Download or read book Text and Supertext in Ibsen s Drama written by Brian Johnston and published by Penn State Press. This book was released on 1989-09-08 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas.
Download or read book Text and Supertext in Ibsen s Drama written by Brian Johnston and published by Penn State Press. This book was released on 1989 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas.
Download or read book Text and Supertext in Ibsen s Drama written by Brian Johnston and published by Penn State Press. This book was released on 1989-01-01 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day. This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas. Brian Johnston is Chief Editor of Theater Three. He is the author of The Ibsen Cycle and To the Third Empire, and is Visiting Professor, Department of Drama, Carnegie Mellon University.
Download or read book The Ibsen Cycle written by Brian Johnston and published by Penn State Press. This book was released on 1992 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Attempting no less a task than to demonstrate that Ibsen planned his last twelve plays, beginning with Pillars of Society, as a cycle paralleling exactly Hegel's account of the evolution of the human consciousness, The Phenomenology of Mind, Johnston offers a fresh look at the Norwegian master. Although there is little specific biographical data in support of the author's thesis, he argues compellingly for it in his analysis of the texts themselves. After discussing Hegel's dramatic method of exposition and Ibsen's philosophy, Johnston examines each of the twelve plays in considerable detail. Provocative and sophisticated in its approach, this volume should be widely available to scholars and advanced students of modern drama. ---Library Journal
Download or read book The Ibsen Cycle written by Brian Johnston and published by Penn State Press. This book was released on 1992 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Attempting no less a task than to demonstrate that Ibsen planned his last twelve plays, beginning with Pillars of Society, as a cycle paralleling exactly Hegel's account of the evolution of the human consciousness, The Phenomenology of Mind, Johnston offers a fresh look at the Norwegian master. Although there is little specific biographical data in support of the author's thesis, he argues compellingly for it in his analysis of the texts themselves. After discussing Hegel's dramatic method of exposition and Ibsen's philosophy, Johnston examines each of the twelve plays in considerable detail. Provocative and sophisticated in its approach, this volume should be widely available to scholars and advanced students of modern drama. ---Library Journal
Download or read book The Cambridge Companion to Ibsen written by James Walter McFarlane and published by Cambridge University Press. This book was released on 1994 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the history of modern theatre, Ibsen is one of the dominating figures. The sixteen chapters of this 1994 Companion explore his life and work, providing an invaluable reference work for students. In chronological terms they range from an account of Ibsen's earliest pieces, through the years of rich experimentation, to the mature 'Ibsenist' plays that made him famous towards the end of the nineteenth century. Among the thematic topics are discussions of Ibsen's comedy, realism, lyric poetry and feminism. Substantial chapters account for Ibsen's influence on the international stage and his challenge to theatre and film directors and playwrights today. Essential reference materials include a full chronology, list of works and essays on twentieth-century criticism and further reading.
Download or read book The Cambridge Companion to Ibsen written by James McFarlane and published by Cambridge University Press. This book was released on 1994-02-25 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the history of modern theatre, Ibsen is one of the dominating figures. The sixteen chapters of this 1994 Companion explore his life and work, providing an invaluable reference work for students. In chronological terms they range from an account of Ibsen's earliest pieces, through the years of rich experimentation, to the mature 'Ibsenist' plays that made him famous towards the end of the nineteenth century. Among the thematic topics are discussions of Ibsen's comedy, realism, lyric poetry and feminism. Substantial chapters account for Ibsen's influence on the international stage and his challenge to theatre and film directors and playwrights today. Essential reference materials include a full chronology, list of works and essays on twentieth-century criticism and further reading.
Download or read book Modernism in European Drama written by Frederick J. Marker and published by University of Toronto Press. This book was released on 1998-01-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.
Download or read book Four Major Plays written by Henrik Ibsen and published by Oxford University Press. This book was released on 2008-05-08 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of plays is taken from the Oxford Ibsen, James McFarlane's acclaimed scholarly edition.
