Download or read book The Evolution Of Contemporary Painting in the Face of Claims of The Death of Painting written by Nandita Mukand and published by GRIN Verlag. This book was released on 2015-04-20 with total page 14 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2012 in the subject Art - History of Art, grade: 92.4, , course: BA(Hons), Fine Arts, language: English, abstract: Throughout the late 1960s and 1970s the pronouncement that painting was dead was often heard. In 1966 Andy Warhol had an exhibition at the Leo Castelli Gallery that featured hot pink and yellow wallpaper with large images of a cow’s head. It was as though Warhol were saying that the painting was expensive wallpaper. “Andy killed painting,” was the popular conventional wisdom of the day. But painting did not die, only the limited assumptions of what a painting was, or could be. Painting, freed of the restraints of a modernist creed, is reborn into an art form that is not only more accessible to the masses but also more multifaceted than it has ever been before. Once more the emergence of new art forms has forced painting to greater heights just as the arrival of photography did more than a century ago.
Download or read book Modern Art and the Death of a Culture written by Hendrik Roelof Rookmaaker and published by Crossway. This book was released on 1994 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uses popular and lesser-known paintings to show modern art's reflection of a dying culture and how Christian attitudes can create hope in today's society.
Download or read book The Forever Now written by Laura J. Hoptman and published by . This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Timeless Painting presents the work of 17 contemporary painters whose works reflect a singular approach that is peculiarly of our time: they are a-temporal, a term coined by William Gibson and Bruce Sterling, the originators of the cyberpunk aesthetic. A-temporality or timelessness manifests itself in painting as an ahistoric free-for-all, where contemporaneity as an indicator of new form is nowhere to be found, and all eras co-exist. Published to accompany an exhibition at The Museum of Modern Art that explores the impact of this cultural condition on contemporary painting, this publication features work by an international roster of artists including Joe Bradley, Kerstin Brätsch, Matt Connors, Nicole Eisenman, Mark Grotjahn, Charline von Heyl, , Julie Mehretu, Oscar Murillo, Laura Owens and Josh Smith, among others. An overview essay by curator Laura Hoptman is divided into thematic chapters that explore topics such as re-animation and reenactment, recontextualization, 'Zombie' painting, and the concomitant 'Frankenstein approach', which describes a process of stitching together pieces of the history of painting to create a work of art that would be dead but for its juxtaposed parts, all working in association with one another to propel the work into life.
Download or read book A Cognitive and Anthropological Response to the Death of Painting written by Bruce Rimell and published by Lulu.com. This book was released on 2016-04-07 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: The alleged 'death' of painting has shaped the recent course of art, but the model of the human mind upon which it rests is no longer considered accurate. Cognitive science has shown that the mind is not a blank slate but content-rich, and as such humans bear an array of innate expectations of reality and non-reality, which apply to painting as well as other human behaviours such as religion or music. This creative thesis takes in a series of case studies tracing the prehistory of painting in light of these cognitive propensities, from the beginnings of human culture, to Bushman rock art and the experiences of painters today, to uncover a perennial function for painting which cannot die: the ubiquitous sensation of an 'otherworld' beyond the canvas or rock face. This approach to painting demands its rehabilitation as a humanising self-expression in a world increasingly estranged from art, abandoning artistic ideology in favour of an image-based communion with human nature.
Download or read book Memento Mori in Contemporary Art written by Taylor Worley and published by Routledge. This book was released on 2019-11-28 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how four contemporary artists—Francis Bacon, Joseph Beuys, Robert Gober, and Damien Hirst—pursue the question of death through their fraught appropriations of Christian imagery. Each artist is shown to not only pose provocative theological questions, but also to question the abilities of theological speech to adequately address current attitudes to death. When set within a broader theological context around the thought of death, Bacon’s works invite fresh readings of the New Testament’s narration of the betrayal of Christ, and Beuys’ works can be appreciated for the ways they evoke Resurrection to envision possible futures for Germany in the aftermath of war. Gober’s immaculate sculptures and installations serve to create alternative religious environments, and these places are both evocative of his Roman Catholic upbringing and virtually haunted by the ghosts of his excommunication from that past. Lastly and perhaps most problematically, Hirst has built his brand as an artist from making jokes about death. By opening fresh arenas of dialogue and meaning-making in our society and culture today, the rich humanity of these artworks promises both renewed depths of meaning regarding our exit from this world as well as how we might live well within it for the time that we have. As such, it will be a vital resource for all scholars in Theology, the Visual Arts, Material Religion and Religious Studies.
