Download or read book The Ars musica Attributed to Magister Lambertus Aristoteles written by translatedbyKaren Desmond and published by Routledge. This book was released on 2017-07-05 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: The treatise on musica plana and musica mensurabilis written by Lambertus/Aristoteles is our main witness to thirteenth-century musical thought in the decades between the treatises of Johannes de Garlandia and Franco of Cologne. Most treatises on music of this century - except for Franco?s treatise on musical notation - survive in only a single copy; Lambertus?s Ars musica, extant in five sources, is thus distinguished by a more substantial and long-lasting manuscript tradition. Unique in its ambitions, this treatise presents both the rudiments of the practice of liturgical chant and the principles of polyphonic notation in a dense and rigorous manner like few music treatises of its time - a conceptual framework characteristic of Parisian university culture in the thirteenth century. This new edition of Lambertus?s treatise is the first since Edmond de Coussemaker?s of 1864. Christian Meyer?s meticulous edition is displayed on facing pages with Karen Desmond?s English translation, and the treatise and translation are prefaced by a substantial introduction to the text and its author by Christian Meyer, translated by Barbara Haggh-Huglo.
Download or read book The Ars musica Attributed to Magister Lambertus Aristoteles written by Dr Karen Desmond and published by Ashgate Publishing, Ltd.. This book was released on 2015-04-28 with total page 169 pages. Available in PDF, EPUB and Kindle. Book excerpt: The treatise on musica plana and musica mensurabilis written by Lambertus/Aristoteles is our main witness to thirteenth-century musical thought in the decades between the treatises of Johannes de Garlandia and Franco of Cologne. This treatise presents both the rudiments of the practice of liturgical chant and the principles of polyphonic notation in a dense and rigorous manner like few music treatises of its time. This new edition of Lambertus’s treatise is the first since Edmond de Coussemaker’s of 1864. Christian Meyer’s meticulous edition is displayed on facing pages with Karen Desmond’s English translation, and the treatise and translation are prefaced by a substantial introduction.
Download or read book The Ars musica Attributed to Magister Lambertus Aristoteles written by translatedbyKaren Desmond and published by Routledge. This book was released on 2017-07-05 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: The treatise on musica plana and musica mensurabilis written by Lambertus/Aristoteles is our main witness to thirteenth-century musical thought in the decades between the treatises of Johannes de Garlandia and Franco of Cologne. Most treatises on music of this century - except for Francos treatise on musical notation - survive in only a single copy; Lambertuss Ars musica, extant in five sources, is thus distinguished by a more substantial and long-lasting manuscript tradition. Unique in its ambitions, this treatise presents both the rudiments of the practice of liturgical chant and the principles of polyphonic notation in a dense and rigorous manner like few music treatises of its time - a conceptual framework characteristic of Parisian university culture in the thirteenth century. This new edition of Lambertuss treatise is the first since Edmond de Coussemakers of 1864. Christian Meyers meticulous edition is displayed on facing pages with Karen Desmonds English translation, and the treatise and translation are prefaced by a substantial introduction to the text and its author by Christian Meyer, translated by Barbara Haggh-Huglo.
Download or read book Magister Jacobus de Ispania Author of the Speculum musicae written by Margaret Bent and published by Routledge. This book was released on 2016-03-09 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Speculum musicae of the early fourteenth century, with nearly half a million words, is by a long way the largest medieval treatise on music, and probably the most learned. Only the final two books are about music as commonly understood: the other five invite further work by students of scholastic philosophy, theology and mathematics. For nearly a century, its author has been known as Jacques de Liège or Jacobus Leodiensis. ’Jacobus’ is certain, fixed by an acrostic declared within the text; Liège is hypothetical, based on evidence shown here to be less than secure. The one complete manuscript, Paris BnF lat. 7207, thought by its editor to be Florentine, can now be shown on the basis of its miniatures by Cristoforo Cortese to be from the Veneto, datable c. 1434-40. New documentary evidence in an Italian inventory, also from the Veneto, describes a lost copy of the treatise dating from before 1419, older than the surviving manuscript, and identifies its author as ’Magister Jacobus de Ispania’. If this had been known eighty years ago, the Liège hypothesis would never have taken root. It invites a new look at the geography and influences that played into this central document of medieval music theory. The two new attributes of ’Magister’ and ’de Ispania’ (i.e. a foreigner) prompted an extensive search in published indexes for possible identities. Surprisingly few candidates of this name emerged, and only one in the right date range. It is here suggested that the author of the Speculum is either someone who left no paper trail or James of Spain, a nephew of Eleanor of Castile, wife of King Edward I, whose career is documented mostly in England. He was an illegitimate son of Eleanor’s older half-brother, the Infante Enrique of Castile. Documentary evidence shows that he was a wealthy and well-travelled royal prince who was also an Oxford magister. The book traces his career and the likelihood of his authorship of the Speculum musicae.
Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Download or read book Music and the moderni 1300 1350 written by Karen Desmond and published by Cambridge University Press. This book was released on 2018-08-23 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music theorists labelled the musical art of the 1330s and 1340s as 'new' and 'modern'. A close reading of writings on music theory and the polyphonic repertory from the first half of the fourteenth century reveals a modern musical art that arose due to specific innovations in music notation. The French ars nova employed as its theoretical fundament a new system for arranging musical time proposed by the astronomer and mathematician Jean des Murs. Challenging prevailing accounts of the ars nova, this book presents the 'new art' within the intellectual context of its time, revises the datings of Jean des Murs's writings on music theory, and presents the intersection of theory and practice for a crucial era in the history of music. Through contemporaneous accounts, Desmond explores how individuals were involved in 'changing' music in early fourteenth-century France, and the technical developments they pursued that precipitated this stylistic change.
Download or read book Musical Notation in the West written by James Grier and published by Cambridge University Press. This book was released on 2021-02-18 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical notation is a powerful system of communication between musicians, using sophisticated symbolic, primarily non-verbal means to express musical events in visual symbols. Many musicians take the system for granted, having internalized it and their strategies for reading it and translating it into sound over long years of study and practice. This book traces the development of that system by combining chronological and thematic approaches to show the historical and musical context in which these developments took place. Simultaneously, the book considers the way in which this symbolic language communicates to those literate in it, discussing how its features facilitate or hinder fluent comprehension in the real-time environment of performance. Moreover, the topic of musical as opposed to notational innovation forms another thread of the treatment, as the author investigates instances where musical developments stimulated notational attributes, or notational innovations made practicable advances in musical style.
Download or read book Discovering Medieval Song written by Mark Everist and published by . This book was released on 2018-08-16 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive survey of the conductus over a period of more than one hundred years, demonstrating how music and poetry interact.
Download or read book Towards a Harmonic Grammar of Grieg s Late Piano Music written by Benedict Taylor and published by Taylor & Francis. This book was released on 2017-04-21 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of figures -- List of music examples -- Acknowledgements -- Introduction: Enticements -- 1 Extending tonality: Klang, added-note harmonies and the emancipation of sonority -- 2 Modality and scalar modulation -- 3 Systematisation: Chromaticism, interval cycles and linear progressions -- Conclusion: Nature and nationalism -- Bibliography -- Index of Grieg's works cited -- General index
Download or read book The Regulation and Reform of Music Criticism in Nineteenth Century England written by Paul Watt and published by Routledge. This book was released on 2017-11-22 with total page 131 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music criticism in England underwent profound change from the 1880s to the 1920s. It gave rise to ‘New criticism’ that aimed to be rational, impartial and intellectually authoritative. It was a break from the criticism of old: the work of the opinionated journalist who wrote descriptive concert reviews with invective, cliché, bias and bombast. Critics such as Ernest Newman (1868–1959), John F. Runciman (1866–1916) and Michel D. Calvocoressi (1877–1944) fostered this new school and wrote extensively of their aspirations for musical criticism in their own times and for the future. This book charts the genesis of this new wave of musical criticism that sought to regulate and reform the profession of music critic. Alongside the establishment of principles, training manuals and schools for critics, hundreds of journal articles and dozens of books were written that encouraged new criticism, which also had a bearing on scholarly writing in biography, aesthetics and history. The Regulation and Reform of Music Criticism in Nineteenth-Century England considers the influence and advocacy of individual critics and the role that institutions, such as the Musical Association and the Musical Times, played in this period of change. The book also explores the impact that French and German writers had on their English counterparts, demonstrating the internationalization of critical thought of the period.
Download or read book The Cyclic Mass written by James Cook and published by Routledge. This book was released on 2019-01-22 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: England in the fifteenth century was the cradle of much that would have a profound impact on European music for the next several hundred years. Perhaps the greatest such development was the cyclic cantus firmus Mass, and scholarly attention has therefore often been drawn to identifying potentially English examples within the many anonymous Mass cycles that survive in continental sources. Nonetheless, to understand English music in this period is to understand it within a changing nexus of two-way cultural exchange with the continent, and the genre of the Mass cycle is very much at the forefront of this. Indeed, the question of ‘what is English’ cannot truly be answered without also answering the question of ‘what is continental’. This book seeks, initially, to answer both of these questions. Perhaps more importantly, it argues that a number of the works that have induced the most scholarly debate are best seen through the lens of intensive and long-term cultural exchange and that the great binary divide of provenance can, in many cases, productively be broken down. A great many of these works, though often written on the continent, can, it seems, only be understood in relation to English practice – a practice which has had, and will continue to have, major importance in the ongoing history of European Art Music.
