer McLerran and published by University of Arizona Press. This book was released on 2022-05-10 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: A New Deal for Navajo Weaving provides a detailed history of early to mid-twentieth-century Diné weaving projects by non-Natives who sought to improve the quality and marketability of Navajo weaving but in so doing failed to understand the cultural significance of weaving and its role in the lives of Diné women. By the 1920s the durability and market value of Diné weavings had declined dramatically. Indian welfare advocates established projects aimed at improving the materials and techniques. Private efforts served as models for federal programs instituted by New Deal administrators. Historian Jennifer McLerran details how federal officials developed programs such as the Southwest Range and Sheep Breeding Laboratory at Fort Wingate in New Mexico and the Navajo Arts and Crafts Guild. Other federal efforts included the publication of Native natural dye recipes; the publication of portfolios of weaving designs to guide artisans; and the education of consumers through the exhibition of weavings, aiding them in their purchases and cultivating an upscale market. McLerran details how government officials sought to use these programs to bring the Diné into the national economy; instead, these federal tactics were ineffective because they marginalized Navajo women and ignored the important role weaving plays in the resilience and endurance of wider Diné culture.
Download or read book Colonized Through Art written by Marinella Lentis and published by U of Nebraska Press. This book was released on 2017 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: Colonized through Art explores how the federal government used art education for American Indian children as an instrument for the "colonization of consciousness," hoping to instill the values and ideals of Western society while simultaneously maintaining a political, social, economic, and racial hierarchy. Focusing on the Albuquerque Indian School in New Mexico, the Sherman Institute in Riverside, California, and the world's fairs and local community exhibitions, Marinella Lentis examines how the U.S. government's solution to the "Indian problem" at the end of the nineteenth century emphasized education and assimilation. Educational theories at the time viewed art as the foundation of morality and as a way to promote virtues and personal improvement. These theories made the subject of art a natural tool for policy makers and educators to use in achieving their assimilationist goals of turning student "savages" into civilized men and women. Despite such educational regimes for students, however, indigenous ideas about art oftentimes emerged "from below," particularly from well-known art teachers such as Arizona Swayney and Angel DeCora. Colonized through Art explores how American Indian schools taught children to abandon their cultural heritage and produce artificially "native" crafts that were exhibited at local and international fairs. The purchase of these crafts by the general public turned students' work into commodities and schools into factories.
Download or read book Selling the Indian written by Carter Jones Meyer and published by University of Arizona Press. This book was released on 2001-08-01 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: For more than a hundred years, outsiders enamored of the perceived strengths of American Indian cultures have appropriated and distorted elements of them for their own purposes—more often than not ignoring the impact of the process on the Indians themselves. This book contains eight original contributions that consider the selling of American Indian culture and how it affects the Native community. It goes beyond studies of “white shamanism” to focus on commercial ventures, challenging readers to reconsider how Indian cultures have been commercialized in the twentieth century. Some selections examine how Indians have been displayed to the public, beginning with a “living exhibit” of Cocopa Indians at the 1904 Louisiana Purchase Exposition and extending to contemporary stagings of Indian culture for tourists at Tillicum Village near Seattle. Other chapters range from the Cherokees to Puebloan peoples to Indians of Chiapas, Mexico, in an examination of the roles of both Indians and non-Indian reformers in marketing Native arts and crafts. These articles show that the commercialization and appropriation of American Indian cultures have been persistent practices of American society over the last century and constitute a form of cultural imperialism that could contribute to the destruction of American Indian culture and identity. They offer a means toward understanding this complex process and provide a new window on Indian-white interactions. CONTENTS Part I: Staging the Indian 1. The “Shy” Cocopa Go to the Fair, Nancy J. Parezo and John W. Troutman 2. Command Performances: Staging Native Americans at Tillicum Village, Katie N. Johnson and Tamara Underiner 3. Savage Desires: The Gendered Construction of the American Indian in Popular Media, S. Elizabeth Bird 4. “Beyond Feathers and Beads”: Interlocking Narratives in the Music and Dance of Tokeya Inajin (Kevin Locke), Pauline Tuttle Part II: Marketing the Indian 5. “The Idea of Help”: White Women Reformers and the Commercialization of Native American Women’s Arts, Erik Trump 6. Saving the Pueblos: Commercialism and Indian Reform in the 1920s, Carter Jones Meyer 7. Marketing Traditions: Cherokee Basketry and Tourist Economies, Sarah H. Hill 8. Crafts, Tourism, and Traditional Life in Chiapas, Mexico: A Tale Related by a Pillowcase, Chris Goertzen
Download or read book Fred Harvey Jewelry written by Dennis June and published by Schiffer Publishing Limited. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A book detailing the tourist Indian jewelry that was sold mainly in the Fred Harvey establishments at the end of the 19th century and the beginning of the 20th century in connection with the Santa Fe Railway. It includes detailed photographs of the native artisans and the jewelry made by novelty companies for the tourists. It is illustrated with many original Harvey Company photostint postcards, which paint a vivid picture of life in the American Southwest frontier.
