Download or read book The Development of Theatre in Uganda written by Anne-Kathrin Wilde and published by GRIN Verlag. This book was released on 2010-02 with total page 37 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Refering to Uganda's long history, theatre also has a long past. The country has experienced a various number of influences by the missionaries, colonialists, Milton Obote's destruction of the Buganda Kingdom and reign of terror and Idi Amin's economic war strategy. It is difficult to define truly African theatre. Theatre always stood under observation from outside. In this way how could it be possible to develop an own Ugandan theatre form? Even before those influences Uganda already has its own cultural tradition and when alien powers came to the country, life and art still developed but under certain circumstances. In this essay I would like to try to explain the difficulties of defining African especially Ugandan theatre. After that I would like to elaborate on how all those influences contribute to an own theatre form in Uganda if that's really the case"--Page 2.
Download or read book A History of Theatre in Africa written by Martin Banham and published by Cambridge University Press. This book was released on 2004-05-13 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book aims to offer a broad history of theatre in Africa. The roots of African theatre are ancient and complex and lie in areas of community festival, seasonal rhythm and religious ritual, as well as in the work of popular entertainers and storytellers. Since the 1950s, in a movement that has paralleled the political emancipation of so much of the continent, there has also grown a theatre that comments back from the colonized world to the world of the colonists and explores its own cultural, political and linguistic identity. A History of Theatre in Africa offers a comprehensive, yet accessible, account of this long and varied chronicle, written by a team of scholars in the field. Chapters include an examination of the concepts of 'history' and 'theatre'; North Africa; Francophone theatre; Anglophone West Africa; East Africa; Southern Africa; Lusophone African theatre; Mauritius and Reunion; and the African diaspora.
Download or read book A History of East African Theatre Volume 1 written by Jane Plastow and published by Palgrave Macmillan. This book was released on 2021-11-13 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first ever transnational theatre study of an African region. Covering nine nations in two volumes, the project covers a hundred years of theatre making across Burundi, Djibouti, Eritrea, Ethiopia, Kenya, Rwanda, Somalia, Tanzania, and Uganda. This volume focuses on the theatre of the Horn of Africa. The book shows how the theatres of Djibouti, Eritrea, Ethiopia, and Somalia, little known in the outside world, have been among the continent's most politically important, commercially successful, and widely popular; making work almost exclusively in local languages and utilizing hybrid forms that have privileged local cultural modes of production. A History of African Theatre is relevant to all who have interests in African cultures and their relationship to the history and politics of the East African region.
Download or read book Pre colonial and Post colonial Drama and Theatre in Africa written by Lokangaka Losambe and published by New Africa Books. This book was released on 2001 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this collection of essays written from different critical perspectives, African playwrights demonstrate through their art that they are not only witnesses, but also consciences, of their societies.
Download or read book A History of East African Theatre Volume 2 written by Jane Plastow and published by Springer Nature. This book was released on 2021-11-02 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second volume of A History of East African Theatre focuses on central East Africa; on Burundi, Kenya, Rwanda, Tanzania and Uganda. The first chapter is concerned with francophone theatres, comparatively studying work coming out of Burundi and Rwanda alongside a focus on French language theatre in Djibouti. The chapter is particularly concerned to explore how French and Belgian cultural policies impacted theatre during the colonial period and how the French ideas of Francafrique and promotion of elite, French language art have continued to resonate in the post-colonial present. Chapters Two and Three look comparatively at the rich theatre histories of Kenya, Tanzania and Uganda, and are divided between a study of British East African colonial impact and an analysis of the post-colonial period illustrating how divergent political thought and societal make-up led to exponential differentiation in national theatres. The final chapter, on Theatre for Development and related social action theatre, covers the whole East African region, offering the first ever historicised analysis of this mode of theatre making which, since the 1980s, has come to dominate funding and opportunity in performance arts.
Download or read book African Theatre written by Martin Banham and published by Indiana University Press. This book was released on 2002 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contributions to this volume in the African Theatre series make clear that the role of women in the theatre across the continent has changed as control is mainly held by literate elites and women's traditional standing has been lost to men.
Download or read book Theatre and Global Development written by Bobby Smith and published by Springer Nature. This book was released on with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Modern Uganda written by Richard J. Reid and published by Cambridge University Press. This book was released on 2017-02-17 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first major study in several decades to consider Uganda as a nation, from its precolonial roots to the present day. Here, Richard J. Reid examines the political, economic, and social history of Uganda, providing a unique and wide-ranging examination of its turbulent and dynamic past for all those studying Uganda's place in African history and African politics. Reid identifies and examines key points of rupture and transition in Uganda's history, emphasising dramatic political and social change in the precolonial era, especially during the nineteenth century, and he also examines the continuing repercussions of these developments in the colonial and postcolonial periods. By considering the ways in which historical culture and consciousness has been ever present - in political discourse, art and literature, and social relationships - Reid defines the true extent of Uganda's viable national history.
Download or read book Lady Will You Marry Me written by Mercy Mirembe Ntangaare and published by African Books Collective. This book was released on 2002 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book African Popular Theatre written by David Kerr and published by James Currey Publishers. This book was released on 1995 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: African popular theater includes conventional drama plus such nonliterary performance as dance, mime, storytelling, masquerades, vaudeville, improvization, & the theater of social action & resistance. Media such as radio, film, & television are included.
