Download or read book The Equestrian Drama of the Nineteenth Century written by Clet Anthony Girard and published by . This book was released on 1939 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Equestrian Drama in the United States written by Kimberly Poppiti and published by Routledge. This book was released on 2018-06-26 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Equestrian Drama in the United States documents the history of equestrian drama in the United States and clarifies the multi-faceted significance of the form and of the related stage machinery developed to produce hippodramas. The development of equestrian drama is traced from its origins and influences in the sixteenth century, through the height of the form’s popularity at the turn of the twentieth century. Analysis of the historical significance of the genre within the larger context of U.S. theatre, the elucidation of the importance of the horse to theatre, and an evaluation of the lasting impact on theatre technology are also included.
Download or read book Equestrian Drama written by Kimberly Poppiti and published by Taylor & Francis. This book was released on 2022-08-30 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Equestrian Drama: An Anthology of Plays is a collection of four representative equestrian dramas. It includes four annotated plays: Timour the Tartar by Matthew G. Lewis, The Battle of Waterloo by J. H. Amherst, Mazeppa by Henry M. Milner, and The Whip by Henry Hamilton and Cecil Raleigh. An introduction precedes the collection, providing the information necessary to understand and contextualize the genre and the plays as both written and performance texts, and within the time period of their original productions, as well as within the larger histories of theatre and equestrian entertainments. Additional related plays are identified, excerpted, and explored, providing readers with a wide range of examples to better understand the development and significance of this unique form of popular theatre. Also identified and explored are significant contributions made to stage technology and design by the patented stage machinery designed for the production of the mechanized form of equestrian drama, which became popular in the late nineteenth century. Equestrian Drama is suitable for undergraduate, graduate, and professional students in theatre history, dramatic literature, performance studies, and equine studies. An online supplement to this book is available to provide readers with additional content relating to this collection, including original English language translations of La Fille Hussard and Rognolet and Passe-Carreau, as well as the full annotated text of Turpin's Ride to York.
Download or read book The Nineteenth Century and After written by and published by . This book was released on 1928 with total page 884 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mazeppa a Representative Nineteenth century Equestrian Melodrama written by Richard Lee Currie and published by . This book was released on 1962 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nineteenth Century a Monthly Review written by and published by . This book was released on 1927 with total page 890 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music for the Melodramatic Theatre in Nineteenth Century London and New York written by Michael V. Pisani and published by University of Iowa Press. This book was released on 2014-06-01 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
Download or read book Popular Theatres of Nineteenth Century France written by John McCormick and published by Routledge. This book was released on 2003-09-02 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the only book to provide an account of how popular theatre developed from the fairground booths of the eighteenth century to become a vehicle of mass entertainment in the following century. Whereas other studies offer a traditional approach to the theatres of high culture, John McCormick takes the role of impartial historian, uncovering the popular theatres of the boulevards, suburbs and fairgrounds. He focuses on the social and economic context in which vaudevilles, pantomimes and melodramas were performed, and explores the audiences who enjoyed them.
Download or read book The Horse Book written by Kathleen Walker-Meikle and published by Bloomsbury Publishing. This book was released on 2017-08-24 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hardworking, swift, loyal and capable of great heroism, horses have been our constant companions for thousands of years. Using stunning illustrations, The Horse Book pairs famous historical figures with their faithful mounts including: Alexander the Great's beloved steed at whose death he dedicated the city of Alexandria Bucephala; the cruel Roman emperor Caligula who made his horse a consul; the brave horses in the First World War; and horses of famous figures from El Cid to Napoleon. This is the perfect gift for the horse lover - a guide to the role of horses in history and the people who rode them.
Download or read book Nineteenth Century written by and published by . This book was released on 1928 with total page 884 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Circus and Victorian Society written by Brenda Assael and published by University of Virginia Press. This book was released on 2005 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This conflict informs us not only of the complicated role that the circus played in Victorian society but provides a unique view into a collective psyche fraught by contradiction and anxiety.
