Download or read book The 12th Hong Kong International Film Festival written by and published by . This book was released on 1988* with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Japanese and Hong Kong Film Industries written by Yau Shuk-ting, Kinnia and published by Routledge. This book was released on 2009-09-11 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focuses on the cooperation between Hong Kong and Japanese cinema from the Sino-Japanese War, which broke out in the 1930s, up until the early 1970s, to re-evaluate the significance of this event in the context of Asian film history.
Download or read book The Cinema of Hong Kong written by Poshek Fu and published by Cambridge University Press. This book was released on 2002-03-25 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines Hong Kong cinema in transnational, historical, and artistic contexts.
Download or read book A Companion to Hong Kong Cinema written by Esther M. K. Cheung and published by John Wiley & Sons. This book was released on 2015-06-08 with total page 642 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Hong Kong Cinema provides the first comprehensive scholarly exploration of this unique global cinema. By embracing the interdisciplinary approach of contemporary film and cultural studies, this collection navigates theoretical debates while charting a new course for future research in Hong Kong film. Examines Hong Kong cinema within an interdisciplinary context, drawing connections between media, gender, and Asian studies, Asian regional studies, Chinese language and cultural studies, global studies, and critical theory Highlights the often contentious debates that shape current thinking about film as a medium and its possible future Investigates how changing research on gender, the body, and sexual orientation alter the ways in which we analyze sexual difference in Hong Kong cinema Charts how developments in theories of colonialism, postcolonialism, globalization, neoliberalism, Orientalism, and nationalism transform our understanding of the economics and politics of the Hong Kong film industry Explores how the concepts of diaspora, nostalgia, exile, and trauma offer opportunities to rethink accepted ways of understanding Hong Kong’s popular cinematic genres and stars
Download or read book Film Festivals written by Cindy H. Wong and published by Rutgers University Press. This book was released on 2011 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Movies, stars, auteurs, and critics come together in film festivals as quintessential constellations of art, business, and glamour. Yet, how well do we understand the forces and meanings that these events embody? This work offers an overview of the history, people, films, and functions of the festival world.
Download or read book Hong Kong Dark Cinema written by Kim-Mui E. Elaine Chan and published by Springer Nature. This book was released on 2019-11-27 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a scholarly investigation of the historical development and contemporary transformation of film noir in today’s Hong Kong. Focusing on the evolvement of cinematic narratives, aesthetics, and techniques, the author balances a deep reading of the multiple filmic plots with a discussion of the cinematic portrayals of gender, romance, identities and power relations. Nuancing the prototypical cinematic form and tragic sense of classical film noir, the recent Hong Kong cinema turns around the classical generic role of film noir at the turn of the century to convey very different messages—joy, hope or love. This book examines how the mainstream cinema, or pre-and-post-Hong Kong cinema in particular, applies a peculiar strategy that makes rooms for the audience to enjoy a pleasure-giving process of reflexivity and also critique the mainstream ideology. With new analytical approaches and angles, this book breaks new ground in offering transcultural and cross-genre analyses on the cinema and its impact in local and international markets. This book is the first major scholarly investigation of the historical development and contemporary transformation of film noir in today’s Hong Kong. Focusing on the evolvement of cinematic narratives, aesthetics, and techniques, the author balances a deep reading of the multiple filmic plots with a refreshing discussion of the cinematic portrayals of gender, romance, identities and power relations. This book also revisits conceptual categories developed by Foucault, Lacan, Derrida and Butler.
Download or read book Global Hong Kong written by Cindy Wong and published by Routledge. This book was released on 2014-06-03 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Global Hong Kong locates Hong Kong in the contemporary globalizing world. Hong Kong, as the authors argue, is an archetypal place, sitting at the intersection of East and West. It is also a major center for global capital flows and world trade. Moreover, in recent years, the island's global cultural power has become increasingly evident, as Hong Kong popular culture has spread to the West via a booming film industry. While looking at issues of postcoloniality, transnationalism and economic globalization, Wong and McDonogh focus on the new cultures and social formations of contemporary Hong Kong, as well as the transformation of the physical city itself. They also trace the new interconnections - economic, demographic, social and cultural - between Hong Kong and other parts of the worldthat have benn fostered by globalization. Books in this series look at how nations and regions across the world are navigating the tumultuous currents of globalization. Concise, descriptive, interdisciplinary, and theoretically informed, they serve as ideal introductions to the peoples and places of our increasingly globalized world.