Download or read book Historical Painting Techniques Materials and Studio Practice written by Arie Wallert and published by Getty Publications. This book was released on 1995-08-24 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Download or read book Wyeth written by Laura J. Hoptman and published by The Museum of Modern Art. This book was released on 2012 with total page 49 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1948 Andrew Wyeth produced what would become one of the most iconic paintings in American art: a desolate landscape featuring a woman lying in a field, that he called "Christina's World." The woman in the painting, Christina Olson, lived in Cushing, Maine, where Wyeth and his wife kept a summer house. She suffered from polio, and was paralyzed from the waist down; Wyeth was moved to portray her when he saw her one day crawling through the field towards her house. "Christina's World" was to become one of the most well-loved and most scorned works of the twentieth century, igniting heated arguments about parochialism, sentimentality, kitsch and elitism that have continued to dog the art world and Wyeth's own reputation, even after the artist's death in 2009. An essay by MoMA curator Laura Hoptman revisits the genesis of the painting, discussing Wyeth's curious focus, over the course of his career, on a deliberately delimited range of subjects and exploring the mystery that continues to surround the enigmatic painting.
Download or read book Painting History and Meaning written by Craig Staff and published by Intellect (UK). This book was released on 2020-12-15 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Writing in "Before the Image, Before Time: The Sovereignty of Anachronism," (2003) Georges Didi-Huberman identifies three discrete temporalities at work within a fresco painted by Fra Angelico for the San Marco convent in Florence during the 1440s. In the first instance, he observes that the painting's trompe l'oeil frame stems from what would have been the prevalent mimetic style during the period within which the fresco was painted and in this respect, is "euchronistic" or of its time. However, the fresco also betrays "anachronistic" qualities through its so-called "mnemonic" use of colour. Finally, and as Didi-Huberman notes, "the dissimilitudo, the dissemblance at work in this pointed surface goes back even further." Evidently then, both the production and subsequent interpretation of painting entails if not is foregrounded by multiple layers of chronology, tense and time. Such an admission is coincident with both a renewed interest in painting's relationship to its past and more broadly art's relationship with time. According to Laura Hoptman, writing in the exhibition catalogue that accompanied The Forever Now: Contemporary Painting in an Atemporal World at MoMA in 2015, "what attracts artists to painting at a time when digital technology offers seemingly limitless options with less art-historical baggage is precisely its art historical baggage..." Moreover, in Visual Time: The Image in History, Keith Moxey has recently asked "where and when is the time in the history of art?" Against a backdrop of artistic practices that are characteristic of the so-called "historiographic turn," an approach to art making that has encompassed strategies of excavation, re-enactment and memorialization but as such have notably been to the exclusion of painting, Sites of Time: Painting, History and Meaning seeks to examine painting's relationship with time and with events, ideas and paintings derived from the past. Following Jean-Francois Lyotard's determination of painting as entailing a series of temporal sites, the proposed study will examine key works by artists including Luc Tuymans, Gerald Byrne, Alison Watt, Marlene Dumas, Genieve Figgis, Wang Xingwei and Dexter Dalwood. Necessarily moving beyond the appropriationist strategies of postmodernism with its proclivity to quote from and tendentiously juxtapose elements that were historically or culturally remote, what the proposed study will evince is that through its engagement with history and historical materials, time as it is given within the context of contemporary painting is multi-directional, heterogeneous and resoundingly non-linear.
Download or read book On the Strange Place of Religion in Contemporary Art written by James Elkins and published by Routledge. This book was released on 2004-12-15 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Can contemporary art say anything about spirituality? John Updike calls modern art "a religion assembled from the fragments of our daily life," but does that mean that contemporary art is spiritual? What might it mean to say that the art you make expresses your spiritual belief? On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art. This book will enable you to walk into a museum and talk about the spirituality that is or is not visible in the art you see.
Download or read book Painting Women written by Patricia Phillippy and published by JHU Press. This book was released on 2020-03-03 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This original analysis of the representation and self-representation of women in literature and visual arts revolves around multiple early modern senses of "painting": the creation of visual art in the form of paint on canvas and the use of cosmetics to paint women's bodies. Situating her study in sixteenth- and seventeenth-century Italy, France, and England, Patricia Phillippy brings together three distinct actors: women who paint themselves with cosmetics, women who paint on canvas, and women and men who paint women—either with pigment or with words. Phillippy asserts that early modern attitudes toward painting, cosmetics, and poetry emerge from and respond to a common cultural history. Materially, she connects those who created images of women with pigment to those who applied cosmetics to their own bodies through similar mediums, tools, techniques, and exposure to toxic materials. Discursively, she illuminates historical and social issues such as gender and morality with the nexus of painting, painted women, and women painters. Teasing out the intricate relationships between these activities as carried out by women and their visual and literary representation by women and by men, Phillippy aims to reveal the delineation and transgression of women's creative roles, both artistic and biological. In Painting Women, Phillippy provides a cross-disciplinary study of women as objects and agents of painting.