Download or read book The Graduate School Abstracts of Theses written by and published by . This book was released on 1938 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Performing Animals written by Karen Raber and published by Penn State Press. This book was released on 2017-08-18 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: From bears on the Renaissance stage to the equine pageantry of the nineteenth-century hunt, animals have been used in human-orchestrated entertainments throughout history. The essays in this volume present an array of case studies that inspire new ways of interpreting animal performance and the role of animal agency in the performing relationship. In exploring the human-animal relationship from the early modern period to the nineteenth century, Performing Animals questions what it means for an animal to “perform,” examines how conceptions of this relationship have evolved over time, and explores whether and how human understanding of performance is changed by an animal’s presence. The contributors discuss the role of animals in venues as varied as medieval plays, natural histories, dissections, and banquets, and they raise provocative questions about animals’ agency. In so doing, they demonstrate the innovative potential of thinking beyond the boundaries of the present in order to dismantle the barriers that have traditionally divided human from animal. From fleas to warhorses to animals that “perform” even after death, this delightfully varied volume brings together examples of animals made to “act” in ways that challenge obvious notions of performance. The result is an eye-opening exploration of human-animal relationships and identity that will appeal greatly to scholars and students of animal studies, performance studies, and posthuman studies. In addition to the editors, the contributors are Todd Andrew Borlik, Pia F. Cuneo, Kim Marra, Richard Nash, Sarah E. Parker, Rob Wakeman, Kari Weil, and Jessica Wolfe.
Download or read book Abstracts of Theses written by Louisiana State University and Agricultural and Mechanical College. Graduate school and published by . This book was released on 1936 with total page 932 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Contextualizing Melodrama in the Czech Lands written by Judith A. Mabary and published by Routledge. This book was released on 2020-10-12 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: The mention of the term "melodrama" is likely to evoke a response from laymen and musicians alike that betrays an acquaintance only with the popular form of the genre and its greatly heightened drama, exaggerated often to the point of the ridiculous. Few are aware that there exists a type of melodrama that contains in its smaller forms the beauty of the sung ballad and, in the larger-scale works, the appeal of the spoken play. This category of melodrama is one that surfaced in many cultures but was perhaps never so enthusiastically cultivated as in the Czech lands. The melodrama varied greatly at the hands of its Czech advocates. While the works of Zdeněk Fibich and his contemporary Josef Bohuslav Foerster, a composer best known for his songs, remained closely bound to the text, those of conductor/composer Otakar Ostrčil reveal a stance that privileged the music and, given their creator’s orchestral experience, are more reminiscent of the symphonic poem. Fibich in his staged works and Josef Suk (composer/violinist and Dvořák’s son-in-law), in his incidental music reflect variously late nineteenth-century Romanticism, the influence of Wagner, and early manifestations of Impressionism. In its more recent guise, the principles of the staged melodrama reside quite comfortably in the film score. Judith A. Mabary’s important volume will be of interest not only to musicologists, but those working in Central and East European studies, voice studies, European theatre, and those studying music and nationalism.
Download or read book Circus and the Avant Gardes written by Anna-Sophie Jürgens and published by Routledge. This book was released on 2022-03-15 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines how circus and circus imaginary have shaped the historical avant-gardes at the beginning of the 20th century and the cultures they help constitute, to what extent this is a mutual shaping, and why this is still relevant today. This book aims to produce a better sense of the artistic work and cultural achievements that have emerged from the interplay of circus and avant-garde artists and projects, and to clarify both their transhistorical and trans-medial presence, and their scope for interdisciplinary expansion. Across 14 chapters written by leading scholars – from fields as varied as circus, theatre and performance studies, art, media studies, film and cultural history – some of which are written together with performers and circus practitioners, the book examines to what extent circus and avant-garde connections contribute to a better understanding of early 20th century artistic movements and their enduring legacy, of the history of popular entertainment, and the cultural relevance of circus arts. Circus and the Avant-Gardes elucidates how the realm of the circus as a model, or rather a blueprint for modernist experiment, innovation and (re)negotiation of bodies, has become fully integrated in our ways of perceiving avant-gardes today. The book does not only map the significance of circus/avant-garde phenomena for the past, but, through an exploration of their contemporary actualisations (in different media), also carves out their achievements, relevance, and impact, both cultural and aesthetic, on the present time.
Download or read book Abstracts of Dissertations Titles of Theses written by Louisiana State University and Agricultural and Mechanical College. Graduate School and published by . This book was released on 1936 with total page 1158 pages. Available in PDF, EPUB and Kindle. Book excerpt:
