Download or read book The Art of Eastern India in the Collection of the Museum F r Indische Kunst Berlin written by Claudine Bautze-Picron and published by . This book was released on 1998 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Art of Eastern India in the Collection of the Museum F r Indische Kunst Berlin written by Claudine Bautze-Picron and published by . This book was released on 1998 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Art of Eastern India written by Frederick M. Asher and published by U of Minnesota Press. This book was released on 1980 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Portraiture in Early India written by Vincent Lefèvre and published by BRILL. This book was released on 2011-07-12 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book highlights the specificities of Indian portraiture in sculpted and painted images, its relationship with divine images and aims, with the help of textual and epigraphical references, to understand the development of Indian imagery. It questions also the social and religious implications related to this issue.
Download or read book The Oxford Handbook of Buddhist Practice written by Kevin Trainor and published by Oxford University Press. This book was released on 2022 with total page 689 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This Handbook provides a state-of-the-art exploration of several key dynamics in current studies of the Buddhist tradition with a focus on practice. Embodiment, materiality, emotion, and gender shape the way most Buddhists engage with their traditions, in contrast to popular representations of Buddhism as spiritual, disembodied, and largely devoid of ritual. This volume highlights how practice often represents a fluid, dynamic, and strategic means of defining identity and negotiating the challenges of everyday life. Essays explore the transformational aims of practices that require practitioners to move, gesture, and emote in prescribed ways, including the ways that scholars' own embodied practices are integral to their research methodology. The chapters are written by acknowledged experts in their respective subject areas and taken together offer an overview of current thinking in the field. The volume is of particular value to scholars who seek an orientation to current perspectives on important conceptual, theoretical, and methodological concerns that are shaping the field in areas outside their primary expertise. The inclusion of substantial, up-to-date bibliographies also makes the volume an important guide to current scholarship"--
Download or read book Shiva s Waterfront Temples written by Subhashini Kaligotla and published by Yale University Press. This book was released on 2022-08-23 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handsomely illustrated volume explores the medieval Deccani temple complexes at the UNESCO World Heritage Site of Pattadakal, with careful attention to their makers. The vibrant red sandstone temples of India's Deccan Plateau, such as the Pattadakal temple cluster, have attracted visitors since the eighth century or earlier. A UNESCO World Heritage Site and the coronation place of the Chalukya dynasty, Pattadakal and its neighboring sites are of major historical importance. In Shiva's Waterfront Temples, Subhashini Kaligotla situates these buildings in the cosmopolitan milieu of Deccan India and considers how their makers and awestruck visitors would have seen them in their day. Kaligotla reconstructs how architects and builders approached the sites, including their use of ornamentation, responsiveness to courtly values such as pleasure and play, and ingenious juxtaposition of the first millennium's Nagara and Dravida aesthetics, a blend largely unique to Deccan plateau architecture. With over 130 color illustrations, this original book elucidates the Deccan's special place in the lexicon of medieval South Asian architecture.
Download or read book Indian Art in Detail written by Anna Libera Dallapiccola and published by Harvard University Press. This book was released on 2007 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rich and diverse cultures of India are represented in exquisite detail in this book, which begins with a simple question: what is Indian art? Each thematically organized chapter delves into such topics as religion and myth, epics, festivals, courtly and village life, and the natural world.
Download or read book Miniatures of Musical Inspiration written by Ernst Waldschmidt and published by . This book was released on 1975 with total page 559 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Archaeology of Eastern India written by Sheena Panja and published by . This book was released on 2002 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book highlights the emperical work in diverse archaeological areas of Eastern india & deals with related problems of the region. Like new.
Download or read book Receptacle of the Sacred written by Jinah Kim and published by Univ of California Press. This book was released on 2013-04-12 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: In considering medieval illustrated Buddhist manuscripts as sacred objects of cultic innovation, Receptacle of the Sacred explores how and why the South Asian Buddhist book-cult has survived for almost two millennia to the present. A book “manuscript” should be understood as a form of sacred space: a temple in microcosm, not only imbued with divine presence but also layered with the memories of many generations of users. Jinah Kim argues that illustrating a manuscript with Buddhist imagery not only empowered it as a three-dimensional sacred object, but also made it a suitable tool for the spiritual transformation of medieval Indian practitioners. Through a detailed historical analysis of Sanskrit colophons on patronage, production, and use of illustrated manuscripts, she suggests that while Buddhism’s disappearance in eastern India was a slow and gradual process, the Buddhist book-cult played an important role in sustaining its identity. In addition, by examining the physical traces left by later Nepalese users and the contemporary ritual use of the book in Nepal, Kim shows how human agency was critical in perpetuating and intensifying the potency of a manuscript as a sacred object throughout time.