Download or read book Fodor s Hong Kong written by Joanna G. Cantor and published by Fodors Travel Publications. This book was released on 2009 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recommends hotels, restaurants, museums, and parks, briefly describes the history and culture of Hong Kong, and offers tips on sightseeing, night life, leisure activities, and excursions to China
Download or read book Hong Kong Documentary Film written by Ian Aitken and published by Edinburgh University Press. This book was released on 2014-03-17 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive study of the lost genre of Hong Kong documentary film
Download or read book Hong Kong s Transitions 1842 1997 written by Judith M. Brown and published by Springer. This book was released on 1997-06-12 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The reversion of Hong Kong to China on 1 July 1997 is an event of major historical significance. This volume examines this dramatic event from a long-term perspective against the background of earlier turning points in Hong Kong's political, economic and social history. It also explores Hong Kong's links with China and Britain in this troubled last decade of colonial rule, and offers a basis for assessing the territory's possible future as a part of the Chinese state.
Download or read book Filming Margins written by Ching Yau and published by Hong Kong University Press. This book was released on 2004-09-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies the work of filmmaker Tang Shu Shuen in Hong Kong in the 1960s and 1970s. It raises issues regarding the applicability of paradigms of Western auteurism and feminist authorship in studying Tang's work and also examines the reasons why Tang Shu Shuen's work has been so underrecognised and underdiscussed historically. Through examining the production and reception structures of Tang Shu Shuen's work, this publication attempts to shed light on the development of Hong Kong's film industry and the evolution and problems of Hong Kong's cultural identity in the 1960s and 1970s. Yau Ching is currently Assistant Professor at the School of Design of the Hong Kong Polytechnic University. She teaches courses in areas including media production, cinema studies and cultural studies. She is also a filmmaker, media artist and writer. Her publications include Building a New Stove, Stripping Pants and Skirts, The Impossible Home, and Ho Yuk. Her films and videos include Flow, The Ideal/Na(rra)tion, Video Letters 1–3, Diasporama: Dead Air, Finding Oneself, and Ho Yuk (Let's Love Hong Kong).
Download or read book New Chinese Cinemas written by Nick Browne and published by Cambridge University Press. This book was released on 1994 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Chinese Cinemas analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic 'modernisation', it also demonstrates how film has been an important formal structure and social document in the interpretation of these changes. The essays collected here, which were specially commissioned for this volume, also offer extended analyses of the important trends, styles and work that define Chinese filmmaking in the 1980s.
Download or read book Transnational Horror Cinema written by Sophia Siddique and published by Springer. This book was released on 2017-02-24 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book broadens the frameworks by which horror is generally addressed. Rather than being constrained by psychoanalytical models of repression and castration, the volume embraces M.M. Bakhtin’s theory of the grotesque body. For Bakhtin, the grotesque body is always a political body, one that exceeds the boundaries and borders that seek to contain it, to make it behave and conform. This vital theoretical intervention allows Transnational Horror Cinema to widen its scope to the social and cultural work of these global bodies of excess and the economy of their grotesque exchanges. With this in mind, the authors consider these bodies’ potentials to explore and perhaps to explode rigid cultural scripts of embodiment, including gender, race, and ability.
Download or read book The Education of the Filmmaker in Africa the Middle East and the Americas written by M. Hjort and published by Springer. This book was released on 2013-07-31 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using case studies from Nigeria, Qatar, the United States, the West Indies, and others, the contributors to this volume examine aspects such as audience response, film education for children, and the impact on crime in the various studios, clubs, film festivals, NGOs, peripatetic workshops, and alternative film schools where filmmaking is taught.
