Download or read book The Classical Body in Romantic Britain written by Cora Gilroy-Ware and published by Paul Mellon Centre for Studies. This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A radical, lively departure from received notions about art of the Romantic period For many, the term "neoclassicism" has come to imply discipline, order, restraint, and a certain myopia. Leaving the term behind, this book radically challenges enduring assumptions about the art produced from the late 18th century to the early Victorian period, casting new light on appropriations of the classical body by British artists. It is the first to foreground the intersections of gender, race, and class in discussions of British visual classicism, laying bare artists' alternately politicizing and emphatically sensual engagements with Greco-Roman art. Rather than rely exclusively on subsequent scholarship, the book takes up the poet John Keats (1795-1821) as a theoretical framework. Eschewing the "Golden Age" narrative, which sees J. M. W. Turner (1775-1851) as the pinnacle of the period's artistic achievement, the book examines overlooked artists, such as Henry Howard (1769-1847) and John Graham Lough (1798-1876). The result is a fresh account of underappreciated works of British painting and sculpture. Distributed for the Paul Mellon Centre for Studies in British Art

Download or read book Art Science and the Body in Early Romanticism written by Stephanie O'Rourke and published by Cambridge University Press. This book was released on 2021-11-04 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Innovative, alternative account of romanticism, exploring how art and science together contested the evidentiary authority of the human body.

Download or read book Savage Tales written by Linda Goddard and published by Yale University Press. This book was released on 2019-09-03 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An original study of Gauguin's writings, unfolding their central role in his artistic practice and negotiation of colonial identity. As a French artist who lived in Polynesia, Paul Gauguin (1848-1903) occupies a crucial position in histories of European primitivism. This is the first book devoted to his wide-ranging literary output, which included journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics. It analyzes his original manuscripts, some of which are richly illustrated, reinstating them as an integral component of his art. The seemingly haphazard, collage-like structure of Gauguin's manuscripts enabled him to evoke the "primitive" culture that he celebrated, while rejecting the style of establishment critics. Gauguin's writing was also a strategy for articulating a position on the margins of both the colonial and the indigenous communities in Polynesia; he sought to protect Polynesian society from "civilization" but remained implicated in the imperialist culture that he denounced. This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context."--Publisher's description.

Download or read book Modern Nature written by Derek Jarman and published by U of Minnesota Press. This book was released on 1992 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published: Woodstock, N.Y.: Overlook Press, 1994.

Download or read book The Body Economic written by Catherine Gallagher and published by Princeton University Press. This book was released on 2009-01-10 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Body Economic revises the intellectual history of nineteenth-century Britain by demonstrating that political economists and the writers who often presented themselves as their literary antagonists actually held most of their basic social assumptions in common. Catherine Gallagher demonstrates that political economists and their Romantic and early-Victorian critics jointly relocated the idea of value from the realm of transcendent spirituality to that of organic "life," making human sensations--especially pleasure and pain--the sources and signs of that value. Classical political economy, this book shows, was not a mechanical ideology but a form of nineteenth-century organicism, which put the body and its feelings at the center of its theories, and neoclassical economics built itself even more self-consciously on physiological premises. The Body Economic explains how these shared views of life, death, and sensation helped shape and were modified by the two most important Victorian novelists: Charles Dickens and George Eliot. It reveals how political economists interacted crucially with the life sciences of the nineteenth century--especially with psychophysiology and anthropology--producing the intellectual world that nurtured not only George Eliot's realism but also turn-of-the-century literary modernism.

Download or read book Ecocriticism and the Anthropocene in Nineteenth Century Art and Visual Culture written by Maura Coughlin and published by Routledge. This book was released on 2019-09-06 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, emerging and established scholars bring ethical and political concerns for the environment, nonhuman animals and social justice to the study of nineteenth-century visual culture. They draw their theoretical inspiration from the vitality of emerging critical discourses, such as new materialism, ecofeminism, critical animal studies, food studies, object-oriented ontology and affect theory. This timely volume looks back at the early decades of the Anthropocene to query the agency of visual culture to critique, create and maintain more resilient and biologically diverse local and global ecologies.

Download or read book The Poetics of Decline in British Romanticism written by Jonathan Sachs and published by Cambridge University Press. This book was released on 2018-01-18 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers fresh understanding of British Romanticism by exploring how anxieties about decline impacted debates about literature's form and meaning.

Download or read book Art Science and the Body in Early Romanticism written by Stephanie O'Rourke and published by Cambridge University Press. This book was released on 2021-11-04 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Can we really trust the things our bodies tell us about the world? This work reveals how deeply intertwined cultural practices of art and science questioned the authority of the human body in the late eighteenth and early nineteenth centuries. Focusing on Henry Fuseli, Anne-Louis Girodet and Philippe de Loutherbourg, it argues that romantic artworks participated in a widespread crisis concerning the body as a source of reliable scientific knowledge. Rarely discussed sources and new archival material illuminate how artists drew upon contemporary sciences and inverted them, undermining their founding empiricist principles. The result is an alternative history of romantic visual culture that is deeply embroiled in controversies around electricity, mesmerism, physiognomy and other popular sciences. This volume reorients conventional accounts of romanticism and some of its most important artworks, while also putting forward a new model for the kinds of questions that we can ask about them.