Download or read book Tomorrow s India Another Tryst with Destiny written by B. G. Verghese and published by Penguin Books India. This book was released on 2006 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Almost Sixty Years Ago, Nehru Spoke Of India S Tryst With Destiny At The Dawn Of Independence. In The Constitution Of The New Republic That Was Framed A Few Years Later, The Goals And Values Of That Vision Were Unfolded. How Far Have We Progressed Since Then And What Is It That Destiny Now Holds For Tomorrow S India? The Present Volume Of Essays Surveys The Scene Past-Forward And Paints A Picture Of What Has Been Accomplished And What Remains To Be Done. There Is Pride And Satisfaction In Particular Over India S Vibrant Democracy And Progress In Many Directions. This Is Nonetheless Tinged With Concern, For There Are Nagging Problems Of Governance And Shortfalls In Human And Infrastructure Development, As Well As Social Deficits In The Matter Of Rights, Corruption And Sectoral And Regional Imbalances. All These Must Be Squarely Faced And Speedily Overcome If The Nation Is To Grow In Keeping With Its Increasingly Recognized Potential As A Rising Great Power. It Has Been Widely Forecast That Within Thirty Years India, Together With The United States And China, Will Constitute The Three Largest Economies In The World. The Wellsprings Of Growth Are There. However, As More Than One Author Points Out, Mere Economic And Technological Growth Is Not Enough. In This Globalizing World The Market Is Not All. The Citizen Must March Hand In Hand With The Consumer In A Sharing And Caring Society. The Twenty-Four Essayists Who Write Of Tomorrow S India Do So In Celebration Of The 125Th Anniversary Of Their Alma Mater, Delhi S St Stephen S College. Their Themes Relate To Diplomacy And Security; The Economy And Technology; Governance; Society S Watchdogs; Ideology And Values; Social Change; And Culture And Heritage. The Authors Represent A Galaxy Of Public Figures, Academics, Professionals And Social Workers. What They Have To Say Makes Compelling Reading, With Penetrating Insights And Critiques. Contributors Include George Abraham, Mani Shankar Aiyar, Rukmini Banerji, Ranjit Bhatia, Ravi Dayal, Gopalkrishna Gandhi, Sagarika Ghose, Navina Haidar Haykel, Prem Shankar Jha, Manoj Joshi, Mukul Kesavan, Arun Kumar, Sarwar Lateef, Arun Maira, Harsh Mander, Deepak Nayyar, Bunker Roy, Vikramjit Sen, Kapil Sibal, Dilip Simeon, K. Natwar Singh, N.K. Singh, B.G. Verghese And Sitaram Yechury
Download or read book Indian Sculpture Circa 500 B C A D 700 written by Los Angeles County Museum of Art and published by Univ of California Press. This book was released on 1986-01-01 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: The sheer wealth and dizzying diversity of Indian sculpture are celebrated in this second volume of the catalogue raisonn� of the Los Angeles County Museum's collection. Nearly two hundred sculptures produced during eleven centuries are described. Of these, one-quarter of the pieces are part of the Nasli and Alice Heeramaneck Collection, while the remaining three-quarters have been acquired since 1970. This splendid collection, while not representing all the major styles of sculpture that flourished on the Indian subcontinent from 700-1900, is certainly one of the most comprehensive among American and European museums. Included are stone, metal, ivory, and wood sculptures from fourteen states and territories of India and from Pakistan and Afghanistan. Organized by regions--Central and Western, Eastern, and Southern India, and the Northwest--the catalogue contains detailed descriptions and illustrations of the 188 sculptures, many with details or multiple views, for a total of 259 illustrations--251 in duotone and halftone and 8 in color.
Download or read book The Archaeology of Early Medieval and Medieval South Asia written by Swadhin Sen and published by Taylor & Francis. This book was released on 2022-11-30 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at the ways in which archaeological methods have been used in debates concerning the early medieval and medieval periods in South Asia. Despite the incorporation and use of archaeological data to corroborate historical narratives, the theories and methods of archaeology are largely ignored in and excluded from the dominating, institutionalized, and hegemonic disciplinary discourses. The volume offers contesting insights, polemical narratives, and new data from archaeological contexts to initiate a debate on many foundational premises of archaeological and historical narratives. It focuses on the much-neglected region of the Eastern Ganga-Brahmaputra Basin as a spatial frame to do this and studies themes such as spatial and temporal scales of concepts and methods, multi-scaler factors and processes of continuity and changes, the settlement archaeology of the alluvial landscape, changing patterns of agrarian transformation, and material cultures, including coins, inscriptions, pottery, and sculptures, in their contexts in sub-regional, regional, and supra-regional intersections. Dedicated to historian Brajadulal Chattopadhyaya, this volume presents a crucial and unprecedented intervention in the study of the early medieval and the medieval periods. It will be useful for scholars and researchers of archaeology, ancient history, medieval history, water history, earth sciences, palaeoecology, historical ecology, epigraphy, art history, material culture studies, Indian history, and South Asian studies in general.