Download or read book Cinemas Identities and Beyond written by D. H. Fleming and published by Cambridge Scholars Publishing. This book was released on 2020-07-13 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinemas, Identities and Beyond examines different modes of representing and constructing identities in and through the medium of film, transcending the narrow confines of the local / national / regional, and challenging spatial and temporal boundaries. It gathers fifteen essays that explore different dimensions of identities in contexts ranging from domestic spheres, urban milieus, socio-political environments, diasporic film-making issues, anthropology, film festivals, and psychoanalysis, to the examination of stardom in society. Engaging with cinematic representations, narrative conventions, film form, industry concerns, and other socio-cultural-economic-political factors relating to the production, distribution, exhibition and consumption of film, Cinemas, Identities and Beyond contributes to one of the most thought-provoking contemporary debates on cinemas and identities in film studies. Revisiting films such as Farewell My Concubine, The Matrix trilogy, The Straight Story, El Topo, and Days of Being Wild, this anthology establishes a framework that actively queries stabilised, ideological paradigms. The book discovers new frontiers and discourses to help us better understand ourselves and our surroundings when another decade of the new millennium is about to begin. Cinemas, Identities and Beyond will prove to be of value to a broad range of scholars, critics and students who are interested in issues pertaining to identities, and their construction in and beyond film.
Download or read book At Full Speed written by Ching-Mei Esther Yau and published by U of Minnesota Press. This book was released on 2001 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Breathtaking swordplay and nostalgic love, Peking opera and Chow Yun-fat's cult followers -- these are some of the elements of the vivid and diverse urban imagination that find form and expression in the thriving Hong Kong cinema. All receive their due in At Full Speed, a volume that captures the remarkable range and energy of a cinema that borrows, invents, and reinvents across the boundaries of time, culture, and conventions. At Full Speed gathers film scholars and critics from around the globe to convey the transnational, multilayered character that Hong Kong films acquire and impart as they circulate worldwide. These writers scrutinize the films they find captivating: from the lesser known works of Law Man and Yuen Woo Ping to such film festival notables as Stanley Kwan and Wong Kar-wai, and from the commercial action, romance, and comedy genres of Jackie Chan, Peter Chan, Steven Chiau, Tsui Hark, John Woo, and Derek Yee to the attempted departures of Evans Chan, Ann Hui, and Clara Law. In this cinema the contributors identify an aesthetics of action, gender-flexible melodramatic excesses, objects of nostalgia, and globally projected local history and identities, as well as an active critical film community. Their work, the most incisive account ever given of one of the world's largest film industries, brings the pleasures and idiosyncrasies of Hong Kong cinema into clear close-up focus even as it enlarges on the relationships between art and the market, cultural theory and the movies.
Download or read book Locating Migrating Media written by Greg Elmer and published by Lexington Books. This book was released on 2012-07-10 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Locating Migrating Media details the extent to which media productions, both televisual and cinematic, have sought out new and cheaper shot locations, creative staff, and financing around the world. The book contributes to debates about media globalization, focusing on the local impact of new sites of media production. The book's chapters also question the role that film and television industries and local and regional governments play in broader economic develop and tax incentive schemes. While metaphors of transportation, mobility, fluidity and change continue to serve as key concepts and frames for understanding contemporary media industries, products and processes, the essays in this book look to local spaces, neighborhoods, cultural workers and stories to ground the global_that is, to interrogate the effect of media globalization before, during and after film and television shooting and onsite production. By locating migrating media, these chapters seek to determine the political, economic and cultural conditions that produce contemporary forms of televisual and cinematic storytelling, and how these processes affect the inhabitants, the 'look' and the very geopolitical future of local communities, neighborhoods, cities and regions. The focus on relocated screen production highlights the act of film- and television-making, both aesthetically and economically. To locate migrating media is therefore to determine the political and cultural economies of globalized sets and stages, be they in new studios or on city streets or, perhaps most importantly, in our imaginations.
