Download or read book The Russian Avant garde Book 1910 1934 written by Margit Rowell and published by . This book was released on 2002 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edited by Deborah Wye and Margit Rowell. Essays by Jared Ash, Gerald Janecek, Nina Gurianova, Margit Rowell and Deborah Wye.
Download or read book Russian Avant Garde written by Evgueny Kovtun and published by Parkstone International. This book was released on 2014-05-10 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Russian Avant-garde was born at the turn of the 20th century in pre-revolutionary Russia. The intellectual and cultural turmoil had then reached a peak and provided fertile soil for the formation of the movement. For many artists influenced by European art, the movement represented a way of liberating themselves from the social and aesthetic constraints of the past. It was these Avant-garde artists who, through their immense creativity, gave birth to abstract art, thereby elevating Russian culture to a modern level. Such painters as Kandinsky, Malevich, Goncharova, Larionov, and Tatlin, to name but a few, had a definitive impact on 20th-century art.
Download or read book Russian Art of the Avant garde written by John E. Bowlt and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major resource, collecting essays, articles, manifestos, and works of art by Russian artists and critics in the early twentieth century, available again at the 100th anniversary of the Russian Revolution
Download or read book Wonderlands of the Avant Garde written by Julia Vaingurt and published by Northwestern University Press. This book was released on 2013-05-31 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: In postrevolutionary Russia, as the Soviet government was initiating a program of rapid industrialization, avant-garde artists declared their intent to serve the nascent state and to transform life in accordance with their aesthetic designs. In spite of their professed utilitarianism, however, most avant-gardists created works that can hardly be regarded as practical instruments of societal transformation. Exploring this paradox, Vaingurt claims that the artists’ investment of technology with aesthetics prevented their creations from being fully conscripted into the arsenal of political hegemony. The purposes of avant-garde technologies, she contends, are contemplative rather than constructive. Looking at Meyerhold’s theater, Tatlin’s and Khlebnikov’s architectural designs, Mayakovsky’s writings, and other works from the period, Vaingurt offers an innovative reading of an exceptionally complex moment in the formation of Soviet culture.
Download or read book Fast Forward written by Tim Harte and published by Univ of Wisconsin Press. This book was released on 2009-11-24 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: Life in the modernist era not only moved, it sped. As automobiles, airplanes, and high-speed industrial machinery proliferated at the turn of the twentieth century, a fascination with speed influenced artists—from Moscow to Manhattan—working in a variety of media. Russian avant-garde literary, visual, and cinematic artists were among those striving to elevate the ordinary physical concept of speed into a source of inspiration and generate new possibilities for everyday existence. Although modernism arrived somewhat late in Russia, the increased tempo of life at the start of the twentieth century provided Russia’s avant-garde artists with an infusion of creative dynamism and crucial momentum for revolutionary experimentation. In Fast Forward Tim Harte presents a detailed examination of the images and concepts of speed that permeated Russian modernist poetry, visual arts, and cinema. His study illustrates how a wide variety of experimental artistic tendencies of the day—such as “rayism” in poetry and painting, the effort to create a “transrational” language (zaum’) in verse, and movements seemingly as divergent as neo-primitivism and constructivism—all relied on notions of speed or dynamism to create at least part of their effects. Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.
Download or read book The Avant garde Icon written by Andrew Spira and published by Lund Humphries Publishers Limited. This book was released on 2008 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is there a relationship between Russian icons and Russian avant-garde art? Andrew Soira tackles this question and comes to some surprising conclusions. He demonstrates how icons underpin the development of 19th- and 20-th century Russian art.
Download or read book Russian Avant garde Art written by Georgi Costakis and published by ABRAMS. This book was released on 1981 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Russian Avant garde written by Catherine Cooke and published by John Wiley & Sons. This book was released on 1995 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Distributed by St. Martin's, Auth: Open University, History with translated excerpts of documents.
Download or read book The Unsung Hero of the Russian Avant Garde The Life and Times of Nikolay Punin written by Natalia Murray and published by BRILL. This book was released on 2012-06-27 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first biography of Nikolay Punin, this book offers a comprehensive analysis of his life in the context of Russian political, social and cultural history in the first half of the 20th century.
Download or read book Art of the Avant Garde in Russia written by Margit Rowell and published by . This book was released on 1986-11 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Russian Art written by Dmitriĭ Vladimirovich Sarabʹi︠a︡nov and published by ABRAMS. This book was released on 1990 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: As Dmitri Sarabianov tells us in this lively book, Russia first turned its face to Europe at the beginning of the eighteenth century. By the start of the nineteenth century, European ideas had been assimilated into the rich substratum of Russian culture and a unique amalgam began to emerge. Indigenous subjects became the focus of Russian art. In 1870, the Society for Traveling Art Exhibitions, whose members were known as the Wanderers, was founded. Its dual purpose was to educate the people through traveling exhibitions and to work for social reform. At the turn of the century, the dominant mode was Symbolism. But Modernist tendencies and other currents were gaining strength. These diverse aesthetics had to be rethought in 1917, when the Revolution brought the Bolsheviks to power. Functional, applied design came to the forefront. It is here, with the close of the most brilliant and innovative period in Russia's artistic life so far, that Professor Sarabianov ends his account of the pivotal years that led to the dazzling abstract, geometrical breakthroughs of Russian art. -- From publisher's description.