Download or read book The Scientia artis musice of H lie Salomon Teaching Music in the Late Thirteenth Century written by Joseph Dyer and published by Routledge. This book was released on 2018-01-12 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hélie Salomon’s Scientia artis musice (1274), is a practical manual devoted to basic concepts, psalmody, vocal pedagogy, the musical hand in singing, clefs as indicators of the tone (mode) to which a piece belongs, and practical instruction in the singing of four-voice parallel organum. Joseph Dyer presents the first, much-needed, modern edition of Salomon’s treatise, accompanied by a full English translation, comprehensive introduction and commentary. This edition corrects errors in the 1784 edition of Martin Gerbert, includes the music of chants omitted by Gerbert from the tonary, and makes available reproductions in colour of the eight illustrations in the treatise.
Download or read book The Genesis and Development of an English Organ Sonata written by Iain Quinn and published by Routledge. This book was released on 2017-02-03 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume considers the influences and development of the English organ sonata tradition that began in the 1850s with compositions by W. T. Best and William Spark. With the expansion of the instrument’s capabilities came an opportunity for organist-composers to consider the repertoire anew with many factors reinforcing a desire to elevate the literature to new heights. This study begins by examining the legacy of the keyboard sonata in Britain and especially the pedagogical lineage that was to be seen through Mendelssohn and ultimately the early organ sonatas. The abiding influence of William Crotch’s lectures are studied to illuminate how a culture of conservatism emboldened the organist-composers towards compositions that were seen to represent the ideals of the Classical era but in a contemporary vein. The veneration of Bach, Mozart and Beethoven is then examined as composers wrote "portfolio" sonatas, each with a movement in a contrasting style to exhibit their compositional prowess while providing repertoire for the novice and connoisseur alike. Finally the volume considers how the British organist-composers who studied at the Leipzig Conservatorium had a direct bearing on the furtherance of an organ culture at home that in turn set the ground for the seminal work in the genre, Elgar’s Sonata of 1895.
Download or read book Music Myth and Story in Medieval and Early Modern Culture written by Katherine Butler and published by Boydell & Brewer. This book was released on 2019 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: The complex relationship between myths and music is here investigated.
Download or read book The Sound of Writing written by Christopher Cannon and published by JHU Press. This book was released on 2023-11-14 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: An interdisciplinary exploration of how writers have conveyed sound through text. Edited by Christopher Cannon and Steven Justice, The Sound of Writing explores the devices and techniques that writers have used to represent sound and how they have changed over time. Contributors consider how writing has channeled sounds as varied as the human voice and the buzzing of bees using not only alphabets but also the resources of the visual and musical arts. Cannon and Justice have assembled a constellation of classicists, medievalists, modernists, literary historians, and musicologists to trace the sound of writing from the beginning of the Western record to poetry written in the last century. This rich series of essays considers the writings of Sappho, Simonides, Aldhem, Marcabru, Dante Alighieri, William Langland, Charles Butler, Tennyson, Gertrude Stein, and T. S. Eliot as well as poems and songs in Ancient Greek, Old and Middle English, Italian, Old French, Occitan, and modern English. The book will interest anyone curious about the way sound has been preserved in the past and the kinds of ingenuity that can recover the process of that preservation. Essays focus on questions of language and expression, and each contributor sets out a distinct method for understanding the relationship between sound and writing. Cannon and Justice open the volume with a survey of the various ways sound has been understood as the object of our senses. Each ensuing chapter presents a case study for a sonic phenomenology at a specific time in history. With approaches from a wide variety of disciplines, The Sound of Writing analyzes writing systems and the aural dimensions of literary cultures to reconstruct historical soundscapes in vivid ways.
Download or read book A Critical Companion to Medieval Motets written by Jared C. Hartt and published by Boydell & Brewer. This book was released on 2018 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: First full comprehensive guide to one of the most important genres of music in the Middle Ages.
Download or read book Medieval Music written by John Caldwell and published by . This book was released on 1978 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Preface: In writing this book I have had in mind the needs of undergraduates and others who require a straightforward account of medieval music, above all in its technical aspects. There is in these pages little biography and almost no sociology, topics on which others are better equipped to write; on the other hand considerable attention is paid to notation, so often the key to musical style. I have regarded the Middle Ages as a phenomenon of the Christian West, with the consequent omission of Byzantine chant (except in passing in connection with the subject of modes), not to mention the music of Islam and 'medieval' oriental music generally. This has excluded the possibility of comparisons between these musical cultures and that of the West; but apart from my own lack of expertise it has to be confessed that this is an area in which subjective opinion counts for much and in which very little can be demonstrated with confidence. -- John Caldwell.
