Download or read book The Cambridge Companion to British Theatre 1730 1830 written by Jane Moody and published by Cambridge University Press. This book was released on 2007-10-25 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a contributory volume covering all aspects of theatre in the 18th and early 19th centuries.
Download or read book The Cambridge Companion to British Theatre of the First World War written by Helen E. M. Brooks and published by Cambridge University Press. This book was released on 2023-09-30 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender.
Download or read book The Cambridge Companion to British Theatre since 1945 written by Jen Harvie and published by Cambridge University Press. This book was released on 2024-02-29 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays alone, the collection expands understanding of British theatre by illuminating contexts such as funding, unionisation, devolution, immigration, and changes to legislation. Divided into four parts, it guides readers through changing attitudes to theatre-making (acting, directing, writing), theatre sectors (West End, subsidised, Fringe), theatre communities (audiences, Black theatre, queer theatre), and theatre's relationship to the state (government, infrastructure, nationhood). Supplemented by a valuable Chronology and Guide to Further Reading, it presents up-to-date approaches informed by critical race theory, queer studies, audience studies, and archival research to demonstrate important new ways of conceptualising post-war British theatre's history, practices and potential futures.
Download or read book The Cambridge Companion to English Melodrama written by Carolyn Williams and published by Cambridge University Press. This book was released on 2018-10-04 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lively and accessible account of the most popular form of nineteenth-century English theatre, and its continuing influence today.
Download or read book The Time Traveller s Guide to British Theatre written by Aleks Sierz and published by Bloomsbury Publishing. This book was released on 2023-04-27 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: British theatre is booming. But where do these beautiful buildings and exciting plays come from? And when did the story start? To find out we time travel back to the age of the first Queen Elizabeth in the 16th century, four hundred years ago when there was not a single theatre in the land. In the company of a series of well-characterized fictional guides, the eight chapters of the book explore how British theatre began, grew up and developed from the 1550s to the 1950s. The Time-Traveller's Guide to British Theatre tells the story of the movers and shakers, the buildings, the playwrights, the plays and the audiences that make British theatre what it is today. It covers all the great names - from Shakespeare to Terence Rattigan, by way of Oscar Wilde and George Bernard Shaw - and the classic plays, many of which are still revived today, visits the venues and tells their dramatic stories. It is an accessible, journalistic account of this subject which, while based firmly on extensive research and historical accuracy, describes five centuries of British creativity in an interesting and relevant way. It is celebratory in tone, journalistic in style and accurate in content.
Download or read book The Cambridge Companion to Theatre and Science written by Kirsten E. Shepherd-Barr and published by Cambridge University Press. This book was released on 2020-12-03 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first ever companion to theatre and science brings together research on key topics, performances, and new areas of interest.
Download or read book The Cambridge Companion to British Literature of the French Revolution in the 1790s written by Pamela Clemit and published by Cambridge University Press. This book was released on 2011-02-10 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first major collection of essays to provide a comprehensive examination of the British literature of the French Revolution.
Download or read book The Cambridge Companion to International Theatre Festivals written by Ric Knowles and published by Cambridge University Press. This book was released on 2020-06-11 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: The global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange.
Download or read book Henry Fielding and the Augustan Ideal Under Stress Nature s Dance of Death and Other Studies written by Claude Julien Rawson and published by London ; Boston : Routledge and Kegan Paul. This book was released on 1972 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge Companion to English Renaissance Tragedy written by Emma Josephine Smith and published by Cambridge University Press. This book was released on 2010-08-12 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introducing the reader to important topics in English Renaissance tragedy, this Companion presents fresh readings of key texts.
Download or read book The Cambridge Companion to British Romanticism written by Stuart Curran and published by Cambridge University Press. This book was released on 2010-07-22 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fully updated edition of this popular Companion, with two new essays reflecting new developments in the field.
