Download or read book The Economic Aspects of the Film Industry in India Etc With Plates written by Rikhab Dass JAIN and published by . This book was released on 1960 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Economic Aspects of the Film Industry in India written by Rikhab Dass Jain and published by . This book was released on 1960 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Economics of Indian Cinema written by M. A. Oommen and published by . This book was released on 1991 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Economic Aspects of Film Industry in Kerala written by Uma J. Nair and published by . This book was released on 1999 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cinema Industry in India written by Ashok Mittal and published by Indus Publishing. This book was released on 1995 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Study, with particular reference to Kanpur city, Uttar Pradesh and covers the period of the mid-eighties.
Download or read book Economics of Film Industry in India written by M. A. Oommen and published by Gurgaon : Academic Press. This book was released on 1981 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: With special reference to Malayalam.
Download or read book Comparative Report on the Infrastructure of Film Production the Impact of Indian Film Industries on Place written by Marcin Adamczak and published by . This book was released on 2021 with total page 85 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bollywood and Globalization written by Rini Bhattacharya Mehta and published by Anthem Press. This book was released on 2011 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.
Download or read book Thought Economics written by Vikas Shah and published by Michael O'Mara Books. This book was released on 2021-02-04 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Including conversations with world leaders, Nobel prizewinners, business leaders, artists and Olympians, Vikas Shah quizzes the minds that matter on the big questions that concern us all.
Download or read book The Untold Story of the Korean Film Industry written by Jimmyn Parc and published by Springer Nature. This book was released on 2021-09-10 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses the Korean film industry emergence and development in a global business and economic perspective. This is one of the first books to compare the film policies and industries of the world’s six largest film industries – featuring Korea as the central character – with the aim of defining the contours of what constitutes an effective film policy. It presents many cases showing that, contrary to what is often believed, an economically sound policy is a good instrument for achieving desired cultural goals. It uses a set of analytical tools – borrowed from the economic analysis of international trade policies – to provide a rich harvest of new, rigorous, and often unexpected results on the effectiveness of the existing film policies. The implications found in this book are relevant not only for Korea, but for all other countries that wish to foster or enhance the competitiveness of their film industries. This book will be of interest to a wide spectrum of scholars interested in cultural studies – media and cultural specialists, political scientists, sociologists, historians – in addition to business analysts and economists specialized in cultural economics. As this book focuses on film policies and how to improve them, it will also appeal to policymakers, business figures, public relations officials, and staff from international organizations working on the film industry.
Download or read book A Concise Handbook of Movie Industry Economics written by Charles C. Moul and published by Cambridge University Press. This book was released on 2005-03-14 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: This short handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, finance, and marketing. In addition to offering the reader a perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include estimation of theatrical and ancillary demand, profitability studies, the resolution of evident paradoxes in studio executive behavior, the interaction of the industry and government, the impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres.
Download or read book Indian Development written by Jean Drèze and published by Oxford University Press. This book was released on 1997-07-10 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A study prepared for the World Institute for Development Economics Research of the United Nations University (UNU/WIDER)."
Download or read book Bollywood and Globalization written by David J. Schaefer and published by Routledge. This book was released on 2013 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. This book brings together qualitative and quantitative approaches to tackle empirical questions focusing on the relationship between soft power, hybridity, cinematic texts, and audiences. Adopting a critical-transcultural framework that examines the complex power relations that are manifested through globalized production and consumption practices, the book approaches the study of popular Hindi cinema from three broad perspectives: transcultural production contexts, content trends, and audiences. It firstly outlines the theoretical issues relevant to the spread of popular Indian cinema and emergence of India’s growing soft power. The book goes on to report on a series of quantitative studies that examine the patterns of geographical, cultural, political, infrastructural, and artistic power dynamics at work within the highest-grossing popular Hindi films over a 61-year period since independence. Finally, an additional set of studies are presented that quantitatively examine Indian and North American audience consumption practices. The book illuminates issues related to the actualization and maintenance of cinematic soft power dynamics, highlighting Bollywood’s increasing integration into and subsumption by globalized practices that are fundamentally altering India’s cinematic landscape and, thus, its unique soft power potential. It is of interest to academics working in Film Studies, Globalisation Studies, and International Relations.
Download or read book Producing Bollywood written by Tejaswini Ganti and published by Duke University Press. This book was released on 2012-03-07 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: These efforts have been enabled by the neoliberal restructuring of the Indian state and economy since 1991.
Download or read book The International Movie Industry written by Gorham Anders Kindem and published by SIU Press. This book was released on 2000 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive history of the international movie industry during the 20th century. Essays examine the film industries of 19 countries focusing on individual national movie industries' economic, social, aesthetic, technological and political/ideological development within an international context.
Download or read book The State and New Cinema in Contemporary India written by Sudha Tiwari and published by Taylor & Francis. This book was released on 2023-09-11 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the relationship between the newly independent Indian state and its New Cinema movement. It looks at state formative practices articulating themselves as cultural policy. It presents an institutional history of the Film Finance Corporation (FFC), later the National Film Development Corporation (NFDC), and their patronage of the New Cinema in India, from the 1960s to the 1990s, bringing into focus an extraordinary but neglected cultural moment in Indian film history and in the history of contemporary India. The chapters not only document the artistic pursuit of cinema, but also the emergence of a larger field where the market, political inclinations of the Indian state, and the more complex determinants of culture intersect — how the New Cinema movement faced external challenges from the industrial lobby and politicians, as well as experienced deep rifts from within. It also shows how the Emergency, the Janata Party regime, economic liberalization, and the opening of airwaves all left their impact on the New Cinema. The volume will be of great interest to scholars and researchers of film studies, politics and public policy, especially cultural policy, media and culture studies, and South Asian studies.
Download or read book Third World Film Making and the West written by Roy Armes and published by Univ of California Press. This book was released on 1987-07-29 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world’s films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as "nation," "national culture," and "language" are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World’s most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema. Roy Armes, who lives in London, has written nine books on film, his most recent being French Cinema. He spent more than three years researching this volume.