Download or read book A History of East African Theatre Volume 1 written by Jane Plastow and published by Springer Nature. This book was released on 2020-10-29 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first ever transnational theatre study of an African region. Covering nine nations in two volumes, the project covers a hundred years of theatre making across Burundi, Djibouti, Eritrea, Ethiopia, Kenya, Rwanda, Somalia, Tanzania, and Uganda. This volume focuses on the theatre of the Horn of Africa. The book shows how the theatres of Djibouti, Eritrea, Ethiopia, and Somalia, little known in the outside world, have been among the continent's most politically important, commercially successful, and widely popular; making work almost exclusively in local languages and utilizing hybrid forms that have privileged local cultural modes of production. A History of African Theatre is relevant to all who have interests in African cultures and their relationship to the history and politics of the East African region.
Download or read book Robert Serumaga and the Golden Age of Uganda s Theatre 1968 1978 written by George Bwanika Seremba and published by Cambridge Scholars Publishing. This book was released on 2023-11-14 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a meticulous examination of the work of playwright Robert Serumaga and the Golden Age of Uganda’s theatre (1968-1978). It considers the question of individualism—or its extreme form, solipsism—on the one hand, and activism or a social conscience on the other. Theatrical innovation is another key concern. It deconstructs the ruling histories, historiography and performance analysis of the time as irremediably tainted by a ferocious post-independence nation-statism. This is a study of a theatre of commitment, dissidence, resistance, resilience, struggle, signification and survival; a theatre born under the unrelenting glare of severe, scorching censorship, and incarceration. For the very first time, Serumaga’s work is examined in its entirety and afforded the room, complexity and scope it requires and deserves. For the very first time, too, scholars of the Golden Age of Uganda’s theatre will have to make no more than a single stop in their search for what were hitherto scattered tidbits and sources of Uganda’s theatre history.
Download or read book Theatre and Evolution from Ibsen to Beckett written by Kirsten E. Shepherd-Barr and published by Columbia University Press. This book was released on 2015-03-03 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
Download or read book The Cambridge Guide to African and Caribbean Theatre written by Martin Banham and published by Cambridge University Press. This book was released on 1994-08-04 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive alphabetical guide to theatre in Africa and the Caribbean: national essays and entries on countries and performers.
Download or read book Theatre and Performance in East Africa written by Osita Okagbue and published by Routledge. This book was released on 2021-03-22 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre and Performance in East Africa looks at indigenous performances to unearth the aesthetic principles, sensibilities and critical framework that underpin African performance and theatre. The book develops new paradigms for thinking about African performance in general through the construction of a critical framework that addresses questions concerning performance particularities and coherences, challenging previous understandings. To this end, it establishes a common critical and theoretical framework for indigenous performance using case studies from East Africa that are also reflected elsewhere in the continent. This book will be of great interest to students and scholars of theatre and performance, especially those with an interest in the close relationship between theatre and performance with culture.
Download or read book Routledge Handbook of African Theatre and Performance written by Kene Igweonu and published by Taylor & Francis. This book was released on 2024-06-10 with total page 811 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African theatre and performance practice. Contributors aim to answer some of the big questions about the content (nature, form) and context (processes, practice) of theatre, whilst also painting a pluralistic and complex picture of the diversity of cultural, political and artistic exigencies across the continent. Covering a broad range of themes including postcolonialism, transnationalism, interculturalism, Afropolitanism, development and the diaspora, the handbook concludes by projecting possible future directions for African theatre and performance as we continue to advance into the 21st century and beyond. This ground-breaking new handbook will be essential reading for students and researchers studying theatre and performance practices across Africa and the diaspora. Kene Igweonu is Professor of Creative Education at University of the Arts London, where he is also Pro Vice-Chancellor and Head of London College of Communication. An interdisciplinary researcher, Professor Igweonu has extensive experience of senior academic leadership in immersive and interactive practices and performance practice. His practice research and publication interests are in storytelling, theatre, and performance in Africa and its Diaspora, as well as the Feldenkrais Method in health, wellbeing, and performance training. A champion for arts and creative industries, Professor Igweonu is Chair of DramaHE, Council Member for Creative UK, and until August 2023, President of the African Theatre Association.
Download or read book Singing For Life written by Gregory Barz and published by Routledge. This book was released on 2014-06-17 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Efforts within the past decade to address the HIV/AIDS pandemic in sub-Saharan Africa have dealt with HIV/AIDS principally as a medical concern—despite the fact that doctors continue to be confronted with the complex relationship of the disease to broader social issues. When medical and governmental institutions fail, artists step in. Contemporary performances in Uganda often focus on gender and health-related issues specific to women and youths, in which song texts warn against risky sexual environments or unprotected sexual behavior. Music, dance, and drama are principal tools of local initiatives that disseminate information, mobilize resources, and raise societal consciousness regarding issues related to HIV/AIDS. Through case studies, song texts, interviews, and testimonies, Singing for Life: HIV/AIDS and Music in Uganda examines the links between the decline in Uganda’s infection rate and grassroots efforts that make use of music, dance, and drama. Only when supported and encouraged by such performances drawing on localized musical traditions have medical initiatives taken root and flourished in local healthcare systems. Gregory Barz shows how music can be both a mode of promoting health and a force for personal therapy, presenting a cultural analysis of hope and healing.