Download or read book Henrik Ibsen and the Birth of Modernism written by Toril Moi and published by OUP Oxford. This book was released on 2008-02-14 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism , Toril Moi makes a powerful case not just for Ibsen's modernity, but for his modernism. Situating Ibsen in his cultural context, she shows how unexpected his rise to world fame was, and the extent of his influence on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism. Henrik Ibsen and the Birth of Modernism also rewrites nineteenth-century literary history; positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism. Modernism, Moi argues, arose from the ruins of idealism, the dominant aesthetic paradigm of the nineteenth century. She also shows why Ibsen still matters to us today, by focusing on two major themes-his explorations of women, men, and marriage and his clear-eyed chronicling of the tension between skepticism and the everyday. This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert, and Manet as a founder of European modernism.
Download or read book Contemporary Approaches to Ibsen written by Bjørn Hemmer and published by Oxford University Press, USA. This book was released on 1994 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary Approaches to Ibsen is a biennial publication designed to include the best in international Ibsen research. Volume VIII deals particularly with the early plays, in addition to in-depth studies of Hedda Gabler and John Gabriel Borkman.
Download or read book Ibsen Strindberg and the Intimate Theatre written by Egil Törnqvist and published by Amsterdam University Press. This book was released on 1999 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: I Part 2 : Strindberg (s. 106-184) behandlas TV-teaterföreställningar av Fadren (s. 106-116), Fröken Julie (s. 117-126), Den starkare (s. 127-133), Ett drömspel (s. 134-145), Oväder (s. 146-154), Spöksonaten (s. 155-171) och Pelikanen (s. 172-184).
Download or read book Ibsen A Doll s House written by Egil Törnqvist and published by Cambridge University Press. This book was released on 1995-04-27 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 1995 critical study of Ibsen's A Doll's House addresses fundamental questions of text, reception and performance. What is the definitive 'version' of A Doll's House: original text, translation, stage presentation, radio version, adaptation to film or television? What occurs when a drama intended for recipients in one language is translated into another, or when a play written for the stage is adapted for radio, television or film? And to what extent do differences between the media and between directorial approaches influence the meaning of the play text? Discussions of these issues include an internal analysis of the dramatic text and comparative performance analysis, framed by the biographical background to the play and its impact on dramas by Strindberg, Shaw and O'Neill and on films by Ingmar Bergman. The book concludes with a list of productions and a select bibliography.
Download or read book The Ibsen Secret written by Jennette Lee and published by Franklin Classics. This book was released on 1907 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book Peer Gynt written by Henrik Ibsen and published by Oxford University Press, USA. This book was released on 1998 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Peer Gynt was Ibsen's last work to use poetry as a medium of dramatic expression, and the poetry is brilliantly appropriate to the imaginative swings between Scandinavian oral folk traditions, the Morrocan coast, the Sahara Desert, and the absurdist images of the Cairo madhouse. Thistranslation is taken from the acclaimed Oxford Ibsen.John McFarlane is Emeritus Professor of European Literature at the University of East Anglia, and General Editor of the Oxford Ibsen.
Download or read book Ibsen on the German Stage 1876 1918 written by Jens-Morten Hanssen and published by Narr Francke Attempto Verlag. This book was released on 2018-11-26 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception of Ibsen on the German stage from a quantitative angle using the performance database IbsenStage as a research tool. Visualization techniques are adopted as a means to prepare data for analysis and identify the major patterns in the production history, and data interrogation methodology is used to trigger new lines of enquiry.
Download or read book James Baldwin written by A. Scott Henderson and published by Springer. This book was released on 2014-05-05 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The recognition and study of African American (AA) artists and public intellectuals often include Martin Luther King, Jr., and occasionally Booker T. Washington, W.E.B. DuBois, and Malcolm X. The literary canon also adds Ralph Ellison, Richard White, Langston Hughes, and others such as female writers Zora Neale Hurston, Maya Angelou, and Alice Walker. Yet, the acknowledgement of AA artists and public intellectuals tends to skew the voices and works of those included toward normalized portrayals that fit wellwithin foundational aspects of the American myths refl ected in and perpetuated by traditional schooling. Further, while many AA artists and public intellectuals are distorted by mainstream media, public and political characterizations, and the curriculum, several powerful AA voices are simply omitted, ignored, including James Baldwin. This edited volume gathers a collection of essays from a wide range of perspectives that confront Baldwin’s impressive and challenging canon as well as his role as a public intellectual. Contributors also explore Baldwin as a confrontational voice during his life and as an enduring call for justice."
