Download or read book The Cinema of Canada written by Jerry White and published by Wallflower Press. This book was released on 2006 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Containing 24 essays, each on a different film, this work provides a fascinating historical account of the development of film and documentary traditions across the diverse national and regional communities in Canada.
Download or read book One Hundred Years of Canadian Cinema written by George Melnyk and published by University of Toronto Press. This book was released on 2004-01-01 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Melnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.
Download or read book Canadian National Cinema written by Chris Gittings and published by Routledge. This book was released on 2012-10-02 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Canadian National Cinema explores the idea of the nation across Canada's film history, from early films of colonisation and white settlement such as The Wheatfields of Canada and Back to God's Country, to recent films like Nô, LE Confessional Mon Oncle Antoine, Grey Fox, Highway 61, Kanehsatake, and I've Heard the Mermaids Singing.
Download or read book Canadian Cinema Since the 1980s written by David L. Pike and published by University of Toronto Press. This book was released on 2012-12-06 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: Award-winning author David L. Pike offers a unique focus on the crucial quarter-century in Canadian filmmaking when the industry became a viable force on the international stage. Pike provides a lively, personal, and accessible history of the most influential filmmakers and movements of both Anglo-Canadian and Quebecois cinema, from popular movies to art film and everything in between. Along with in-depth studies of key directors, including David Cronenberg, Patricia Rozema and Denys Arcand, Jean-Claude Lauzon, Robert Lepage, Léa Pool, Atom Egoyan, and Guy Maddin, Canadian Cinema since the 1980s reflects on major themes and genres and explores the regional and cultural diversity of the period. Pike positions Canadian filmmaking at the frontlines of a profound cinematic transformation in the age of global media and presents fresh perspectives on both its local and international contexts. Making a significant advance in the study of the film industry of the period, Canadian Cinema since the 1980s is also an ideal text for students, researchers, and Canadian film enthusiasts.
Download or read book Film and the City written by George Melnyk and published by Athabasca University Press. This book was released on 2014-05-01 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most Canadians are city dwellers, a fact often unacknowledged by twentieth-century Canadian films, with their preference for themes of wilderness survival or rural life. Modernist Canadian films tend to support what film scholar Jim Leach calls “the nationalist-realist project,” a documentary style that emphasizes the exoticism and mythos of the land. Over the past several decades, however, the hegemony of Anglo-centrism has been challenged by francophone and First Nations perspectives and the character of cities altered by a continued influx of immigrants and the development of cities as economic and technological centers. No longer primarily defined through the lens of rural nostalgia, Canadian urban identity is instead polyphonic, diverse, constructed through multiple discourses and mediums, an exchange rather than a strict orientation. Taking on the urban as setting and subject, filmmakers are ideally poised to create and reflect multiple versions of a single city. Examining fourteen Canadian films produced from 1989 to 2007, including Denys Arcand’s Jésus de Montréal (1989), Jean-Claude Lauzon’s Léolo (1992), Mina Shum’s Double Happiness (1994), Clément Virgo’s Rude (1995), and Guy Maddin’s My Winnipeg (2007), Film and the City is the first comprehensive study of Canadian film and “urbanity”—the totality of urban culture and life. Drawing on film and urban studies and building upon issues of identity formation in Canadian studies, Melnyk considers how filmmakers, films, and urban audiences experience, represent, and interpret urban spatiality, visuality, and orality. In this way, Film and the City argues that Canadian narrative film of the postmodern period has aided in articulating a new national identity.
Download or read book Canadian Cinema in the New Millennium written by Lee Carruthers and published by McGill-Queen's Press - MQUP. This book was released on 2023-01-15 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the turn of the millennium Canadian cinema appeared to have reached an apex of aesthetic and commercial transformation. Domestic filmmaking has since declined in visibility: the sense of celebrity once associated with independent directors has diminished, projects garner less critical attention, and concepts that made late-twentieth-century Canadian film legible have been reconsidered or displaced. Canadian Cinema in the New Millennium examines this dramatic transformation and revitalizes our engagement with Canadian cinema in the contemporary moment, presenting focused case studies of films and filmmakers and contextual studies of Canadian film policy, labour, and film festivals. Contributors trace key developments since 2000, including the renouveau or Quebec New Wave, Indigenous filmmaking, i-docs, and diasporic experimental filmmaking. Reflecting the way film in Canada mediates multiple cultures, forging new affinities among anglophone, francophone, and Indigenous-language examples, this book engages familiar figures, such as Denis Villeneuve, Xavier Dolan, Sarah Polley, and Guy Maddin, in the same breath as small-budget independent films, documentaries, and experimental works that have emerged in the Canadian scene. Fuelled by close attention to the films themselves and a desire to develop new scholarly approaches, Canadian Cinema in the New Millennium models a renewed commitment to keeping the conversation about Canadian cinema vibrant and alive.