Download or read book A Narratology of Drama written by Christine Schwanecke and published by Walter de Gruyter GmbH & Co KG. This book was released on 2022-01-19 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume argues against Gérard Genette’s theory that there is an “insurmountable opposition” between drama and narrative and shows that the two forms of storytelling have been productively intertwined throughout literary history. Building on the idea that plays often incorporate elements from other genres, especially narrative ones, the present study theorises drama as a fundamentally narrative genre. Guided by the question of how drama tells stories, the first part of the study delineates the general characteristics of dramatic narration and zooms in on the use of narrative forms in drama. The second part proposes a history of dramatic storytelling from the Renaissance to the twenty-first century that transcends conventional genre boundaries. Close readings of exemplary British plays provide an overview of the dominant narrative modes in each period and point to their impact in the broader cultural and historical context of the plays. Finally, the volume argues that throughout history, highly narrative plays have had a performative power that reached well beyond the stage: dramatic storytelling not only reflects socio-political realities, but also largely shapes them.
Download or read book The English Actor written by Peter Ackroyd and published by Reaktion Books. This book was released on 2023-04-12 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now in paperback, from a leading historian and writer, a delightful exploration of the great English tradition of treading the boards. The English Actor charts the uniquely English approach to stagecraft, from the medieval period to the present day. In thirty chapters, Peter Ackroyd describes, with superb narrative skill, the genesis of acting—deriving from the Church tradition of Mystery Plays—through the flourishing of the craft in the Renaissance, to modern methods following the advent of film and television. Across centuries and media, The English Actor also explores the biographies of the most notable and celebrated British actors. From the first woman actor on the English stage, Margaret Hughes, who played Desdemona in 1660; to luminaries like Laurence Olivier, Peter O’Toole, Maggie Smith, Judi Dench, and Helen Mirren; to contemporary multihyphenates like Gary Oldman, Kenneth Branagh, Sophie Okonedo, and Chiwetel Ejiofor, Ackroyd gives all fans of the theater an original and superbly entertaining appraisal of how actors have acted, how audiences have responded, and what we mean by the magic of the stage.
Download or read book British Nautical Melodramas 1820 1850 written by Arnold Schmidt and published by Taylor & Francis. This book was released on 2022-07-30 with total page 1224 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres. These plays mixed sentimental moments and comic interludes of domestic melodrama with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class, gender, and racial identities — have given discussions of melodrama force and momentum. The plays included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays’ nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices — acting, audiences, staging, lighting, special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further.
Download or read book The Cambridge Companion to the Circus written by Gillian Arrighi and published by Cambridge University Press. This book was released on 2021-07-01 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge Companion to the Circus provides a complete guide for students, scholars, teachers, researchers, and practitioners who are seeking perspectives on the foundations and evolution of the modern circus, the contemporary extent of circus studies, and the specialised literature available to support further enquiries. The volume brings together an international group of established and emerging scholars working across the multi-disciplinary domain of circus studies to present a clear overview of the specialised histories, aesthetics and distinctive performances of the modern circus. In sixteen commissioned essays, it covers the origins in commercial equestrian performance during the late-eighteenth century to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.
Download or read book William Godwin and the Theatre written by David O'Shaughnessy and published by Routledge. This book was released on 2015-10-06 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Godwin is one of the most important figures of the Romantic period. He wrote four plays at the end of the 18th/beginning of the 19th centuries. This book has two main objectives: to provide the first comprehensive discussion of these four plays, and to consider the notion of theatricality in relation to Godwin’s political project.
Download or read book Black and Asian Theatre In Britain written by Colin Chambers and published by Routledge. This book was released on 2020-12-17 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black and Asian Theatre in Britain is an unprecedented study tracing the history of ‘the Other’ through the ages in British theatre. The diverse and often contradictory aspects of this history are expertly drawn together to provide a detailed background to the work of African, Asian, and Caribbean diasporic companies and practitioners. Colin Chambers examines early forms of blackface and other representations in the sixteenth century, through to the emergence of black and Asian actors, companies, and theatre groups in their own right. Thorough analysis uncovers how they led to a flourishing of black and Asian voices in theatre at the turn of the twenty-first century. Figures and companies studied include: Ira Aldridge Henry Francis Downing Paul Robeson Errol John Mustapha Matura Dark and Light Theatre The Keskidee Centre Indian Art and Dramatic Society Temba Edric and Pearl Connor Tara Arts Yvonne Brewster Tamasha Talawa. Black and Asian Theatre in Britain is an enlightening and immensely readable resource and represents a major new study of theatre history and British history as a whole. Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
