Download or read book Chinese Theater written by Colin Mackerras and published by University of Hawaii Press. This book was released on 2021-05-25 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is the first concise introduction to the splendid variety of the Chinese theatrical tradition. It presents a rounded perspective on the development of Chinese theater by considering all of its major aspects—history and social context, performance, costume, makeup, actors, playwrights, and theaters—and by discussing all the major forms of Chinese theater, including the Beijing opera, which arose in the eighteenth century, and the spoken play, an entirely twentieth-century form. Its contributors are uniquely qualified to write about the Chinese theater. They have enjoyed an intimate relationship with their subject, both as academics and as theater workers, and they have combined a deep knowledge of Chinese theater with a high regard for its long tradition and continuing vitality. The book is intended for general as well as more specialized readers. Those with an interest in theater as a worldwide phenomenon and those wanting a new light on Chinese culture and society will find it equally useful. To those with a particular interest in Chinese theater, it will be a rich and important resource.
Download or read book The Chinese Theatre in Modern Times from 1840 to the Present Day written by Colin Mackerras and published by Amherst : University of Massachusetts Press. This book was released on 1975 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge Guide to Asian Theatre written by James R. Brandon and published by Cambridge University Press. This book was released on 1997-01-28 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
Download or read book The Columbia Anthology of Modern Chinese Drama written by Xiaomei Chen and published by Columbia University Press. This book was released on 2014-03-25 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt: This condensed anthology reproduces close to a dozen plays from Xiaomei Chen's well-received original collection, The Columbia Anthology of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the Republican era to postsocialist China, the book encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of national and gender identities during a period of tremendous social, cultural, and political change in China and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nation's socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgment provides a concise yet well-rounded survey of China's theatricality and representation of political life. The original work not only established a canon of modern Chinese drama in the West but also made it available for the first time in English in a single volume.
Download or read book Chinese Theatre and the Actor in Performance written by Jo Riley and published by Cambridge University Press. This book was released on 1997-06-13 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work gives an 'inside' view of Chinese theatre and the actor in performance for the first time. It challenges western theatre artists such as Brecht, Grotowski, Barba and Schechner, who have extracted from Chinese theatre elements which might enrich their own theatres. It is based on personal observations of and dialogue with Chinese actors, experiences which were impossible before 1980. Riley's study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre, even those with no knowledge of Chinese or Chinese theatre.
Download or read book The World Encyclopedia of Contemporary Theatre written by Katherine Brisbane and published by Routledge. This book was released on 2005-08-16 with total page 703 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume featrues over 250,000 words and more than 125 photographs identifying and defining theatre in more than 30 countries from India to Uzbekistan, from Thailand to New Zealand and featuring extensive documentation on contemporary Chinese, Japanese, Indian and Australian theatre.
Download or read book The Garland Encyclopedia of World Music written by Ruth M. Stone and published by Routledge. This book was released on 2017-09-25 with total page 3969 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.
Download or read book The Garland Encyclopedia of World Music written by Robert C. Provine and published by Routledge. This book was released on 2017-11-22 with total page 2195 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores not only the close ties that link the cultures and musics of East and Northeast Asia, but also the distinctive features that separate them.
Download or read book Maoist Model Theatre written by Rosemary A. Roberts and published by BRILL. This book was released on 2010 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here is a convincing reflection that changes our understanding of gender in Maoist culture, esp. for what critics from the 1990s onwards have termed its erasure of gender and sexuality. In particular the strong heroines of the yangbanxi, or model works which dominated the Cultural Revolution period, have been seen as genderless revolutionaries whose images were damaging to women. Drawing on contemporary theories ranging from literary and cultural studies to sociology, this book challenges that established view through detailed semiotic analysis of theatrical systems of the yangbanxi including costume, props, kinesics, and various audio and linguistic systems. Acknowledging the complex interplay of traditional, modern, Chinese and foreign gender ideologies as manifest in the 'model works', it fundamentally changes our insights into gender in Maoist culture.
Download or read book Rethinking Chinese Socialist Theaters of Reform written by Xiaomei Chen and published by University of Michigan Press. This book was released on 2021-03-01 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: The profound political, economic, and social changes in China in the second half of the twentieth century have produced a wealth of scholarship; less studied however is how cultural events, and theater reforms in particular, contributed to the dynamic landscape of contemporary Chinese society. Rethinking Chinese Socialist Theaters of Reform fills this gap by investigating the theories and practice of socialist theater and their effects on a diverse range of genres, including Western-style spoken drama, Chinese folk opera, dance drama, Shanghai opera, Beijing opera, and rural theater. Focusing on the 1950s and ’60s, when theater art occupied a prominent political and cultural role in Maoist China, this book examines the efforts to remake theater in a socialist image. It explores the unique dynamics between official discourse, local politics, performance practice, and audience reception that emerged under the pressures of highly politicized cultural reform as well as the off-stage, lived impact of rapid policy change on individuals and troupes obscured by the public record. This multidisciplinary collection by leading scholars covers a wide range of perspectives, geographical locations, specific research methods, genres of performance, and individual knowledge and experience. The richly diverse approach leads readers through a nuanced and complex cultural landscape as it contributes significantly to our understanding of a crucial period in the development of modern Chinese theater and performance.
Download or read book The Literature of China in the Twentieth Century written by Bonnie S. McDougall and published by Columbia University Press. This book was released on 1997 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: A historical survey of 20th-century Chinese literature, this book chronicles the writers who - continuing in the Chinese tradition of using literature to exert moral, social, and political leadership - debated the nature, development and future of Chinese society.
