Download or read book The Formation of Islamic Art written by Oleg Grabar and published by Yale University Press. This book was released on 1987-01-01 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic work on the nature of early Islamic art has now been brought up to date in order to take into consideration material that has recently come to light. In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic art, tightens its chronology, and discusses its implications for the contemporary art of the Muslim world. Reviews of the first edition: "Grabar examines the possible ramifications of sociological, economic, historical, psychological, ecological, and archaeological influences upon the art of Islam. . . [He] explains that Islamic art is woven from the threads of an Eastern, Oriental tradition and the hardy, surviving strands of Classical style, and [he] illustrates this web by means of a variety of convincing and well-chosen examples."--Art Bulletin "A book of absorbing interest and immense erudition. . . All Islamic archaeologists and scholars will thank Professor Grabar for a profound and original study of an immense and complex field, which may provoke controversy but must impress by its mastery and charm by its modesty."--Times Literary Supplement "Oleg Grabar, in this book of exceptional subtlety and taste, surveys and extends his own important contributions to the study of early Islamic art history and works out an original and imaginative approach to the elusive and complex problems of understanding Islamic art."--American Historical Review
Download or read book Islamic Art and Architecture 650 1250 written by Richard Ettinghausen and published by Yale University Press. This book was released on 2003-07-11 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
Download or read book The Umayyads written by Museum With No Frontiers and published by AIRP. This book was released on 2000 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fascinating new series will present 12 Exhibition Trails in 11 countries, which follow the chronology of the spread of Islamic art in that area. The Museum With No Frontiers programme is based on the novel idea of organising exhibitions without transporting the works of art, instead allowing the visitor to discover the artefacts, architecture and museums in their original environment and within their historical and cultural context. This concept makes it possible for the Islamic art academic or enthusiast to experience art as a living illustration of social history. Each Exhibition Trail is divided into a number of itineraries that provide detailed information on the history and significance of each structure or work and offer practical information on guided tours, transportation and cultural activities. The beautifully illustrated descriptions of the archaeological sites, artworks and architecture are written by experts in the field who live in the specified area itself. Visit the virtual gallery www.mwnf.org for further information. The exhibition is devoted to significant monuments from the reign of the Umayyad caliphs (660-750 AD) in an area that stretched from Amman to Mo
Download or read book A Companion to Islamic Art and Architecture written by Finbarr Barry Flood and published by John Wiley & Sons. This book was released on 2017-06-16 with total page 1442 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Download or read book Early Islamic Art and Architecture written by Jonathan M. Bloom and published by Routledge. This book was released on 2017-05-15 with total page 634 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Download or read book Islamic Art and Literature written by Oleg Grabar and published by . This book was released on 2001 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: The six essays of this volume, edited by Grabar (Harvard U. and the Institute for Advanced Study at Princeton) and Robinson (U. of New Mexico) explore a hitherto neglected aspect of Islamic art: the interaction between text and image. Among the topics are the love story Bayad wa Riyad from 13C Spain (by Robinson), Ferdowsi's Shahnameh, 17C Persian narrative of sounds, and the visual imagination in classical Arabic biography. Each essay is followed by lengthy endnotes, but the volume is not indexed. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book Stealing from the Saracens written by Diana Darke and published by Hurst & Company. This book was released on 2020 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.
Download or read book Envisioning Islamic Art and Architecture written by David J. Roxburgh and published by BRILL. This book was released on 2016-01-27 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: Envisioning Islamic Art and Architecture: Essays in Honor of Renata Holod is a collection of studies on the portable arts, arts of the book, painting, photography, and architecture spanning the medieval and modern periods and across the historical Islamic lands. The essays reflect the wide-ranging interests and diverse methodologies of Renata Holod and attend to the physical, material, and aesthetic properties of their objects, offer nuanced explanations of complex relations between objects and historical contexts, and remain critically aware of the shape of the field of Islamic art and architecture, its canonical objects, approaches, and historiographies. Essential reading for scholars working on Islam and the Islamic world in the disciplines of history of art and architecture, history, literature, and anthropology. With contributions by María Judith Feliciano, Christiane Gruber, Leslee Katrina Michelsen, Nancy Micklewright, Stephennie Mulder, Johanna Olafsdotter, Yael Rice, Cynthia Robinson, David J. Roxburgh, D. Fairchild Ruggles, Alison Mackenzie Shah, and Pushkar Sohoni.