Download or read book Guide to the Cinema s of Canada written by Peter Rist and published by Greenwood. This book was released on 2001-07-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new volume in the Greenwood Press series Reference Guides to the World's Cinema discusses the films and personalities of the Canadian cinema. This guide encompasses the diverse output of both the English and French Canadian communities and includes 175 films and 125 filmmakers and actors. Alphabetically arranged entries discuss important films, actors, directors, shorts, and a number of experimental films. With few exceptions, films are included only if their production company was incorporated in Canada. Similarly, filmmakers and actors represent people who have worked primarily in Canada. This guide will interest scholars, students, and film buffs. Brief bibliographies after each entry provide sources for further reading. Three appendixes provide additional information regarding Canadian born filmmakers and actors excluded from the main text, winners of Canadian film awards, and a listing of the top ten Canadian films.
Download or read book Guide to the Cinema s of Canada written by Peter Rist and published by Bloomsbury Publishing USA. This book was released on 2001-07-30 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new volume in the Greenwood Press series Reference Guides to the World's Cinema discusses the films and personalities of the Canadian cinema. This guide encompasses the diverse output of both the English and French Canadian communities and includes 175 films and 125 filmmakers and actors. Alphabetically arranged entries discuss important films, actors, directors, shorts, and a number of experimental films. With few exceptions, films are included only if their production company was incorporated in Canada. Similarly, filmmakers and actors represent people who have worked primarily in Canada. This guide will interest scholars, students, and film buffs. Brief bibliographies after each entry provide sources for further reading. Three appendixes provide additional information regarding Canadian born filmmakers and actors excluded from the main text, winners of Canadian film awards, and a listing of the top ten Canadian films.
Download or read book Film in Canada written by Jim Leach and published by Don Mills, Ont. : Oxford University Press. This book was released on 2006 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Film in Canada offers a comprehensive examination of Canadian cinema in its political and cultural contexts. While highlighting the films and filmmakers that have defined the national industry since the 1960s, this book also looks at many of the factors that have influenced Canadian filmmaking, including Canada's ethnic and linguistic diversity, the country's national identity, and the emergence of a global media marketplace. Each chapter explores both historical trends and contemporary examples of a specific topic, allowing the chapters to be used in sequence or independently. With careful annotations, a detailed filmography and bibliography, and a ten-page insert of film stills, this book is ideal for students of Canadian film or of Canadian arts and culture generally."--BOOK JACKET.
Download or read book North of Everything written by William Beard and published by University of Alberta. This book was released on 2002-06 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to comprehensively examine the development of English-Canadian cinema since 1980; previous books in English have dealt either with specific films or filmmakers, with policy, or with specific genres (avant-garde film, documentary, films by women, etc.). It deals with regional and institutional questions, with the new authors that are defining contemporary cinema in English Canada, with avant-garde work and work by Aboriginal people. Bringing together a wide variety of contributors, the book deals with an enormous amount of cinema that has helped transform North American culture of the last two decades.
Download or read book Filming Politics written by Malek Khouri and published by University of Calgary Press. This book was released on 2007 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: The National Film Board of Canada (NFB) was created in 1939 to produce, distribute, and promote Canadian cinema both domestically and abroad. In Filming Politics, author Malek Khouri explores the work of the NFB during this period and argues that the political discourse of the films produced by this institution offered a counter-hegemonic portrayal of working class people and presented them as agents of social change. Filming Politics brings to light a number of films from the early years of the NFB, most of which have long been forgotten.
