Download or read book The Development and Growth of the Film Industry in Nigeria written by Alfred E. Opubor and published by . This book was released on 1979 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Development and growth of the film industry in Nigeria written by and published by . This book was released on 1979 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Global Nollywood written by Matthias Krings and published by Indiana University Press. This book was released on 2013-05-27 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Reveals in fascinating detail the wild popularity, controversies, and complaints provoked by this film form . . . shap[ing] the media landscape of Africa.” —Brian Larkin, Barnard College Global Nollywood considers this first truly African cinema beyond its Nigerian origins. In fifteen lively essays, this volume traces the engagement of the Nigerian video film industry with the African continent and the rest of the world. Topics such as Nollywood as a theoretical construct, the development of a new, critical film language, and Nollywood’s transformation outside of Nigeria reveal the broader implications of this film form as it travels and develops. Highlighting controversies surrounding commodification, globalization, and the development of the film industry on a wider scale, Global Nollywood gives sustained attention to Nollywood as a uniquely African cultural production. “Offers original material with respect to the transnational presence of Nollywood.” ?Moradewun Adejunmobi, University of California, Davis “Unveils a fascinating variety of the ways in which Nollywood cinema is viewed and interpreted.” ?Research in African Literatures “Delightfully entertaining yet appropriately erudite. . . . A welcome addition to the fields of film, media, African, and cultural studies.” —Cinema Journal “Highly recommended.” ?Choice “[T]he cumulative effect of [these] studies is to provide invaluable information for those wishing to keep up with where African cinema is today.” ?Journal of African History “Global Nollywood represents the most up-to-date research on Nollywood as a transnational cultural practice and is a must-read for scholars and students of African screen media.” —African Studies Review “Ground-breaking. . . . It proves that, in spite of appearing to be a niche market, Nollywood . . . can no longer be excluded from the canon of African cinema in the field of film studies.” ?African Affairs
Download or read book The African Film Industry written by UNESCO and published by UNESCO Publishing. This book was released on 2021-10-01 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: The production and distribution of film and audiovisual works is one of the most dynamic growth sectors in the world. Thanks to digital technologies, production has been growing rapidly in Africa in recent years. For the first time, a complete mapping of the film and audiovisual industry in 54 States of the African continent is available, including quantitative and qualitative data and an analysis of their strengths and weaknesses at the continental and regional levels.The report proposes strategic recommendations for the development of the film and audiovisual sectors in Africa and invites policymakers, professional organizations, firms, filmmakers and artists to implement them in a concerted manner.
Download or read book Africa on the Contemporary London Stage written by Tiziana Morosetti and published by Springer. This book was released on 2018-12-06 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays investigates the way Africa has been portrayed on the London stage from the 1950s to the present. It focuses on whether — and, if so, to what extent — the Africa that emerges from the London scene is subject to stereotype, and/or in which ways the reception of audiences and critics have contributed to an understanding of the continent and its arts. The collection, divided into two parts, brings together well-established academics and emerging scholars, as well as playwrights, directors and performers currently active in London. With a focus on Wole Soyinka, Athol Fugard, Bola Agbaje, Biyi Bandele, and Dipo Agboluaje, amongst others, the volume examines the work of key companies such as Tiata Fahodzi and Talawa, as well as newer companies Two Gents, Iroko Theatre and Spora Stories. Interviews with Rotimi Babatunde, Ade Solanke and Dipo Agboluaje on the contemporary London scene are also included.
Download or read book Nigerian Video Films written by Jonathan Haynes and published by Ohio University Press. This book was released on 2000 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nigerian video films--dramatic features shot on video and sold as cassettes--are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based industry. The contributors to this volume, who include film and television directors, an anthropologist, and scholars of film studies and literature, take a variety of approaches to this flourishing popular art. Topics include aesthetic forms and distribution; the configurations of various ethnic audiences; the new media environment dominated by cassette technology; the video's materialism in a period of economic collapse; transformation of the traditional Yoruba traveling theater; individualism and the moral crisis in Igbo society; Hausa cultural values; the negotiation of gender roles, and the genre of Christian videos.