Download or read book The Art of Ancient India written by Susan L. Huntington and published by Motilal Banarsidass. This book was released on 2014-01-01 with total page 786 pages. Available in PDF, EPUB and Kindle. Book excerpt: To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
Download or read book Cross disciplinary Perspectives on a Contested Buddhist Site written by David Geary and published by Routledge. This book was released on 2012 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bodh Gaya in the North Indian state of Bihar has long been recognized as the place where the Buddha achieved enlightenment. This book brings together the recent work of twelve scholars from a variety of disciplines - anthropology, art history, history, and religion - to highlight their various findings and perspectives on different facets of Bodh Gaya's past and present. Through an engaging and critical overview of the place of Buddha's enlightenment, the book discusses the dynamic and contested nature of this site, and looks at the tensions with the on-going efforts to define the place according to particular histories or identities. It addresses many aspects of Bodh Gaya, from speculation about why the Buddha chose to sit beneath a tree in Bodh Gaya, to the contemporary struggles over tourism development, education and non-government organizations, to bring to the foreground the site's longevity, reinvention and current complexity as a UNESCO World Heritage monument. The book is a useful contribution for students and scholars of Buddhism and South Asian Studies.
Download or read book Miniatures of musical inspiration in the collection of the Berlin Museum of Indian Art written by Ernst Waldschmidt and published by . This book was released on 1975 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sculpture Painting and Drawings of Ancient India Classic Reprint written by Kevorkian Galleries and published by Forgotten Books. This book was released on 2017-10-29 with total page 54 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Sculpture, Painting and Drawings of Ancient India HE art of India has been the last of the great Asiatic arts to attract the attention of western students and to obtain a recognized place in the col lections of the great museums. And yet, for the student of Far Eastern art - and particularly of Chinese Buddhist art, it possesses, apart from its intrinsic importance, all the significance of an art of origins. Unfortunately but little of the monu mental sculpture of India is to be found outside the limits of India itself Buddhist and even Hindu sculptures are rarely seen, while the great paintings of Aj anta, almost unique in India, being preserved on the rock walls of the elevated temples will always demand the pil grimage of the connoisseur who would become acquainted with them. All the more important, for these reasons, are the collections of Indian works of art which the great museums - Indian departments have lately been established in the Boston Museum of Fine Arts, the Metropolitan Museum, New York, and in Philadelphia - are now be ginning to bring together, and the exhibitions of collections, such as Mr. Kevorkian's. It is now perhaps for the first time that an exhibi tion of purely Indian art has been attempted in New York; and it is fortunate that this should include not merely a series of Mughal paintings, but also more than one unusually important example of religious sculpture, and a number of those paintings, called Rajput, in which the older tradition of Aj anta survives with surprising vitality. The recent developments of Western art have made possible a far more serious appreciation of these works than could have been ao corded twenty years ago. We have come to understand that art is an expression of the inner life of a race - that beauty is something more than taste and something higher than prettiness - and that the repre sentative element, the mere power of illustration, informing us of the appearance of things in a scientific manner, where it is present in great art is present only incidentally, and not essentially. Truth in art is truth of feeling, psychological truth, and not a truth of veri similitude. Behind a great traditional art are the ideas which con stitute its true necessity: beauty is revealed in the co-extension of form and content, and it matters not to the lover of beauty what those ideas may have been. And so, as we said, the way has been made easy for an appreciation of an intellectual and lyrical art - the sculp tured figure with its many arms, representing a synthetic and sym phonic personality, and the paintiglg that depends for its expressionon linear rhythms and essential symbols, to the exclusion of preoccu pation with the cast shadow and the modelling of masses. It is true that to fully understand the art of India, or any other art, we must place ourselves at the point of view of the artist, and this demands of the modern industrialist, whose sense of the immediacy of the spirit is all too faint, a considerable efiort: but it is also true that those that approach the unfamiliar art, even without an intellectual knowledge of its themes, if they will permit themselves to feel its moods, to yield to it as one yields to the moods of nature and of human and spiritual emotion, will find themselves at home. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
