Download or read book The A to Z of Russian and Soviet Cinema written by Peter Rollberg and published by A to Z Guide Series. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film lovers all over the world are familiar with the masterpieces of Eisenstein and Tarkovsky. These directors' unique achievements were embedded in a powerful process that began under Russia's last tsar and underwent several periods of blossoming: the bourgeois cinema in the 1910s, the revolutionary avant-garde in the 1920s, the Thaw in the 1950s, and the awakening of national cinemas in the 1960s and 1970s. The A to Z of Russian and Soviet Cinema is the first reference work of its kind in the English language devoted entirely to the cinema of the Russian Empire, the Soviet Union, and the post-Soviet period, including both the cinematic highlights and the mainstream. The cinemas of the former Soviet republics, including Ukraine, Belarus, Armenia, Georgia, Lithuania, and Latvia, are also represented with their most influential artists. Through a chronology, an introduction essay, a bibliography, and over 500 cross-referenced dictionary entries on filmmakers, performers, cinematographers, composers, producers, studios, genres, and outstanding films, this reference work covers the history of Russian and Soviet filmmaking from 1896 to 2007.
Download or read book Historical Dictionary of Russian and Soviet Cinema written by Peter Rollberg and published by Rowman & Littlefield. This book was released on 2016-07-20 with total page 891 pages. Available in PDF, EPUB and Kindle. Book excerpt: Russian and Soviet cinema occupies a unique place in the history of world cinema. Legendary filmmakers such as Sergei Eisenstein, Vsevolod Pudovkin, Dziga Vertov, Andrei Tarkovsky, and Sergei Paradjanov have created oeuvres that are being screened and studied all over the world. The Soviet film industry was different from others because its main criterion of success was not profit, but the ideological and aesthetic effect on the viewer. Another important feature is Soviet cinema’s multinational (Eurasian) character: while Russian cinema was the largest, other national cinemas such as Georgian, Kazakh, and Ukrainian played a decisive role for Soviet cinema as a whole. The Historical Dictionary of Russian and Soviet Cinema provides a rich tapestry of factual information, together with detailed critical assessments of individual artistic accomplishments. This second edition of Historical Dictionary of Russian and Soviet Cinema contains a chronology, an introduction, and a bibliography. The dictionary section has over 600 cross-referenced entries on directors, performers, cinematographers, composers, designers, producers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian and Soviet Cinema.
Download or read book Cinema and Soviet Society from the Revolution to the Death of Stalin written by Peter Kenez and published by . This book was released on with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917.
Download or read book Russian Americans in Soviet Film written by Marina L. Levitina and published by Bloomsbury Publishing. This book was released on 2015-09-29 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Certain aspects of American popular culture had a formative influence on early Soviet identity and aspirations. Traditionally, Soviet Russia and the United States between the 1920s and the 1940s are regarded as polar opposites on nearly every front. Yet American films and translated adventure fiction were warmly received in 1920s Russia and partly shaped ideals of the New Soviet Person into the 1940s. Cinema was crucial in propagating this new social hero. While open admiration of American film stars and heroes of literary fiction in the Soviet press was restricted from the late 1920s onwards, many positive heroes of Soviet Socialist Realist films in the 1930s and 1940s were partially a product of Soviet Americanism of the previous decade. Some of the new Soviet heroes in films of the 1930s and 1940s possessed traits noticeably evocative of the previously popular American film stars such as Douglas Fairbanks, Pearl White and Mary Pickford. Others cinematically represented the contemporary trope of the 'Russian American,' an ideal worker exemplifying the Stalinist marriage of 'Russian revolutionary sweep' with 'American efficiency. 'Russian Americans' in Soviet Film analyses the content, reception and underlying influences of over 60 Soviet and American films, the book explores new territory in Soviet cinema and Soviet-American cultural relations. It presents groundbreaking archival research encompassing Soviet audience surveys, Soviet film journals and reviews, memoirs and articles by Soviet filmmakers, and scripts, among other sources. The book reveals that values of optimism, technological skill, efficiency and self-reliance - perceived as quintessentially American - were incorporated into new Soviet ideals through channels of cross-cultural dissemination, resulting in cultural synthesis.
Download or read book Soviet Cinema written by Jamie Miller and published by I.B. Tauris. This book was released on 2010-01-15 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyses key films, from the classic musical "Circus" to the political epic "The Great Citizen", and examines the Bolsheviks', ultimately failed, attempts to develop a 'cinema for the millions'.
Download or read book A Companion to Russian Cinema written by Birgit Beumers and published by John Wiley & Sons. This book was released on 2016-05-17 with total page 676 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected
Download or read book A History of Russian Cinema written by Birgit Beumers and published by Berg Publishers. This book was released on 2009 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film emerged in pre-Revolutionary Russia to become the 'most important of all arts' for the new Bolshevik regime and its propaganda machine. This text is a complete history from the beginning of film onwards and presents an engaging narrative of both the industry and its key films in the context of Russia's social and political history.
Download or read book Soviet and Post Soviet Identities written by Mark Bassin and published by Cambridge University Press. This book was released on 2012-04-26 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh look at post-Soviet Russia and Eurasia and at the Soviet historical background that shaped the present.
