Download or read book The Collected Letters of John Millington Synge 1907 1909 written by John Millington Synge and published by Oxford University Press, USA. This book was released on 1983 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: room (although tight) on pp270 for LS barcode-if not drop in an extra 2 pages

Download or read book J M Synge written by Seán Hewitt and published by Oxford University Press. This book was released on 2021-01-07 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a complete re-assessment of the works of J.M. Synge, one of Ireland's major playwrights. The book offers the first complete consideration of all of Synge's major plays and prose works in nearly 30 years, drawing on extensive archival research to offer innovative new readings. Much work has been done in recent years to uncover Synge's modernity and to emphasise his political consciousness. This book builds on this re-assessment, undertaking a full systematic exploration of Synge's published and unpublished works. Tracing his journey from an early Romanticism through to the more combative modernism of his later work, the book's innovative methodology treats text as process, and considers Synge's reading materials, his drafts, letters, diaries, and journalism, turning up exciting and unexpected revelations. Thus, Synge's engagement with occultism, pantheism, socialism, Darwinism, and even a late reaction against eugenic nationalisms, are all brought into the critical discussion. Breaking new ground in ascertaining the tenets of Synge's spirituality, and his aesthetic and political idealization of harmony with nature, the book also builds on new work in modernist studies, arguing that Synge can be understood as a leftist modernist, exhibiting many of the key concerns of early modernism, but routing them through a socialist politics. Thus, this book is valuable not only to considerations of Synge and the Irish Revival, but also to modernist studies more broadly.

Download or read book The Cambridge Companion to J M Synge written by P. J. Mathews and published by Cambridge University Press. This book was released on 2009-11-19 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Millington Synge was a leading literary figure of the Irish Revival who played a significant role in the founding of Dublin's Abbey Theatre in 1904. This Companion offers a comprehensive introduction to the whole range of Synge's work from well-known plays like Riders to the Sea, The Well of the Saints and The Playboy of the Western World, to his influential prose work The Aran Islands. The essays provide detailed and insightful analyses of individual texts, as well as perceptive reflections on his engagements with the Irish language, processes of decolonisation, gender, modernism and European culture. Critical accounts of landmark productions in Ireland and America are also included. With a guide to further reading and a chronology, this book will introduce students of drama, postcolonial studies, and Irish studies as well as theatregoers to one of the most influential and controversial dramatists of the twentieth century.

Download or read book J M Synge and Travel Writing of the Irish Revival written by Giulia Bruna and published by Syracuse University Press. This book was released on 2017-10-31 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between the late 1890s and the early 1900s, the young Irish writer John Millington Synge journeyed across his home country, documenting his travels intermittently for ten years. His body of travel writing includes the travel book The Aran Islands, his literary journalism about West Kerry and Wicklow published in various periodicals, and his articles for the Manchester Guardian about rural poverty in Connemara and Mayo. Although Synge’s nonfiction is often considered of minor weight compared with his drama, Bruna argues persuasively that his travel narratives are instances of a pioneering ethnographic and journalistic imagination. J. M. Synge and Travel Writing of the Irish Revival is the first comprehensive study of Synge’s travel writing about Ireland, compiled during the zeitgeist of the preindependence Revival movement. Bruna argues that Synge’s nonfiction subverts inherited modes of travel writing that put an emphasis on Empire and Nation. Synge’s writing challenges these grand narratives by expressing a more complex idea of Irishness grounded in his empathetic observation of the local rural communities he traveled amongst. Drawing from critically neglected revivalist travel literature, newspapers and periodicals, and visual and archival documents, Bruna sketches a new portrait of a seminal Irish Literary Renaissance figure and sheds new light on the itineraries of activism and literary engagement of the broader Revival movement.