Download or read book Fred Harvey Fine Arts Collection written by and published by University of Washington Press. This book was released on 1976 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Over the Edge written by Kathleen L. Howard and published by . This book was released on 2016-03-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: As we know them today, the American Southwest, and the Grand Canyon that lies at its heart, are the product of vast natural forces over millions of years. But they were also created by one man's vision and a railroad. The entrepreneurial genius was Fred Harvey. If the Colt .45 revolver "won the West," Fred Harvey civilized it, along with the Santa Fe Railway. In the late nineteenth century, the Santa Fe opened up a strange, spectacular new territory to travelers. And Harvey followed, establishing restaurants, hotels, and shops to make them comfortable. In Over the Edge, Kathleen L. Howard and Diana F. Pardue reveal in vivid detail how Harvey and the Santa Fe together created a vision of the Southwest that still works its magic today.
Download or read book Nampeyo and Her Pottery written by Barbara Kramer and published by University of Arizona Press. This book was released on 2003-02-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the beginning of the twentieth century, Hopi-Tewa potter Nampeyo revitalized Hopi pottery by creating a contemporary style inspired by prehistoric ceramics. Nampeyo (ca. 1860-1942) made clay pots at a time when her people had begun using manufactured vessels, and her skill helped convert pottery-making from a utilitarian process to an art form. The only potter known by name from that era, her work was unsigned and widely collected. Travel brochures on the Southwest featured her work, and in 1905 and 1907 she was a potter in residence at Grand Canyon National Park's Hopi House. This first biography of the influential artist is a meticulously researched account of Nampeyo's life and times. Barbara Kramer draws on historical documents and comments by family members not only to reconstruct Nampeyo's life but also to create a composite description of her pottery-making process, from gathering clay through coiling, painting, and firing. The book also depicts changes brought about on the Hopi reservation by outsiders and the response of American society to Native American arts.
Download or read book Navajo Trading written by Willow Roberts Powers and published by UNM Press. This book was released on 2001 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This overview is the first to examine trading in the last quarter of the twentieth century, when changes in both Navajo and white cultures led to the investigation of trading practices by the Federal Trade Commission, resulting in the demise of most traditional trading posts.
Download or read book Preserving Western History written by Andrew Gulliford and published by UNM Press. This book was released on 2005 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first collection of essays on public history in the American West.
Download or read book Dakota Women s Work written by Colette A. Hyman and published by Minnesota Historical Society Press. This book was released on 2012 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ornately decorated objects created by Dakota women -- cradleboards, clothing, animal skin containers -- served more than a utilitarian function. They tell the story of colonization, genocide, and survival. Colette Hyman traces the changes in the lives of Dakota women, starting before the arrival of whites and covering the fur trade years, the years of treaties and shrinking lands, the brutal time of removal, starvation, and shattered families after 1862, and then the transition to reservation life, when missionaries and government agents worked to turn the Dakota into Christian farmers. The decorative work of Dakota women reflected all of this: native organic dyes and quillwork gave way to beading and needlework, items traditionally decorated for family gifts were also produced to sell to tourists and white collectors, work on cradleboards and animal skin bags shifted to the ornamenting of hymnals and the creation of star quilts.
Download or read book The Indian Craze written by Elizabeth Hutchinson and published by Duke University Press. This book was released on 2009-03-23 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation. Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.
Download or read book The Shaman s Mirror written by Hope MacLean and published by University of Texas Press. This book was released on 2012-08-24 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: Huichol Indian yarn paintings are one of the world's great indigenous arts, sold around the world and advertised as authentic records of dreams and visions of the shamans. Using glowing colored yarns, the Huichol Indians of Mexico paint the mystical symbols of their culture—the hallucinogenic peyote cactus, the blue deer-spirit who appears to the shamans as they croon their songs around the fire in all-night ceremonies deep in the Sierra Madre mountains, and the pilgrimages to sacred sites, high in the central Mexican desert of Wirikuta. Hope MacLean provides the first comprehensive study of Huichol yarn paintings, from their origins as sacred offerings to their transformation into commercial art. Drawing on twenty years of ethnographic fieldwork, she interviews Huichol artists who have innovated important themes and styles. She compares the artists' views with those of art dealers and government officials to show how yarn painters respond to market influences while still keeping their religious beliefs. Most innovative is her exploration of what it means to say a tourist art is based on dreams and visions of the shamans. She explains what visionary experience means in Huichol culture and discusses the influence of the hallucinogenic peyote cactus on the Huichol's remarkable use of color. She uncovers a deep structure of visionary experience, rooted in Huichol concepts of soul-energy, and shows how this remarkable conception may be linked to visionary experiences as described by other Uto-Aztecan and Meso-American cultures.
