Download or read book The Century of Tung Ch i ch ang 1555 1636 written by Wai-kam Ho and published by . This book was released on 1992-01-01 with total page 603 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Century of Tung Ch i ch ang written by Wai-kam Ho and published by . This book was released on 1992 with total page 1068 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Possessing the Past written by 國立故宮博物院 and published by Metropolitan Museum of Art. This book was released on 1996 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR
Download or read book Parting the Mists written by Aida Yuen Wong and published by University of Hawaii Press. This book was released on 2006-02-28 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right. The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists’ societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries’ convergent, and often colliding, courses of nationalism.
Download or read book Humanities written by and published by . This book was released on 1993 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Art History written by Christopher S. Wood and published by Princeton University Press. This book was released on 2021-03-02 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket
Download or read book A Story of Ruins written by Wu Hung and published by Reaktion Books. This book was released on 2013-02-15 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly illustrated book examines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. The story of ruins in China is different from but connected to “ruin culture” in the West. This book explores indigenous Chinese concepts of ruins and their visual manifestations, as well as the complex historical interactions between China and the West since the eighteenth century. Wu Hung leads us through an array of traditional and contemporary visual materials, including painting, architecture, photography, prints, and cinema. A Story of Ruins shows how ruins are integral to traditional Chinese culture in both architecture and pictorial forms. It traces the changes in their representation over time, from indigenous methods of recording damage and decay in ancient China, to realistic images of architectural ruins in the nineteenth and twentieth centuries, to the strong interest in urban ruins in contemporary China, as shown in the many artworks that depict demolished houses and decaying industrial sites. The result is an original interpretation of the development of Chinese art, as well as a unique contribution to global art history.
Download or read book The Aura of Confucius written by Julia K. Murray and published by Cambridge University Press. This book was released on 2021-11-25 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Aura of Confucius is a ground-breaking study that reconstructs the remarkable history of Kongzhai, a shrine founded on the belief that Confucius' descendants buried the sage's robe and cap a millennium after his death and far from his home in Qufu, Shandong. Improbably located on the outskirts of modern Shanghai, Kongzhai featured architecture, visual images, and physical artifacts that created a 'Little Queli,' a surrogate for the temple, cemetery, and Kong descendants' mansion in Qufu. Centered on the Tomb of the Robe and Cap, with a Sage Hall noteworthy for displaying sculptural icons and not just inscribed tablets, Kongzhai attracted scholarly pilgrims who came to experience Confucius's beneficent aura. Although Kongzhai gained recognition from the Kangxi emperor, its fortunes declined with modernization, and it was finally destroyed during the Cultural Revolution. Unlike other sites, Kongzhai has not been rebuilt and its history is officially forgotten, despite the Confucian revival in contemporary China.
Download or read book Pictures and Visuality in Early Modern China written by Craig Clunas and published by Reaktion Books. This book was released on 2006-03-01 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pictures and Visuality in Early Modern China is not simply a survey of sixteenth-century images, but rather, a thorough and thoughtful examination of visual culture in China's Ming Dynasty, one that considers images wherever they appeared—not only paintings, but also illustrated books, maps, ceramic bowls, lacquered boxes, painted fans, and even clothing and tomb pictures. Clunas's theory of visuality incorporates not only the image and the object upon which it is placed but also the culture which produced and purchased it. Economic changes in sixteenth-century China—the rapid expansion of trade routes and a growing class of consumers—are thus intricately bound up with the evolution of the image itself. Pictures and Visuality in Early Modern China will be a touchstone for students of Chinese history, art, and culture.
Download or read book Chen Jiru 1558 1639 written by Jamie Greenbaum and published by BRILL. This book was released on 2007-12-15 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chen Jiru (1558-1639) was one of the great late-Ming arbiters of culture and taste, and the impact of his innovations can still be traced in present-day China. In late Ming, when culture and taste enjoyed a social prestige beyond their usual standing, Chen's influence appears even greater than it may have otherwise. This is the first major work in any language to examine Chen's background, make a contrastive study of the genres he utilised in forging his literary reputation, and to examine the use that publishers and others have made since of the literary personae he constructed. A study clearly of interest to historians of early Modern China, as well as to those who study cultural and print histories of both East and West.
