Download or read book The Figure of the Child in British Cinema written by Matt Smith and published by . This book was released on 2020 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Child in British Cinema written by Matthew Smith and published by Palgrave Macmillan. This book was released on 2023-08-06 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues that over the twentieth and twenty-first centuries, the cinema in Britain became the site on which childhood was projected, examined, and understood. Through an analysis of these projections; via case studies that encompass early cinema, pre and post-war film, and contemporary cinema; this book interprets the child in British cinema as a device through which to reflect upon issues of national culture, race, empire, class, and gender. Beginning with a discussion of early cinematic depictions of the child in Britain, this book examines cultural expressions of nationhood produced via non-commercial cinemas for children. It considers the way cinema encroaches on the moral edification of the child and the ostensible vibrancy and vitality of the British boy in post-war cinema. The author explores the representational and instrumental differences between depictions of boys and girls before extending this discussion to investigate the treatment of migrant, refugee, and immigrant children in British cinema. It ends by recapitulating these arguments through a discussion of internationally successful British blockbuster cinema. The child in this study is a mobile figure, deployed across generic boundaries, throughout the history of British cinema and embodying a range of discourses regarding the health and wellbeing of the nation.
Download or read book The Child in British Cinema written by Matthew Smith and published by Springer Nature. This book was released on 2022-07-22 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues that over the twentieth and twenty-first centuries, the cinema in Britain became the site on which childhood was projected, examined, and understood. Through an analysis of these projections; via case studies that encompass early cinema, pre and post-war film, and contemporary cinema; this book interprets the child in British cinema as a device through which to reflect upon issues of national culture, race, empire, class, and gender. Beginning with a discussion of early cinematic depictions of the child in Britain, this book examines cultural expressions of nationhood produced via non-commercial cinemas for children. It considers the way cinema encroaches on the moral edification of the child and the ostensible vibrancy and vitality of the British boy in post-war cinema. The author explores the representational and instrumental differences between depictions of boys and girls before extending this discussion to investigate the treatment of migrant, refugee, and immigrant children in British cinema. It ends by recapitulating these arguments through a discussion of internationally successful British blockbuster cinema. The child in this study is a mobile figure, deployed across generic boundaries, throughout the history of British cinema and embodying a range of discourses regarding the health and wellbeing of the nation.
Download or read book The Child in Cinema written by Karen Lury and published by . This book was released on with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This anthology is organised into five distinct sections which address the significance, qualities and characteristics speaking to the figure of the child in film. The 'child' is understood as a figure that refers to real children, representations of childhood, the memories of imagined and actual childhoods as well as more abstract or theoretical and historical conceptions of the child in relation to subjectivity and agency. Following an introductory essay by the editor, the first section, 'Working children' , establishes perhaps the most familiar context for the child in film - Hollywood cinema - and provides examples of the child actor's labour observing a loose chronology - from the 1930s 'prodigies', to the 'juvenile' supporting actor in the 1940s, to the exceptional career of one of the most well known 'child stars' - Jodie Foster. In all these instances the child's 'work' and performance is scrutinised and assessed in relation to popular understandings of what and who children are in relation to specific historical and cultural contexts. In the second section, 'Relations and representations' , the effect of the child on different film's constructions and representation of time and space are considered. How does each film represent how the child apparently 'sees' and experiences its world? How successfully - or not - are the peculiar relations of the child to space and time managed and mediated by either live action or animated film? In the third section, 'The child in history' , three case studies of different national cinemas (Post-Yugoslavian, Tamil, Brazilian) offer analyses of how the figure of the child may enable film-makers to portray alternative versions of history, or 'ways of telling' history, that reach toward alternative understandings of political conflicts and the formation of national identities. In the fourth section, 'Subjectivity, performance and the voice of the child' , each essay seeks to uncover how the child's subjectivity (their agency and sense of self) is mediated and performed in both fictional and non-fictional films while understanding that the child's 'interiority' is often understood to be both precarious and elusive. In the fifth and final section, 'The didactic and nostalgic child' the essays refer explicitly to the use and function of the child for cinema, and indicates how the study of cinema may be enhanced by looking beyond commercial film-making. In this section essays address didactic or educational films made to directly influence the behaviour of children (or their caregivers) and a number of avant-garde and video installations in which memories of childhood are used and re-staged. "--
Download or read book British Children s Cinema written by Noel Brown and published by Bloomsbury Publishing. This book was released on 2016-12-22 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: British children's films have played a part in the childhoods of generations of young people around the world for over a century. Until now, however, their cherished status has remained largely unexplored. In this book, Noel Brown relates the history of children's cinema in Britain from the early years of commercial cinema to the present day, to reveal the reasons behind its acclaim in international popular culture.Drawing on multiple sources, Brown provides in-depth analysis of a range of iconic films, including The Railway Children, The Thief of Bagdad, Bugsy Malone, the Harry Potter films,Mary Poppins, Nanny McPhee, Paddington, Oliver!, and Aardman's Wallace and Gromit series. Futhermore, he investigates industrial and commercial contexts, such as the role of the Children's Film Foundation; and includes revealing insights on changing social and cultural norms, such as the once-sacred tradition of Saturday morning cinema. Brown challenges common prejudices that children's films are inherently shallow or simplistic, revealing the often complex strategies that underpin their enduring appeal to audiences of all ages and backgrounds.In addition, he shows how the films allow a privileged access to historic cultures and the nation's political past. In doing so, Brown firmly establishes children's cinema as an important genre not only for students and scholars of film studies but also for those interested in socio-cultural history, the production and reception of popular entertainment and anyone looking for entertainment, escapism and nostalgia.
