Download or read book The Cambridge Companion to British Theatre of the First World War written by Helen E. M. Brooks and published by Cambridge University Press. This book was released on 2023-09-30 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender.

Download or read book The Cambridge Companion to British Theatre since 1945 written by Jen Harvie and published by Cambridge University Press. This book was released on 2024-02-29 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays alone, the collection expands understanding of British theatre by illuminating contexts such as funding, unionisation, devolution, immigration, and changes to legislation. Divided into four parts, it guides readers through changing attitudes to theatre-making (acting, directing, writing), theatre sectors (West End, subsidised, Fringe), theatre communities (audiences, Black theatre, queer theatre), and theatre's relationship to the state (government, infrastructure, nationhood). Supplemented by a valuable Chronology and Guide to Further Reading, it presents up-to-date approaches informed by critical race theory, queer studies, audience studies, and archival research to demonstrate important new ways of conceptualising post-war British theatre's history, practices and potential futures.

Download or read book The Cambridge Companion to Theatre and Science written by Kirsten Shepherd-Barr and published by Cambridge University Press. This book was released on 2020-12-03 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first ever companion to theatre and science brings together research on key topics, performances, and new areas of interest.

Download or read book The Cambridge Companion to International Theatre Festivals written by Ric Knowles and published by Cambridge University Press. This book was released on 2020-06-11 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: An up-to-date, contextualized assessment of the impact of the 'festivalization' of culture around the world.

Download or read book The Cambridge Companion to African American Theatre written by Harvey Young and published by Cambridge University Press. This book was released on 2023-05-31 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.

Download or read book The Cambridge Companion to the Circus written by Gillian Arrighi and published by Cambridge University Press. This book was released on 2021-07-01 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge Companion to the Circus provides a complete guide for students, scholars, teachers, researchers, and practitioners who are seeking perspectives on the foundations and evolution of the modern circus, the contemporary extent of circus studies, and the specialised literature available to support further enquiries. The volume brings together an international group of established and emerging scholars working across the multi-disciplinary domain of circus studies to present a clear overview of the specialised histories, aesthetics and distinctive performances of the modern circus. In sixteen commissioned essays, it covers the origins in commercial equestrian performance during the late-eighteenth century to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.

Download or read book The Cambridge Companion to English Restoration Theatre written by Deborah Payne Fisk and published by Cambridge University Press. This book was released on 2000-05-11 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.

Download or read book Touch and Intimacy in First World War Literature written by Santanu Das and published by Cambridge University Press. This book was released on 2006-04-06 with total page 27 pages. Available in PDF, EPUB and Kindle. Book excerpt: The First World War ravaged the male body on an unprecedented scale, yet fostered moments of physical intimacy and tenderness among the soldiers in the trenches. Touch, the most elusive and private of the senses, became central to war experience. War writing is haunted by experiences of physical contact: from the muddy realities of the front to the emotional intensity of trench life, to the traumatic obsession with the wounded body in nurses' memoirs. Through extensive archival and historical research, analysing previously unknown letters and diaries alongside literary writings by figures such as Owen and Brittain, Santanu Das recovers the sensuous world of the First World War trenches and hospitals. This original and evocative study alters our understanding of the period as well as of the body at war, and illuminates the perilous intimacy between sense experience, emotion and language as we try to make meaning in times of crisis.

Download or read book British Theatre and the Great War 1914 1919 written by Andrew Maunder and published by Springer. This book was released on 2015-08-22 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Theatre and the Great War examines how theatre in its various forms adapted itself to the new conditions of 1914-1918. Contributors discuss the roles played by the theatre industry. They draw on a range of source materials to show the different kinds of theatrical provision and performance cultures in operation not only in London but across parts of Britain and also in Australia and at the Front. As well as recovering lost works and highlighting new areas for investigation (regional theatre, prison camp theatre, troop entertainment, the threat from film, suburban theatre) the book offers revisionist analysis of how the conflict and its challenges were represented on stage at the time and the controversies it provoked. The volume offers new models for exploring the topic in an accessible, jargon-free way, and it shows how theatrical entertainment of the time can be seen as the `missing link’ in the study of First World War writing.

Download or read book Handbook of British Literature and Culture of the First World War written by Ralf Schneider and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-09-20 with total page 540 pages. Available in PDF, EPUB and Kindle. Book excerpt: The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.

Download or read book The Cambridge Companion to the Literature of the First World War written by Vincent Sherry and published by Cambridge University Press. This book was released on 2005-01-20 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Great War of 1914–1918 marks a turning point in modern history and culture. This Companion offers critical overviews of the major literary genres and social contexts that define the study of the literatures produced by the First World War. The volume comprises original essays by distinguished scholars of international reputation, who examine the impact of the war on various national literatures, principally Great Britain, Germany, France and the United States, before addressing the way the war affected Modernism, the European avant-garde, film, women's writing, memoirs, and of course the war poets. It concludes by addressing the legacy of the war for twentieth-century literature. The Companion offers readers a chronology of key events and publication dates covering the years leading up to and including the war, and ends with a current bibliography of further reading organised by chapter topics.

