Download or read book The Documentary Imagination in Twentieth Century French Literature written by Alison James and published by Oxford University Press. This book was released on 2020-09-03 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Documentary Imagination in Twentieth-Century French Literature identifies a documentary impulse in French literature that emerges at the end of the nineteenth century and culminates in a proliferation of factual writings in the twenty-first. Focusing on the period bookended by these two moments, it highlights the enduring concern with factual reference in texts that engage either with current events or the historical archive. Specifically, it considers a set of ideas and practices centered on the conceptualization and use of documents. In doing so, it contests the widespread narrative that twentieth-century French literature abandons the realist enterprise, and argues that writers instead renegotiate the realist legacy outside, or at the margins of, the fictional space of the novel. Analyzing works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, the book defines a specific documentary mode of literary representation that records, assembles, and investigates material traces of reality. The document is a textual, visual, or material piece of evidence repurposed through its visual insertion, textual transcription, or description within a literary work. It is a fact, but it also becomes a figure, standing for literature's confrontation with the real. The documentary imagination involves a fantasy of direct access to a reality that speaks for itself. At the same time, it gives rise to concrete textual practices that open up new directions for literature, by interrogating the construction and interpretation of facts.
Download or read book The Documentary Imagination in Twentieth Century French Literature written by Alison James and published by Oxford University Press, USA. This book was released on 2020-08-28 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studying works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, this volume re-thinks twentieth-century French literature and engages with the question of distinctions between the factual and the fictional.
Download or read book Twentieth Century French Writers written by Agnes Mary Frances Robinson and published by London [etc.] : W. Collins sons & Company Limited. This book was released on 1919 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Documentary Impulse in French Literature written by and published by BRILL. This book was released on 2021-12-28 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Twentieth Century French Literature written by and published by . This book was released on 1970 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Twentieth Century French Writers written by Mary Duclaux and published by . This book was released on 2009-05 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Download or read book Twentieth Century French Writers written by Agnes Mary Frances Robinson and published by . This book was released on 1920 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The History of French Literature on Film written by Kate Griffiths and published by History of World Literatures on Film. This book was released on 2022-06-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This comprehensive history of cinematic adaptations of French literature analyses the reworking of a key body of writing from the silent era to the present"--
Download or read book Constraining Chance written by Alison James and published by Northwestern University Press. This book was released on 2009-02-03 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text examines the representation and staging of chance in literature through the study of a specific case - the work of the 20th-century French writer Georges Perec (1936-82).
Download or read book Twentieth Century French Writers reviews and Reminiscenses written by Mary Duclaux and published by . This book was released on 1920 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Wastepaper Modernism written by Joseph Elkanah Rosenberg and published by Oxford University Press. This book was released on 2021-04-16 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Henry James' fascination with burnt manuscripts to destroyed books in the fiction of the Blitz; from junk mail in the work of Elizabeth Bowen to bureaucratic paperwork in Vladimir Nabokov; modern fiction is littered with images of tattered and useless paper that reveal an increasingly uneasy relationship between literature and its own materials over the course of the twentieth-century. Wastepaper Modernism argues that these images are vital to our understanding of modernism, disclosing an anxiety about textual matter that lurks behind the desire for radically different modes of communication. At the same time that writers were becoming infatuated with new technologies like the cinema and the radio, they were also being haunted by their own pages. Having its roots in the late-nineteenth century, but finding its fullest constellation in the wake of the high modernist experimentation with novelistic form, "wastepaper modernism" arises when fiction imagines its own processes of transmission and representation breaking down. When the descriptive capabilities of the novel exhaust themselves, the wastepaper modernists picture instead the physical decay of the book's own primary matter. Bringing together book history and media theory with detailed close reading, Wastepaper Modernism reveals modernist literature's dark sense of itself as a ruin in the making.
Download or read book France in the Twentieth Century 1908 written by Walter Lionel George and published by . This book was released on 2009-07 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Download or read book Twentieth Century French Writers written by Mary Duclaux and published by Createspace Independent Publishing Platform. This book was released on 2016-05-21 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the PRE-WAR PREFACE. I meant this book to be an image, a reflection, of the Twentieth Century in France, so far as it is shown in literature during the first fourteen years of its course. But my book is small, the subject is vast: an actual, living movement, a growing generation, is a difficult thing to copy-it will not keep still! And it branches out so wide: there are so many French writers of the younger sort! I am overcome with remorse when I think of the gifted beings whom I have left out! I remember that child whom Saint Augustine saw, trying to gather the sea into his little shell; like him, I see the waters stretching inimitably: I have only brought away a sample. Yet those who taste it may have some faint idea, if not of the breadth and the numerousness of the literary movement in France, at least of its savour and its quality. Given the limits of my little volume, I was compelled to make a choice; and there is always some injustice in a selection. Why should some be taken and others left? Why accept Rostand and reject Bataille? Why give Madame de Noailles and say nothing of Fernand Gregh? Why gather up Boylesve and Andre Gide, neglecting Estaunie, and Sageret, and Paul Adam? If I have Marie Leneru, why not Sacha Guitry? Choosing Madame Colette, what reason have I for eliminating Madame de Regnier or Madame Delarue-Mardrus? I especially mourn the absence of the Brothers Tharaud, those perfect artists, who preserve the tradition of Flaubert. And there is a great gap in my fabric where I should have put the colonial novel (that flourishing Euphorion, born of the union of Loti and Kipling). Why have I not a line for Henry Daguerches, for Claude Farrere? All these are names to remember. At least I lay this unction to my soul: if I have not always chosen the most perfect, I have faithfully gone in for the most characteristic. Having to choose a remnant, I have taken those who, instead of continuing the traditions of the Nineteenth Century, have said a new thing, boldly differing, starting forth on a fresh career of their own. I have 'plumped' for the daring apostles of Life, those who cultivate movement and liberty rather than Art; freedom of rhythm rather than classic determinism and classic constraint; all those whose method tends to the condition of music, who say with the Abbess Hildegard (and with Bergson), 'Symphonialis est anima.' Such authors as these are emphatically of the youth of the world, and the most difficult for a foreign public to distinguish. My readers will probably find most of these names new; they may even be disappointed at not meeting with those more illustrious spirits with whom for five-and-twenty years they have been familiar: Pierre Loti, Paul Bourget, Anatole France. These great writers still shed on the Twentieth Century the lustre its predecessor brought them; but they are the glorious past, and our concern is with the future."
Download or read book Diaries Real and Fictional in Twentieth century French Writing written by Sam Ferguson and published by Oxford University Press. This book was released on 2018 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: An authoritative and original volume on the history of the diary in French writing in the twentieth century with a series of chapter-length studies on works by Andre Gide, Raymond Queneau, Roland Barthes, and Annie Ernaux
Download or read book Traces of War written by Colin Davis and published by Liverpool University Press. This book was released on 2017-11-28 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traces of War examines how the trauma of the Second World War influenced the work of the brilliant generation of writers and intellectuals who lived through it.
Download or read book Twentieth Century French Writers written by Agnes M. Du Claux and published by Irvington Pub. This book was released on 1982-02-01 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book In Cold Blood written by Truman Capote and published by Modern Library. This book was released on 2013-02-19 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.
