Download or read book The Art of the Renaissance in Eastern Europe written by Jan Białostocki and published by Ithaca, N.Y. : Cornell University Press. This book was released on 1976 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Little has been written about the influence of Italian Renaissance art in eastern Europe, even though the Florentine artists who were invited to Buda or Cracow brought with them a more refined and more original form of their art than the Lombards took to France and Germany. This handsome volume, which contains more than 350 illustrations, describes how Hungary, Bohemia, and Poland succumbed to the irrepressible new style. Concerned primarily with architecture, sculpture, and architectural decoration, Professor Białostocki concentrates on the direct impact of Tuscan and North Italian artists known to have worked in various eastern European cities and courts. Taking a functionalist approach, he considers the historical background of patronage and humanism, and he discusses the most typical artistic projects of the time: the castle, the chapel, the tomb, and the town. His concluding chapter deals with the period when late Renaissance, mannerism, and early baroque coexisted to form a hybrid style. A comprehensive bibliography offers previously uncollected material in several eastern European languages. An outstanding contribution to Renaissance studies, this book should not only encourage the exploration of new areas of comparative study but also make enlightening reading for nonexperts interested in the art of the Renaissance." --
Download or read book The Art of the Renaissance in Eastern Europe written by Jan Białostocki and published by . This book was released on 1976 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Little has been written about the influence of Italian Renaissance art in eastern Europe, even though the Florentine artists who were invited to Buda or Cracow brought with them a more refined and more original form of their art than the Lombards took to France and Germany. This handsome volume, which contains more than 350 illustrations, describes how Hungary, Bohemia, and Poland succumbed to the irrepressible new style. Concerned primarily with architecture, sculpture, and architectural decoration, Professor Białostocki concentrates on the direct impact of Tuscan and North Italian artists known to have worked in various eastern European cities and courts. Taking a functionalist approach, he considers the historical background of patronage and humanism, and he discusses the most typical artistic projects of the time: the castle, the chapel, the tomb, and the town. His concluding chapter deals with the period when late Renaissance, mannerism, and early baroque coexisted to form a hybrid style. A comprehensive bibliography offers previously uncollected material in several eastern European languages. An outstanding contribution to Renaissance studies, this book should not only encourage the exploration of new areas of comparative study but also make enlightening reading for nonexperts interested in the art of the Renaissance." --
Download or read book Renaissance Architecture written by Christy Anderson and published by OUP Oxford. This book was released on 2013-02-28 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Renaissance was a diverse phenomenon, marked by innovation and economic expansion, the rise of powerful rulers, religious reforms, and social change. Encompassing the entire continent, Renaissance Architecture examines the rich variety of buildings that emerged during these seminal centuries of European history. Although marked by the rise of powerful individuals, both patrons and architects, the Renaissance was equally a time of growing group identities and communities - and architecture provided the public face to these new identities . Religious reforms in northern Europe, spurred on by Martin Luther, rejected traditional church function and decoration, and proposed new models. Political ambitions required new buildings to satisfy court rituals. Territory, nature, and art intersected to shape new landscapes and building types. Classicism came to be the international language of an educated architect and an ambitious patron, drawing on the legacy of ancient Rome. Yet the richness of the medieval tradition continued to be used throughout Europe, often alongside classical buildings. Examining each of these areas by turn, this book offers a broad cultural history of the period as well as a completely new approach to the history of Renaissance architecture. The work of well-known architects such as Michelangelo and Andrea Palladio is examined alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe. Drawing on the latest research, it also covers more recent areas of interest such as the story of women as patrons and the emotional effect of Renaissance buildings, as well as the impact of architectural publications and travel on the emerging new architectural culture across Europe. As such, it provides a compelling introduction to the subject for all those interested in the history of architecture, society, and culture in the Renaissance, and European culture in general.
Download or read book Global Interests written by Lisa Jardine and published by Cornell University Press. This book was released on 2000 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this re-assessment of Renaissance art, Lisa Jardine and Jerry Brotton examine the ways in which European civilization defined itself between 1450 and 1550.
Download or read book Byzantine Art and Renaissance Europe written by Angeliki Lymberopoulou and published by Routledge. This book was released on 2016-12-05 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.
Download or read book Court Cloister and City written by Thomas DaCosta Kaufmann and published by University of Chicago Press. This book was released on 1995 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Thomas DaCosta Kaufmann chronicles more than three hundred years of painting, sculpture, and architecture in Germany, Poland, the Czech Republic, Slovakia, Hungary, Austria, Ukraine, Lithuania and western parts of the Russian Federation. Massive in scale, the book is highly accessible and lavishly illustrated. The readability of the text and the entirely new insights it provides into three hundred years of Central European history make this a vital introduction to one of the least understood periods in the history of art.