Download or read book British Theatre and Performance 1900 1950 written by Rebecca D'Monte and published by Bloomsbury Publishing. This book was released on 2015-02-26 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: British theatre from 1900 to 1950 has been subject to radical re-evaluation with plays from the period setting theatres alight and gaining critical acclaim once again; this book explains why, presenting a comprehensive survey of the theatre and how it shaped the work that followed. Rebecca D'Monte examines how the emphasis upon the working class, 'angry' drama from the 1950s has led to the neglect of much of the century's earlier drama, positioning the book as part of the current debate about the relationship between war and culture, the middlebrow, and historiography. In a comprehensive survey of the period, the book considers: - the Edwardian theatre; - the theatre of the First World War, including propaganda and musicals; -the interwar years, the rise of commercial theatre and influence of Modernism; - the theatre of the Second World War and post-war period. Essays from leading scholars Penny Farfan, Steve Nicholson and Claire Cochrane give further critical perspectives on the period's theatre and demonstrate its relevance to the drama of today. For anyone studying 20th-century British Drama this will prove one of the foundational texts.

Download or read book Re Imagining the First World War written by Anna Branach-Kallas and published by Cambridge Scholars Publishing. This book was released on 2015-09-18 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the Preface to his ground-breaking The Great War and Modern Memory (1975), Paul Fussell claimed that “the dynamics and iconography of the Great War have proved crucial political, rhetorical, and artistic determinants on subsequent life.” Forty years after the publication of Fussell’s study, the contributors to this volume reconsider whether the myth generated by World War I is still “part of the fiber of [people’s] lives” in English-speaking countries. What is the place of the First World War in cultural memory today? How have the literary means for remembering the war changed since the war? Can anything new be learned from the effort to re-imagine the First World War after other bloody conflicts of the 20th century? A variety of answers to these questions are provided in Re-Imagining the First World War: New Perspectives in Anglophone Literature and Culture, which explores the Great War in British, Irish, Canadian, Australian, and (post)colonial contexts. The contributors to this collection write about the war from a literary perspective, reinterpreting poetry, fiction, letters, and essays created during or shortly after the war, exploring contemporary discourses of commemoration, and presenting in-depth studies of complex conceptual issues, such as gender and citizenship. Re-Imagining the First World War also includes historical, philosophical and sociological investigations of the first industrialised conflict of the 20th century, which focus on responses to the Great War in political discourse, life writing, music, and film: from the experience of missionaries isolated during the war in the Arctic and Asia, through colonial encounters, exploring the role of Irish, Chinese and Canadian First Nations soldiers during the war, to the representation of war in the world-famous series Downton Abbey and the 2013 album released by contemporary Scottish rock singer Fish. The variety of themes covered by the essays here not only confirms the significance of the First World War in memory today, but also illustrates the necessity of developing new approaches to the first global conflict, and of commemorating “new” victims and agents of war. If modes of remembrance have changed with the postmodern ethical shift in historiography and cultural studies, which encourages the exploration of “other” subjectivities in war, so-far concealed affinities and reverberations are still being discovered, on the macro- and micro-historical levels, the Western and other fronts, the battlefield, and the home front. Although it has been a hundred years since the outbreak of hostilities, there is a need for increased sensitivity to the tension between commemoration and contestation, and to re-member, re-conceptualise and re-imagine the Great War.

Download or read book Humour in British First World War Literature written by Emily Anderson and published by Springer Nature. This book was released on 2023-09-11 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how humorous depictions of the Great War helped to familiarise, domesticate and tame the conflict. In contrast to the well-known First World War literature that focuses on extraordinary emotional disruption and the extremes of war, this study shows other writers used humour to create a gentle, mild amusement, drawing on familiar, popular genres and forms used before 1914. Emily Anderson argues that this humorous literature helped to transform the war into quotidian experience. Based on little-known primary material uncovered through detailed archival research, the book focuses on works that, while written by celebrated authors, tend not to be placed in the canon of Great War literature. Each chapter examines key examples of literary texts, ranging from short stories and poetry, to theatre and periodicals. In doing so, the book investigates the complex political and social significance of this tame style of humour.

Download or read book The Cambridge Companion to the Circus written by Gillian Arrighi and published by Cambridge University Press. This book was released on 2021-07 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship, from its origins in commercial equestrian performance, to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.

Download or read book The Cambridge Companion to Theatre History written by David Wiles and published by Cambridge University Press. This book was released on 2013 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.

Download or read book Race Empire and First World War Writing written by Santanu Das and published by Cambridge University Press. This book was released on 2011-04-28 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon fresh archival material this book recovers the experience of different ethnic groups during the First World War conflict.