Download or read book Nollywood in Glocal Perspective written by Bala A. Musa and published by Springer Nature. This book was released on 2019-11-16 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gives a panoramic view of the rise and growth of Nollywood, Nigeria’s movie and home video entertainment industry, into the second largest and most prolific movie-producing industry in the world. It offers an analysis of Nollywood’s influence as a local and global cultural force. Scholars from Africa, the African Diaspora and beyond examine the factors that have shaped Nollywood’s unique story-telling, production, and distribution system. The volume shows how internal and external economic, social, cultural and technological changes intersect to define Nollywood’s film-making and entertainment ethos. It is grounded in sound theoretical perspectives that help readers understand the texts and subtexts of the industry’s emergence, transformation, and impact. The range of subjects covered span Nollywood’s historical roots in Nigeria pre-colonial traveling/community theatre to colonial era film-making, and its contemporary spin-offs and inspired cousins across Africa and in Europe. It illuminates the interface of artistic, business, cultural and technological innovation and creativity at the heart of Africa’s local and global pop culture explosion.
Download or read book Emergence Growth and Challenges of Films and Home Videos in Nigeria written by Olufemi Onabajo and published by . This book was released on 2009 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nigerian Film Culture and the Idea of the Nation written by Tsaaior, James Tar and published by Adonis and Abbey Publishers. This book was released on 2017-09-17 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collectively, the essays brought together in this book represent a discursive confluence on Nollywood as a local film culture with a global character, aspiration and reach. The governing concern of the book is that texts, including film texts, are animated by a particular sociology and anthropology which gives them concrete existence and meaning. The book argues that Nollywood, the Nigerian video film text, is deeply rooted in the sub-soil of its social and cultural milieux. Nollywood is therefore, engaged in the relentless negotiation and re-negotiation of the everyday lives of the people against the backdrop of their cultural traditions, social contradictions and the politics of their ethnic/national identity, longing and belonging. The essays weave an intricate and delicate argument about the critical role of Nollywood to the idea of nationhood and the logic of its narration with implications for language, politics and culture in Africa. The book is a valuable addition to the critical discourse on the important place of film and cinema studies in national engineering processes.
Download or read book Trends in Nollywood written by Ayakoroma, Barclays Foubiri and published by Kraft Books. This book was released on 2015-03-18 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: Trends in Nollywood: A Study of Selected Genres is a welcome addition to the growing body of works on the Nigerian cinema. It is part film history and part film theory and criticism. The history part traces the origin of the Nigerian cinema up to the present era of video productions. The work examines in detail, the contextual issues which have helped to define emergent trends within the industry.
Download or read book The Rise of Nollywood written by Olufunmilayo Arewa and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rise of Nollywood illustrates the revolutionary potential of digital technologies in Africa. Nollywood, or the Nigerian video film industry, reflects technology leapfrogging that is increasingly prominent in Africa today. Such leapfrogging, however, may raise significant issues with respect to legal and other institutions. Film production had largely ceased in Nigeria by the end of the 1980s. Despite this absence, in the early 1990s, Nigeria started on a path that has led it to become the top producer of digital video films in the world. Nigeria is, however, an unlikely locale for the development of a major film industry. In addition to lacking fundamental infrastructures for the development of a film industry, Nigeria has not historically had robust intellectual property enforcement. As a result, Nollywood may be seen as a natural experiment for creativity in the relative absence of intellectual property. This Nollywood natural experiment reflects the actions of varied and at times overlapping roles, including creators, entrepreneurs, and pirates, all of whom have contributed to the growth of Nollywood and Nollywood distribution networks. The viral spread of Nollywood films has thus far been a key element of Nollywood successes. Nollywood films are watched, for example, throughout Africa and in African immigrant communities in Europe and the United States. The Nollywood example suggests the need for more nuanced understanding of the interaction between intellectual property and cultural production and greater recognition of potentially varied ways that intellectual property may influence the shape of cultural production. The unauthorized distribution of Nollywood films is part of wider patterns of increasing unauthorized dissemination of content in the digital era. Such unauthorized distribution has led to pervasive labeling of certain types of copying as piracy. Analyzing the rise of Nollywood can contribute to existing global intellectual property debates and highlight relevant business issues in contemporary contexts of cultural production. Further, consideration of Nollywood's current growing pains suggests that, as Nollywood continues to grow, industry participants must separate the distinct yet interrelated problems arising from piracy from those emanating from Nollywood's informality in doing business. This article suggests that in addition to intellectual property enforcement strategies to contain piracy, Nollywood participants must adopt business strategies that monetize piracy by extracting value from wide-reaching Nollywood distribution networks.