Download or read book The European Renaissance 1400 1600 written by Robin Kirkpatrick and published by Routledge. This book was released on 2014-10-17 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: With Italy at its centre, but encompassing the whole of Renaissance Europe, this evocative history challenges some of the popularly-held views on the Renaissance period. In particular, whilst always acknowledging the brilliance and exhuberance of Renaissance culture, Robin Kirkpatrick draws equal attention to the strangeness and often unresolved tensions that lay beneath the surface of that culture.Insisting on a European rather than purely Italian viewpoint, he embraces Renaissance thinking and culture in all its diversity: from Northern thinkers such as Cusanus, Luther and Calvin, to the painting of Van der Weyden and El Greco, and the music of the Flemish musicians, Josquin des Prez and Orlando Lassus. Special attention is also paid to the unique contribution made by Margueritte of Navarre to the development of humanist culture. The book concludes with a study of Shakespeare in which his plays are viewed as a searching critique of some of the main principles of Renaissance culture.
Download or read book Periodization in the Art Historiographies of Central and Eastern Europe written by Shona Kallestrup and published by Taylor & Francis. This book was released on 2022-06-07 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume critically investigates how art historians writing about Central and Eastern Europe in the late nineteenth and early twentieth centuries engaged with periodization. At the heart of much of their writing lay the ideological project of nation-building. Hence discourses around periodization – such as the mythicizing of certain periods, the invention of historical continuity and the assertion of national specificity – contributed strongly to identity construction. Central to the book’s approach is a transnational exploration of how the art histories of the region not only interacted with established Western periodizations but also resonated and ‘entangled’ with each other. In their efforts to develop more sympathetic frameworks that refined, ignored or hybridized Western models, they sought to overcome the centre–periphery paradigm which equated distance from the centre with temporal belatedness and artistic backwardness. The book thus demonstrates that the concept of periodization is far from neutral or strictly descriptive, and that its use in art history needs to be reconsidered. Bringing together a broad range of scholars from different European institutions, the volume offers a unique new perspective on Central and Eastern European art historiography. It will be of interest to scholars working in art history, historiography and European studies.
Download or read book Revealing the African Presence in Renaissance Europe written by Natalie Zemon Davis and published by Walters Art Gallery. This book was released on 2012 with total page 143 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This publication accompanies the exhibition Revealing the African Presence in Renaissance Europe, held at the Walters Art Museum from October 14, 2012, to January 21, 2013, and at the Princeton University Art Museum from February 16 to June 9, 2013."
Download or read book The Art of Renaissance Europe written by Bosiljka Raditsa and published by Metropolitan Museum of Art. This book was released on 2000 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
Download or read book Luxury Arts of the Renaissance written by Marina Belozerskaya and published by Getty Publications. This book was released on 2005-10-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Download or read book Renaissance and Baroque Art and Culture in the Eastern Polish Lithuanian Commonwealth 1506 1696 written by Urszula Szulakowska and published by Cambridge Scholars Publishing. This book was released on 2019-01-29 with total page 459 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph serves as an introduction to the art, architecture and literary culture of the Eastern Polish-Lithuanian Commonwealth in the 16th and 17th centuries. The geographical area under discussion comprises the regions of contemporary Lithuania, western Belarus and western Ukraine. The introduction of the Renaissance and Baroque classical revival into these lands is considered here within the political context of nationalistic and religious loyalties, as well as economic status and class. The central discussion focuses on the issue of national identity and religious loyalty in the inter-relation between the Byzantine inheritance of the Lithuanian and Ruthenian populace and the Polonizing Catholic influences entering from the west. A close study is made of the royal, noble and urban patronage of the richly-diverse visual and literary modes developed in these two centuries, as well as examining the cultural achievements of the many national groups in the Eastern Commonwealth, including Ruthenians, Lithuanians, Poles, Armenians, Jews, Karaite and Islamic Tatars. A major issue explored here is the problem of restoring and conserving the vast amount of devastated material culture in these regions, particularly in Belarus.
Download or read book Hybrid Renaissance written by Peter Burke and published by Central European University Press. This book was released on 2016-05-15 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hybrid Renaissance introduces the idea that the Renaissance in Italy, elsewhere in Europe, and in the world beyond Europe is an example of cultural hybridization. The two key concepts used in this book are “hybridization” and “Renaissance”. Roughly speaking, hybridity refers to something new that emerges from the combination of diverse older elements. (The term “hybridization” is preferable to “hybridity” because it refers to a process rather than to a state, and also because it encourages the writer and the readers alike to think in terms of degree: where there is more or less, rather than presence versus absence.) The book begins with a discussion of the concept of cultural hybridization and a cluster of other concepts related to it. Then comes a geography of cultural hybridization focusing on three locales: courts, major cities (whether ports or capitals) and frontiers. The following seven chapters describe the hybridity of the Renaissance in different fields: architecture, painting and sculpture, languages, literature, music, philosophy and law and finally religion. The essay concludes with a brief account of attempts to resist hybridization or to purify cultures or domains from what was already hybridized.