Download or read book Canada s Hollywood written by Ted Magder and published by . This book was released on 1993 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The development of the feature film industry in Canada has been uncertain and difficult, with problems usually attributed to the country's small population and US domination of the movie industry. Ted Magder goes beyond these obvious influences in his examination of Canada's state policies as they affected the production of Canadian feature films from the First World War to the present. He presents a study focusing on the interplay between government policy and the dynamics of the industry, and undertakes an examination of cultural dependency in Canada. State policies, Magder points out, are related to domestic forces that impinge upon and set limits to policy decisions and their implementation." "In the immediate postwar period, the tone for much of Canada's cultural policies was set by the National Film Board and the recommendations of the Massey Commission. Members of both organizations expressed distaste for films designed to entertain and deemed feature filmmaking unworthy of support. A change of heart took place in the watershed year of 1967 with the passing of the Canadian Film Development Corporation Act, when Canadians finally entered the business of feature film production. Magder considers how this came to pass, what had changed within the industry itself to make feature film production viable, and why the state changed its position from one of neglect to one of support. In the last five chapters, he examines the contradictions and limitations that have bedevilled Canadian feature film production over the last two decades." "In his conclusion, Magder proposes that both the notion of cultural dependency and the goal of public support for cultural production to express national identity need to be re-examined."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book Gendering the Nation written by Kass Banting and published by University of Toronto Press. This book was released on 1999-01-01 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: The definitive collection of essays, both original and previously published, that address the impact and influence of a century of women's film making in Canada.
Download or read book They Came from Within written by Caelum Vatnsdal and published by Arp Books. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: No horror film is truly mainstream, David Cronenberg has said, and it is for this reason that even the lowliest of them may be worth consideration. In this tenth anniversary revised and updated edition of They Came From Within, Caelum Vatnsdal adjusts the focus in Canadian horror films, and unwinds the history of this neglected genre to learn "why we fear what we fear and how it came to be that way." From the early Canadian infiltration of Hollywood in the thirties, to the flowering of Canuck horror films in the sixties and seventies, to the surreal products of the "tax-shelter" eighties and beyond, Vatnsdal shows how the Canadian horror film industry has, unwittingly or not, created a complex social, economic, and political portrait of a nation. Engagingly written, extensively researched, and lavishly illustrated with rare stills and poster art, They Came From Within is an invaluable addition of Canadian film criticism.
Download or read book Cinema in Canada written by Mathias Hanf and published by Grin Publishing. This book was released on 2007 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2005 in the subject American Studies - Culture and Applied Geography, grade: 1,5, LMU Munich (Amerika Institut), course: Proseminar "Canada Today," 12 entries in the bibliography, language: English, abstract: Canadian cinema, as seen through its diverse scales, e.g. Franco- or Anglophone, documentary or fictional, independent- or blockbuster-film, reflects the cultural and social wealth of this young nation, and the artistic independence of some of its filmmakers, who, situated between Hollywood and different traditions from overseas, found their own unique voice. It is a voice which reflects the countries values within its history. It shows social, political, and cultural aspects of Canadian life. Whether it be the urban communities in the big cities, the endless landscapes of the provinces, or the personal and political struggles within notions of national identity, everything which defines this faceted country has found its expression also in the Canadian cinema. In the following, an overview shall be given on the development of Canadian film. In the second part, some films from Anglophone and Francophone cinema with the colorful topics of Canadian life shall be portrayed. The films stand as popular examples for many others to discuss certain issues such as Francophone and Anglophone biculturalism, Canadian multiculturalism, the struggles of minorities within the Canadian society, or loneliness and isolation due to technization and overwork in the big cities of the Canadian country.
Download or read book The Oxford Handbook of Canadian Cinema written by Janine Marchessault and published by Oxford University Press. This book was released on 2019-03-20 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.
Download or read book The Cinema of Qu bec written by Janis L. Pallister and published by Fairleigh Dickinson Univ Press. This book was released on 1995 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt: Quebecois cinema, too long neglected and too long unknown by American viewers, and often not appreciated on its own terrain, receives its well-deserved defense in Janis L. Pallister's The Cinema of Quebec: Masters in Their Own House.
