Download or read book The Elizabethan Dumb Show written by Dieter Mehl and published by London : Methuen. This book was released on 1966 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Elizabethan Dumb Show Routledge Revivals written by Dieter Mehl and published by Routledge. This book was released on 2012-12-06 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in English in 1965, this book discusses the roots and development of the dumb show as a device in Elizabethan drama. The work provides not only a useful manual for those who wish to check the occurrence of dumb shows and the uses to which they are put; it also makes a real contribution to a better understanding of the progress of Elizabethan drama, and sheds new light on some of the lesser known plays of the period.
Download or read book The Elizabethan Dumb Show written by Dieter Mehl and published by Routledge. This book was released on 1965 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Literature in the Light of the Emblem written by Peter Maurice Daly and published by University of Toronto Press. This book was released on 1998-01-01 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: The literature of the 16th and 17th centuries was informed by the symbolic thought embodied in the mixed art form of emblems. This study explores the relationship between the emblem and the literature of England and Germany during the period.
Download or read book Early Modern Theatricality written by Henry S. Turner and published by Oxford University Press, USA. This book was released on 2013-12 with total page 637 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Modern Theatricality brings together some of the most innovative critics in the field to examine the many conventions that characterized early modern theatricality. It generates fresh possibilities for criticism, combining historical, formal, and philosophical questions, in order to provoke our rediscovery of early modern drama.
Download or read book From Playtext to Performance on the Early Modern Stage written by Leslie Thomson and published by Taylor & Francis. This book was released on 2022-07-15 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reconsiders the evidence for what we know (or think we know) about early modern performance conditions. This study encourages a new recognition and treatment of certain aspects of the plays as evidence – and demonstrates the significance of the implications of that new information. This book is also an assessment of the competing narratives about the processes involved in early modern performance: about the status of manuscript playbooks, about the parts that players memorized, about the functions of the bookkeeper, about casting, about prompting, and about rehearsal practices. Leslie Thomson investigates the bases for the interdependent beliefs that an early modern player relied only on his part to prepare for a performance, that rehearsal was minimal, and that a bookkeeper compensated for these circumstances by prompting any player who was "out of his part." By focusing on often ignored (or downplayed) requirements and challenges of early modern play texts, Thomson provides evidence for answers that will foster a more nuanced and thorough understanding of original performance practices. That will, in turn, influence how we read, study, and edit the plays. This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors.
Download or read book Shakespeare Survey written by Kenneth Muir and published by Cambridge University Press. This book was released on 2002-11-28 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Download or read book Hogarth and the Shows of London written by Andrew Stevens and published by Chazen Museum of Art. This book was released on 1996 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Death and Drama in Renaissance England written by William E. Engel and published by Oxford University Press, USA. This book was released on 2002 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents
Download or read book Staging History written by and published by BRILL. This book was released on 2021-02-08 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging History unites essays by nine specialists in the field of late medieval and early Renaissance drama. Their focus is on English, Dutch and Humanist German drama, as well as on a modern Swiss adaptation of Shakespeare’s Henry V.
Download or read book Medieval and Renaissance Drama in England vol 29 written by S.P. Cerasano and published by Associated University Presse. This book was released on 2016-09-30 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eight new articles, a review essays, and review of six books.
Download or read book Spectacle Image in Renaissance Europe written by André Lascombes and published by BRILL. This book was released on 1993 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of nineteen essays focuses on the ways in which, in England, France and Spain, the Renaissance made propagandistic, or aesthetic, use of the image in various spectacles. Under surface differences between genres, what emerges is a surprising similarity in tactics and response, which invites further questioning about image elaboration and its reception.
Download or read book The Oxford Handbook of Tudor Drama written by Thomas Betteridge and published by Oxford University Press. This book was released on 2012-07-19 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
Download or read book The New Cambridge Bibliography of English Literature Volume 1 600 1660 written by George Watson and published by Cambridge University Press. This book was released on 1974-08-29 with total page 1322 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Download or read book The Early Modern Theatre of Cruelty and its Doubles written by Amanda Di Ponio and published by Springer. This book was released on 2018-08-21 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the influence of the early modern period on Antonin Artaud’s seminal work The Theatre and Its Double, arguing that Elizabethan and Jacobean drama and their early modern context are an integral part of the Theatre of Cruelty and essential to its very understanding. The chapters draw links between the early modern theatrical obsession with plague and regeneration, and how it is mirrored in Artaud’s concept of cruelty in the theatre. As a discussion of the influence of Shakespeare and his contemporaries on Artaud, and the reciprocal influence of Artaud on contemporary interpretations of early modern drama, this book is an original addition to both the fields of early modern theatre studies and modern drama.
Download or read book The Elizabethan Theatre written by David Galloway and published by . This book was released on 1977 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Prologues to Shakespeare s Theatre written by Douglas Bruster and published by Routledge. This book was released on 2004-08-02 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: This eye-opening study draws attention to the largely neglected form of the early modern prologue. Reading the prologue in performed as well as printed contexts, Douglas Bruster and Robert Weimann take us beyond concepts of stability and autonomy in dramatic beginnings to reveal the crucial cultural functions performed by the prologue in Elizabethan England. While its most basic task is to seize the attention of a noisy audience, the prologue's more significant threshold position is used to usher spectators and actors through a rite of passage. Engaging competing claims, expectations and offerings, the prologue introduces, authorizes and, critically, straddles the worlds of the actual theatrical event and the 'counterfeit' world on stage. In this way, prologues occupy a unique and powerful position between two orders of cultural practice and perception. Close readings of prologues by Shakespeare and his contemporaries, including Marlowe, Peele and Lyly, demonstrate the prologue's role in representing both the world in the play and playing in the world. Through their detailed examination of this remarkable form and its functions, the authors provide a fascinating perspective on early modern drama, a perspective that enriches our knowledge of the plays' socio-cultural context and their mode of theatrical address and action.