Download or read book Film Production and Tourism Development in Nigeria An Analysis of the Impact of Media on Tourism written by Chinwe Chimezie Uwaoma and published by GRIN Verlag. This book was released on 2021-02-22 with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research Paper (postgraduate) from the year 2008 in the subject Tourism - Miscellaneous, grade: 4.5, University of Ibadan, language: English, abstract: This paper is about how the media in Nigeria can initiate a sense of departure to tourism sites through its movies/television programs. A major trend in tourism, this decade is the move away from the appreciation of the traditional elements of the practice-sight scenery, good weather and acquisition of luxury items –towards urban heritage –based, short –break, tourism emphasizing culture as products. The notion of departure or exit is in part initiated and constructed by a multiplicity of media, most importantly the film and television industries and packaged as advertisement. The entrepreneurs or developers of the media even in developing countries, perceive the countryside, specifically, not as a natural living environment of limited socio-economic value, but as a commodity that can be packaged and sold for a price to viewers. That is, the rural localities, locally and internationally have become popular contexts for a myriad of television serials or the setting of films and videos. The images the media foster are beamed into the homes of many people and succeed in constraining the audience to enjoy an experience of the great outdoors in the comfort and safety of the idyllic places. In other words, the viewers may be moved to go in search of the locations used anticipating the findings of what they saw on their screens and may be encountering the very role players in the presentations. Films and movies may and actually in certain circumstances serve to generate interests in locations used, especially when the setting involves attractive countryside and captivating cultural practices of the people. The films, therefore, have become of great interest to the public because they package specific cultures of the idyllic lifestyles and promote market values that can generate huge incomes.
Download or read book Development of the Global Film Industry written by Qiao Li and published by Routledge. This book was released on 2020-09-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional production companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a "big picture" view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated development of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world.
Download or read book Film in Nigeria written by Onyero Mgbejume and published by . This book was released on 1981 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Viewing African Cinema in the Twenty first Century written by Mahir Şaul and published by Ohio University Press. This book was released on 2010-10-05 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in 1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These “Nollywood” films, so named because many originate in southern Nigeria, are a thriving industry dominating the world of African cinema. Viewing African Cinema in the Twenty-first Century is the first book to bring together a set of essays offering a comparison of these two main African cinema modes. Contributors: Ralph A. Austen and Mahir Şaul, Jonathan Haynes, Onookome Okome, Birgit Meyer, Abdalla Uba Adamu, Matthias Krings, Vincent Bouchard, Laura Fair, Jane Bryce, Peter Rist, Stefan Sereda, Lindsey Green-Simms, and Cornelius Moore
Download or read book Cinematic Independence written by Noah Tsika and published by Univ of California Press. This book was released on 2022-02-22 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 1990s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. However, after 1999, the exhibition sector was revitalized with the construction of multiplexes. Cinematic Independence is about the periods that straddle this disappearing act: the immediate decades bracketing independence in 1960, and the years after 1999. At stake is the Nigerian postcolony’s role in global debates about the future of the movie theater. That it was eventually resurrected in the flashy form of the multiplex is not simply an achievement of commercial real estate, but also a testament to cinema’s persistence—its capacity to stave off annihilation or, in this case, come back from the dead.
Download or read book Diversity in Intellectual Property written by Irene Calboli and published by Cambridge University Press. This book was released on 2015-05-28 with total page 561 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book aims to create an interface between intellectual property and diversity - including cultural, biological, religious, racial, and gender-based diversity. While acknowledging that the historical rationale for intellectual property protection is based on theories of utilitarian incentives and property rights, the authors of this volume assert that the current intellectual property framework is not incompatible with including diversity as part of its objectives. Through its various themes, this book delves into the debate of whether such inclusion can be made possible and how intellectual property norms could be effectively used to protect and promote diversity. In this volume, leading scholars address ongoing regional, national, and international debates within the contexts of diversity, the existing legal framework, and the broader political and economic climate. The authors tackle such wide-ranging topics as the prohibition against trademarking slurs and concepts of intellectual property in ancient Indian texts.
