Download or read book The Acad mie Royale de Peinture et de Sculpture written by Christian Michel and published by Getty Publications. This book was released on 2018-02-06 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Académie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)—perhaps the single most influential art institution in history—governed the arts in France for more than 150 years, from its founding in 1648 until its abolition in 1793. Christian Michel's sweeping study presents an authoritative, in-depth analysis of the Académie’s history and legacy. The Académie Royale assembled nearly all of the important French artists working at the time, maintained a virtual monopoly on teaching and exhibitions, enjoyed a priority in obtaining royal commissions, and deeply influenced the artistic landscape in France. Yet the institution remains little understood today: all commentary on it, during its existence and since its abolition, is based on prejudices, both favorable and critical, that have shaped the way the institution has been appraised. This book takes a different approach. Rather than judging the Académie Royale, Michel unravels existing critical discourse to consider the nuances and complexities of the academy’s history, reexamining its goals, the shifting power dynamics both within the institution and in the larger political landscape, and its relationship with other French academies and guilds.
Download or read book Lectures on Art written by Christian Michel and published by Getty Publications. This book was released on 2020-08-25 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the first time, a critical selection of the Académie Royale de Peinture et de Sculpture’s highly influential conférences is available in English. Between 1667 and 1792, the artists and amateurs of the Académie Royale de Peinture et de Sculpture in Paris lectured on the Académie’s conférences, foundational documents in the theory and practice of art. These texts and the principles they embody guided artistic practice and art theory in France and throughout Europe for two centuries. In the 1800s, the Académie’s influence waned, and few of the 388 Académie lectures were translated into English. Eminent scholars Christian Michel and Jacqueline Lichtenstein have selected and annotated forty-two of the most representative lectures, creating the first authoritative collection of the conférences for readers of English. Essential to understanding French art of the seventeenth and eighteenth centuries, these lectures reveal what leading French artists looked for in a painting or sculpture, the problems they sought to resolve in their works, and how they viewed their own and others’ artistic practice.
Download or read book Pictorial Sign and Social Order written by Nicholas Mirzoeff and published by . This book was released on 1990 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Acad mie Royale written by Dr Hannah Williams and published by Ashgate Publishing, Ltd.. This book was released on 2015-05-28 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its establishment in 1648 until its disbanding in 1793 after the French Revolution, the Académie Royale de Peinture et de Sculpture was the centre of the Parisian art world. Taking the reader behind the scenes of this elite bastion of French art theory, education, and practice, and drawing on both art-historical and anthropological frames of analysis, this engaging study uncovers the fascinating histories – official and unofficial – of that artistic community.
Download or read book The Profession of Sculpture in the Paris Acad mie written by Tomas Macsotay and published by . This book was released on 2014 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: The profession of sculpture was transformed during the eighteenth century as the creation and appreciation of art became increasingly associated with social interaction. Central to this transformation was the esteemed yet controversial body, the Académie royale de peinture et de sculpture. In this richly illustrated book, Tomas Macsotay focuses on the sculptor's life at the Académie, analysing the protocols that dictated the production of academic art. Arguing that these procedures were modelled on the artist's study journey to Rome, Macsotay discusses the close links between working practices introduced at the Académie and new notions of academic community and personal sensibility. He explores the bodily form of the morceau de réception on which the election of new members depended, and how this shaped the development of academic ideas and practices. Macsotay also reconsiders the early revolutionary years, where outside events exacerbated tensions between personal autonomy and institutional authority. The Profession of sculpture in the Paris Académie underscores the moral and aesthetic divide separating modern interpretations of sculpture based on notions of the individual artistic persona, and eighteenth-century notions of sociable production. The result is a book which takes sculpture outside the national arena, and re-focuses attention on its more subjective role, a narrative of intimate life in a modern world. Winner of the Prix Marianne Roland Michel 2009. Contains 90 illustrations.
Download or read book The Sovereign Artist written by Wolf Burchard and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joint capacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Acad mie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Acad mie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Acad mie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East fa ade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought his own sovereign authority over the visual arts.
Download or read book French Oil Sketches and the Academic Tradition written by Joanna Barnes and published by University of Pennsylvania Press. This book was released on 1994 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Academie Royale de Peinture et de Sculpture, founded in Paris in 1648 as an alternative to the old guild system, was the center for art instruction through the end of the nineteenth century, and the most skilled practitioners of oil painting - and the majority of artists included in the catalogue - belonged to the Academie. Membership in the Academie provided artists with the only opportunity to exhibit their work and was, therefore, crucial for professional success. Because the oil sketch played an important role in the planning and execution of finished works, these artists were well-versed in the practice of oil sketching. This catalogue explores the diversity and evolution of the oil sketch within the French academic tradition, with detailed discussions of 127 works, all of which are drawn from a private collection currently on loan to the University Art Museum of the University of New Mexico, Albuquerque. Among the artists whose works are included are Francois Boucher, Henri Fantin-Latour, Jean-Baptiste Hilaire, Adelaide Labille-Guiard, Jean-Baptiste Leprince, Jacques Sablet, and Simon Vouet.