Download or read book The Figure of the Child in WWI American British and Canadian Children s Literature written by Elizabeth A. Galway and published by Routledge. This book was released on 2022-03-30 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past century, much attention has been paid to the literature written for adults in response to the First World War, but there has been comparatively little consideration of how the war influenced literature for young readers at the time. Based on extensive archival research, this study examines an array of wartime writing for young people and provides a new understanding of the complexities and nuances within children’s literature of the period. In its discussion of nearly 150 primary sources from Britain, Canada, and the United States, this volume considers some well-known texts but also brings to light forgotten children’s literature of the era, providing new insights into how WWI was presented to the young people whose lives were indelibly impacted by the crisis. Paying special attention to the varied ways in which child figures were depicted, it reflects on what these portrayals reveal about adult conceptualizations of youth, and it considers how these may have shaped young readers’ own views of armed conflict, citizenship, and childhood. From the helpless victim to the heroic combatant, child figures appeared in many guises, exposing a range of adult concerns about nation, empire, and children’s citizenship. Exploring everything from alphabet books for beginning readers, to recruitment materials for high school students, this book examines works from multiple genres and provides a uniquely comprehensive study of transatlantic children’s literature produced during the first global war.
Download or read book Lost and Othered Children in Contemporary Cinema written by Debbie C. Olson and published by Lexington Books. This book was released on 2012 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Children have been a part of the cinematic landscape since the silent film era, yet children are rarely a part of the theoretical landscape of film analysis. Lost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, seeks to remedy that oversight. Throughout the over one-hundred year history of cinema, the image of the child has been inextricably bound to filmic storytelling and has been equally bound to notions of romantic innocence and purity. This collection reveals, however, that there is a body of work that provides a counter note of darkness to the traditional portraits of sweetness and light. Particularly since the mid-twentieth century, there are a growing number of cinematic works that depict childhood has as a site of knowingness, despair, sexuality, death, and madness. Lost and Othered Children in Contemporary Cinema challenges notions of the innocent child through an exploration of the dark side of childhood in contemporary cinema. The contributors to this multidisciplinary study offer a global perspective that explores the multiple conditions of marginalized childhood as cinematically imagined within political, geographical, sociological, and cultural contexts.
Download or read book British Cinema in the Fifties written by Christine Geraghty and published by Psychology Press. This book was released on 2000 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text explores some of the key debates about British cinema and film theory, and examines the curious mix of rebellion and conformity which marked British cinema in the post-war era.
Download or read book Young Women Girls and Postfeminism in Contemporary British Film written by Sarah Hill and published by Bloomsbury Publishing. This book was released on 2020-09-17 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 21st century, films about the lives and experiences of girls and young women have become increasingly visible. Yet, British cinema's engagement with contemporary girlhood has - unlike its Hollywood counterpart - been largely ignored until now. Sarah Hill's Young Women, Girls and Postfeminism in Contemporary British Film provides the first book-length study of how young femininity has been constructed, both in films like the St. Trinians franchise and by critically acclaimed directors like Andrea Arnold, Carol Morley and Lone Scherfig. Hill offers new ways to understand how postfeminism informs British cinema and how it is adapted to fit its specific geographical context. By interrogating UK cinema through this lens, Hill paints a diverse and distinctive portrait of modern femininity and consolidates the important academic links between film, feminist media and girlhood studies.
Download or read book Childhood and Nation in Contemporary World Cinema written by Stephanie Hemelryk Donald and published by Bloomsbury Publishing USA. This book was released on 2017-02-09 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: The child has existed in cinema since the Lumière Brothers filmed their babies having messy meals in Lyons, but it is only quite recently that scholars have paid serious attention to her/his presence on screen. Scholarly discussion is now of the highest quality and of interest to anyone concerned not only with the extent to which adult cultural conversations invoke the figure of the child, but also to those interested in exploring how film cultures can shift questions of agency and experience in relation to subjectivity. Childhood and Nation in World Cinema recognizes that the range of films and scholarship is now sufficiently extensive to invoke the world cinema mantra of pluri-vocal and pluri-central attention and interpretation. At the same time, the importance of the child in figuring ideas of nationhood is an undiminished tic in adult cultural and social consciousness. Either the child on film provokes claims on the nation or the nation claims the child. Given the waning star of national film studies, and the widely held and serious concerns over the status of the nation as a meaningful cultural unit, the point here is not to assume some extraordinary pre-social geopolitical empathy of child and political entity. Rather, the present collection observes how and why and whether the cinematic child is indeed aligned to concepts of modern nationhood, to concerns of the State, and to geo-political organizational themes and precepts.