Download or read book Chinese Women Writers in Diaspora written by Amy Tak-yee Lai and published by Cambridge Scholars Publishing. This book was released on 2009-03-26 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: The mention of Chinese women writers in diaspora immediately brings to mind Jung Chang (b. 1952) and her Wild Swans: Three Daughters of China (1991), which won the 1992 NCR book award and the 1993 British Book of the Year Award, and got officially banned in China. Despite its popular reception and crucial acclaim, Chang’s work has invited a lot of attacks. Among the most common is the contention that it merely focuses on the experience of the privileged and does not tell the reader what other memoirs have not already revealed. Chinese Women Writers in Diaspora is a pioneering study that focuses on four Chinese women writers currently living in the United States and England, whose works have been popularly received—and are in many cases, highly controversial—but have received little scholarly attention: Xinran (b. 1958), Hong Ying (b. 1962), Anchee Min (b. 1957), and Adeline Yen Mah (b. 1937). The chapters illuminate how Xinran constructs her identity and her fellow Chinese women in dialectics of self and other; how Hong Ying evokes cycles of return that blend Western and Chinese philosophical concepts; how Min employs images of theatre and theatrical conventions to depict the entrapment and transgression of her protagonists; and how Mah transliterates and appropriates both Western and Chinese fairy tale motifs to fashion her Chinese feminist utopia. While Jung Chang’s memoir seems confining, it has aroused interest in the genre of Chinese female autobiography, and Chinese women writers who live and write between cultures.
Download or read book Homoerotic Sensibilities in Late Imperial China written by Cuncun Wu and published by Routledge. This book was released on 2004-08-02 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: Homoerotic Sensibilities in Late Imperial China is the richest exploration to date of late imperial Chinese literati interest in male love. Employing primary sources such as miscellanies, poetry, fiction and 'flower guides', Wu Cuncun argues that male homoeroticism played a central role in the cultural life of late imperial Chinese literati elites. Countering recent arguments that homosexuality was marginal and disparaged during this period, the book also seeks to trace the relationship of homoeroticism to status and power. In addition to historical portraits and analysis, the book also advances the concept of 'sensibilities' as a method for interpreting the complex range of homoerotic texts produced in late imperial China.
Download or read book The Indiana Companion to Traditional Chinese Literature written by William H. Nienhauser and published by Indiana University Press. This book was released on 1986 with total page 1108 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published." --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.
Download or read book The Metamorphosis of Tianxian pei written by Wilt L Idema and published by The Chinese University of Hong Kong Press. This book was released on 2014-12-15 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is the most extensive social and cultural history of twentiethcentury Huangmei Opera to date. A regional Chinese theater originating in the Anqing countryside, Huangmei Opera gained popularity with the success of the 1950s play and movie, Tianxian pei 天仙配 (Married to a Heavenly Immortal). Through a case study of this work, the author juxtaposes the complex process of rewriting and revising the play and movie against the rapidly changing cultural and ideological climate of the Communist theater reform movement. As a result, the traditional theme of filial piety becomes a struggle over class and free love. This volume features a full translation of the original play and its revision in the 1950s, as well as selected articles by scriptwriters, directors, performers, and critics. These primary sources allow readers to gain access to inside views of the contemporaries and their political and artistic concerns. "Wilt Idema is one of the most important scholars in Chinese literary and cultural studies. Few in the academia can emulate him in both the spectrum of specializations and the depth of scholarship. From Yuan drama to Ming fiction, and traditional folk culture to modern performing arts, Idema’s work demonstrates a Sinologist's dedication, erudition, and originality at its best. Tianxian pei is arguably the most popular play in midtwentieth century China. In his book, Idema discusses the play’s roots and ramifications, its incarnations in multiple genes and medial forms, and its significance in modern Chinese cultural politics. His critical insight is illuminating and his translational expertise impeccable. The Metamorphosis of Tianxian pei is a major contribution to the studies of Chinese folklore, literature, theatre, and media." by David Derwei Wang, Harvard University
Download or read book Eastwards written by Frank Kraushaar and published by Peter Lang. This book was released on 2010 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eastwards is a collection of essays each of whom focuses on a special aspect or on an episode within the cross-cultural narrative that imposes on our minds the terms "West" and "East". The volume assembles seventeen essays by eighteen authors divided into three chapters. Being the outcome of the first international conference for East Asian studies that was held in the Baltic states in 2008 at the University of Latvia in Riga, the volume contains not only contributions by scholars from Vilnius, Tallinn and Riga but also rather rare topics like critiques of translation from Japanese and Classical Chinese into Latvian. The book contains also an essay on the life and personality of an almost neglected Baltic "pioneer" in Manchuria
Download or read book Chinese Shakespeares written by Alexa Huang and published by Columbia University Press. This book was released on 2009-06-26 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: For close to two hundred years, the ideas of Shakespeare have inspired incredible work in the literature, fiction, theater, and cinema of China, Taiwan, and Hong Kong. From the novels of Lao She and Lin Shu to Lu Xun's search for a Chinese "Shakespeare," and from Feng Xiaogang's martial arts films to labor camp memoirs, Soviet-Chinese theater, Chinese opera in Europe, and silent film, Shakespeare has been put to work in unexpected places, yielding a rich trove of transnational imagery and paradoxical citations in popular and political culture. Chinese Shakespeares is the first book to concentrate on both Shakespearean performance and Shakespeare's appearance in Sinophone culture and their ambiguous relationship to the postcolonial question. Substantiated by case studies of major cultural events and texts from the first Opium War in 1839 to our times, Chinese Shakespeares theorizes competing visions of "China" and "Shakespeare" in the global cultural marketplace and challenges the logic of fidelity-based criticism and the myth of cultural exclusivity. In her critique of the locality and ideological investments of authenticity in nationalism, modernity, Marxism, and personal identities, Huang reveals the truly transformative power of Chinese Shakespeares.