Download or read book Still Lives written by Maria H. Loh and published by Princeton University Press. This book was released on 2015-03-22 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: How portraits of artists during the Renaissance helped create the first art stars in modern history Michelangelo was one of the biggest international art stars of his time, but being Michelangelo was no easy thing: he was stalked by fans, lauded and lambasted by critics, and depicted in unauthorized portraits. Still Lives traces the process by which artists such as Michelangelo, Dürer, and Titian became early modern celebrities. Artists had been subjects of biographies since antiquity, but Renaissance artists were the first whose faces were sometimes as recognizable as their art. Maria Loh shows how this transformation was aided by the rapid expansion of portraiture and self-portraiture as independent genres in painting and sculpture. She examines the challenges confronting artists in this new image economy: What did it mean to be an image maker haunted by one's own image? How did these changes affect the everyday realities of artists and their workshops? And how did images of artists contribute to the way they envisioned themselves as figures in a history that would outlive them? Richly illustrated, Still Lives is an original exploration of the invention of the artist portrait and a new form of secular stardom.
Download or read book After Modernist Painting written by Craig G Staff and published by . This book was released on 2025-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ingres and the Studio written by Sarah E. Betzer and published by University of Pennsylvania Press. This book was released on 2012 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.
Download or read book The Dance of Death written by Hans Holbein and published by . This book was released on 1916 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bezalel s Body written by Katie Kresser and published by Wipf and Stock Publishers. This book was released on 2019-12-18 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: When God died, art was born. With Christ’s crucifixion, resurrection, and ascension, the human imagination began to be remade. In Bezalel’s Body: The Death of God and the Birth of Art, Harvard-trained art historian Katie Kresser locates the historical roots of the thing we call art. She weaves together centuries of art history, philosophy, theology, psychology, and art theory to uncover the deep spiritual foundations of this cultural form. Why do some people pay hundreds of millions of dollars for a single painting? Why are art museums almost like modern temples? The answer lies in Christian theology and the earliest forms of Christian image making. By examining how cutting-edge art trends reveal age-old spiritual dynamics, Kresser helps recover an ancient tradition with vital relevance for today.
Download or read book Caught by History written by Ernst van Alphen and published by Stanford University Press. This book was released on 1997 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the face of strong moral and aesthetic pressure to deal with the Holocaust in strictly historical and documentary modes, this book discusses why and how reenactment of the Holocaust in art and imaginative literature can be successful in simultaneously presenting, analyzing, and working through this apocalyptic moment in human history. In pursuing his argument, the author explores such diverse materials and themes as: the testimonies of Holocaust survivors; the works of such artists and writers as Charlotte Salomon, Christian Boltanski, and Armando; and the question of what it means to live in a house built by a jew who was later transported to the death camps. He shows that reenactment, as an artistic project, also functions as a critical strategy, one that, unlike historical methods requiring a mediator, speaks directly to us and lures us into the Holocaust. We are then placed in the position of experiencing and being the subjects of that history. We are there, and history is present--but not quite. A confrontation with Nazism or with the Holocaust by means of a re-enactment takes place within the representational realm of art. Our access to this past is no longer mediated by the account of a witness, by a narrator, by the eye of a photographer. We do not respond to a re-presentation of the historical event, but to a presentation or performance of it, and our response is direct or firsthand in a different way. That different way of "keeping in touch is the subject of inquiry that propels this study.
Download or read book Dead or Alive written by Maria Fabricius Hansen and published by Aarhus Universitetsforlag. This book was released on 2020-02-18 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: The image is an ontological paradox; it is made of dead matter, yet appears to be alive. For millennia, artists have created images of the living world - images that are static and yet possess the power to bring to life a frozen moment in time. While this tension has constituted a fundamental challenge for as long as theories on the nature of images have existed, recent scholarship has rekindled interest in the question of what images 'do to us'. Despite the rational discourse of Modernity, we must acknowledge that we view images as half-living entities. This book addresses the perpetual relevance of images' enigmatic life-likeness through studies that engage with a variety of visual material by asking the same question: what qualifies animation? Covering a wide range of image practices, such as early paleolithic stone engravings, medieval tomb sculpture, renaissance death masks and baroque painting to modern fashion, park design, early cinema and BioArt, the twelve chapters, written by scholars of art history and visual culture, demonstrate that the ontological paradox of the image is not limited to a specific historical period or certain types of images, but can be seen throughout the history of images across different cultures.
