Download or read book The Columbia Anthology of Modern Chinese Drama written by Xiaomei Chen and published by Columbia University Press. This book was released on 2014-03-25 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt: This condensed anthology reproduces close to a dozen plays from Xiaomei Chen's well-received original collection, The Columbia Anthology of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the Republican era to postsocialist China, the book encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of national and gender identities during a period of tremendous social, cultural, and political change in China and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nation's socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgment provides a concise yet well-rounded survey of China's theatricality and representation of political life. The original work not only established a canon of modern Chinese drama in the West but also made it available for the first time in English in a single volume.
Download or read book How to Read Chinese Drama written by Patricia Sieber and published by How to Read Chinese Literature. This book was released on 2021-11-02 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: "How to Read Chinese Drama: A Guided Anthology introduces students to the wide world of Chinese theater through excerpts from and context about 14 plays. Special attention is paid to how those plays are realized on stage. These examples cover the entire history of the most important genres up to the maturity of Peking opera in the second half of the nineteenth century. Students will be exposed to many play texts and aspects of Chinese theater, including three types of expressive modes-music (music and singing), text (speaking/reciting/written text), and movements (acting)-historical, biographical, and sociopolitical backgrounds about Chinese drama and playwrights, staging and rituals, and close textual analyses. The book is designed to be used independently or in concert with How to Read Chinese Drama: A Language Text, but the guided anthology volume does not assume any knowledge of Chinese"--
Download or read book TV Drama in China written by Ying Zhu and published by Hong Kong University Press. This book was released on 2008-10-01 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays brings together the first comprehensive study of TV drama in China. Examining in depth the production, distribution and consumption of TV drama, the international team of experts demonstrate why it remains the pre-eminent media form in China. The examples are diverse, highlighting the complexity of producing narrative content in a rapidly changing political and social environment. Genres examined include the revisionist Qing drama, historical and contemporary domestic dramas, anti-corruption dramas, "pink" dramas, Red Classics, stories from the Diaspora, and sit-coms. In addition to genres, the collection explores industry dynamics: how TV dramas are marketed and consumed on DVD, and China's aspirations to export its television drama rights. The book provides an international and cross-cultural perspective with chapters on Taiwanese TV drama in China, the impact of South Korean drama, and trans-border production between the Mainland and Hong Kong.
Download or read book The Chinese Drama written by Sir Reginald Fleming Johnston and published by . This book was released on 1921 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book An Oxford Anthology of Contemporary Chinese Drama written by Martha Cheung and published by Oxford University Press, USA. This book was released on 1997 with total page 914 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology of fifteen plays introduces Western readers to some of the finest Chinese drama of the last twenty years. Representing writers from China, Taiwan, and Hong Kong, the plays offer a wide selection of living Chinese theater, from socialist-realist, to comedic, to the experimental and avant-garde.
Download or read book Crime and Punishment in Medieval Chinese Drama written by George A. Hayden and published by BRILL. This book was released on 2020-03-17 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides full annotated translations of three previously untranslated Yuan-Ming Judge Pao courtroom dramas.
Download or read book Acting the Right Part written by Xiaomei Chen and published by University of Hawaii Press. This book was released on 2002-01-31 with total page 483 pages. Available in PDF, EPUB and Kindle. Book excerpt: Acting the Right Part is a cultural history of huaju (modern Chinese drama) from 1966 to 1996. Xiaomei Chen situates her study both in the context of Chinese literary and cultural history and in the context of comparative drama and theater, cultural studies, and critical issues relevant to national theater worldwide. Following a discussion of the marginality of modern Chinese drama in relation to other genres, periods, and cultures, early chapters focus on the dynamic relationship between theater and revolution. Chosen during the Cultural Revolution as the exclusive artistic vehicle to promote proletariat art, "model theater" raises important questions about the complex relationships between women, memory, nation/state, revolution, and visual culture. Throughout this study, Chen argues that dramatic norms inform both theatrical performance and everyday political behavior in contemporary China.