Download or read book Cultural Intersections in Later Chinese Buddhism written by Marsha Smith Weidner and published by University of Hawaii Press. This book was released on 2001-01-01 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays on later Chinese Buddhism takes us beyond the bedrock subjects of traditional Buddhist historiography - scriptures and commentaries, sectarian developments, lives of notable monks - to examine a wide range of extracanonical materials that illuminate cultural manifestations of Buddhism from the Song dynasty (960-1279) through the modern period. Straying from well-trodden paths, the authors often transgress the boundaries of their own disciplines: historians address architecture; art historians look to politics; a specialist in literature treats poetry that offers gendered insights into Buddhist lives. The broad-based cultural orientation of this volume is predicated on the recognition that art and religion are not closed systems requiring only minimal cross-indexing with other social or aesthetic phenomena but constituent elements in interlocking networks of practice and belief.
Download or read book The Century of Tung Ch i ch ang 1555 1636 contains the main exhibits v 2 contains the catalogue written by and published by . This book was released on 1992 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Leyden Studies in Sinology written by Wilt Idema and published by BRILL. This book was released on 2021-09-13 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Boundaries in China written by John Hay and published by Reaktion Books. This book was released on 1994 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Boundary making, a crucial element in human cultural creativity, links these essays exploring Chinese art and society. Traversing time and cultural category, individual expression and social construct, the authors demonstrate how a 'boundary' may exist simultaneously as barrier, threshold and interface. The essays range from the creation of the first political and bureaucratic boundaries in early China, to the dismantling of discursive boundaries in the post-Mao era. Spanning diverse subjects, moving between ancient funerary art and the tension between self and image in modern Peking Opera, they deftly explore the psychodynamics of Chinese society. All the authors in this book are established Sinologists. Boundaries in China will be stimulating reading for anyone interested to see how the seemingly tangential or peripheral can turn out to be of central concern in non-Western (and perhaps also Western) art and culture.
Download or read book Dimensions of Originality written by Katharine P Burnett and published by The Chinese University of Hong Kong Press. This book was released on 2013-03-13 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was "qi", literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of "qi" as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes, and explains how the value lost its luster at the end of the seventeenth century.
Download or read book The Arts of China written by Michael Sullivan and published by Univ of California Press. This book was released on 1999 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: "From the Neolithic to the avant-garde, and through all the brilliant centuries in between, Michael Sullivan's newly revised introduction to Chinese art history is unmatched in its clarity, balance, and sure grasp of the subject. Whether for the classroom student or the casual reader, its remarkable range and elegant style make this book a wonderful way for anyone to begin learning about Chinese art." --Jerome Silbergeld, Professor of Art History, University of Washington, and author of Chinese Painting Style "A concise, comprehensive, and highly readable overview of Chinese art extending from its Neolithic roots down to its modern engagement with the West."--Maxwell Hearn, Curator of Chinese Art, Metropolitan Museum of Art, and author of Splendors of Imperial China "I have used this text in my class for thirty years. With full revisions and additions reflecting recent archaeology and art historical scholarship, the fourth edition will continue to be the best one-volume history of Chinese art in the English language. No other historian of Chinese art today commands such a wide range of knowledge as Michael Sullivan."--Richard Barnhart, John M. Schiff Professor of the History of Art, Yale University, and editor of Three Thousand Years of Chinese Painting "This is the most comprehensive study of Chinese art, giving up-to-date information from the Stone Age to the twentieth century. Professor Michael Sullivan is a leading scholar in this field, and this is an indispensable textbook for all students of Asian art history." --Wang Qingli, Professor of Chinese Art History, University of Hong Kong, and author of A History of Nineteenth-Century Chinese Art
Download or read book Transforming Traditions in Modern Chinese Painting written by Jason C. Kuo and published by Peter Lang. This book was released on 2004 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern Chinese painting embodies the constant renewal and reinvigorations of Chinese civilization amidst rebellions, reforms, and revolutions, even if the process may appear confusing and bewildering. It also demonstrates the persistence of tradition and limits of continuities and changes in modern Chinese cluture. Most significantly, it compels us to ask several important questions in the study of modern Chinese culture: How extensively can cultural tradition be re-interpreted before it is subverted? At what point is creative re-invention an act of betrayal of tradition? How has selective borrowing from Chinese tradition and foreign cultrue enabled modern Chinese artists to sustain themselves in the modern world? By focusing on the art of Huang Pin-hung (1865-1955), particularly his late work, this book attempts to provide some answers to these questions.