Download or read book The Collected Letters of John Millington Synge 1871 1907 written by John Millington Synge and published by Oxford University Press. This book was released on 1983 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'This authoritative edition adds a dimension to our understanding of John Millington Synge...annotated in generous detail.' British Book News 'it is good to have all this material brought together, splendidly elucidated by Professor Saddlemyer's notes.' London Review of Books 'a model of editorial scholarship.' Times Higher Education Supplement

Download or read book The Irish Dramatic Revival 1899 1939 written by Anthony Roche and published by Bloomsbury Publishing. This book was released on 2015-02-26 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Irish Dramatic Revival was to radically redefine Irish theatre and see the birth of Ireland's national theatre, the Abbey, in 1904. From a consideration of such influential precursors as Boucicault and Wilde, Anthony Roche goes on to examine the role of Yeats as both founder and playwright, the one who set the agenda until his death in 1939. Each of the major playwrights of the movement refashioned that agenda to suit their own very different dramaturgies. Roche explores Synge's experimentation in the creation of a new national drama and considers Lady Gregory not only as a co-founder and director of the Abbey Theatre but also as a significant playwright. A chapter on Shaw outlines his important intervention in the Revival. O'Casey's four ground-breaking Dublin plays receive detailed consideration, as does the new Irish modernism that followed in the 1930s and which also witnessed the founding of the Gate Theatre in Dublin. The Companion also features interviews and essays by leading theatre scholars and practitioners Paige Reynolds, P.J. Mathews and Conor McPherson who provide further critical perspectives on this period of radical change in modern Irish theatre.

Download or read book The Ordnance Survey and Modern Irish Literature written by Cóilín Parsons and published by Oxford University Press. This book was released on 2016 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ordnance Survey and Modern Irish Literature offers a fresh new look at the origins of literary modernism in Ireland. Beginning with the archives of the Ordnance Survey, which mapped Ireland between 1824 and 1846, the book argues that the roots of Irish modernism lie in the attempt by the Survey to produce a comprehensive archive of a land emerging rapidly into modernity. Drawing on literary theory, studies of space, the history of cartography andIrish Studies, the book paints a picture of Irish writing deeply engaged in the representation of the multi-layered landscape, and will appeal to students of Irish literature, modernism, Irish history, mapshistory, and theories of space and place.

Download or read book Theatre and Residual Culture written by Christopher Collins and published by Springer. This book was released on 2016-06-29 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book considers the cultural residue from pre-Christian Ireland in Synge’s plays and performances. By dramatising a residual culture in front of a predominantly modern and political Irish Catholic middle class audience, the book argues that Synge attempted to offer an alternative understanding of what it meant to be “modern” at the beginning of the twentieth century. The book draws extensively on Synge’s archive to demonstrate how pre-Christian residual culture informed not just how he wrote and staged pre-Christian beliefs, but also how he thought about an older, almost forgotten culture that Catholic Ireland desperately wanted to forget. Each of Synge’s plays is considered in an individual chapter, and they identify how Synge’s dramaturgy was informed by pre-Christian beliefs of animism, pantheism, folklore, superstition and magical ritual.

Download or read book A J M Synge Literary Companion written by Edward A. Kopper and published by Greenwood. This book was released on 1988 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this 'literary companion,' Kopper includes excellent chapters devoted to (1) brief biography and chronology, (2) Synge's prose, (3) each of his six plays, (4) poems, (5) use of Christian and pagan motifs, (6) use of Irish mythology, (7) literary influences on Synge, (8) Synge's relationship to the Irish Literary Renaissance, (9) Synge's language of women, (10) his use of language generally, and (11) an assessment of Synge's achievement. In addition, Kopper includes a superb select bibliography; a detailed list (with annotation) of characters, locales, and motifs; and stage histories of Synge's plays. . . . Strongly recommended all libraries--academic and public--maintaining 20th-century Anglo-Irish literature collections or general drama/theater collections. Choice This companion to Synge's work covers the important issues in Synge criticism from about 1900 to the present day. Each essay includes a bibliography, and a general bibliography follows. Also included are a brief chronology; a glossary of characters, locales, and motifs; and representative stage histories which also describe productions of Synge's plays in Ireland, the United States, and several other countries. The final essay is the editor's assessment of Synge's overall contribution, and the volume concludes with a general index. This work takes into account the prominence that Synge and other writers of the Irish Renaissance have attained in recent years in the worldwide academic community. The essays deal with Synge's use of language, his place in the Irish Renaissance, his reputation abroad, the forces that influenced his thought and writing, and the foreign productions of his plays. Each essay supplements the author's analysis with bibliographical citations and a synthesis of previous Synge criticism in order to allow for further research. By combining thorough coverage of the basic issues and sources of Synge criticism with fresh approaches provided by a group of distinguished scholars, Kopper has produced an important study of Synge and his milieu. It should prove valuable for college and university courses in modern literature and the Irish Renaissance, modern drama, and the theatre.