Download or read book The Chinese Drama written by William Stanton and published by . This book was released on 1899 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Columbia Anthology of Yuan Drama written by C. T. Hsia and published by Columbia University Press. This book was released on 2014-04-29 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology features translations of ten seminal plays written during the Yuan dynasty (1279Ð1368), a period considered the golden age of Chinese theater. By turns lyrical and earthy, sentimental and ironic, Yuan drama spans a broad emotional, linguistic, and stylistic range. Combining sung arias with declaimed verses and doggerels, dialogues and mime, and jokes and acrobatic feats, Yuan drama formed a vital part of ChinaÕs culture of performance and entertainment in the thirteenth and fourteenth centuries. To date, few Yuan-dynasty plays have been translated into English. Well-known translators and scholars have supervised the making of this collection and add a short description to each play. A general introduction situates all selections within their cultural and historical contexts.
Download or read book Golden Age of Chinese Drama written by Chung-wen Shih and published by Princeton University Press. This book was released on 2015-03-08 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 171 extant plays of the Yuan period (1279-1368) are the oldest and most brilliant examples of Chinese dramatic literature. In this first comprehensive study, Chung-wen Shih systematically explores the riches of Yuan drama, from its unexcelled lyric poetry to its colorful characterization. After tracing the popular genres that contributed to the flowering of Yuan drama, the author describes conventional features of dramatic construction, methods of characterization, and recurring themes. The central focus is on the use of language: prose passages and lyrics are cited to show how innovative use of spoken language invests the prose with a remarkable strength and suppleness, and how imaginative use of figurative language endows the poetry with an incomparable richness of texture. Attention is also given to the use of music and physical aspects of staging. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Representing History in Chinese Media written by Gotelind Müller and published by LIT Verlag Münster. This book was released on 2007 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historical TV dramas are a highly popular genre in the People's Republic of China and an important, contested factor in shaping historical consciousness of the populace. The monumental TV drama Zou xiang gonghe made a stir when aired by China Central Television in the spring of 2003. Because of its unconventional representation of the historically critical time-span 1890-1917, the TV drama sparked a heated discussion in the print media as well as in the internet, and was ultimately taken off the program. This book aims at presenting a synopsis of the TV drama, analysing its background and impact on society.
Download or read book Snow In Midsummer written by Guan Hanquing and published by Bloomsbury Publishing. This book was released on 2017-05-04 with total page 121 pages. Available in PDF, EPUB and Kindle. Book excerpt: Men in this town were born with mouths that can right wrongs with a few words. Why are you too timid to speak? As she is about to be executed for a murder she didn't commit, young widow Dou Yi vows that, if she is innocent, snow will fall in midsummer and a catastrophic drought will strike. Three years later, a businesswoman visits the parched, locust-plagued town to take over an ailing factory. When her young daughter is tormented by an angry ghost, the new factory owner must expose the injustices Dou Yi suffered before the curse destroys every living thing. A contemporary re-imagining by acclaimed playwright Frances-Ya Chu Cowhig of one of the most famous classical Chinese dramas, which breathes new life into this ancient story, haunted by centuries of retelling. The world premiere of Snow in Midsummer on 23 February 2017 at the Swan Theatre, Stratford-Upon-Avon, launched the RSC's Chinese Translations Project, a cultural exchange bringing Chinese classics to a contemporary Western audience.
Download or read book Mainstream Culture Refocused written by Xueping Zhong and published by University of Hawaii Press. This book was released on 2010-07-31 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China over the past three decades, offers a wide and penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping’s timely new work draws attention to the multiple cultural and historical legacies that coexist and challenge each other within this dominant form of story telling. Although scholars tend to focus their attention on elite cultural trends and avant garde movements in literature and film, Zhong argues for recognizing the complexity of dianshiju’s melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture. Mainstream Culture Refocused opens with an examination of television as a narrative motif in three contemporary Chinese art-house films. Zhong then turns her attention to dianshiju’s most important subgenres. "Emperor dramas" highlight the link between popular culture’s obsession with emperors and modern Chinese intellectuals’ preoccupation with issues of history and tradition and how they relate to modernity. In her exploration of the "anti-corruption" subgenre, Zhong considers three representative dramas, exploring their diverse plots and emphases. "Youth dramas’" rich array of representations reveal the numerous social, economic, cultural, and ideological issues surrounding the notion of youth and its changing meanings. The chapter on the "family-marriage" subgenre analyzes the ways in which women’s emotions are represented in relation to their desire for "happiness." Song lyrics from music composed for television dramas are considered as "popular poetics." Their sentiments range between nostalgia and uncertainty, mirroring the social contradictions of the reform era. The Epilogue returns to the relationship between intellectuals and the production of mainstream cultural meaning in the context of China’s post-revolutionary social, economic, and cultural transformation. Provocative and insightful, Mainstream Culture Refocused will appeal to scholars and students in studies of modern China generally and of contemporary Chinese media and popular culture specifically.