Download or read book The Child in World Cinema written by Debbie Olson and published by Lexington Books. This book was released on 2018-02-19 with total page 515 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection seeks to broaden the discussion of the child image by close analysis of the child and childhood as depicted in non-Western cinemas. Each essay offers a counter-narrative to Western notions of childhood by looking critically at alternative visions of childhood that does not privilege a Western ideal. Rather, this collection seeks to broaden our ideas about children, childhood, and the child’s place in the global community. This collection features a wide variety of contributors from around the world who offer compelling analyses of non-Western, non-Hollywood films starring children.
Download or read book British Cinema written by Amy Sargeant and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinating and elusive national cinema. Amy Sargeant's personal and entertaining history of British cinema aims to fill this gap. With its insightful decade-by-decade analysis, British Cinema is brought alive for a new generation of British cinema students and the general reader alike. Sargeant challenges Rachel Low's premise 'that few of the films made in England during the twenties were any good' by covering subjects as diverse as the art of intertitling, the narrative complexities of Shooting Stars and Brunel's burlesques. Sargeant goes onto examine among other things, the differing acting styles of Dietrich and Donat in the seminal Knight Without Armour to early promotional campaigns in the 1930s, whereas subjects ranging from product endorsement by stars to the character of the suburban wife are covered in the 1940s. The 1950s includes topics such as the effect of post-war government intervention, to Free Cinema and Lindsay Anderson's 'infuriating lapses of rigour', together with a much-needed overview of Michael Balcon's contribution to British cinema. For Sargeant, the 1960s provides an overview of the tentative relationship between film and advertising and the rise of young Turks such as Tony Richardson, Ken Loach, Donald Cammell and Nicolas Roeg.
Download or read book The Child in Film written by Karen Lury and published by . This book was released on 2010 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author investigates why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema. She reveals how a child's relationship to time allows it to disturb conventional master narratives and explores the expression of child sexuality.
Download or read book Female Stars of British Cinema written by Melanie Williams and published by Edinburgh University Press. This book was released on 2017-07-07 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although stardom and celebrity have sometimes been seen as antithetical to traditional British notions of restraint and modesty, female stars have nenetheless always been an important attraction for audiences of British cinema, offering specifically British takes on ideas of glamour, acting prowess and femininity. This book will explore in detail the history of British female stardom from the 1940's to the present day through an examination of careers and star personae, from Anna Neagle, who enjoyed record-breaking popularity in the immediate post-war years, to key contemporary figures such as Keira Knightley and Helen Mirren. This is a major new study of stardom in British cinema and the first to focus on female stars.
Download or read book Children on the Threshold in Contemporary Latin American Cinema written by Rachel Randall and published by Lexington Books. This book was released on 2017-10-10 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency analyzes child and adolescent protagonists in Latin American cinema. This book contends that child characters have taken on a critical representational role within Latin American cinema because of their position on the threshold between “nature” and “culture,” which converts them into a focus of, and a limit to, state or colonial biopower. Rachel Randall provides a comprehensive examination of the key themes and developments in boys’ and girls’ cinematic representations since the adoption of children’s rights discourses in the region. Recommended for scholars interested in Latin American studies, film studies, and cultural studies.
Download or read book British Film Directors written by Robert Shail and published by SIU Press. This book was released on 2007 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs.
Download or read book Re Viewing British Cinema 1900 1992 written by Wheeler W. Dixon and published by SUNY Press. This book was released on 1994-01-01 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Re-Viewing British Cinema, 1900-1992 is a collection of essays on British cinema history and practice. It offers both the casual reader and the film scholar a different view of British filmmaking during the past century. Arranged in chronological order, the book explores those areas of British cinema that have not been fully examined in other works and also offers fresh interpretations of a number of classic films. From the work of Frederic Villiers, the pioneering British newsreel cameraman who at the turn of the century brought home images of battlefield carnage, to essays on the British "B" film and the long-forgotten "Independent Frame" method of film production, to new readings of classics such as The Red Shoes, Passport to Pimlico, and Peeping Tom, the authors offer a look behind the scenes of the British film industry and engage the reader in some of the most compelling interpretational and historical issues of recent film history and critical theory. In addition, the volume contains a number of interviews with such key directors as Stephen Frears, Terence Davies, Wendy Toye, and Lindsay Anderson and also pays particular attention to the work of early twentieth-century British feminist filmmakers whose films have often been ignored by conventional film theory and history. It also offers new material on the British "film noir," the English horror film, and the pioneering gay director Brian Desmond Hurst. Taken as a whole, this book presents an entirely new series of viewpoints on British film practice, theory, and reception and affords a fresh and vibrant view of the British film medium.