Download or read book Before the Fall written by Anna Lawton and published by New Academia Publishing, LLC. This book was released on 2010-06 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an expanded edition of Kinoglasnost: Soviet Cinema in Our Time Cambridge University Press). The book examines the fascinating world of Soviet cinema during the years of glasnost and perestroika-the 1980s. It shows how the reforms that shook the foundations of the Bolshevik state and affected economic and social structures have been reflected in the film industry.A new added chapter provides a commentary on the dramatic changes that marked the beginning of democracy in Russia. This book will be widely read by students and specialists of Soviet/Russian history, culture and society, and film studies, as well as by anyone with an interest in the transformations of Russian society.Reviews"What makes Kinoglasnost pre-eminent among current studies of the subject is that sustained attention Lawton pays to changes in the formal organization of Soviet cinema and in the cinema industry."- Julian Graffy, Sight and Sound, vol. 3 (July 1993). "Lawton's book now stands as a valuable work of history on one aspect of a collapsed system...This remains as a testimony of a fateful moment that has changed the course of history."- Louis Menashe, The Russian Review, vol.53, No.4 (October 1994). "The author constructs a complex, multilayered narrative of a steady and significant movement toward radical change in Soviet society, an account of the growing anxiety and the hope experienced by Russian filmmakers and the intelligentsia."- Ludmila Z. Pruner, Slavic and East European Journal, vol.38, No.4 (Winter 1994).
Download or read book Filmmaker s Philosopher written by DeBlasio Alyssa DeBlasio and published by Edinburgh University Press. This book was released on 2019-09-27 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Known as the 'Georgian Socrates' of Soviet philosophy, Merab Mamardashvili was a defining personality of the late-Soviet intelligentsia. In the 1970s and 1980s, he taught required courses in philosophy at Russia's two leading film schools, helping to educate a generation of internationally prolific directors. Exploring Mamardashvili's extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation - including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov. This multidisciplinary study offers an innovative way to think about film, philosophy and the philosophical potential of the moving image.
Download or read book A History of the Soviet Union from the Beginning to the End written by Peter Kenez and published by Cambridge University Press. This book was released on 2006-05-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of political, social and cultural developments in the Soviet Union. The book identifies the social tensions and political inconsistencies that spurred radical change in the government of Russia, from the turn of the century to the revolution of 1917. Kenez envisions that revolution as a crisis of authority that posed the question, 'Who shall govern Russia?' This question was resolved with the creation of the Soviet Union. Kenez traces the development of the Soviet Union from the Revolution, through the 1920s, the years of the New Economic Policies and into the Stalinist order. He shows how post-Stalin Soviet leaders struggled to find ways to rule the country without using Stalin's methods but also without openly repudiating the past, and to negotiate a peaceful but antipathetic coexistence with the capitalist West. In this second edition, he also examines the post-Soviet period, tracing Russia's development up to the time of publication.
Download or read book How the Soviet Jew Was Made written by Sasha Senderovich and published by Harvard University Press. This book was released on 2022-07-05 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: In post-1917 Russian and Yiddish literature, films, and reportage, Sasha Senderovich finds a new cultural figure: the Soviet Jew. Suddenly mobile after more than a century of restrictions under the tsars, Jewish authors created characters who traversed space and history, carrying with them the dislodged practices and archetypes of a lost world.
Download or read book Ivan the Terrible in Russian Historical Memory since 1991 written by Charles J. Halperin and published by Academic Studies PRess. This book was released on 2021-08-31 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tsar Ivan the Terrible (Ivan IV, 1533-1584) is one of the most controversial rulers in Russian history, infamous for his cruelty. He was the first Russian ruler to use mass terror as a political instrument, and the only Russian ruler to do so before Stalin. Comparisons of Ivan to Stalin only exacerbated the politicization of his image. Russians have never agreed on his role in Russian history, but his reign is too important to ignore. Since the abolition of censorship in 1991 professional historians and amateurs have grappled with this problem. Some authors have manipulated that image to serve political and cultural agendas. This book explores Russia’s contradictory historical memory of Ivan in scholarly, pedagogical and political publications.
Download or read book Soviet Film Music written by Tatʹi︠a︡na K. Egorova and published by Psychology Press. This book was released on 1997 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Reports and Documents written by United States. Congress and published by . This book was released on 1964 with total page 1416 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cinema in Central Asia written by Michael Rouland and published by Bloomsbury Publishing. This book was released on 2013-09-17 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement. The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers.
Download or read book Arctic Cinemas written by Kylo-Patrick R. Hart and published by McFarland. This book was released on 2021-06-03 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arctic cinemas represent a noteworthy new subfield of film studies, and in the current era of unprecedented global warming, interest in the Arctic region and its cinematic portrayals has never been greater. Individually and collectively, films pertaining to Arctic inhabitants and experiences have substantially influenced viewer perceptions of the region throughout the world, often serving as blank slates for the fantasies and projections of individuals elsewhere with regard to its challenging landscape and perceived "otherworldliness." Written by a blend of academic scholars, artists, and filmmakers, this collection of essays provides a transnational overview of the variety of works--ranging from art films and documentaries to horror and road movies--that fall under the conceptual rubric of "Arctic cinemas," and examines their contributions to past and present perceptions of the Arctic. Theoretical and analytical approaches represented here include critical theory, cultural studies, ecocriticism, ethnography, gender studies, genre theory, historiography, and indigenous studies.