Download or read book Sculpture at the Ends of Slavery written by Caitlin Meehye Beach and published by Univ of California Press. This book was released on 2022-11-15 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: From abolitionist medallions to statues of bondspeople bearing broken chains, sculpture gave visual and material form to narratives about the end of slavery in the eighteenth and nineteenth centuries. Sculpture at the Ends of Slavery sheds light on the complex—and at times contradictory—place of such works as they moved through a world contoured both by the devastating economy of enslavement and by international abolitionist campaigns. By examining matters of making, circulation, display, and reception, Caitlin Meehye Beach argues that sculpture stood as a highly visible but deeply unstable site from which to interrogate the politics of slavery. With focus on works by Josiah Wedgwood, Hiram Powers, Edmonia Lewis, John Bell, and Francesco Pezzicar, Beach uncovers both the radical possibilities and the conflicting limitations of art in the pursuit of justice in racial capitalism's wake.

Download or read book The Living Death of Antiquity written by William Fitzgerald and published by Oxford University Press. This book was released on 2022 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Living Death of Antiquity examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as manifested in a range of work in different mediaand periods, focusing on the late eighteenth and early nineteenth century. In the aftermath of Winckelmann's writing, John Flaxman's engraved scenes from the Iliad and the sculptors Antonio Canova and Bertel Thorvaldsen reinterpreted ancient prototypes or invented new ones. Looking with asympathetic eye on the original aspirations of the neoclassical aesthetic and its forward-looking potential, Fitzgerald describes how it can tip over into the vacancy or kitsch through which a 'remaindered' antiquity lingers in our minds and environments. This book asks how the neoclassical value ofsimplicity serves to conjure up an epiphanic antiquity, and how whiteness, in both its literal and metaphorical forms, acts as the 'logo' of neoclassical antiquity, and functions aesthetically in a variety of media. In the context of the waning of a neoclassically idealised antiquity, Fitzgeralddescribes the new contents produced by its asymptotic approach to meaninglessness, and how the antiquity that it imagined both is and isn't with us.

Download or read book Gothic Nightmares written by Martin Myrone and published by Tate. This book was released on 2006-04 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Gothic Nightmares explores the taste for weird, supernatural and fantastic themes in British art between 1770 and 1830. Presenting the wildly original and extravagant images of Henry Fuseli and his contemporaries in the context of the 'Gothic', it shows how art, taste and ideas of the self were transformed in an era of revolutionary change, helping lay the foundations of modern culture."--BOOK JACKET.

Download or read book Literature Science and Exploration in the Romantic Era written by Tim Fulford and published by Cambridge University Press. This book was released on 2004-09-02 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the massive impact of colonial exploration on British scientific and literary activity between the 1760s and 1830s.

Download or read book Imagining the Gallery written by Christopher Kent Rovee and published by Stanford University Press. This book was released on 2006 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reading portraiture as a national rhetoric during the romantic period, Imagining the Gallery reveals a pervasive cultural discourse that reflects and propels sociopolitical shifts taking place in late eighteenth- and early nineteenth-century Britain.

Download or read book German Romanticism and Its Institutions written by Theodore Ziolkowski and published by Princeton University Press. This book was released on 1992-05-05 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using an illuminating method that challenges the popular notion of Romanticism as aesthetic escapism, Theodore Ziolkowski explores five institutions--mining, law, madhouses, universities, and museums--that provide the socio-historical context for German Romantic culture. He shows how German writers and thinkers helped to shape these five institutions, all of which assumed their modern form during the Romantic period, and how these social structures in turn contributed to major literary works through image, plot, character, and theme. "Ziolkowski cannot fail to impress the reader with a breadth of erudition that reveals fascinating intersections in the life and works of an artist.... He conveys the sense of energy and idealism that fueled Schiller and Goethe, Fichte and Hegel, Hoffmann and Novalis...."--Emily Grosholz, The Hudson Review "[This book] should be put in the hands of every student who is seriously interested in the subject, and I cannot imagine a scholar in the field who will not learn from it and be delighted with it."--Hans Eichner, Journal of English and Germanic Philology "Ziolkowski is among those who go beyond lip-service to the historical and are able to show concretely the ways in which generic and thematic intentions are inextricably enmeshed with local and specific institutional circumstances."--Virgil Nemoianu, MLN

Download or read book The Body Beautiful in Ancient Greece written by British Museum and published by . This book was released on 2012 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is published in conjunction with the exhibition The Body Beautiful in Ancient Greece, presented at the Portland Art Museum October 6, 2012/January 6, 2013.

Download or read book British Romanticism and the Reception of Italian Old Master Art 1793 1840 written by Maureen McCue and published by Routledge. This book was released on 2016-05-23 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.

Download or read book Loudermilk written by Lucy Ives and published by Catapult. This book was released on 2019-05-07 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This New York Times Book Review Editors' Choice, is "hilarious . . . a riotous success. Equal parts campus novel, buddy comedy and meditation on art-making under late capitalism, the novel is a hugely funny portrait of an egomaniac and his nebbish best friend" (The Washington Post). It’s the end of summer 2003. George W. Bush has recently declared the mission in Iraq accomplished, the unemployment rate is at its highest in years, and Martha Stewart has just been indicted for insider trading. Meanwhile, somewhere in the Midwest, Troy Augustus Loudermilk (fair-haired, statuesque, charismatic) and his companion Harry Rego (definitely none of those things) step out of a silver Land Cruiser and onto the campus of The Seminars, America’s most prestigious creative writing program, to which Loudermilk has recently been accepted for his excellence in poetry. Loudermilk, however, has never written a poem in his life. Wickedly entertaining, beguiling, layered, and sly, Loudermilk is a social novel for our time: a comedy of errors that deftly examines class, gender, and inheritance, and subverts our pieties about literature, authorship, art making, and the institutions that sustain them.