Download or read book The Florentine Tondo written by Roberta J. M. Olson and published by Oxford University Press, USA. This book was released on 2000 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text explores the flowering of the tondo form in Italian Renaissance art. It collates documentary, textual, and artistic material with discoveries about patronage, location, function, and iconography.
Download or read book The Florentine Tondo written by George William Olson and published by . This book was released on 1963 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Homage to the Florentine Tondo written by Geraldine Karnbach and published by . This book was released on 2017 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tondi were circular paintings or relief carvings, popular in fifteenth-century Florence. They were placed in households and predominantly devotional, featuring the Madonna and Child. By uncovering dual meanings from religious/gender perspectives, I will confirm the importance women and Marian devotion played in the popularity and disappearance of the tondo.
Download or read book The Florentine Tondo Cassone Painting written by Megan Holmes and published by . This book was released on 2001 with total page 6 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Lost and partially found written by Roberta J. M. Olson and published by . This book was released on 1993 with total page 35 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Florentine Painters of the Renaissance written by Bernard Berenson and published by . This book was released on 1896 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mysterium Magnum written by Regina Stefaniak and published by BRILL. This book was released on 2008 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on the fifteenth century theology of Saint Joseph, classical visual sources, Ficinoa (TM)s commentary on the "Phaedrus" and "Symposium," and Dantea (TM)s "rime petrose," this book interprets Michelangeloa (TM)s Tondo Doni as a model of Ephesiansa (TM) a ~great sacramenta (TM) of marriage for the new Florentine republic.
Download or read book A New History of Painting in Italy The Florentine Umbrian and Sienese schools of the xv century written by Joseph Archer Crowe and published by . This book was released on 1909 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Florentine Painters of the Renaissance With An Index To Their Works written by Bernard Berenson and published by Good Press. This book was released on 2023-08-22 with total page 143 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 'The Florentine Painters of the Renaissance', Bernard Berenson provides a comprehensive analysis of the artistic developments in Florence during the Renaissance period. Berenson delves into the works of renowned painters such as Leonardo da Vinci, Michelangelo, and Botticelli, offering detailed insights into their techniques and the cultural influences behind their masterpieces. Written in a scholarly and engaging style, the book serves as a valuable resource for art historians and enthusiasts alike, shedding light on the intricate details of the paintings and the historical context in which they were created. With an index to the works of the featured painters, readers are guided through a rich tapestry of artistic achievements that defined the era. Bernard Berenson's meticulous research and profound understanding of the subject matter are evident throughout the book, making it a must-read for anyone interested in the art of the Renaissance period.
Download or read book Frame Work written by Alison Wright and published by Yale University Press. This book was released on 2019-01-01 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.
Download or read book The Young Michelangelo written by Michael Hirst and published by National Gallery Publications Limited. This book was released on 1994 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michael Hirst's chapters are followed by Jill Dunkerton's survey of Michelangelo's technique as a painter on panel, using both egg tempera and oil paint, based on the investigation of his paintings in the National Gallery. Included in the discussion is Michelangelo's slightly later Doni Tondo in the Uffizi, Florence, his only completed panel painting and one of the most perfect of his works. Dunkerton also looks back to the paintings by Ghirlandaio and his workshop in which Michelangelo was trained. Her illuminating text helps us to understand how Michelangelo executed these two familiar but relatively little-studied paintings and also to envisage the startling finished appearance probably conceived by the artist.
Download or read book Botticelli written by Henry Binns and published by E-Kitap Projesi & Cheapest Books. This book was released on 2024-01-01 with total page 81 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli ( 1445 – 1510), was an Italian painter of the Early Renaissance. He belonged to the Florentine school under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. Botticelli's posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting. Among his best known works are The Birth of Venus and Primavera. In 1481, Pope Sixtus IV summoned Botticelli and other prominent Florentine and Umbrian artists to fresco the walls of the Sistine Chapel. The iconological program was the supremacy of the Papacy. Sandro's contribution included the Temptations of Christ, the Punishment of the Rebels and Trial of Moses. He returned to Florence, and "being of a sophistical turn of mind, he there wrote a commentary on a portion of Dante and illustrated the Inferno which he printed, spending much time over it, and this abstention from work led to serious disorders in his living." Thus Vasari characterized the first printed Dante (1481) with Botticelli's decorations; he could not imagine that the new art of printing might occupy an artist. The masterpieces Primavera (c. 1482) and The Birth of Venus (c. 1485) were both seen by Vasari at the villa of Lorenzo di Pierfrancesco de' Medici at Castello in the mid-16th century, and until recently, it was assumed that both works were painted specifically for the villa. Recent scholarship suggests otherwise: the Primavera was painted for Lorenzo's townhouse in Florence, and The Birth of Venus was commissioned by someone else for a different site. By 1499, both had been installed at Castello. In these works, the influence of Gothic realism is tempered by Botticelli's study of the antique. But if the painterly means may be understood, the subjects themselves remain fascinating for their ambiguity. The complex meanings of these paintings continue to receive widespread scholarly attention, mainly focusing on the poetry and philosophy of humanists who were the artist's contemporaries. The works do not illustrate particular texts; rather, each relies upon several texts for its significance. Of their beauty, characterized by Vasari as exemplifying "grace" and by John Ruskin as possessing linear rhythm, there can be no doubt. In the mid-1480s, Botticelli worked on a major fresco cycle with Perugino, Domenico Ghirlandaio and Filippino Lippi, for Lorenzo the Magnificent's villa near Volterra; in addition he painted many frescoes in Florentine churches. In 1491 he served on a committee to decide upon a façade for the Cathedral of Florence.