Download or read book A Couple of Soles written by Li Yu and published by Columbia University Press. This book was released on 2019-12-03 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Couple of Soles is a classic comedic romance by the seventeenth-century playwright Li Yu. Tan Chuyu, a poor young scholar, falls in love with the beautiful actress Liu Miaogu. He joins her family’s acting troupe, and, in plays within the play, romance ensues. After Liu’s family attempts to marry her off to a local country squire, she performs a famous scene in which a heroine drowns herself—and then jumps off the stage into a river, followed by Tan. The local river deity rescues the lovers from death by transforming them into a pair of soles. Li balances their romance with the adventures of a retired upright official involving banditry, bribery, and mistaken identity—and who nets and shelters the two fish when they regain human form. Written at a time when China was beginning to recover from the cataclysmic Ming-Qing dynastic transition, A Couple of Soles displays Li’s biting wit as well as his reflections on the concerns of his age, including the dangers of administrative service and the role of theater in society. The play combines witty wordplay and caustic satire with a strong emphasis on traditional moral values. The first major comedy from late imperial China to appear in English translation, A Couple of Soles provides an unparalleled view of the theater in seventeenth-century China. A general introduction and a detailed appendix shed further light on the play and its context.
Download or read book Chinese Drama and Society written by Teresa Chi-Ching Sun and published by Rowman & Littlefield. This book was released on 2019-08-23 with total page 115 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the entrance of Western stage drama into China and the initial reception it received from Chinese intellectuals. Form the introduction of Western literature and dramatic concepts to China in the early twentieth century to the Chinese national theatre movement and renovation of Beijing opera, specific and social cultural conditions ushered the literature created in that environment. The central contention of this book is that the evolution of modern literary stage drama was an important aspect of the Chinese intellectual movement, transforming stage shows into messengers of social change. When two cultures collide, it can produce significant literary and cultural change. While there have been productive studies comparing the characteristics of Eastern and Western theatre, there has not yet been a study examining the social environments that brought these characteristics about.
Download or read book The Chinese Lady written by Lloyd Suh and published by Dramatists Play Service, Inc.. This book was released on 2019 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt: Afong Moy is fourteen years old when she’s brought to the United States from Guangzhou Province in 1834. Allegedly the first Chinese woman to set foot on U.S. soil, she has been put on display for the American public as “The Chinese Lady.” For the next half-century, she performs for curious white people, showing them how she eats, what she wears, and the highlight of the event: how she walks with bound feet. As the decades wear on, her celebrated sideshow comes to define and challenge her very sense of identity. Inspired by the true story of Afong Moy’s life, THE CHINESE LADY is a dark, poetic, yet whimsical portrait of America through the eyes of a young Chinese woman.
Download or read book Worldly Stage written by Sophie Volpp and published by BRILL. This book was released on 2020-03-23 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites, and notions of performance and spectatorship came to animate diverse aspects of literati cultural production. In this study of late-imperial Chinese theater, Sophie Volpp offers fresh readings of major texts such as Tang Xianzu’s Peony Pavilion (Mudan ting) and Kong Shangren’s Peach Blossom Fan (Taohua shan), and unveils lesser-known materials such as Wang Jide’s play The Male Queen (Nan wanghou). In doing so, Volpp sheds new light on the capacity of seventeenth-century drama to comment on the cultural politics of the age. Worldly Stage arrives at a conception of theatricality particular to the classical Chinese theater and informed by historical stage practices. The transience of worldly phenomena and the vanity of reputation had long informed the Chinese conception of theatricality. But in the seventeenth century, these notions acquired a new verbalization, as theatrical models of spectatorship were now applied to the contemporary urban social spectacle in which the theater itself was deeply implicated."