Download or read book Letters to Molly written by John Millington Synge and published by Harvard University Press. This book was released on 1971 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: When John Millington Synge and Molly Allgood fell in love, he was thirty-five, she nineteen. Neither knew that he had Hodgkin's disease, of which he was to die in three years. Synge had already achieved recognition as a playwright--translations of two of his plays had been performed in Berlin and Prague--and he was codirector, with Yeats and Lady Gregory, of the Irish National Theatre Society. Molly had started her acting career the year before, in the newly opened Abbey Theatre, with a walk-on part in Synge's Well of the Saints. She had been promoted from crowd scenes to bit parts to lead roles in Riders to the Sea and The Shadow of the Glen. She was still only a member of the company, however, while Synge was a director, whose codirectors disapproved of fraternization. Synge and Molly also faced the disapproval of two widowed mothers. Barring an occasional holiday trip or company road tour, they could seldom be alone together, except on secret afternoon meetings for long walks in the country. Hence their hundreds of letters. Molly's letters do not survive; they apparently were destroyed when Synge died. But his letters convey her mercurial charm, her openness, her love of life, her impulsiveness, and her temper--as violent as his own. What they convey of him (when he is not reproving her or remonstrating with her, as he does in the early months of their relationship) is the love of nature, the poetic language, the bittersweet irony, the elemental quality of emotion, that we know from the plays. His concern for his craft is seen as he struggles with The Playboy. ("Parts of it are not structurally strong or good. I have been all this time trying to get over weak situations by strong writing, but now I find it won't do, and I am at my wit's end.") Synge was quite unperturbed by the violent outrage and near-riots the play provoked. ("Now we'll be talked about. We're an event in the history of the Irish stage," he wrote cheerily.) As his illness progresses, following operations in 1907 and 1908, there is great poignancy in the gradual abating of references to marriage plans and in the shift of salutation from "Dearest Changeling" to "My dearest child." After Synge's death his friends and biographers discreetly avoided mention of Molly, who under her stage name of Maire O'Neill became one of the leading actresses of the Irish theater and lived until 1952. His letters to her have not been published before, except for the few quoted in Greene and Stephens' 1959 biography. A primary source for the study of Synge and the Irish theater movement, the letters include poems inspired by Molly and extensive information about Abbey Theatre business. In addition to a biographical introduction, Ann Saddlemyer has included a map of the Wicklow and Dublin areas and numerous photographs of both Synge and Molly.

Download or read book Music and the Irish Literary Imagination written by Harry White and published by OUP Oxford. This book was released on 2008-11-13 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music of Berlioz and Schumann. White then examines how this preoccupation was later recovered by W.B. Yeats, whose poetry is imbued with music as a rival presence to language. In its readings of Yeats, Synge, Shaw and Joyce, the book argues that this striking musical awareness had a profound influence on the Irish literary imagination, to the extent that poetry, fiction and drama could function as correlatives of musical genres. Although Yeats insisted on the synonymous condition of speech and song in his poetry, Synge, Shaw and Joyce explicitly identified opera in particular as a generic prototype for their own work. Synge's formal musical training and early inclinations as a composer, Shaw's perception of himself as the natural successor to Wagner, and Joyce's no less striking absorption of a host of musical techniques in his fiction are advanced in this study as formative (rather than incidental) elements in the development of modern Irish writing. Music and the Irish Literary Imagination also considers Beckett's emancipation from the oppressive condition of words in general (and Joyce in particular) through the agency of music, and argues that the strong presence of Mendelssohn, Chopin and Janácek in the works of Brian Friel is correspondingly essential to Friel's dramatisation of Irish experience in the aftermath of Beckett. The book closes with a reading of Seamus Heaney, in which the poet's own preoccupation with the currency of established literary forms is enlisted to illuminate Heaney's abiding sense of poetry as music.