Download or read book The Art of the Qur an written by Massumeh Farhad and published by Smithsonian Institution. This book was released on 2016 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published on the occasion of the exhibition The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts, Istanbul, held at the Arthur M. Sackler Gallery, Washington, D.C., October 15, 2016-February 20, 2017.
Download or read book Discovering Islamic Art written by Stephen Vernoit and published by I.B. Tauris. This book was released on 2000-02-29 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how collecting and scholarship in the field of Islamic Art developed between c.1850 and c.1950, the period when the intellectual foundations for the study of Islamic art were established. Stephen Vernoit outlines the formation of collections, the role of exhibitions, museums and libraries, the growth of the art market, and the emergence of scholarship.
Download or read book Modernism and the Art of Muslim South Asia written by Iftikhar Dadi and published by Univ of North Carolina Press. This book was released on 2010-05-15 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
Download or read book Islamic Art and Beyond written by Oleg Grabar and published by Taylor & Francis. This book was released on 2024-08-01 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Islamic Art and Beyond is the third in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic Art, 650-1100; Islamic Visual Culture, 1100-1800; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The articles in the present volume illustrate how the author's study of Islamic art led him in two directions for a further understanding of the arts. One is how to define Islamic art and what impulses provided it with its own peculiar forms and dynamics of growth. Was it a faith or a combination of social, historical, and cultural events? And how has 'Islamic art' impacted on the contemporary arts of the Islamic world? The other issue is that of the meanings to be given to forms like domes, so characteristic of Islamic art, or to terms like symbol, signs, or aesthetic values in the arts, especially when one considers the contemporary world. The Islamic examples allow for the development of new intellectual positions for the history and criticism of the arts everywhere.
Download or read book Modern Islamic Art written by Wijdan Ali and published by . This book was released on 1997 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The first monograph to successfully address the dual questions of the development of painting in the Islamic lands in the 19th and 20th centuries and the significance of an indigenous 20th-century artistic tradition . . . presents a lucid and objective discussion of provocative questions related to the evolution of contemporary painting from Islamic lands, including the role of colonial institutions, indigenous patronage, art education, and the formation of a national artistic identity."--Layla S. Diba, associate curator for Islamic art, Brooklyn Museum In this beautifully illustrated book, Wijdan Ali offers a historical survey of the development of modern painting in the Islamic world from the 19th century to the present. She provides background on dominant artistic traditions before 1900 as well as an evaluation of the loss of traditional aesthetics under the impress of Western culture. Ali also explores the persistence and reemergence of calligraphic art as an expression of national artistic identity, and hers is the first book to consider in depth the modern calligraphic school. Ali's account begins with a descriptive survey of the development of contemporary art in the heartland of Islam, from Morocco to Iran. Her discussion incorporates the historical, political, social, and economic factors that brought about artistic and aesthetic changes in the region. Building on this survey, she analyzes the factors behind the evolution of various styles of calligraphic art, their substyles and adherents, and their respective places within the contemporary calligraphic school. In an appendix, she provides biographical data on the most influential modern Islamic artists. More than 150 color and black-and-white photographs allow the reader to see and appreciate the beauty and importance of these works. While a few recent collection catalogs have hinted at the growing interest in the art of the Islamic world, Ali's study is by far the most comprehensive yet undertaken of Islamic art in the contemporary period. It will substantially expand the study and concept of "modern art" beyond the narrow province of American and western European schools and establish a broad foundation for future investigation of modern artistic movements in the Middle East. Wijdan Ali is a painter, art historian, and lecturer at the Institute of Diplomacy, Amman, Jordan. Her most recent publications are What Is Islamic Art? (1996) and Modern Art in Jordan (1996).
Download or read book What is Islamic Art written by Wendy M. K. Shaw and published by Cambridge University Press. This book was released on 2019-10-10 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Download or read book The Art and Architecture of Islam written by Richard Ettinghausen and published by . This book was released on 1987 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Second Formation of Islamic Law written by Guy Burak and published by Cambridge University Press. This book was released on 2015-01-12 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Second Formation of Islamic Law offers a new periodization of Islamic legal history in the eastern Islamic lands.
Download or read book the arab contribution to islamic art from the seventh to the fifteenth centuries written by wijdan ali and published by American Univ in Cairo Press. This book was released on 1999 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Appraises the early periods of Islamic art within its own cultural framework and according to Islamic esthetics