Download or read book Renaissance written by Fouad Sabry and published by One Billion Knowledgeable. This book was released on 2024-02-02 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is Renaissance The Renaissance is a period in history and a cultural movement marking the transition from the Middle Ages to modernity, covering the 15th and 16th centuries and characterized by an effort to revive and surpass the ideas and achievements of classical antiquity; it occurred after the crisis of the Late Middle Ages and was associated with great social change in most fields and disciplines, including art, architecture, politics, literature, exploration and science. Those who advocate for a "long Renaissance" may, in addition to the conventional periodization, place the beginning of the Renaissance in the 14th century and the end of the Renaissance in the 17th century.The conventional viewpoint places more emphasis on the early modern characteristics of the Renaissance and contends that it was a departure from the past. On the other hand, many historians of today place more emphasis on the medieval aspects of the Renaissance and contend that it was an extension of the Middle Ages. The early Renaissance of the 15th century and the Italian Proto-Renaissance, which began around 1250 or 1300, overlap significantly with the Late Middle Ages, which is traditionally dated to approximately 1350-1500. The Middle Ages themselves were a lengthy period filled with gradual changes, similar to the modern age. The Renaissance, which is a transitional period between both the Middle Ages and the Modern Age, has close similarities to both of these periods, particularly the late and early sub-periods of either of the two. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: Renaissance Chapter 2: Periodization Chapter 3: Coluccio Salutati Chapter 4: Leonardo Bruni Chapter 5: Dark Ages (historiography) Chapter 6: Renaissance humanism Chapter 7: Renaissance art Chapter 8: Italian Renaissance Chapter 9: Northern Renaissance Chapter 10: Poggio Bracciolini Chapter 11: Late Middle Ages Chapter 12: Italian classical music Chapter 13: Science in the Renaissance Chapter 14: Humanism Chapter 15: Manufacturing Chapter 16: Renaissance architecture in Central and Eastern Europe Chapter 17: Continuity thesis Chapter 18: Industrial Revolution Chapter 19: Jacopo d'Angelo Chapter 20: Greek scholars in the Renaissance Chapter 21: Index of Renaissance articles (II) Answering the public top questions about renaissance. (III) Real world examples for the usage of renaissance in many fields. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of Renaissance.
Download or read book Into the White written by Christopher P. Heuer and published by Zone Books. This book was released on 2019-05-14 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: How the far North offered a different kind of terra incognita for the Renaissance imagination. European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, sun-drenched populations for Europeans to mythologize or exploit. Yet, as Christopher Heuer explains, between 1500 and 1700, one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North—a different kind of terra incognita for the Renaissance imagination—offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “non-site,” spurring dozens of previously unknown works, objects, and texts—and this all in an intellectual and political milieu crackling with Reformation debates over art's very legitimacy. In Into the White, Heuer uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates over perception and matter, representation, discovery, and the time of the earth—long before the nineteenth century Romanticized the polar landscape. In the far North, he argues, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and impossible to be mastered, something beyond the idea of image itself.
Download or read book The European Renaissance written by Peter Burke and published by Wiley-Blackwell. This book was released on 1998-11-02 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a fascinating account of the geography, chronology and sociology of one of the major cultural movements in European history.
Download or read book Gardens of Renaissance Europe and the Islamic Empires written by Mohammad Gharipour and published by Penn State Press. This book was released on 2017-10-12 with total page 706 pages. Available in PDF, EPUB and Kindle. Book excerpt: The cross-cultural exchange of ideas that flourished in the Mediterranean during the sixteenth and seventeenth centuries profoundly affected European and Islamic society. Gardens of Renaissance Europe and the Islamic Empires considers the role and place of gardens and landscapes in the broader context of the information sharing that took place among Europeans and Islamic empires in Turkey, Persia, and India. In illustrating commonalities in the design, development, and people’s perceptions of gardens and nature in both regions, this volume substantiates important parallels in the revolutionary advancements in landscape architecture that took place during the era. The contributors explain how the exchange of gardeners as well as horticultural and irrigation techniques influenced design traditions in the two cultures; examine concurrent shifts in garden and urban landscape design, such as the move toward more public functionality; and explore the mutually influential effects of politics, economics, and culture on composed outdoor space. In doing so, they shed light on the complexity of cultures and politics during the Renaissance. A thoughtfully composed look at the effects of cross-cultural exchange on garden design during a pivotal time in world history, this thought-provoking book points to new areas in inquiry about the influences, confluences, and connections between European and Islamic garden traditions. In addition to the editor, the contributors include Cristina Castel-Branco, Paula Henderson, Simone M. Kaiser, Ebba Koch, Christopher Pastore, Laurent Paya, D. Fairchild Ruggles, Jill Sinclair, and Anatole Tchikine.