Download or read book Before Photography written by Kirsten Belgum and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-03-08 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent years have seen a wealth of new scholarship on the history of photography, cinema, digital media, and video games, yet less attention has been devoted to earlier forms of visual culture. The nineteenth century witnessed a dramatic proliferation of new technologies, devices, and print processes, which provided growing audiences with access to more visual material than ever before. This volume brings together the best aspects of interdisciplinary scholarship to enhance our understanding of the production, dissemination, and consumption of visual media prior to the predominance of photographic reproduction. By setting these examples against the backdrop of demographic, educational, political, commercial, scientific, and industrial shifts in Central Europe, these essays reveal the diverse ways that innovation in visual culture affected literature, philosophy, journalism, the history of perception, exhibition culture, and the representation of nature and human life in both print and material culture in local, national, transnational, and global contexts.
Download or read book Fra Filippo Lippi the Carmelite Painter written by Megan Holmes and published by Yale University Press. This book was released on 1999-01-01 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: Widely admired for his paintings of exquisitely beautiful Madonnas, Florentine Renaissance friar-artist Fra Filippo Lippi (c. 1406-69) gained renown also for his love affair with the nun Lucrezia who bore their son, Filippino Lippi, later a well-known painter himself. In this beautiful and compelling book, Megan Holmes shines new light on Lippi's life and career, from the first paintings he created while a friar in Santa Maria del Carmine to the later works he painted when living outside the monastery for the Medici family, their supporters, and other patrons. Focusing especially on the fascinating conjunction of Lippi's work as a painter and his experiences as a Carmelite friar, Holmes transforms our understanding of Filippo Lippi and of the way art was produced and viewed in fifteenth-century Florence. Unlike most monastic artists, Fra Filippo learned to paint only after joining a religious order. In the first section of the book, the author considers how the doctrines, rules, rituals, and practices of the Carmelites shaped Lippi's art and manner of envisioning sacred subjects. In the second section, Holmes discusses Lippi's life and painting after he left the monastery, demonstrating how his mature work broke new ground but continued to draw upon Carmelite influences. The final section of the book looks closely at three altarpieces Fra Filippo painted for monastic institutions and sets them in a broader social and religious context.
Download or read book Giotto to D rer written by Jill Dunkerton and published by Yale University Press. This book was released on 1991-01-01 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection ... some 70 of the finest and best known paintings in the Gallery are examined in detail"--Cover.
Download or read book Boccaccio s Heroines written by Margaret Franklin and published by Routledge. This book was released on 2017-09-29 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: In contrast to earlier scholars who have seen Boccaccio's Famous Women as incoherent and fractured, Franklin argues that the text offers a remarkably consistent, coherent and comprehensible treatise concerning the appropriate functioning of women in society. In this cross disciplinary study of a seminal work of literature and its broader cultural impact on Renaissance society, Franklin shows that, through both literature and the visual arts, Famous Women was used to promote social ideologies in both Renaissance Tuscany and the dynastic courts of northern Italy. Speaking equally to scholars in medieval and early modern literature, history, and art history, Franklin brings needed clarification to the text by demonstrating that the moral criteria Boccaccio used to judge the lives of legendary women - heroines and miscreants alike - were employed consistently to tackle the challenge that politically powerful women represented for the prevailing social order. Further, the author brings to light the significant influence of Boccaccio's text on the representation of classical heroines in Renaissance art. By examining several paintings created in the republics and principalities of Renaissance Italy, Franklin demonstrates that Famous Women was employed as a conceptual guide by patrons and artists to draw the teeth from the challenge of unconventionally powerful women by co-opting their stories into the service of contemporary Italian standards and mores.
Download or read book Renaissance Theories of Vision written by John Shannon Hendrix and published by Routledge. This book was released on 2016-12-05 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.