Download or read book Mikhail Larionov and the Russian Avant Garde written by Anthony Parton and published by . This book was released on 1996-05-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: A revolutionary multi-media artist and flamboyant personality, Mikhail Larionov galvanized the art scene in the early twentieth century, striving for a truly Russian style of art to rival the avant-garde movement of Europe and setting the stage for Russian constructivism. With his life-long partner, Nataliya Goncharova, he led his generation in exploring mysticism and shamanism and created a counterculture that flourished in the cabarets of Moscow. The development of his career, however, has long eluded the grasp of historians, partly because Larionov, ever conscious of his role in art history, backdated many of his paintings, set designs, and graphic works. In this richly illustrated book, the first in-depth treatment of the life and oeuvre of Larionov, Anthony Parton reconstructs an important episode in the story of the Russian avant-garde. In vivid detail Parton traces the stylistic and chronological development of Larionov's career: from his years in Russia, where he began as an Impressionist painter and eventually organized the Moscow Futurists, to those in France, where, with Goncharova, he designed sets for the Ballets Russes and joined the School of Paris. At the same time he captures the rebellious nature of an artist devoted to demonstrating the spirit of the avant-garde - whether by hurling ice water at his lecture audiences to incite their rage, by incorporating vulgar graffiti into his paintings, or by setting a popular Muscovite trend for painting one's face. Inspired early in his career by the French Fauves and primitives, Larionov, in his attempt to create an authentically Russian art, borrowed images from shamanism and archaeology and devices from folk art, particularlywood-block prints and icons. His interest in cubism, futurism, and contemporary scientific ideas led to his creation of rayism, which played on the concept of a fourth dimension. In the performing arts, he experimented with movable scenery and choreographed lighting. Examining Larionov's artistic intentions in all these areas, Parton pays close attention to contextual factors as important determinants upon the artist's work. He constructs a reliable chronology of Larionov's career, drawing on his personal writings and manifestos, on contemporary reviews, and on interviews with his friends and colleagues. Through this multi-faceted, highly nuanced investigation, Parton offers the most extensive and accurate treatment to date of an important yet long inscrutable artist.
Download or read book Russian Avant garde Books 1917 34 written by Susan P. Compton and published by Cambridge, Mass. : MIT Press. This book was released on 1993 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: A survey of Russian design and literature of the 1920s and 1930s.
Download or read book Vladimir Markov and Russian Primitivism written by Jeremy Howard and published by Ashgate Publishing, Ltd.. This book was released on 2015-02-28 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hailed as a brilliant theoretician, Voldemārs Matvejs (best known by his pen name Vladimir Markov) was a Latvian artist who spearheaded the Union of Youth, a dynamic group championing artistic change in Russia, 1910-14. His work had a formative impact on Malevich, Tatlin, and the Constructivists before it was censored during the era of Soviet realism. This volume introduces Markov as an innovative and pioneering art photographer and assembles, for the first time, five of his most important essays. The translations of these hard-to-find texts are fresh, unabridged, and authentically poetic. Critical essays by Jeremy Howard and Irēna Bužinska situate his work in the larger phenomenon of Russian ‘primitivism’, i.e. the search for the primal. This book challenges hardening narratives of primitivism by reexamining the enthusiasm for world art in the early modern period from the perspective of Russia rather than Western Europe. Markov composed what may be the first book on African art and Z.S. Strother analyzes both the text and its photographs for their unique interpretation of West African sculpture as a Kantian ‘play of masses and weights’. The book will appeal to students of modernism, orientalism, ‘primitivism’, historiography, African art, and the history of the photography of sculpture.
Download or read book The Great Utopia written by Solomon R. Guggenheim Museum and published by ABRAMS. This book was released on 1992 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this volume, which accompanies the largest exhibition ever mounted at the Guggenheim Museum, twenty-one essays by eminent scholars from Germany, Great Britain, Russia, and the United States explore the activity of the Russian and Soviet avant-garde in all its diversity and complexity. These essays trace the work of Malevich's Unovis (Affirmers of the New Art) collective in Vitebsk, which introduced Suprematism's all-encompassing geometries into the design of textiles, ceramics, and indeed whole environments; the postrevolutionary reform of art education and the creation of Moscow's Vkhutemas (Higher Artistic-Technical Workshops), where the formal and analytical princples of the avant-garde were the basis of instruction; the debates over a "proletarian art" and the transition to Constructivism, "production art," and the "artist-constructor"; the organization of new artist-administered "museums of artistic culture"; the "third path" in non-objective art taken by Mikhail Larionov; the return to figuration in the mid-1920s by the young artists - and former students of the avant-garde - in Ost (the Society of Easel Painters); the debates among photographers, in the late 1920s and early 1930s, on the superiority of the fragmented or continuous image as a representation of the new socialist reality; book, porcelain, fabric, and stage design; and the evolution of a new architecture, from the experimental projects of Zhivskul'ptarkh (the Synthesis of Painting, Sculpture, and Architecture Commission) to the multistage competition, in 1931-32, for the Palace of Soviets, which "proved" the inapplicability of a Modernist architecture to the Bolshevik Party's aspirations."
Download or read book Architectural Drawings of the Russian Avant garde written by Catherine Cooke and published by . This book was released on 1990 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Making Modernism Soviet written by Pamela Kachurin and published by Northwestern University Press. This book was released on 2013-10-31 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.