Download or read book The Golden Thread written by David Clare and published by Oxford University Press. This book was released on 2021 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This two-volume edited collection illuminates the valuable counter-canon of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Covering three hundred years of Irish theatre history from 1716 to 2016, it is the most comprehensive study of plays written by Irish women to date. These short essays provide both a valuable introduction and innovative analysis of key playtexts, bringing renewed attention to scripts and writers that continue to be under-represented in theatre criticism and performance. Volume One covers plays by Irish women playwrights written between 1716 to 1992, and seeks to address and redress the historic absence of Irish female playwrights in theatre histories. Highlighting the work of nine women playwrights from the eighteenth and nineteenth centuries, as well as thirteen of the twentieth century's key writers, the chapters in this volume explore such varied themes as the impact of space and place on identity, women's strategic use of genre, and theatrical responses to shifts in Irish politics and culture.

Download or read book Gender Performance and Authorship at the Abbey Theatre written by Elizabeth Brewer Redwine and published by Oxford University Press. This book was released on 2021-05-20 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gender, Performance, and Authorship at the Abbey Theatre argues for a reconsideration of authorship at the Abbey Theatre. The actresses who performed the key roles at the Abbey contributed original ideas, language, stage directions, and revisions to the theatre's most renowned performances and texts, and this study asks that we consider the role of actresses in the development of these plays. Plays that have been historically attributed to W. B. Yeats and J. M. Synge have complicated histories, and the neglect of these women's contributions over the past century reflects power dynamics that privilege male, Anglo Irish writers over the contributions of working class actresses. The study asks that readers consider the importance of past performance in the creation of written text. Yeats began his earliest plays performing with and writing for Laura Armstrong, a young woman who was a precursor to Maud Gonne in her irreverent challenge to traditional gender roles. After writing his first plays and poems for Armstrong, Yeats met Gonne and developed two Cathleen plays, The Countess Cathleen and Cathleen ni Houlihan, for her to perform, beginning a lifetime of fruitful argument between the two writers about how Ireland should appear onstage. The book then turns to Synge's work with Molly Allgood in creating The Playboy of the Western World and Molly's contributions to Synge's Deirdre of the Sorrows. A section on Yeats's Deirdre shows the contributions of Lady Gregory and the play's performers. The book ends with a reconsideration of Abbey actress Sara Allgood's performances in British and American film as she brought her earliest work in the pre-Abbey tableau movement to American audiences in the 1940s, in ways that challenged ideas of Irishness, American identity, and aging women on screen.

Download or read book Lady Gregory written by Judith Hill and published by Gill & Macmillan Ltd. This book was released on 2011-04-14 with total page 547 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lady Gregory, Abbey Theatre founder and patron of W. B. Yeats, writer and daughter of a Galway landowner, became a key figure in the Irish Revival. This new biography investigates Augusta Gregory's varied relationships and the contradictions and achievements of her life. This portrait of a fascinating woman places Lady Gregory in the Ireland of her time, showing how her nationalism in politics and literature shaped her life and work.

Download or read book Theatre and the State in Twentieth Century Ireland written by Lionel Pilkington and published by Routledge. This book was released on 2002-01-22 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This major new study presents a political and cultural history of some of Ireland's key national theatre projects from the 1890s to the 1990s. Impressively wide-ranging in coverage, Theatre and the State in Twentieth-Century Ireland: Cultivating the People includes discussions on: *the politics of the Irish literary movement at the Abbey Theatre before and after political independence; *the role of a state-sponsored theatre for the post-1922 unionist government in Northern Ireland; *the convulsive effects of the Northern Ireland conflict on Irish theatre. Lionel Pilkington draws on a combination of archival research and critical readings of individual plays, covering works by J. M. Synge, Sean O'Casey, Lennox Robinson, T. C. Murray, George Shiels, Brian Friel, and Frank McGuinness. In its insistence on the details of history, this is a book important to anyone interested in Irish culture and politics in the twentieth century.

Download or read book Interpreting Synge written by Nicholas Grene and published by . This book was released on 2000 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays, arising from lectures given at the Synge Summer School, sets about the task of interpreting Synge, his relation to cultural and theatrical contexts, the significance of his plays, the quality of his language and the thematic matrices of his work.

Download or read book Yeats s Worlds written by David Pierce and published by Yale University Press. This book was released on 1995-01-01 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: .