Download or read book Road Dogs and Loners written by Timothy D. Pippert and published by Lexington Books. This book was released on 2007 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using ethnographic interviews, an affiliation scale, and observational data from two "soup kitchens" of homeless men, Road Dogs and Loners investigates the various family types that homeless road dogs and loners rely on for support. Pippert specifically compares homeless men who typically partnered up with homeless men who were self-described loners. The groups are compared here in terms of their contact and support with biological, created, and fictive families. Interdisciplinary in nature, this work tackles themes that are relevant to the study of social class, stratification, economics, social problems, family sociology, social theory and research methods. Road Dogs and Loners provides an updated and in-depth, personal perspective on the lives and relationships of homeless men in America.
Download or read book L Acad mie royale de peinture et de sculpture written by L. Vitet and published by Paris, Michel Lévy frères. This book was released on 1861 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Claude Monet written by Jim Whiting and published by Mitchell Lane Publishers, Inc.. This book was released on 2008-09 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1868, Impressionist painter Claude Monet was desperate. Though he had been painting for a decade, he was living in poverty. He had to support his girlfriend and infant son on his meager earnings. His relatives refused to help him out, so he begged for money from his friends, telling them that his situation seemed hopeless. Yet just over two decades later, with brisk sales through an art dealer, Monet had become wealthy and famous. People came from all over Europe, and even a few from the United States, to visit him. He lived in comfort for the rest of his life.
Download or read book Creativity and Reproduction written by Susanne Anderson-Riedel and published by Cambridge Scholars Publishing. This book was released on 2010-02-19 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study investigates the engravers’ rise within the French academic system and demonstrates their success in transforming a reproductive medium into a creative and original art genre. In the nineteenth century, graphic artists developed an artistic language that was independent and on par with the original model that they reproduced. The Académie royale de peinture et de sculpture welcomed graphic artists into its ranks in 1655. As talented reproductive artists were able to disseminate works of art produced at the Academy, engravers rose to occupy administrative positions at the compagnie in the eighteenth century. Their success notwithstanding, graphic artists remained unable to overcome the perception of being reproductive artisans rather than creative and original fine artists. The proof of their predicament was the continuous refusal of advanced artistic training for graphic artists within the French academic system. The Section de Gravure at the Institut de France, established in 1803, was the first academic institution that distinguished between imitative and creative artistic execution in the reproductive graphic arts. Through patronage, the supervision of competitions, and the administration of the Prix de Rome program for graphic artists, the Engraving Department established specific guidelines for artistic reproduction and encouraged the formulation of an independent, artistic language in the reproductive arts. Finally, it defined the characteristics of fine engraving as a creative art medium. The Prix de Rome for engraving was crucial in consolidating the new understanding of engraving as an original art form. The engravers’ participation in the Grand Prix competition transformed their artisanal training practice in the master’s workshop into an artistic and academic education of graphic artists in the engraving ateliers. Furthermore, their sojourn at the French Academy in Rome encouraged the collegial collaboration between painters, sculptors, and engravers, leading engravers to develop a free and graphic interpretation of their model. The reproductive engraver was now able to rival painters and sculptors and, consequently, he emerged as a creative and original artist.
Download or read book Proc s verbaux de l Acad mie royale de peinture et de sculpture written by Académie royale de peinture et de sculpture (France). and published by . This book was released on 1878 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Library Catalog of the Metropolitan Museum of Art New York written by Metropolitan Museum of Art (New York, N.Y.). Library and published by . This book was released on 1960 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Patronage and Royal Science in Seventeenth Century France written by David S. Lux and published by Cornell University Press. This book was released on 2019-06-30 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique study in the culture of seventeenth-century French science, Patronage and Royal Science in Seventeenth-Century France focuses on the brief revolutionary period (1650–1680) that launched Europe's New Age of Academies. David S. Lux provides a lively account of one of the most intriguing scientific institutions in Louis XIV's France, the Academie de Physique de Caen, organized in 1662. Lux investigates why this promising institution with a talented membership and sympathetic private patrons foundered after it was provided royal support, finally to close its doors in 1672. Drawing upon hitherto unexploited archival materials, the author discovers the circumstances of one institution's failure, and develops a provocative new interpretation of the shift from privately funded to state-funded science in France during the second half of the seventeenth century. Lux provides a rare view of the everyday concerns of seventeenth-century science as it was practiced by those other than the immortals of the Scientific Revolution. Patronage and Royal Science in Seventeenth-Century France will interest sociologists of science and philosophers of science as well as historians, particularly those who work on early modern science and scientific institutions and French cultural history.
Download or read book French Royal Academy of Painting and Sculpture Engraved Reception Pieces 1672 1789 written by W. McAllister Johnson and published by Kingston [Ont.] : Agnes Etherington Art Centre, Queen's University. This book was released on 1982 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Oxford Dictionary of Art and Artists written by Ian Chilvers and published by . This book was released on 2009 with total page 864 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The American Cyclop dia written by George Ripley and published by . This book was released on 1881 with total page 878 pages. Available in PDF, EPUB and Kindle. Book excerpt:
